Bezaleel and Aholiab completed the tabernacle's external structures and furnishings as commanded. This included the brazen altar for burnt offerings, the brazen laver, and the extensive court with its hangings, pillars, and sockets. The chapter concludes with a detailed accounting of the gold, silver, and brass contributed by the congregation and used in the construction, overseen by Ithamar.
¶ And he made the altar of burnt offering of shittim wood: five cubits was the length thereof, and five cubits the breadth thereof; it was foursquare; and three cubits the height thereof.
And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the firepans: all the vessels thereof made he of brass.
And he made the laver of brass, and the foot of it of brass, of the lookingglasses of the women assembling, which assembled at the door of the tabernacle of the congregation.
And for the north side the hangings were an hundred cubits, their pillars were twenty, and their sockets of brass twenty; the hooks of the pillars and their fillets of silver.
And the sockets for the pillars were of brass; the hooks of the pillars and their fillets of silver; and the overlaying of their chapiters of silver; and all the pillars of the court were filleted with silver.
And the hanging for the gate of the court was needlework, of blue, and purple, and scarlet, and fine twined linen: and twenty cubits was the length, and the height in the breadth was five cubits, answerable to the hangings of the court.
And their pillars were four, and their sockets of brass four; their hooks of silver, and the overlaying of their chapiters and their fillets of silver.
¶ This is the sum of the tabernacle, even of the tabernacle of testimony, as it was counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, son to Aaron the priest.
And with him was Aholiab, son of Ahisamach, of the tribe of Dan, an engraver, and a cunning workman, and an embroiderer in blue, and in purple, and in scarlet, and fine linen.
All the gold that was occupied for the work in all the work of the holy place, even the gold of the offering, was twenty and nine talents, and seven hundred and thirty shekels, after the shekel of the sanctuary.
And the silver of them that were numbered of the congregation was an hundred talents, and a thousand seven hundred and threescore and fifteen shekels, after the shekel of the sanctuary:
A bekah for every man, that is, half a shekel, after the shekel of the sanctuary, for every one that went to be numbered, from twenty years old and upward, for six hundred thousand and three thousand and five hundred and fifty men.
And of the hundred talents of silver were cast the sockets of the sanctuary, and the sockets of the vail; an hundred sockets of the hundred talents, a talent for a socket.
And therewith he made the sockets to the door of the tabernacle of the congregation, and the brasen altar, and the brasen grate for it, and all the vessels of the altar,
And the sockets of the court round about, and the sockets of the court gate, and all the pins of the tabernacle, and all the pins of the court round about.
Study Notes for Exodus 38
Verse 1
The altar was the largest item in the courtyard, symbolizing the necessary provision for atonement through sacrifice. Its construction of acacia (shittim) wood overlaid with bronze (brass) made it portable yet protected against the intense heat of the continuous burnt offerings.
Verse 7
The altar was constructed 'hollow with boards' to make it lighter for transport. This design emphasizes the temporary and mobile nature of the wilderness Tabernacle.
Verse 8
The Laver was made from the polished bronze mirrors (lookingglasses) donated by the women who served at the Tabernacle entrance. This detail highlights the communal sacrifice of personal possessions and the transformation of objects of vanity into tools for priestly purification.
Verse 9
The court established the physical boundary between the sacred dwelling place of God and the surrounding common camp. The enclosure was 150 feet long (100 cubits), creating a massive sacred space.
Verse 18
Unlike the plain white linen hangings of the court walls, the gate curtain was made of vibrant colors (blue, purple, scarlet) and fine needlework. This marked the ceremonial entrance to God’s dwelling place with beauty and splendor.
Verse 21
This verse begins the detailed financial and material accounting, demonstrating the meticulous care taken to ensure transparency and accountability in the use of the public offering. Ithamar, Aaron’s youngest son, was appointed to oversee this census and accounting process.
Verse 24
The total gold used was approximately 29 talents (over one ton), reflecting the immense value and sanctity placed upon the internal furnishings of the Holy Place, which were primarily gold. The 'shekel of the sanctuary' was the official, regulated weight standard.
Verse 25
The silver was derived primarily from the census tax (Ex. 30:11-16), a mandatory half-shekel payment required of every man counted, used specifically to fund the foundational structure of the Tabernacle.
Verse 26
This verse confirms the total number of men aged twenty and older who were registered in the census (603,550), validating the precise amount of silver collected through the half-shekel head tax.
Verse 27
The bulk of the silver was used to cast the one hundred heavy sockets that served as the foundational bases for the boards and pillars of the Tabernacle proper, giving the structure stability and weight.
Verse 29
Bronze (or copper) was the heaviest metal contribution. It was used for the outer furnishings, including the Altar of Burnt Offering, the Laver, and the sockets, stakes, and vessels of the courtyard, items exposed to the elements and the fire of sacrifice.
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