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Song of Solomon 3:11

“Behold the King in His Glory”· Song of Solomon 3:11Read in context
King James Version
Go forth, O ye daughters of Zion, and behold king Solomon with the crown wherewith his mother crowned him in the day of his espousals, and in the day of the gladness of his heart.
KJV (with Strong's)
Go forth H3318, O ye daughters H1323 of Zion H6726, and behold H7200 king H4428 Solomon H8010 with the crown H5850 wherewith his mother H517 crowned H5849 him in the day H3117 of his espousals H2861, and in the day H3117 of the gladness H8057 of his heart H3820.
Complete Jewish Bible
Daughters of Tziyon, come out, and gaze upon King Shlomo, wearing the crown with which his mother crowned him on his wedding day, his day of joy!
Berean Standard Bible
Come out, O daughters of Zion, and gaze at King Solomon, wearing the crown his mother bestowed on the day of his wedding— the day of his heart’s rejoicing.
American Standard Version
Go forth, O ye daughters of Zion, and behold king Solomon, With the crown wherewith his mother hath crowned him In the day of his espousals, And in the day of the gladness of his heart.
World English Bible Messianic
Go out, you daughters of Zion, and see king Solomon, with the crown with which his mother has crowned him, in the day of his weddings, in the day of the gladness of his heart.
Geneva Bible (1599)
Come forth, ye daughters of Zion, and behold the King Salomon with the crowne, wherewith his mother crowned him in ye day of his mariage, and in the day of the gladnes of his heart.
Young's Literal Translation
Go forth, and look, ye daughters of Zion, On king Solomon, with the crown, With which his mother crowned him, In the day of his espousals, And in the day of the joy of his heart!
Nederlands · STVE
Gaat uit, en aanschouwt, gij, dochteren van Sion! den koning Salomo, met de kroon, waarmede Hem Zijn moeder kroonde op den dag Zijner bruiloft, en op den dag der vreugde Zijns harten.
Translation
In the KJVVerse 17,583 of 31,102 · 56.5%

Study this verse

Summary

Song of Solomon 3:11 serves as a climactic invitation to the "daughters of Zion" to witness the resplendent King Solomon. It vividly portrays him adorned with a crown, a gift from his mother, on the sacred occasion of his wedding day. This verse encapsulates a moment of profound public celebration and personal joy for the king, marking his espousals as a significant event for both the monarch and his people, brimming with gladness and royal splendor.

Context

Literary Context

This verse stands as the culmination of a majestic royal procession described in Song of Solomon 3:6-11. The preceding verses meticulously detail the approach of a magnificent palanquin, or litter, emerging from the wilderness, enveloped in fragrant myrrh and frankincense, and guarded by sixty of Israel's mightiest warriors. This elaborate description builds anticipation for the grand reveal of the king himself. Verse 11 then shifts from narrative description to an urgent, direct summons to the "daughters of Zion" to come forth and actively participate in beholding this spectacle. It marks a transition from the public display of the king's grandeur to the more intimate expressions of love that characterize the subsequent chapters, particularly the king's praise of his bride beginning in Song of Solomon 4:1. Thus, this verse acts as a pivotal moment of public affirmation before the private consummation of marital love.

Historical & Cultural Context

In the ancient Near East, royal weddings were far from private affairs; they were pivotal public events, often serving as grand spectacles that reinforced the monarch's power, legitimacy, and the continuity of the dynastic line. Such celebrations typically involved elaborate processions, communal feasting, and symbolic rituals designed to unite the people in shared festivity and loyalty. The "daughters of Zion," representing the female populace of Jerusalem, would have been expected to line the streets, adding to the joyous atmosphere and bearing witness to this significant occasion. The specific detail of the king's mother crowning him is culturally profound. In many ancient societies, including Israel, the queen mother held a position of considerable influence and honor (e.g., 1 Kings 2:19). Her act of crowning her son on his wedding day would have symbolized not only a personal blessing and familial honor but also a public endorsement of his union, affirming its importance for the kingdom's future and stability.

Key Themes

Song of Solomon 3:11 richly contributes to several overarching themes within the book and the broader biblical narrative. Firstly, it powerfully highlights Royal Splendor and Celebration, presenting King Solomon at the zenith of his majesty, adorned with the symbols of his kingship on a day of profound personal and national joy. The invitation to "go forth... and behold" underscores the theme of Communal Witness and Participation, inviting the populace to share in the king's happiness and the significance of the event. Secondly, the central focus on "the day of his espousals" emphasizes The Sanctity and Joy of Marriage and Covenantal Union, portraying it as a divinely ordained institution, a source of profound gladness, and a foundational new beginning. The mother's act of crowning her son introduces the theme of Maternal Blessing and Familial Honor, weaving personal affection and tradition into the public display of power and legitimacy. This communal rejoicing over a foundational covenantal union echoes the broader biblical theme of God's people celebrating His covenant faithfulness, as seen in passages like Psalm 45:9-15.

Exposition and Analysis

Key Word Analysis

daughters bath' H1323

While literally referring to female offspring, "daughters" here is used in a broader, figurative sense to denote the female inhabitants of Zion, or Jerusalem. This collective address emphasizes the communal nature of the invitation, calling forth the young women of the city to witness and participate in the royal celebration, highlighting the public and shared joy of the event.

espousals chăthunnâh' H2861

This term specifically means "a wedding" or "espousal." It refers to the formal, public ceremony of marriage, marking the definitive act of union. This word underscores the sacred and binding nature of the marital covenant, which is the central cause for the celebration described in the verse, signifying not just a personal union but a foundational event for the kingdom.

gladness simchâh' H8057

This word conveys a deep sense of blithesomeness, glee, and intense joy, often associated with religious festivals or significant celebrations. When applied to "the gladness of his heart," it indicates a profound, authentic, internal joy emanating from King Solomon's innermost being, directly tied to the fulfillment and celebration of his marital union. It speaks to a genuine inner contentment and delight, not merely an outward, ceremonial display.

Verse Breakdown

"Go forth, O ye daughters of Zion,"

This opening phrase is an urgent and enthusiastic imperative, a direct summons to the female inhabitants of Jerusalem. It implies an exciting call to action, inviting them to leave their homes and come out to witness a momentous event. The address "daughters of Zion" personifies the city and its women, drawing them into the narrative as active, eager participants.

"and behold king Solomon"

The command to "behold" suggests more than a casual glance; it implies an act of intentional observation, an admiring gaze upon their monarch. The focus is singularly on King Solomon, presented as the central figure of this grand and celebratory occasion, inviting a sense of awe and wonder.

"with the crown wherewith his mother crowned him"

This clause provides a specific and deeply significant detail about the king's attire. The crown is a potent symbol of his royalty, authority, and majesty. The fact that his mother bestowed it adds a profound layer of personal affection, familial blessing, and perhaps a public affirmation of his status by the queen mother, a figure of considerable influence in ancient Israelite courts.

"in the day of his espousals,"

This phrase precisely identifies the momentous occasion for this grand display and the king's crowning. It is his wedding day, marking a new, foundational chapter in his life and for the kingdom. This grounds the celebration in a specific, joyous, and covenantal event, highlighting its importance.

"and in the day of the gladness of his heart."

This concluding phrase emphasizes the king's profound emotional state. It signifies that the day is not merely a ceremonial obligation but a time characterized by deep, personal joy and contentment. The "gladness of his heart" indicates that the wedding is a source of genuine, inner delight for Solomon, transforming the public spectacle into an authentic expression of happiness.

Literary Devices

Song of Solomon 3:11 is masterfully crafted with several literary devices that enhance its impact and imagery. The opening "Go forth, O ye daughters of Zion, and behold" employs a direct Imperative mood, creating an immediate sense of urgency and drawing the audience into the scene as active participants. The verse is rich with vivid Imagery, painting a mental picture of a grand royal procession, a majestically crowned king, and a festive, communal atmosphere. This visual imagery evokes a sense of awe, excitement, and shared celebration. The Symbolism of the crown is profound, representing not only Solomon's royal authority and majesty but also the honor and blessing bestowed upon him, particularly by his mother. The "day of his espousals" Symbolizes a sacred, covenantal union, new beginnings, and a profound cause for communal rejoicing. Furthermore, there is a subtle yet effective Parallelism between "the day of his espousals" and "the day of the gladness of his heart," which beautifully links the external, public event directly to the king's internal, authentic emotional state, emphasizing that the joy is deeply rooted in the marital union itself.

Theological and Thematic Connections

Song of Solomon 3:11, while describing a literal royal wedding, resonates with profound theological and thematic connections that transcend its immediate context. It celebrates the beauty, joy, and significance of covenantal love and union, themes foundational to the biblical understanding of relationships, both human and divine. The "day of his espousals" speaks to the sacredness of marriage as a divine institution, designed for profound joy, companionship, and the perpetuation of life. Theologically, the Song of Solomon has long been interpreted allegorically, most prominently as a depiction of the intense, passionate love between God and His people Israel, and subsequently, between Christ and His Church. In this allegorical sense, King Solomon, the beloved and glorious king, becomes a type of Christ, the ultimate Bridegroom, and the "daughters of Zion" (or the bride herself) represent the Church, His cherished bride. The crowning and the gladness of the king's heart foreshadow the ultimate joy and glory of the divine Bridegroom united with His redeemed people in an everlasting covenant.

Reflection and Application

Song of Solomon 3:11 invites us to deeply contemplate the profound joy and significance inherent in covenantal relationships, whether in the context of human marriage or, more profoundly, in our spiritual relationship with God. It serves as a powerful reminder that marriage, as a divine institution, is a sacred union intended for immense gladness, mutual honor, and enduring companionship. For the believer, this verse offers a beautiful prophetic glimpse into the person and work of Jesus Christ, our heavenly King and Bridegroom, and His deep, unwavering love for His Church. We, as the "daughters of Zion," are called to "go forth and behold" His glory, not merely as distant observers but as His beloved bride, anticipating with profound joy the ultimate consummation of our eternal union with Him. This passage encourages us to cultivate hearts overflowing with gladness in all our relationships, to honor the sacred bonds we form, and to live in joyful expectation of Christ's glorious return, when the ultimate "day of espousals" will arrive for His Church, bringing about an everlasting celebration of divine love.

Questions for Reflection

  1. How does this verse deepen your appreciation for the institution of marriage, both as a human covenant and as a metaphor for Christ's relationship with the Church?
  2. In what practical ways are you invited to "go forth and behold" Christ's glory and presence in your daily life and in the community of believers?
  3. What does the "gladness of his heart" in this verse teach us about the profound joy found in covenantal relationships, particularly in our relationship with God?

FAQ

Who are the 'daughters of Zion' and why are they invited to behold King Solomon?

The "daughters of Zion" refers to the female inhabitants of Jerusalem, a poetic and often personified term for the city itself or its people in biblical literature. They are invited to "go forth and behold" King Solomon because his wedding day was not merely a private affair but a significant public and national event. Royal weddings in ancient Israel were occasions of immense celebration, serving to reinforce the king's status, ensure the continuity of the royal line, and affirm the well-being of the kingdom. Their presence and enthusiastic participation would have added significantly to the grandeur and communal joy of the occasion, making it a shared experience of national pride and festivity, much like the joyous gatherings described in Psalm 45:14-15.

What is the significance of Solomon's mother crowning him on his wedding day?

The detail that Solomon's mother crowned him on his wedding day adds a deeply personal and culturally significant layer to the ceremony. In ancient Near Eastern cultures, the queen mother (Hebrew: gebirah) often held a position of considerable influence, honor, and authority within the royal court, as seen in the example of Bathsheba in 1 Kings 2:19. Her act of crowning her son on such a momentous occasion could symbolize several important aspects: a personal blessing and affirmation of his new status as a married man and king, a public acknowledgment of his legitimacy and the importance of his union, or even a formal transfer of honor and responsibility within the royal family. It underscores the familial dimension of this grand public event and the mother's pivotal role in the king's life and the stability of the kingdom.

Christ-Centered Fulfillment

While Song of Solomon 3:11 literally describes the wedding of King Solomon, its profound imagery and themes find their ultimate and most glorious fulfillment in Jesus Christ. Solomon, presented here as the wise and glorious king, serves as a type of the greater King, Jesus, who is the true King of kings and Lord of lords. Just as the daughters of Zion were invited to behold Solomon in his royal splendor and the gladness of his heart on his wedding day, so too are believers, the Church, invited to behold Christ, our heavenly Bridegroom. He is crowned not by an earthly mother, but with glory and honor by His Father, having completed His redemptive work on the cross and ascended to His eternal throne. The "day of his espousals" beautifully foreshadows the ultimate union of Christ with His Church, His beloved bride, a union anticipated in passages like Ephesians 5:25-27 and culminating in the glorious marriage supper of the Lamb. The "gladness of his heart" that Solomon experienced pales in comparison to the eternal, unquantifiable joy of Christ in His redeemed Church, for whom He endured the cross, despising the shame, for the joy that was set before Him. Thus, this verse beautifully anticipates the glorious, joyful, and eternal union between Christ and His people, a testament to His unwavering love and faithfulness.

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Historical interpretation

Three Centuries of Reception

8 surviving comments on this verse. Each one is dated, so this reads as a timeline rather than a list.

8 quotes · AD 386–735
Post-NiceneEarly Medieval
400500600700

Select a marker to jump to its quote. Markers stagger vertically where authors wrote within a few decades of each other.

Every king is proclaimed by soldiers. It was fitting that Jesus also, in figure, be crowned by soldiers. For this reason Scripture says in the Canticles: “Daughters of Jerusalem, come forth and look upon King Solomon in the crown with which his mother has crowned him.” But the crown was also a mystery, for it was a remission of sins and release from the sentence of condemnation.
AD 395Gregory of NyssaPost-NiceneSourceHOMILIES ON THE SONG OF SONGS 7
No one can adequately grasp the terms pertaining to God. For example, “mother” is mentioned in the Song in place of “father.” Both terms mean the same, because there is neither male nor female in God. For how can anything transitory like this be attributed to God? But when we are one in Christ, we are divested of the signs of this difference along with the old person. Therefore every name equally indicates God’s ineffable nature; neither can “male” nor “female” defile God’s pure nature. Because of this, the father mentioned in the gospel parable prepares a wedding. The prophet says of God, “You have placed on his head a crown of precious stones.” Hence the Song says that a crown is placed upon the bridegroom by his mother. Since the nuptials and bride are one, one mother places the crown upon the bridegroom’s head. Neither does it make much difference whether one calls the Son of God the only begotten God, or the Son of his love. According to Paul, each name has the capacity to be a bridal escort that leads the bridegroom to dwell in us.
Therefore, when the bride reaches the rest of the bridegroom, they sing a wedding song, saying to the daughters of Jerusalem: Go forth and see King Solomon, in the crown with which his mother crowned him on the day of his wedding. They sing the wedding hymn and invite the other powers of heaven, or souls, to see the love that Christ has for the daughters of Jerusalem. Hence, he merited to be crowned by his mother as the son of charity, as Paul shows, saying: For he has delivered us from the power of darkness and has transferred us into the kingdom of his beloved Son.
AD 411Tyrannius RufinusPost-NiceneSourceCOMMENTARY ON THE APOSTLES’ CREED 22
It is written that there was put on him a crown of thorns. Of this hear in the Canticles the voice of God the Father marveling at the iniquity of Jerusalem in the insult done to his Son: “Go forth and see, you daughters of Jerusalem, the crown with which his mother has crowned him.”
AD 444Cyril of AlexandriaPost-NiceneSourceFRAGMENTS IN THE COMMENTARY ON THE SONG OF SONGS 3:11
The church forged from the Gentiles says this: "Go forth and see." But what it calls the day of his wedding is the day of his passion, when he married the church by his blood.
AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
On the day of her betrothal, etc. At the time of his incarnation, when he proceeded from the virginal womb to marry the Church, as a bridegroom from his chamber, it was a day of the joy of his heart, for he rejoiced that through the dispensation of his incarnation the world would be brought to the knowledge and vision of eternal divinity. Hence, when many flocked to his faith, it is written: "At that hour he rejoiced in the Holy Spirit and said, 'I thank you, Father, Lord of heaven and earth, because you have hidden these things from the wise and prudent, and revealed them to little ones' (Luke 10). Hence the Redeemer himself, having led humanity through his blood to the heights, speaks to the citizens of heaven, saying, 'Rejoice with me, for I have found my sheep that was lost' (Luke 15). Because therefore the daughters of Jerusalem, marveling at the coming of the bride, said, 'Who is she who comes up through the desert,' and so on; she aptly praises the bed, praises the litter of the bridegroom, and finally praises the bridegroom himself, to whose embrace she hastens. She remembers the humanity assumed for her in God, which at the time of her response created the mystery of the incorrupt mother; so that it shows she rightfully aspires to the glory of his divine vision, for which he himself would have taken on the habit of human nature. Hence rightfully, she, who so subjugated herself to the praises of her Redeemer, who invites her own cohorts, namely the daughters of Zion, to praise with maternal affection, also received a worthy recompense of praise from that same bridegroom and Redeemer; to whose voice it is joined.
AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
Go forth, and see, daughters of Zion, King Solomon. The daughters of Zion are also the daughters of Jerusalem, that is, souls longing for the joys of the heavenly homeland. For Zion means watchtower, or the watchman, Jerusalem means vision of peace: both names fittingly apply to the inhabitants of the same heavenly city, where they enjoy eternal peace and always behold the face of their Creator. Therefore, go forth, he says, daughters of Zion, and see King Solomon. Go forth from the tumultuous life of the world so you may be able to see the King of Peace; go forth in mind and action from the midst of Babylon, you who desire to have a part in the heavenly Jerusalem, according to the command of that true Solomon, who says: Come out of her, my people, that you be not partakers of her sins; thus he himself, wishing to separate us from the company of the world and to provoke us to heavenly joys, willed to suffer outside the city walls for our sake, as the Apostle beautifully and fully explains, saying: Jesus, to sanctify the people through his own blood, suffered outside the gate, let us then go to him outside the camp, bearing his reproach. For here we have no lasting city, but we seek the one to come (Hebrews 13). And because our Lord Jesus Christ must be confessed to be not only the true Son of God but also the true Son of Man: the Son of God indeed eternally born before the ages; the Son of Man, in time made at the end of the ages, rightly, after it was said: See, daughters of Zion, King Solomon, it was immediately added.
AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
In the diadem with which his mother crowned him. For this is clearly to say, "Behold the Lord in the humanity which, taken from the Virgin mother, he placed at the right hand of the paternal majesty." Indeed, his mother crowned him with a diadem when the blessed and undefiled virgin, conceiving by the Holy Spirit, provided to him from her flesh the material of that most holy flesh, in which appearing to the world and dwelling among us, he would destroy the reign of death by dying and restore life to us by rising again, and by ascending to the heavens, would exalt it with the glory of the everlasting kingdom. Therefore, the daughters of Zion, seeing King Solomon in his natural beauty, also marvel at the diadem with which his mother crowned him, because the elect, believing and confessing the glory of the Son of God equal to the Father and the Holy Spirit, also recognize the assumption of the human nature in which he overcame the dominion of death to be clarified forever, not by the power of his own substance, but by the work of the Word who assumed it, that is, the only Son of God; whose vision of the diadem, one of the daughters of Zion, herself most noble and already departing from the bounds of earthly desire, admiringly said, "But we see Jesus, who was made a little lower than the angels, crowned with glory and honor because of the suffering of death" (Hebrews 2).
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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