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Public-domain commentary
Matthew Henry
From his Commentary on the Whole Bible. Henry comments on passages, not single verses — this entry covers 1 Kings 10:1–13. His three-level outline is real structure in the source text, so it is rendered as structure.
We have here an account of the visit which the queen of Sheba made to Solomon, no doubt when he was in the height of his piety and prosperity. Our Saviour calls her the queen of the south, for Sheba lay south of Canaan. The common opinion is that it was in Africa; and the Christians in Ethiopia, to this day, are confident that she came from their country, and that Candace was her successor, who is mentioned Act 8:27. But it is more probable that she came from the south part of Arabia the happy. It should seem she was a queen regent, sovereign of her country. Many a kingdom would have been deprived of its greatest blessings if a Salique law had been admitted into its constitution. Observe,
I.On what errand the queen of Sheba came - not to treat of trade or commerce, to adjust the limits of their dominions, to court his alliance for their mutual strength or his assistance against some common enemy, which are the common occasions of the congress of crowned heads and their interviews, but she came,
1.To satisfy her curiosity; for she had heard of his fame, especially for wisdom, and she came to prove him, whether he was so great a man as he was reported to be, Kg1 10:1. Solomon's fleet sailed near the coast of her country, and probably might put in there for fresh water; perhaps it was thus that she heard of the fame of Solomon, that he excelled in wisdom all the children of the east, and nothing would serve her but she would go herself and know the truth of the report.
2.To receive instruction from him. She came to hear his wisdom, and thereby to improve her own (Mat 12:42), that she might be the better able to govern her own kingdom by his maxims of policy. Those whom God has called to any public employment, particularly in the magistracy and ministry, should, by all means possible, be still improving themselves in that knowledge which will more and more qualify them for it, and enable them to discharge their trust well. But, it should seem, that which she chiefly aimed at was to be instructed in the things of God. She was religiously inclined, and had heard not only of the fame of Solomon, but concerning the name of the Lord (Kg1 10:1), the great name of that God whom Solomon worshipped and from whom he received his wisdom, and with this God she desired to be better acquainted. Therefore does our Saviour mention her enquiries after God, by Solomon, as an aggravation of the stupidity of those who enquire not after God by our Lord Jesus Christ, though he, having lain in his bosom, was much better able to instruct them.
II.With what equipage she came, with a very great retinue, agreeable to her rank, intending to try Solomon's wealth and generosity, as well as his wisdom, what entertainment he could and would give to a royal visitant, Kg1 10:2. Yet she came not as one begging, but brought enough to bear her charges, and abundantly to recompense Solomon for his attention to her, nothing mean or common, but gold, and precious stones, and spices, because she came to trade for wisdom, which she would purchase at any rate.
III.What entertainment Solomon gave her.
He despised not the weakness of her sex, blamed her not for leaving her own business at home to come so long a journey, and put herself and him to so much trouble and expense merely to satisfy her curiosity; but he made her welcome and all her train, gave her liberty to put all her questions, though some perhaps were frivolous, some captious, and some over-curious; he allowed her to commune with him of all that was in her heart (Kg1 10:2) and gave her a satisfactory answer to all her questions (Kg1 10:3), whether natural, moral, political, or divine. Were they designed to try him? he gave them such turns as abundantly satisfied her of his uncommon knowledge. Were they designed for her own instruction? (as we suppose most of them were), she received abundant instruction from him, and he made things surprisingly easy which she apprehended insuperably difficult, and satisfied her that there was a divine sentence in the lips of this king. But he informed her no doubt, with particular care, concerning God, and his law and instituted worship. He had taken it for granted (Kg1 8:42) that strangers would hear of his great name, and would come thither to enquire after him; and now that so great a stranger came we may be sure he was not wanting to assist and encourage her enquiries, and give her a description of the temple, and the officers and services of it, that she might be persuaded to serve the Lord whom she now sought.
IV.How she was affected with what she saw and heard in Solomon's court.
Divers things are here mentioned which she admired, the buildings and furniture of his palace, the provision that was made very day for his table (when she saw that perhaps she wondered where there were mouths for all that meat, but when she saw the multitude of his attendants and guests she was as ready to wonder where was the meat for all those mouths), the orderly sitting of his servants, every one in his place, and the ready attendance of his ministers, without any confusion, their rich liveries, and the propriety with which his cup-bearers waited at his table. These things she admired, as adding much to his magnificence. But, above all these, the first thing mentioned (which contained all) is his wisdom (Kg1 10:4), of the transcendency of which she now had incontestable proofs: and the last thing mentioned, which crowned all, is his piety, the ascent by which he went up to the house of the Lord, with what gravity and seriousness, and an air of devotion in his countenance, he appeared, when he went to the temple to worship God, with as much humility then as majesty at other times. Many of the ancient versions read it, The burnt-offerings which he offered in the house of the Lord; she observed with what a generous bounty he brought his sacrifices, and with what a pious fervour he attended the offering of them; never did she see so much goodness with so much greatness. Every thing was so surprising that there was no more spirit in her, but she stood amazed; she had never seen the like.
V.How she expressed herself upon this occasion.
1.She owned her expectation far out-done, though it was highly raised by the report she heard, Kg1 10:6, Kg1 10:7. She is far from repenting her journey or calling herself a fool for undertaking it, but acknowledges it was well worth her while to come so far for the sight of that which she could not believe the report of. Usually things are represented to us, both by common fame and by our own imagination, much greater than we find them when we come to examine them; but here the truth exceeded both fame and fancy. Those who, through grace, are brought to experience the delights of communion with God will say that the one-half was not told them of the pleasures of Wisdom's ways and the advantages of her gates. Glorified saints, much more, will say that it was a true report which they heard of the happiness of heaven, but that the thousandth part was not told them, Co1 2:9.
2.She pronounced those happy that constantly attended him, and waited on him at table: "Happy are thy men, happy are these thy servants (Kg1 10:8); they may improve their own wisdom by hearing thine." She was tempted to envy them and to which herself one of them. Note, It is a great advantage to be in good families, and to have opportunity of frequent converse with those that are wise, and good, and communicative. Many have this happiness who know not how to value it. With much more reason may we say this of Christ's servants, Blessed are those that dwell in his house, they will be still praising him.
3.She blessed God, the giver of Solomon's wisdom and wealth, and the author of his advancement, who had made him king,
(1.)In kindness to him, that he might have the larger opportunity of doing good with his wisdom: He delighted in thee, to set thee on the throne of Israel, Kg1 10:9. Solomon's preferment began in the prophet's calling him Jedidiah, because the Lord loved him, Sa2 12:25. It more than doubles our comforts if we have reason to hope they come from God's delight in us. It was his pleasure concerning thee (so it may be read) to set thee on the throne, not for thy merit's sake, but because it so seemed good unto him.
(2.)In kindness to the people, because the Lord loved Israel for ever, designed them a lasting bliss, long to survive him that laid the foundations of it. "He has made thee king, not that thou mayest live in pomp and pleasure, and do what thou wilt, but to do judgment and justice." This she kindly reminded Solomon of, and no doubt he took it kindly. Both magistrates and ministers must be more solicitous to do the duty of their places than to secure the honours and profits of them. To this she attributes his prosperity, not to his wisdom, for bread is not always to the wise (Ecc 9:11), but whoso doeth judgment and justice, it shall be well with him, Jer 22:15. Thus giving of thanks must be made for kings, for good kings, for such kings; they are what God makes them to be.
VI.How they parted.
1.She made a noble present to Solomon of gold and spices, Kg1 10:10. David had foretold concerning Solomon that to him should be given of the gold of Sheba, Psa 72:15. The present of gold and spices which the wise men of the east brought to Christ was signified by this, Mat 2:11. Thus she paid for the wisdom she had learned and did not think she bought it dearly. Let those that are taught of God give him their hearts, and the present will be more acceptable than this of gold and spices. Mention is made of the great abundance Solomon had of his own, notwithstanding she presented and he accepted this gold. What we present to Christ he needs not, but will have us so to express our gratitude. The almug-trees are here spoken of (Kg1 10:11, Kg1 10:12) as extraordinary, because perhaps much admired by the queen of Sheba.
2.Solomon was not behind-hand with her: He gave her whatsoever, she asked, patterns, we may suppose, of those things that were curious, by which she might make the like; or perhaps he gave her his precepts of wisdom and piety in writing, besides that which he gave her of his royal bounty, Kg1 10:13. Thus those who apply to our Lord Jesus will find him not only greater than Solomon, and wiser, but more kind; whatsoever we ask, it shall be done for us; nay, he will, out of his divine bounty, which infinitely exceeds royal bounty, even Solomon's, do for us more than we are able to ask or think.
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Summary
1 Kings 10:12 vividly portrays the unparalleled opulence and divine favor characterizing King Solomon's reign, detailing his extraordinary use of rare almug trees. This precious timber, imported in unprecedented quantities, was meticulously fashioned into majestic pillars for both the sacred Temple of the LORD and the king's own magnificent palace. Additionally, it was crafted into exquisite harps and psalteries, enriching the musical worship of the Temple singers. The verse emphatically concludes by noting that such almug trees had never been seen before, nor would they be again, underscoring the unique abundance and splendor of Solomon's golden age.
Context
Literary Context
This verse is strategically placed within the narrative of King Solomon's unparalleled wealth, wisdom, and glory, specifically within 1 Kings 10. It directly follows 1 Kings 10:11, which establishes the origin of these almug trees, brought by Hiram's fleet from Ophir alongside a vast amount of gold. The preceding account of the Queen of Sheba's visit in 1 Kings 10:1-10 serves to set the stage, highlighting the awe-inspiring affluence and international renown of Solomon's kingdom that made such imports possible. The application of this rare wood for the Temple connects back to the detailed descriptions of its construction in 1 Kings 6 and 1 Kings 7, while its use for the king's house aligns with the grandeur of his royal residence. A parallel and corroborating account, where the wood is referred to as "algum trees," is found in 2 Chronicles 9:10-11.
Historical & Cultural Context
King Solomon's reign, traditionally dated from approximately 970-931 BC, is widely regarded as the zenith of the united monarchy of Israel, characterized by an era of unprecedented peace, prosperity, and extensive international trade. His strategic alliance with Hiram, King of Tyre, was instrumental in facilitating ambitious maritime expeditions to distant and resource-rich lands like Ophir, renowned for its gold, precious stones, and exotic timbers. The importation of such rare materials as almug trees speaks volumes about the sophisticated trade networks of the era and Solomon's immense economic resources. In the ancient Near East, the construction and lavish adornment of temples and royal palaces with the finest and rarest materials were not merely acts of opulence; they were deeply significant displays of a ruler's power, the extent of his divine favor, and the overall prosperity and stability of the nation. Furthermore, music played a vital and integral role in Israelite worship, particularly within the Temple, where organized choirs and instrumentalists, often drawn from the Levites, were central to the liturgical services, emphasizing the beauty, reverence, and excellence due to God in worship.
Key Themes
This verse powerfully contributes to several overarching themes within the book of 1 Kings and the broader biblical narrative. Firstly, it underscores Solomon's Unparalleled Wealth and Magnificence, serving as a tangible manifestation of God's direct promise to bless him with riches and honor beyond any king before or after him, as recorded in 1 Kings 3:13. Secondly, it highlights Dedication to God's House, as a significant portion of this precious wood was explicitly designated for the Temple. This reflects Solomon's profound commitment to building and adorning a dwelling place for the LORD with the absolute finest materials available, a testament to Israel's reverence for God's holy presence among them, echoing the initial dedication in 1 Kings 6:1. Thirdly, the creation of "harps also and psalteries for singers" emphasizes the Importance of Worship and Music in the Temple liturgy, signifying a well-organized and elaborate system of praise and adoration before God, a theme echoed in passages like Psalm 150:3-5. Finally, the very availability of such unprecedented resources points to Divine Provision, showcasing God's abundant generosity and faithfulness to those who walk in obedience to His will.
Exposition and Analysis
Key Word Analysis
This term (H484), appearing exclusively in 1 Kings and 2 Chronicles, refers to a highly prized and rare wood, often identified by scholars as red sandalwood (Pterocarpus santalinus) or a similar exotic timber. Imported from distant Ophir, it was valued for its beauty, fragrance, durability, and possibly its distinctive deep red hue. The text's explicit emphasis on its rarity ("there came no such almug trees") highlights the unique and unprecedented nature of this import, underscoring the extraordinary abundance of Solomon's reign.
This versatile word (H1004) denotes a dwelling or structure, here referring specifically to "the house of the LORD" (the Temple) and "the king's house" (Solomon's palace). Its use underscores the dual beneficiaries of God's blessing on Solomon: the sacred space dedicated to divine worship and the royal residence symbolizing the king's divinely-granted authority and the nation's prosperity. The quality of materials used for both signifies the importance attributed to each.
This word (H3658) describes a stringed instrument, typically a lyre, known for its pleasant sound. Widely used in ancient Israel for both secular and sacred music, it was famously associated with King David. Its inclusion here, alongside psalteries, signifies the central and sophisticated role of instrumental music in the elaborate Temple worship, contributing to the beauty and reverence of the liturgical services.
Verse Breakdown
"And the king made of the almug trees pillars for the house of the LORD"
This clause highlights King Solomon's primary dedication of this extraordinarily rare and valuable wood. The Temple, as the dwelling place of God's presence among His people, was adorned with the finest materials available, reflecting the profound reverence and honor due to the Almighty. This choice underscores the sacred importance of the structure and the king's commitment to its magnificence as a testament to God's glory.
"and for the king's house"
While the Temple received the highest priority, the almug wood was also utilized for Solomon's own royal palace. This indicates the vast scale of his building projects and the unparalleled splendor of his royal residence, which served as a visible symbol of his divinely bestowed wealth and the prosperity of the kingdom. It illustrates that God's abundant blessing extended to both the sacred and the civil aspects of Solomon's reign, demonstrating a comprehensive outpouring of favor.
"harps also and psalteries for singers"
This phrase reveals another significant application of the precious almug wood: the crafting of musical instruments specifically for Temple worship. This detail emphasizes the central and elaborate role of music in the Israelite liturgical tradition, where skilled singers and musicians used these instruments to lead the people in praise and adoration before God, signifying a commitment to beauty, excellence, and heartfelt devotion in worship.
"there came no such almug trees, nor were seen unto this day"
This concluding statement serves as an emphatic declaration of the unprecedented rarity and uniqueness of this specific import of almug wood. It functions as a hyperbolic statement, underscoring the extraordinary nature of Solomon's wealth and reign. This assertion suggests that such a quantity and quality of this particular timber had never been seen before in Israel, nor would it be again, thereby marking Solomon's era as truly exceptional and uniquely divinely favored.
Literary Devices
The verse employs several literary devices to convey its profound message about Solomon's reign. Hyperbole is prominently featured in the concluding phrase, "there came no such almug trees, nor were seen unto this day," which exaggerates the uniqueness and unprecedented nature of the timber. This serves to emphatically underscore the unparalleled wealth and divine favor that characterized Solomon's kingdom, magnifying the glory of his reign. Parallelism is subtly present in the dual mention of "the house of the LORD" and "the king's house." This structural balance highlights the comprehensive scope of Solomon's building projects and the dual beneficiaries of God's abundant provision—both the sacred realm of worship and the royal sphere of governance. Furthermore, the almug wood itself functions as Symbolism, representing not only immense wealth, luxury, and exotic trade but also divine blessing and the zenith of Israel's earthly kingdom. The musical instruments crafted from this precious wood further symbolize the beauty, excellence, and centrality of worship and praise in the life of the nation.
Theological and Thematic Connections
1 Kings 10:12 powerfully illustrates the profound theological theme of divine abundance and the glorification of God through material splendor. Solomon's unprecedented access to such rare and valuable resources was a direct fulfillment of God's promise to bless him with riches and honor, contingent upon his obedience. The dedication of the finest materials to the Temple underscores the theological principle that God is worthy of our very best, and that true prosperity, when divinely bestowed, should ultimately serve His purposes and redound to His glory. The subsequent use of these precious timbers for musical instruments further highlights the importance of worship as a beautiful, organized, and excellent expression of devotion, reflecting the joy and reverence of the people before their God. This era represents the peak of Israel's earthly kingdom, a period where God's covenant faithfulness was visibly demonstrated through the prosperity and glory of His chosen king and nation.
Reflection and Application
This verse serves as a profound reminder that God often provides abundantly for His work, sometimes in ways that far surpass all human expectation, just as He did for King Solomon and the construction of His Temple. It challenges us to deeply consider the quality of our own offerings and the depth of our dedication to God's purposes. Are we truly giving our "almug trees"—our finest talents, our most precious resources, our most dedicated efforts, our most valuable time—to the Lord, or are we reserving them primarily for ourselves and our own pursuits? The excellence displayed in using these rare materials for both the sacred Temple and for instruments of worship underscores the timeless principle of giving God our absolute best, recognizing that He is supremely worthy of our utmost devotion and resources. Furthermore, the emphasis on music in worship encourages us to cultivate beauty, skill, and heartfelt expression in our praise, understanding that our worship, whether corporate or personal, is a fragrant and acceptable offering to God.
Questions for Reflection
FAQ
What were "almug trees" and why were they so special?
"Almug trees," also referred to as "algum trees" in the book of 2 Chronicles, are widely believed by scholars to refer to a type of sandalwood (likely Pterocarpus santalinus or a similar precious timber). They were exceptionally special because they were extremely rare, imported from the distant and wealthy land of Ophir, and highly valued for their beauty, durability, and fragrant properties. The text explicitly states that "there came no such almug trees, nor were seen unto this day," highlighting their unprecedented nature and emphasizing the unique prosperity and divine favor enjoyed during King Solomon's reign.
Why were these trees used for both the Temple and the king's house?
The dual use of these precious almug trees for both "the house of the LORD" and "the king's house" reflects the intertwined nature of the sacred and the royal in ancient Israelite theology and practice. While the Temple was paramount as God's dwelling place among His people, the king's palace also symbolized the glory, stability, and prosperity of the kingdom, which was understood to be under divine blessing. This demonstrates that God's abundant provision extended to all aspects of Solomon's reign, enabling him to build magnificent structures that reflected both God's glory and the splendor of His anointed king, showcasing a holistic blessing.
What is the significance of "harps and psalteries for singers"?
The crafting of "harps also and psalteries for singers" from this rare wood highlights the central and highly valued role of music in Israelite worship, particularly within the elaborate Temple liturgy. These instruments were essential for the Levitical choirs and professional musicians who led the people in praise and adoration. Their construction from such precious material underscores the immense importance placed on beauty, excellence, and the dedication of the finest resources to the worship of God, signifying a well-organized and deeply reverent system of praise and devotion.
Christ-Centered Fulfillment
The unparalleled wealth, wisdom, and glory of Solomon's reign, epitomized by the use of unique almug trees for the Temple and his palace, serves as a magnificent foreshadowing of the ultimate King, Jesus Christ. Solomon's Temple, built with the finest materials and standing as a testament to God's presence among His people, points to Christ Himself as the true and ultimate Temple, in whom all the fullness of God dwells bodily. The "almug trees," being unprecedented in their arrival and use, symbolize the unsearchable riches of Christ and the immeasurable value of His person and redemptive work, which far surpasses any earthly treasure or material splendor. Just as Solomon dedicated the very best for God's house, Christ is the chief cornerstone of a new, spiritual temple—the Church—built not with perishable wood but with living stones, redeemed and sanctified by His precious blood. The harps and psalteries meticulously crafted for earthly worship foreshadow the eternal symphony of praise in heaven, where the redeemed, with harps in hand, continually offer glory and honor and thanks to the Lamb who is worthy of all worship, a worship infinitely more glorious and enduring than any earthly liturgy.