Bezaleel and Aholiab completed the tabernacle's external structures and furnishings as commanded. This included the brazen altar for burnt offerings, the brazen laver, and the extensive court with its hangings, pillars, and sockets. The chapter concludes with a detailed accounting of the gold, silver, and brass contributed by the congregation and used in the construction, overseen by Ithamar.
He made the altar of burnt offering of acacia wood. It was square. Its length was five cubits, its breadth was five cubits, and its height was three cubits.
For the north side one hundred cubits, their pillars twenty, and their sockets twenty, of brass; the hooks of the pillars, and their fillets, of silver.
and so for the other side: on this hand and that hand by the gate of the court were hangings of fifteen cubits; their pillars three, and their sockets three.
The sockets for the pillars were of brass. The hooks of the pillars and their fillets were of silver; and the overlaying of their capitals, of silver; and all the pillars of the court were filleted with silver.
The screen for the gate of the court was the work of the embroiderer, of blue, purple, scarlet, and fine twined linen. Twenty cubits was the length, and the height in the breadth was five cubits, like to the hangings of the court.
This is the amount of material used for the tabernacle, even the Tabernacle of the Testimony, as they were counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, the son of Aaron the priest.
With him was Oholiab, the son of Ahisamach, of the tribe of Dan, an engraver, and a skillful workman, and an embroiderer in blue, in purple, in scarlet, and in fine linen.
All the gold that was used for the work in all the work of the sanctuary, even the gold of the offering, was twenty-nine talents, and seven hundred thirty shekels, after the shekel of the sanctuary.
The silver of those who were numbered of the congregation was one hundred talents, and one thousand seven hundred seventy-five shekels, after the shekel of the sanctuary:
a beka a head, that is, half a shekel, after the shekel of the sanctuary, for everyone who passed over to those who were numbered, from twenty years old and upward, for six hundred three thousand five hundred fifty men.
The one hundred talents of silver were for casting the sockets of the sanctuary, and the sockets of the veil; one hundred sockets for the one hundred talents, a talent for a socket.
the sockets around the court, the sockets of the gate of the court, all the pins of the tabernacle, and all the pins around the court.
Study Notes for Exodus 38
Verse 1
The altar was the largest item in the courtyard, symbolizing the necessary provision for atonement through sacrifice. Its construction of acacia (shittim) wood overlaid with bronze (brass) made it portable yet protected against the intense heat of the continuous burnt offerings.
Verse 7
The altar was constructed 'hollow with boards' to make it lighter for transport. This design emphasizes the temporary and mobile nature of the wilderness Tabernacle.
Verse 8
The Laver was made from the polished bronze mirrors (lookingglasses) donated by the women who served at the Tabernacle entrance. This detail highlights the communal sacrifice of personal possessions and the transformation of objects of vanity into tools for priestly purification.
Verse 9
The court established the physical boundary between the sacred dwelling place of God and the surrounding common camp. The enclosure was 150 feet long (100 cubits), creating a massive sacred space.
Verse 18
Unlike the plain white linen hangings of the court walls, the gate curtain was made of vibrant colors (blue, purple, scarlet) and fine needlework. This marked the ceremonial entrance to God’s dwelling place with beauty and splendor.
Verse 21
This verse begins the detailed financial and material accounting, demonstrating the meticulous care taken to ensure transparency and accountability in the use of the public offering. Ithamar, Aaron’s youngest son, was appointed to oversee this census and accounting process.
Verse 24
The total gold used was approximately 29 talents (over one ton), reflecting the immense value and sanctity placed upon the internal furnishings of the Holy Place, which were primarily gold. The 'shekel of the sanctuary' was the official, regulated weight standard.
Verse 25
The silver was derived primarily from the census tax (Ex. 30:11-16), a mandatory half-shekel payment required of every man counted, used specifically to fund the foundational structure of the Tabernacle.
Verse 26
This verse confirms the total number of men aged twenty and older who were registered in the census (603,550), validating the precise amount of silver collected through the half-shekel head tax.
Verse 27
The bulk of the silver was used to cast the one hundred heavy sockets that served as the foundational bases for the boards and pillars of the Tabernacle proper, giving the structure stability and weight.
Verse 29
Bronze (or copper) was the heaviest metal contribution. It was used for the outer furnishings, including the Altar of Burnt Offering, the Laver, and the sockets, stakes, and vessels of the courtyard, items exposed to the elements and the fire of sacrifice.
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