Psalms 68:25

The singers went before, the players on instruments [followed] after; among [them were] the damsels playing with timbrels.

The singers {H7891}{H8802)} went before {H6923}{H8765)}, the players on instruments {H5059}{H8802)} followed after {H310}; among {H8432} them were the damsels {H5959} playing with timbrels {H8608}{H8802)}.

The singers are in front, the musicians last, in the middle are girls playing tambourines.

The singers lead the way, the musicians follow after, among the maidens playing tambourines.

The singers went before, the minstrels followed after, In the midst of the damsels playing with timbrels.

Commentary

Psalms 68:25 describes a vibrant and orderly procession of worship, painting a vivid picture of ancient Israelite celebration in the presence of God. This verse is part of a grand psalm of triumph, often associated with the movement of the Ark of the Covenant or a great military victory, celebrating God's sovereign power and victorious leading of His people.

Context

Psalm 68 is a majestic hymn that praises God for His power, His provision, and His triumph over enemies. It recounts God's historical acts of deliverance, from leading Israel through the wilderness (Psalm 68:7-8) to establishing His dwelling place in Zion. Verses leading up to 68:25 speak of God's procession into His sanctuary (Psalm 68:24), setting the scene for this celebratory parade. The imagery evokes a solemn yet joyous march towards the temple or a place of worship, filled with instruments and voices.

Key Themes

  • Organized Worship and Procession: The verse highlights the structure of the procession ("singers went before, the players on instruments followed after"), indicating a deliberate and orderly act of corporate worship. This order reflects reverence and intentionality in approaching God.
  • Joyful Celebration: The presence of "singers," "players on instruments," and "damsels playing with timbrels" underscores the joyous and expressive nature of this worship. It wasn't a somber duty but a vibrant outpouring of praise.
  • Inclusivity in Worship: The mention of "damsels" (young women) participating with timbrels is significant. It shows that worship in ancient Israel was not exclusive to men or certain roles, but was a communal activity where all, including women and youth, could participate in expressing praise to God. This echoes the celebration led by Miriam and the women of Israel after crossing the Red Sea.
  • Anticipation of God's Presence: The entire procession is oriented towards God's sanctuary, demonstrating a longing for and celebration of His presence among His people.

Linguistic Insights

The term "timbrels" translates the Hebrew word toph (ืชึผื•ึนืฃ), which refers to a hand-drum or tambourine. This instrument was very common in ancient Israelite culture for joyous occasions, dances, and religious celebrations. Its inclusion here emphasizes the lively and rhythmic nature of the worship, suggesting dancing and spirited celebration alongside the singing and instrumental music.

Practical Application

Psalms 68:25 offers enduring lessons for contemporary worship. It reminds us that:

  • Worship should be expressive and joyful: Our praise to God can and should involve our whole beingโ€”voices, instruments, and even movement, reflecting the joy of His salvation and presence.
  • Order enhances worship: While spirited, the procession was also ordered. This suggests that intentionality and structure can contribute to a more meaningful corporate worship experience.
  • All are invited to participate: The inclusion of "damsels" serves as a reminder that worship is for everyone, regardless of age, gender, or social standing. Every believer has a part to play in offering praise to God.
  • Worship is a response to God's victory: Just as the psalm celebrates God's triumphs, our worship today should acknowledge and celebrate the victories God has won on our behalf, especially through Christ's work on the cross.

This verse beautifully captures the essence of communal praiseโ€”a vibrant, ordered, and inclusive expression of adoration for a victorious God.

Note: If the commentary doesnโ€™t appear instantly, please allow 2โ€“5 seconds for it to load. It is generated by Gemini 2.5 Flash using a prompt focused on Biblical fidelity over bias. While the insights have been consistently reliable, we encourage prayerful discernment through the Holy Spirit.

Please note that only the commentary section is AI-generated โ€” the main Scripture and cross-references are stored on the site and are from trusted and verified sources.

Cross-References

  • Judges 11:34

    And Jephthah came to Mizpeh unto his house, and, behold, his daughter came out to meet him with timbrels and with dances: and she [was his] only child; beside her he had neither son nor daughter.

  • 1 Chronicles 13:8

    And David and all Israel played before God with all [their] might, and with singing, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets.

  • Exodus 15:20

    And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with dances.

  • Jeremiah 31:4

    Again I will build thee, and thou shalt be built, O virgin of Israel: thou shalt again be adorned with thy tabrets, and shalt go forth in the dances of them that make merry.

  • Revelation 14:2

    And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder: and I heard the voice of harpers harping with their harps:

  • Revelation 14:3

    And they sung as it were a new song before the throne, and before the four beasts, and the elders: and no man could learn that song but the hundred [and] forty [and] four thousand, which were redeemed from the earth.

  • 1 Samuel 18:6

    ยถ And it came to pass as they came, when David was returned from the slaughter of the Philistine, that the women came out of all cities of Israel, singing and dancing, to meet king Saul, with tabrets, with joy, and with instruments of musick.
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