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“Questioning God's Faithfulness”· Psalms 77:5–9
Translation
King James Version
I call to remembrance my song in the night: I commune with mine own heart: and my spirit made diligent search.
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KJV (with Strong's)
I call to remembrance H2142 H8799 my song H5058 in the night H3915: I commune H7878 H8799 with mine own heart H3824: and my spirit H7307 made diligent search H2664 H8762.
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Complete Jewish Bible
in the night I remember my song, I commune with myself, my spirit inquires:
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Berean Standard Bible
At night I remembered my song; in my heart I mused, and my spirit pondered:
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American Standard Version
I call to remembrance my song in the night: I commune with mine own heart; And my spirit maketh diligent search.
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World English Bible Messianic
I remember my song in the night. I consider in my own heart; my spirit diligently inquires:
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Geneva Bible (1599)
I called to remembrance my song in the night: I communed with mine owne heart, and my spirit searched diligently.
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Young's Literal Translation
I remember my music in the night, With my heart I meditate, and my spirit doth search diligently:
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In the KJVVerse 15,100 of 31,102 · 48.5%

Study This Verse

Summary

Psalm 77:6 captures a pivotal moment in the psalmist Asaph's profound spiritual struggle, marking a deliberate shift from passive lament to active internal engagement with his distress. Overwhelmed by sleepless nights and a sense of divine abandonment, Asaph consciously chooses to recall past experiences of spiritual solace, to engage in deep introspection with his own soul, and to earnestly seek understanding and truth from God. This verse illustrates a proactive and biblically grounded method for navigating doubt and despair, emphasizing the transformative power of memory, honest self-examination, and persistent spiritual inquiry in the face of overwhelming sorrow.

Context

Literary Context

Psalm 77 is part of the "Psalms of Asaph" (Psalms 73-83), a collection often characterized by communal laments, theological wrestling, and a common trajectory from desperate complaint to a renewed focus on God's character and mighty deeds. The initial section of Psalm 77 (verses 1-9) is a classic individual lament, where the psalmist expresses overwhelming distress, sleeplessness, and a refusal of comfort. He cries out to God, yet feels unheard and troubled, questioning God's enduring faithfulness and mercy, as seen in his poignant inquiries in Psalms 77:7-9. Verse 6 serves as a crucial inflection point within this lament, initiating a deliberate internal process of remembrance and inquiry. This internal shift prepares the psalmist for the profound theological reflection on God's historical acts of deliverance that follows in the latter half of the psalm, beginning with the declaration of God's power in Psalms 77:10.

Historical & Cultural Context

The practice of lament was a deeply ingrained and culturally accepted form of worship and expression in ancient Israel. Psalms of lament, whether individual or communal, provided a structured and divinely sanctioned avenue for believers to bring their pain, confusion, and even anger before God without fear of rejection. The phrase "song in the night" likely refers to personal experiences of praise, comfort, or divine presence received from God during past times of darkness or distress, perhaps even actual songs sung during nocturnal vigils or periods of quiet devotion. In Hebrew thought, the "heart" (lêbâb) and "spirit" (rûwach) were not merely emotional centers but the seat of intellect, will, moral character, and the very essence of a person. Thus, "communing with mine own heart" and "my spirit made diligent search" reflect a holistic engagement of the inner person, a profound spiritual and intellectual wrestling common in the wisdom tradition and prophetic literature, where seeking God with one's whole being was paramount, as exhorted in Deuteronomy 4:29.

Key Themes

This verse powerfully contributes to several key themes within Psalm 77 and the broader Psalter. It highlights the process of moving through doubt and despair, demonstrating that spiritual struggle is not a passive experience but often requires active engagement of one's inner being. The theme of remembrance of past faithfulness is central, as the psalmist intentionally recalls "my song in the night," signifying a deliberate act of recalling God's past goodness and personal experiences of grace, even amidst current darkness. This remembrance sets the stage for the later focus on God's historical mighty deeds and serves as a foundation for renewed hope. Furthermore, the verse emphasizes introspection and earnest spiritual seeking, as Asaph "communes with mine own heart" and his "spirit made diligent search." This deep internal dialogue and persistent inquiry underscore the importance of honest self-examination and a relentless pursuit of God's truth and presence, even when He seems distant, echoing the call to seek God found in passages like Jeremiah 29:13.

Exposition and Analysis

Key Word Analysis

Commune sîyach' H7878

This verb (H7878) denotes a range of meanings including to ponder, muse, complain, or converse. In the context of "with mine own heart," it signifies a deep, internal reflection, an intense meditation, or a profound conversation with oneself. It implies a wrestling within the soul, processing emotions, doubts, and memories, moving beyond superficial thought to a comprehensive internal dialogue.

Heart lêbâb' H3824

This noun (H3824) refers to the heart as the most interior organ, encompassing not only emotions but also intellect, will, and moral character. When the psalmist "communes with mine own heart," it indicates a holistic engagement of his entire inner being—his thoughts, feelings, and decisions—in a process of self-examination and internal processing of his spiritual and emotional state.

Diligent Search châphas' H2664

This verb (H2664) implies a thorough, earnest, and persistent investigation. It means to search out, examine, explore, or seek diligently. When applied to the spirit, it suggests an active and determined quest for understanding, for answers, and ultimately, for God's presence and perspective amidst confusion and pain. It's a proactive spiritual effort, not a passive waiting for answers.

Verse Breakdown

"I call to remembrance my song in the night"

This clause describes a deliberate and intentional act of memory. In the midst of his current profound darkness and distress (the "night"), the psalmist consciously recalls past experiences of joy, praise, or spiritual comfort. This "song" could be a literal hymn, a period of spiritual flourishing, or a vivid memory of God's past deliverance that inspired thanksgiving. It represents a conscious effort to juxtapose his present despair with former seasons of divine favor or personal peace, serving as a vital anchor in his spiritual struggle.

"I commune with mine own heart"

This phrase portrays a deep, honest, and internal dialogue. The psalmist is not merely experiencing emotions but actively engaging in a profound conversation with his inner self. This is a process of intense introspection, self-examination, and wrestling with his thoughts, feelings, and pressing questions about God and his circumstances. It signifies a private, intimate processing of his spiritual and emotional state, allowing for the full expression of his turmoil before God.

"and my spirit made diligent search"

This final clause indicates an active, persistent, and earnest spiritual inquiry. Beyond mere introspection, the psalmist's deepest being, his spirit, is actively seeking answers, understanding, and truth. This is a determined quest for divine insight, for clarity regarding God's apparent inaction, and for a renewed connection with God amidst his profound suffering. It speaks to a relentless pursuit of spiritual resolution and a profound desire to comprehend God's ways.

Literary Devices

Psalm 77:6 employs several powerful literary devices to convey the psalmist's profound internal struggle and his proactive response to it. Metaphor is evident in "my song in the night," where "song" represents past joy, praise, or spiritual comfort, and "night" symbolizes the current period of distress, darkness, and despair. This juxtaposition highlights the stark contrast between his past and present emotional states, while also suggesting a source of potential hope or a benchmark for God's consistent faithfulness. Personification is clearly present in "my spirit made diligent search," where the abstract concept of the "spirit" is given the human action of actively "searching." This device emphasizes the intense, conscious effort of the psalmist's inner being to find answers and truth, indicating a profound and determined spiritual quest rather than a passive resignation. The verse also exhibits a form of Parallelism, specifically climactic or synonymous, where each clause builds upon the previous one, describing increasingly deeper levels of internal engagement: from remembering, to communing, to diligently searching. This progression underscores the intensity and multi-faceted nature of Asaph's spiritual wrestling, leading him deeper into self-examination and divine inquiry.

Theological and Thematic Connections

Psalm 77:6 offers a profound theological insight into the nature of faith during times of intense spiritual struggle. It demonstrates that genuine faith is not merely the absence of doubt or distress, but often involves an active, intentional process of wrestling with God, one's own heart, and the realities of suffering. The psalmist's journey from lament to remembrance and diligent search illustrates a divinely ordained pathway for the soul in distress: rather than succumbing to despair, the believer is called to engage memory, introspection, and persistent seeking. This verse affirms the value of honest self-assessment before God and the power of recalling God's past faithfulness as a foundation for present hope. It implicitly teaches that God honors our earnest pursuit of Him, even when our questions are raw and our hearts are troubled. This active seeking is a testament to an underlying, albeit challenged, faith that God is indeed knowable and responsive, and that true spiritual growth often emerges from such profound internal wrestling.

Reflection and Application

Psalm 77:6 provides a timeless and deeply practical model for navigating the inevitable seasons of doubt, despair, and spiritual dryness that all believers encounter. In moments when God feels distant, His promises seem hollow, or our circumstances overwhelm us, Asaph's method offers a proactive and spiritually mature response. Instead of passively allowing ourselves to be consumed by our emotions, we are invited to intentionally engage our inner world. This means deliberately calling to mind the "songs in the night" – those past experiences of God's faithfulness, His answers to prayer, His comfort in affliction, or the foundational truths of His character learned from Scripture. It involves the courageous act of "communing with our own heart," engaging in honest, unvarnished introspection, journaling, or prayer that allows us to articulate our deepest fears, questions, and disappointments before God without pretense. And finally, it calls for a "diligent search" – a persistent, earnest pursuit of God's presence, wisdom, and perspective through prayer, meditation on His Word, and seeking wise counsel. This three-fold process transforms passive suffering into active spiritual engagement, fostering resilience and ultimately leading us back to a place of hope and trust in the unchanging character of God, reminding us that even in the deepest night, God remains sovereign and good.

Questions for Reflection

  1. What are your "songs in the night" – specific instances or seasons where God's faithfulness was evident in your life, even amidst difficulty? How can you intentionally recall them when facing current struggles?
  2. How do you typically "commune with your own heart" when distressed? What practices (e.g., journaling, silent prayer, talking with a trusted friend) help you process your emotions and doubts honestly before God?
  3. In what ways does your "spirit make diligent search" for God when answers are not immediately apparent? What spiritual disciplines help you actively seek His presence and truth?
  4. How might adopting Asaph's proactive approach change your experience of spiritual struggle or periods of doubt, moving you from passive despair to active spiritual engagement?

FAQ

What does "my song in the night" specifically refer to?

"My song in the night" is a rich metaphorical expression referring to past experiences of joy, praise, or spiritual comfort that the psalmist had, even during periods of darkness or adversity. It could be a literal song of worship sung during a difficult time, or more broadly, a memory of God's faithfulness, deliverance, or personal revelations that inspired a "song" of thanksgiving in his heart. In the context of the psalmist's current despair, recalling this "song" serves as a powerful reminder of God's past goodness and a point of contrast to his present sorrow, providing a glimmer of hope or a foundational truth upon which to rebuild his trust. It is a profound image of intentionally remembering God's grace when current circumstances feel devoid of it, a lifeline to past divine encounters.

Is "communing with mine own heart" a form of self-pity or unhealthy introspection?

No, "communing with mine own heart" as described in Psalms 77:6 is not a form of self-pity or unhealthy introspection. Instead, it represents a deep, honest, and biblically sound internal dialogue. In biblical thought, the "heart" is the seat of one's will, intellect, and emotions—the core of one's being. Therefore, communing with one's heart means engaging in profound self-reflection, processing one's thoughts, feelings, and doubts in a disciplined and often prayerful manner. It's an act of spiritual and emotional honesty, wrestling with one's inner turmoil rather than suppressing it. This kind of introspection, when coupled with a "diligent search" for God, is a healthy and vital step in navigating spiritual distress and seeking truth, as seen in other passages that encourage self-examination, such as Psalms 4:4 and Lamentations 3:40.

Christ-Centered Fulfillment

Psalm 77:6, while an Old Testament lament, finds its ultimate fulfillment and deepest resonance in the person and work of Jesus Christ. The psalmist's journey of remembering, communing, and diligently searching for God in distress perfectly foreshadows the ultimate answer to humanity's deepest spiritual longings found in Christ. Where Asaph sought solace in past "songs in the night," believers now look to the definitive "song" of redemption sung through Christ's life, death, and resurrection, which provides eternal comfort and hope (Colossians 3:16). The psalmist's earnest "communing with mine own heart" and his "spirit made diligent search" for understanding and truth point to the ultimate truth revealed in Jesus, who is the very embodiment of divine revelation, declaring Himself as "the way, the truth, and the life" (John 14:6). In Christ, the diligent search for God culminates, for He is the visible image of the invisible God (Colossians 1:15) and the one through whom God has spoken His final word (Hebrews 1:1-2). Furthermore, Jesus Himself experienced profound distress and "communed with his own heart" in agonizing prayer, even to the point of sweating blood, as seen in Gethsemane (Luke 22:44), demonstrating the human wrestling with divine will and the path of submission. Through His suffering, death, and glorious triumph over sin and death, Christ became the ultimate answer to all the questions of God's faithfulness and mercy, inviting us to find rest for our souls in Him (Matthew 11:28). Thus, Asaph's journey of seeking finds its perfect resolution and eternal peace in the Lamb of God, whose finished work provides the ultimate "song in the night" for all who believe.

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Public-domain commentary

Matthew Henry

From his Commentary on the Whole Bible. Henry comments on passages, not single verses — this entry covers Psalms 77:1–10. His three-level outline is real structure in the source text, so it is rendered as structure.

1662–1714 · 10 verses
Passage under commentPsalms 77:1–10
I. II. Main points1. 2. Sub-points(1.) (2.) Details

We have here the lively portraiture of a good man under prevailing melancholy, fallen into and sinking in that horrible pit and that miry clay, but struggling to get out. Drooping saints, that are of a sorrowful spirit, may here as in a glass see their own faces. The conflict which the psalmist had with his griefs and fears seems to have been over when he penned this record of it; for he says (Psa 77:1), I cried unto God, and he gave ear unto me, which, while the struggle lasted, he had not the comfortable sense of, as he had afterwards; but he inserts it in the beginning of his narrative as an intimation that his trouble did not end in despair; for God heard him, and, at length, he knew that he heard him. Observe,

I.His melancholy prayers.

Being afflicted, he prayed (Jam 5:13), and, being in an agony, he prayed more earnestly (Psa 77:1): My voice was unto God, and I cried, even with my voice unto God. He was full of complaints, loud complaints, but he directed them to God, and turned them all into prayers, vocal prayers, very earnest and importunate. Thus he gave vent to his grief and gained some ease; and thus he took the right way in order to relief (Psa 77:2): In the day of my trouble I sought the Lord. Note, Days of trouble must be days of prayer, days of inward trouble especially, when God seems to have withdrawn from us; we must seek him and seek till we find him. In the day of his trouble he did not seek for the diversion of business or recreation, to shake off his trouble that way, but he sought God, and his favour and grace. Those that are under trouble of mind must not think to drink it away, or laugh it away, but must pray it away. My hand was stretched out in the night and ceased not; so Dr. Hammond reads the following words, as speaking the incessant importunity of his prayers. Compare Psa 143:5, Psa 143:6.

II.His melancholy grief. Grief may then be called melancholy indeed,

1.When it admits of no intermission; such was his: My sore, or wound, ran in the night, and bled inwardly, and it ceased not, no, not in the time appointed for rest and sleep.

2.When it admits of no consolation; and that also as his case: My soul refused to be comforted; he had no mind to hearken to those that would be his comforters. As vinegar upon nitre, so is he that sings songs to a heavy heart, Pro 25:20. Nor had he any mind to think of those things that would be his comforts; he put them far from him, as one that indulged himself in sorrow. Those that are in sorrow, upon any account, do not only prejudice themselves, but affront God, if they refuse to be comforted.

III.His melancholy musings. He pored so much upon the trouble, whatever it was, personal or public, that,

1.The methods that should have relieved him did but increase his grief, Psa 77:3.

(1.)One would have thought that the remembrance of God would comfort him, but it did not: I remembered God and was troubled, as poor Job (Job 23:15); I am troubled at his presence; when I consider I am afraid of him. When he remembered God his thoughts fastened only upon his justice, and wrath, and dreadful majesty, and thus God himself became a terror to him.

(2.)One would have thought that pouring out his soul before God would give him ease, but it did not; he complained, and yet his spirit was overwhelmed, and sank under the load.

2.The means of his present relief were denied him, v. 4. He could not enjoy sleep, which, if it be quiet and refreshing, is a parenthesis to our griefs and cares: "Thou holdest my eyes waking with thy terrors, which make me full of tossings to and fro until the dawning of the day." He could not speak, by reason of the disorder of his thoughts, the tumult of his spirits, and the confusion his mind was in: He kept silence even from good while his heart was hot within him; he was ready to burst like a new bottle (Job 32:19), and yet so troubled that he could not speak and refresh himself. Grief never preys so much upon the spirits as when it is thus smothered and pent up.

IV.His melancholy reflections (Psa 77:5, Psa 77:6):

"I have considered the days of old, and compared them with the present days; and our former prosperity does but aggravate our present calamities: for we see not the wonders that our fathers told us off." Melancholy people are apt to pore altogether upon the days of old and the years of ancient times, and to magnify them, for the justifying of their own uneasiness and discontent at the present posture of affairs. But say not thou that the former days were better than these, because it is more than thou knowest whether they were or no, Ecc 7:10. Neither let the remembrance of the comforts we have lost make us unthankful for those that are left, or impatient under our crosses. Particularly, he called to remembrance his song in the night, the comforts with which he had supported himself in his former sorrows and entertained himself in his former solitude. These songs he remembered, and tried if he could not sing them over again; but he was out of tune for them, and the remembrance of them did but pour out his soul in him, Psa 43:4. See Job 35:10.

V.His melancholy fears and apprehensions:

"I communed with my own heart, Psa 77:6. Come, my soul, what will be the issue of these things? What can I think of them and what can I expect they will come to at last? I made diligent search into the causes of my trouble, enquiring wherefore God contended with me and what would be the consequences of it. And thus I began to reason, Will the Lord cast off for ever, as he does for the present? He is not now favourable; and will he be favourable no more? His mercy is now gone; and is it clean gone for ever? His promise now fails; and does it fail for evermore? God is not now gracious; but has he forgotten to be gracious? His tender mercies have been withheld, perhaps in wisdom; but are they shut up, shut up in anger?" Psa 77:7-9. This is the language of a disconsolate deserted soul, walking in darkness and having no light, a case not uncommon even with those that fear the Lord and obey the voice of his servant, Isa 50:10. He may here be looked upon, 1. As groaning under a sore trouble. God hid his face from him, and withdrew the usual tokens of his favour. Note, Spiritual trouble is of all trouble most grievous to a gracious soul; nothing wounds and pierces it like the apprehensions of God's being angry, the suspending of his favour and the superseding of his promise; this wounds the spirit; and who can bear that? 2. As grappling with a strong temptation. Note, God's own people, in a cloudy and dark day, may be tempted to make desperate conclusions about their own spiritual state and the condition of God's church and kingdom in the world, and, as to both, to give up all for gone. We may be tempted to think that God has abandoned us and cast us off, that the covenant of grace fails us, and that the tender mercy of our God shall be for ever withheld from us. But we must not give way to such suggestions as these. If fear and melancholy ask such peevish questions, let faith answer them from the Scripture: Will the Lord cast off for ever? God forbid, Rom 11:1. No; the Lord will not cast off his people, Psa 94:14. Will he be favourable no more? Yes, he will; for, though he cause grief, yet will he have compassion, Lam 3:32. Is his mercy clean gone for ever? No; his mercy endures for ever; as it is from everlasting, it is to everlasting, Psa 103:17. Doth his promise fail for evermore? No; it is impossible for God to lie, Heb 6:18. Hath God forgotten to be gracious? No; he cannot deny himself, and his own name which he hath proclaimed gracious and merciful, Exo 34:6. Has he in anger shut up his tender mercies? No; they are new every morning (Lam 3:23); and therefore, How shall I give thee up, Ephraim? Hos 11:8, Hos 11:9. Thus was he going on with his dark and dismal apprehensions when, on a sudden, he first checked himself with that word, Selah, "Stop there; go no further; let us hear no more of these unbelieving surmises;" and he then chid himself (Psa 77:10): I said, This is my infirmity. He is soon aware that it is not well said, and therefore, "Why art thou cast down, O my soul? I said, This is my affliction" (so some understand it); "This is the calamity that falls to my lot and I must make the best of it; every one has his affliction, his trouble in the flesh; and this is mine, the cross I must take up." Or, rather, "This is my sin; it is my iniquity, the plague of my own heart." These doubts and fears proceed from the want and weakness of faith and the corruption of a distempered mind. note, (1.) We all know that concerning ourselves of which we must say, "This is our infirmity, a sin that most easily besets us." (2.) Despondency of spirit, and distrust of God, under affliction, are too often the infirmities of good people, and, as such, are to be reflected upon by us with sorrow and shame, as by the psalmist here: This is my infirmity. When at any time it is working in us we must thus suppress the rising of it, and not suffer the evil spirit to speak. We must argue down the insurrections of unbelief, as the psalmist here: But I will remember the years of the right hand of the Most High. He had been considering the years of ancient times (Psa 77:5), the blessings formerly enjoyed, the remembrance of which did only add to his grief; but now he considered them as the years of the right hand of the Most High, that those blessings of ancient times came from the Ancient of days, from the power and sovereign disposal of his right hand who is over all, God, blessed for ever, and this satisfied him; for may not the Most High with his right hand make what changes he pleases?

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Historical interpretation

Two Centuries of Reception

4 surviving comments on this verse. Each one is dated, so this reads as a timeline rather than a list.

4 quotes · AD 395–604
Post-NiceneEarly Medieval
400500600

Select a marker to jump to its quote. Markers stagger vertically where authors wrote within a few decades of each other.

AD 395Gregory of NyssaPost-NiceneSourceAGAINST EUNOMIUS 6:3
Sufficient defense has been offered on these points, and as for that which Eunomius says by way of calumny against our doctrine, that “Christ was emptied to become himself” there has been sufficient discussion in what has been said above, where he has been shown to be attributing to our doctrine his own blasphemy. For a person who believes that the unchangeable [divine] nature has put on the created and perishable [human nature] is not one who speaks of the transition from like to like but one who believes that the divine nature does not change into the more lowly [human nature]. For if, as their doctrine asserts, he is created, and a human being is created also, the wonder of the doctrine disappears, and there is nothing marvelous in what is alleged, since the created nature comes to be in itself. But we who have learned from prophecy of “the change of the right hand of the Most High”—and by the “Right Hand” of the Father we understand that power of God, which made all things, which is the Lord (not in the sense of depending on him as a part upon a whole but as being indeed from him and yet contemplated in individual existence)—say thus: that neither does the right hand vary from him whose right hand it is, in regard to the idea of its nature, nor can any other change in it be spoken of besides the accommodation to the flesh. For truly the right hand of God was God himself; manifested in the flesh, seen through that same flesh by those whose sight was clear; as he did the work of the Father, being, both in fact and in thought, the right hand of God, yet being changed, in respect of the veil of the flesh by which he was surrounded, as regarded that which was seen, from that which he was by nature, as a subject of contemplation. Therefore he says to Philip, who was gazing only at that which was changed, “Look through that which is changed to that which is unchangeable, and if you see this, you have seen that Father, whom you seek to see; for he that has seen me—not him who appears in a state of change, but my very self, who am in the Father—will have seen that Father in whom I am, because the very same character of Godhead is beheld in both.” If, then, we believe that the immortal and impassible and uncreated nature came to be in the nature of the creature that is capable of suffering, and conceive the “change” to consist in this, on what grounds are we charged with saying that he “set aside his divine powers to become incarnate,” by those who keep presenting their own statements about our doctrines? For the participation of the created with the created is no “change of the right hand.” To say that the right hand of the uncreated nature is created belongs to Eunomius alone and to those who adopt such opinions as he holds. For the person with an eye that looks on the truth will discern the right hand of the Highest to be such as he sees the Highest to be—Uncreated of Uncreated, Good of Good, Eternal of Eternal without prejudice to its eternity by its being in the Father by way of generation. Thus our accuser has unawares been employing against us reproaches that properly fall on himself.
"And I have meditated in the night with my heart" [Psalm 77:6]. No slanderous person seeks for snares in his words, in his heart he has meditated. "I babbled." Behold there is the former babbling. Watch again, that your spirit faint not. I did not, he says, I did not so babble as if it were abroad: in another way now. How now? "I did babble, and did search out my spirit." If he were searching the earth to find veins of gold, no one would say that he was foolish; nay, many men would call him wise, for desiring to come at gold: how great treasures has a man within, and he digs not! This man was examining his spirit, and was speaking with that same his spirit, and in the very speaking he was babbling. He was questioning himself, was examining himself, was judge over himself. And he continues; "I did search my spirit." He had to fear lest he should stay within his own spirit: for he had babbled without; and because all his enemies had anticipated watches, he found there sorrow, and his spirit fainted. He that did babble without, lo, now does begin to babble within in safety, where being alone in secret, he is thinking on eternal years....
AD 461Leo the GreatPost-NiceneSourceSERMON 27:2.2
What mind can understand this mystery, what tongue has the capability of explaining this grace? Iniquity turns back into innocence, oldness into newness. Strangers come into adoption, and foreigners enter on an inheritance. Godless people have started to be just, the covetous to be beneficent, the incontinent to be chaste, the “earthly” to be “heavenly.” What has effected “this change” but the “right hand of the Most High”? For “the Son of God came to undo the devil’s works.” He grafted himself into us and us into himself in such a way that God’s descent to human affairs became the elevation of human beings to those divine.
AD 604Gregory the DialogistEarly MedievalSourceLETTER 9:122
I cannot express in words, most excellent son, how much I am delighted with your work and your life. For on hearing of the power of a new miracle in our days, to wit, that the whole nation of the Goths has through your excellency been brought over from the error of the Arian heresy to the firmness of a right faith, one is disposed to exclaim with the prophet, “This is the change wrought by the right hand of the most High.” For whose breast, even though stony, would not, on hearing of so great a work, soften in praises of almighty God and love of your excellency? As for me, I declare that it delights me often to tell these things that have been done through you to my sons who consult with me, and often together with them I marvel at these things. These things also for the most part cause me to become critical of myself, in that I languish sluggish and unprofitable in listless ease, while kings are laboring in the gathering together of souls for the gains of the heavenly country.
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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