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Commentary on Exodus 15 verses 1–21
Having read how that complete victory of Israel over the Egyptians was obtained, here we are told how it was celebrated; those that were to hold their peace while the deliverance was in working (Exo 14:14) must not hold their peace now that it was wrought; the less they had to do then the more they had to do now. If God accomplishes deliverance by his own immediate power, it redounds so much the more to his glory. Moses, no doubt by divine inspiration, indited this song, and delivered it to the children of Israel, to be sung before they stirred from the place where they saw the Egyptians dead upon the shore. Observe, 1. They expressed their joy in God, and thankfulness to him, by singing; it is almost natural to us thus to give vent to our joy and the exultations of our spirit. By this instance it appears that the singing of psalms, as an act of religious worship, was used in the church of Christ before the giving of the ceremonial law, and therefore was no part of it, nor abolished with it. Singing is as much the language of holy joy as praying is of holy desire. 2. Moses, who had gone before them through the sea, goes before them in the song, and composes it for them. Note, Those that are active in public services should not be neuters in public praises. 3. When the mercy was fresh, and they were much affected with it, then they sang this song. Note, When we have received special mercy from God, we ought to be quick and speedy in our returns of praise to him, before time and the deceitfulness of our own hearts efface the good impressions that have been made. David sang his triumphant song in the day that the Lord delivered him, Sa2 22:1. Bis dat qui cito dat - He gives twice who gives quickly. 4. When they believed the Lord (Exo 14:31) then they sang this song: it was a song of faith; this connection is observed (Psa 106:12): Then believed they his words, they sang his praise. If with the heart man believes, thus confession must be made. Here is,
I. The song itself; and,
1.We may observe respecting this song, that it is, (1.) An ancient song, the most ancient that we know of. (2.) A most admirable composition, the style lofty and magnificent, the images lively and proper, and the whole very moving. (3.) It is a holy song, consecrated to the honour of God, and intended to exalt his name and celebrate his praise, and his only, not in the least to magnify any man: holiness to the Lord is engraven in it, and to him they made melody in the singing of it. (4.) It is a typical song. The triumphs of the gospel church, in the downfall of its enemies, are expressed in the song of Moses and the song of the Lamb put together, which are said to be sung upon a sea of glass, as this was upon the Red Sea, Rev 15:2, Rev 15:3.
2.Let us observe what Moses chiefly aims at in this song.
(1.)He gives glory to God, and triumphs in him; this is first in his intention (Exo 15:1): I will sing unto the Lord. Note, All our joy must terminate in God, and all our praises be offered up to him, the Father of lights and Father of mercies, for he hath triumphed. Note, All that love God triumph in his triumphs; what is his honour should be our joy. Israel rejoiced in God, [1.] As their own God, and therefore their strength, song, and salvation, Exo 15:2. Happy therefore the people whose God is the Lord; they need no more to make them happy. They have work to do, temptations to grapple with, and afflictions to bear, and are weak in themselves; but he strengthens them: his grace is their strength. They are often in sorrow, upon many accounts, but in him they have comfort, he is their song; sin, and death, and hell, threaten them, but he is, and will be, their salvation: See Isa 12:2. [2.] As their fathers' God. This they take notice of, because, being conscious to themselves of their own unworthiness and provocations, they had reason to think that what God had now done for them was for their fathers' sake, Deu 4:37. Note, The children of the covenant ought to improve their fathers' relation to God as their God for comfort, for caution, and for quickening. [3.] As a God of infinite power (Exo 15:3): The Lord is a man of war, that is, well able to deal with all those that strive with their Maker, and will certainly be too hard for them. [4.] As a God of matchless and incomparable perfection, Exo 15:11. This is expressed, First, More generally: Who is like unto thee, O Lord, among the gods! This is pure praise, and a high expression of humble adoration. - It is a challenge to all other gods to compare with him: "Let them stand forth, and pretend their utmost; none of them dare make the comparison." Egypt was notorious for the multitude of its gods, but the God of the Hebrews was too hard for them and baffled them all, Num 33:4; Deu. 32:23-39. The princes and potentates of the world are called gods, but they are feeble and mortal, none of them all comparable to Jehovah, the almighty and eternal God. - It is confession of his infinite perfection, as transcendent and unparalleled. Note, God is to be worshipped and adored as a being of such infinite perfection that there is none like him, nor any to be compared with him, as one that in all things has and must have the pre-eminence, Psa 89:6. Secondly, More particularly, 1. He is glorious in holiness; his holiness is his glory. It is that attribute which angels adore, Isa 6:3. His holiness appeared in the destruction of Pharaoh, his hatred of sin, and his wrath against obstinate sinners. It appeared in the deliverance of Israel, his delight in the holy seed, and his faithfulness to his own promise. God is rich in mercy - this is his treasure, glorious in holiness - this is his honour. Let us always give thanks at the remembrance of his holiness. 2. He is fearful in praises. That which is the matter of our praise, though it is joyful to the servants of God, is dreadful and very terrible to his enemies, Psa 66:1-3. Or it directs us in the manner of our praising God; we should praise him with a humble holy awe, and serve the Lord with fear. Even our spiritual joy and triumph must be balanced with a religious fear. 3. He is doing wonders, wondrous to all, being above the power and out of the common course of nature; especially wondrous to us, in whose favour they are wrought, who are so unworthy that we had little reason to expect them. They were wonders of power and wonders of grace; in both God was to be humbly adored.
(2.)He describes the deliverance they were now triumphing in, because the song was intended, not only to express and excite their thankfulness for the present, but to preserve and perpetuate the remembrance of this work of wonder to after-ages. Two things were to be taken notice of: -
[1.]The destruction of the enemy; the waters were divided, Exo 15:8. The floods stood upright as a heap. Pharaoh and all his hosts were buried in the waters. The horse and his rider could not escape (Exo 15:1), the chariots, and the chosen captains (Exo 15:4); they themselves went into the sea, and they were overwhelmed, Exo 15:19. The depths, the sea, covered them, and the proud waters went over the proud sinners; they sank like a stone, like lead (Exo 15:5, Exo 15:10), under the weight of their own guilt and God's wrath. Their sin had made them hard like a stone, and now they justly sink like a stone. Nay, the earth itself swallowed them (Exo 15:12); their dead bodies sank into the sands upon which they were thrown up, which sucked them in. Those whom the Creator fights against the whole creation is at war with. All this was the Lord's doing, and his only. It was an act of his power: Thy right hand, O Lord, not ours, has dashed in pieces the enemy, Exo 15:6. It was with the blast of thy nostrils (Exo 15:8), and thy wind (Exo 15:10), and the stretching out of thy right hand, Exo 15:12. It was an instance of his transcendent power - in the greatness of thy excellency; and it was the execution of his justice: Thou sentest forth thy wrath, Exo 15:7. This destruction of the Egyptians was made the more remarkable by their pride and insolence, and their strange assurance of success: The enemy said, I will pursue, Exo 15:9. Here is, First, Great confidence. When they pursue, they do not question but they shall overtake; and, when they overtake, they do not question but they shall overcome, and obtain so decisive a victory as to divide the spoil. Note, It is common for men to be most elevated with the hope of success when they are upon the brink of ruin, which makes their ruin so much the sorer. See Isa 37:24, Isa 37:25. Secondly, Great cruelty - nothing but killing, and slaying, and destroying, and this will satisfy his lust; and a barbarous lust that is which so much blood must be the satisfaction of. Note, It is a cruel hatred with which the church is hated; its enemies are bloody men. This is taken notice of here to show, 1. That God resists the proud, and delights to humble those who lift up themselves; he that says, "I will, and I will, whether God will or no," shall be made to know that wherein he deals proudly God is above him. 2. That those who thirst for blood shall have enough of it. Those who love to be destroying shall be destroyed; for we know who has said, Vengeance is mine, I will repay.
[2.]The protection and guidance of Israel (Exo 15:13): Thou in thy mercy hast led forth the people, led them forth out of the bondage Egypt, led them forth out of the perils of the Red Sea, Exo 15:19. But the children of Israel went on dry land. Note, The destruction of the wicked serves for a foil to set off the salvation of Israel, and to make it the more illustrious, Isa 45:13-15.
(3.)He sets himself to improve this wonderful appearance of God for them. [1.] In order to quicken them to serve God: in consideration of this, I will prepare him habitation, Exo 15:2. God having preserved them, and prepared a covert for them under which they had been safe and easy, they resolve to spare no cost nor pains for the erecting of a tabernacle to his honour, and there they will exalt him, and mention, to his praise, the honour he had got upon Pharaoh. God had now exalted them, making them great and high, and therefore they will exalt him, by speaking of his infinite height and grandeur. Note, Our constant endeavour should be, by praising his name and serving his interests, to exalt God; and it is an advancement to us to be so employed. [2.] In order to encourage them to trust in God. So confident is this Psalmist of the happy issue of the salvation which was so gloriously begun that he looks upon it as in effect finished already: "Thou hast guided them to thy holy habitation, Exo 15:13. Thou hast thus put them into the way to it, and wilt in due time bring them to the end of that way," for God's work is perfect; or, "Thou hast guided them to attend thy holy habitation in heaven with their praises." Note, Those whom God takes under his direction he will guide to his holy habitation in faith now, and in fruition shortly. Two ways this great deliverance was encouraging: - First, It was such an instance of God's power as would terrify their enemies, and quite dishearten them, Exo 15:14-16. The very report of the overthrow of the Egyptians would be more than half the over throw of all their other enemies; it would sink their spirits, which would go far towards the sinking of their powers and interests; he Philistines, Moabites, Edomites, and Canaanites (with each of which nations Israel was to grapple), would be alarmed by it, would be quite dispirited, and would conclude it was in vain to fight against Israel, when a God of such power fought for them. It had this effect; the Edomites were afraid of them (Deu 2:4), so were the Moabites (Num 22:3), and the Canaanites, Jos 2:9, Jos 2:10; Jos 5:1. Thus God sent his fear before them (Exo 23:27), and cut off the spirit of princes. Secondly, It was such a beginning of God's favour to them as gave them an earnest of he perfection of his kindness. This was but in order to something further: Thou shalt bring them in, Exo 15:17. If he thus bring them out of Egypt, notwithstanding their unworthiness, and the difficulties that lay in the way of their escape, doubtless he will bring them into Canaan; for has he begun (so begun), and will he not make an end? Note, Our experiences of God's power and favour should be improved for the support of our expectations. "Thou hast, therefore, not only thou canst, but we trust thou wilt," is good arguing. Thou wilt plant them in the place which thou has made for thee to dwell in. Note, It is good dwelling where God dwells, in his church on earth (Psa 27:4), in his church in heaven, Joh 17:24. Where he says, "This is my rest for ever," we should say, "Let it be ours." Lastly, The great ground of the encouragement which they draw from this work of wonder is, The Lord shall reign for ever and ever, Exo 15:18. They had now seen an end of Pharaoh's reign; but time itself shall not put a period to Jehovah's reign, which, like himself, is eternal, and not subject to change. Note, It is the unspeakable comfort of all God's faithful subjects, not only that he does reign universally and with an incontestable sovereignty, but that he will reign eternally, and there shall be no end of his dominion.
II. The solemn singing of this song, Exo 15:20, Exo 15:21. Miriam (or Mary, it is the same name) presided in an assembly of the women, who (according to the softness of their sex, and the common usage of those times for expressing joy, with timbrels and dances) sang this song. Moses led the psalm, and gave it out for the men, and then Miriam for the women. Famous victories were wont to be applauded by the daughters of Israel (Sa1 18:6, Sa1 18:7); so was this. When God brought Israel out of Egypt, it is said (Mic 6:4), He sent before them Moses, Aaron, and Miriam, though we read not of any thing memorable that Miriam did but this. But those are to be reckoned great blessings to a people who assist them, and go before them, in praising God.
“The prophetess Miriam took.…” How did she become a prophetess? Either, like Isaiah’s wife, she had the honorary title of prophecy, although she was not a prophetess, or because she was just a woman.
This reminds us that the prophetess, Miriam, immediately after the crossing of the sea, took a dry, tuneful “tambourine in her hand” and led a chorus of women. Perhaps by the tambourine Scripture means to suggest the virginity of the first Mary, who was, I think, the prototype of Mary the mother of God. For as the tambourine produces a loud sound, having no moisture in it and being quite dry, so also virginity is clear and noised abroad and has nothing in itself of the life-preserving moisture of this life.
And Miriam taking the timbrel led the dances with maidenly modesty. But consider whom she was then prefiguring. Was she not a type of the church, who as a virgin with unstained spirit joins together the religious gatherings of the people to sing divine songs?
This is what Moses sang and the sons of Israel with him, what Miriam the prophetess sang and the daughters of Israel with her. It is what we too now should sing, whether it means men and women or means our spirit and our flesh. “Those who belong to Christ Jesus,” you see, as the apostle says, “have crucified their flesh with its passions and desires.” This can be suitably understood in the drum which Miriam took to accompany this song: flesh, you see, is stretched over wood to make a drum. So they learn from the cross how to accompany in confession the sweet strains of grace.
This name is related to prophecy and salutary to those reborn. It is the badge of virginity, the glory of purity, the indication of chastity, the sacrificial gift of God, the height of hospitality, the sum total of sanctity. Rightly therefore is this motherly name that of the mother of Christ.
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SUMMARY
Exodus 15:20 captures a pivotal moment of communal worship and exuberant celebration following God's miraculous deliverance of Israel from Egyptian bondage and their triumphant passage through the Red Sea. It vividly portrays Miriam, identified as a prophetess and sister of Aaron, taking initiative to lead all the women in a spontaneous outpouring of praise through music and dance, signifying profound gratitude and awe for the Lord's mighty acts of salvation.
CONTEXT
EXPOSITION AND ANALYSIS
Key Word Analysis
Verse Breakdown
Literary Devices
Exodus 15:20 employs several powerful literary devices to convey its message. The verse utilizes Imagery to paint a vivid picture of spontaneous, joyful worship, allowing the reader to almost hear the rhythmic beat of the timbrels and see the women dancing in celebration. The description of "all the women" going out "after her" illustrates Leadership by Example, with Miriam initiating the worship and the community following suit, demonstrating her significant influence and the infectious nature of true praise. Furthermore, the Symbolism of the timbrels and dances is profound; they are not merely instruments or movements but represent the unbridled joy, gratitude, and spiritual release that comes from experiencing divine salvation. The collective action also highlights a form of Communal Response, emphasizing the unified and shared experience of God's deliverance and the resulting corporate worship.
THEOLOGICAL AND THEMATIC CONNECTIONS
Exodus 15:20 is a profound theological statement on the nature of worship and divine deliverance. It showcases that genuine worship is not merely a solemn obligation but can be a spontaneous, joyful, and physically expressive response to God's mighty acts. The passage affirms the active and prominent role of women in spiritual leadership and communal worship within Israel, challenging any notion that such roles were exclusively for men. It also underscores the principle that God's salvation evokes an overwhelming sense of gratitude that compels His people to praise Him with their whole being, demonstrating that worship is a holistic and embodied act.
REFLECTION AND APPLICATION
Exodus 15:20 offers timeless lessons for believers today. It reminds us that worship can and should be a vibrant, holistic, and expressive response to God's goodness and deliverance in our lives. Just as the Israelites responded with uninhibited joy to their physical salvation, we are called to express heartfelt gratitude for our spiritual deliverance through Christ. This passage validates diverse forms of worship, encouraging us to embrace music, dance, and other artistic expressions as legitimate and powerful ways to glorify God, rather than confining worship to rigid or solely intellectual forms. Moreover, Miriam's example challenges us to recognize and affirm gifted spiritual leadership in all its forms, including that of women, acknowledging that God equips whomever He chooses for His purposes. It invites us to consider how we, individually and communally, can more fully and joyfully celebrate God's ongoing work in our world, allowing our whole being to participate in praise.
Questions for Reflection
FAQ
What is the significance of Miriam being called a "prophetess"?
Answer: Miriam's designation as "the prophetess" (Hebrew: nᵉbîyʼâh) is highly significant because it marks her as the first woman in the Bible to receive this title. This indicates that she was someone through whom God communicated, a recipient of divine revelation, and a speaker for God. Her prophetic role signifies a recognized spiritual authority and leadership position within Israel, placing her alongside Moses and Aaron as a key figure in the nation's early history. It underscores that God bestows spiritual gifts and leadership roles upon both men and women, as seen later with figures like Deborah, another prophetess and judge in Israel.
Why were timbrels and dances used in this celebration?
Answer: Timbrels (a type of hand drum or tambourine) and dances were common elements of celebration and worship in the ancient Near East. Their use in Exodus 15:20 signifies a spontaneous, uninhibited, and physically expressive outpouring of joy and gratitude. The rhythmic beat of the timbrels provided accompaniment, while the communal dances allowed the women to physically embody their profound relief and elation at God's miraculous deliverance from the Egyptian army. This demonstrates that worship is not limited to solemnity but can involve the entire being—spirit, emotion, and body—in a vibrant expression of praise, much like King David later danced with all his might before the Lord.
CHRIST-CENTERED FULFILLMENT
Exodus 15:20, with its vibrant celebration of deliverance, powerfully foreshadows the ultimate and eternal salvation found in Jesus Christ. The Israelites' liberation from Egyptian bondage, a type of slavery, points to humanity's greater bondage to sin and death, from which Christ delivers us. Miriam's prophetic leadership and the women's joyful dance anticipate the new song of the redeemed, sung by those who have been set free by the Lamb of God, who takes away the sin of the world. The Red Sea crossing, a passage through judgment to new life, is a powerful type of baptism, symbolizing our union with Christ in His death and resurrection, leading to a new life of freedom. The Spirit-empowered celebration led by Miriam, a prophetess, points to the outpouring of the Holy Spirit in the New Covenant, enabling all believers—men and women—to prophesy, worship, and express their joy in Christ. The ultimate fulfillment of this exuberant praise awaits the day when the redeemed of all nations will stand before the throne, singing the song of Moses and the Lamb, celebrating God's final victory over all evil and the establishment of His eternal kingdom.