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“The Bronze Altar and Molten Sea”· 2 Chronicles 4:1–5
Translation
King James Version
And the thickness of it was an handbreadth, and the brim of it like the work of the brim of a cup, with flowers of lilies; and it received and held three thousand baths.
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KJV (with Strong's)
And the thickness H5672 of it was an handbreadth H2947, and the brim H8193 of it like the work H4639 of the brim H8193 of a cup H3563, with flowers H6525 of lilies H7799; and it received H2388 and held H3557 three H7969 thousand H505 baths H1324.
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Complete Jewish Bible
It was a handbreadth thick, its rim was made like the rim of a cup, like the flower of a lily; and its capacity was 16,500 gallons.
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Berean Standard Bible
It was a handbreadth thick, and its rim was fashioned like the brim of a cup, like a lily blossom. It could hold three thousand baths.
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American Standard Version
And it was a handbreadth thick; and the brim thereof was wrought like the brim of a cup, like the flower of a lily: it received and held three thousand baths.
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World English Bible Messianic
It was a hand breadth thick; and its brim was worked like the brim of a cup, like the flower of a lily: it received and held three thousand baths.
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Geneva Bible (1599)
And the thickenesse thereof was an hande breadth, and the brim thereof was like the worke of the brim of a cuppe with floures of lilies: it conteined three thousand baths.
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Young's Literal Translation
And its thickness is a handbreadth, and its lip as the work of the lip of a cup flowered with lilies; taking hold--baths three thousand it containeth.
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See also
See on the biblical-era map
Building Plan: Solomon's Temple
Building Plan: Solomon's Temple View full PDF
Building Plan: Solomon's Palace and the Temple Complex
Building Plan: Solomon's Palace and the Temple Complex View full PDF
The Construction of Solomon’s Temple
The Construction of Solomon’s Temple View full PDF

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In the KJVVerse 11,252 of 31,102 · 36.2%

Study This Verse

Summary

2 Chronicles 4:5 provides precise architectural and artistic details of the "molten sea," the massive bronze basin in Solomon's Temple. It specifies its substantial thickness as a handbreadth, describes its beautifully crafted brim adorned with lily flowers, and remarkably states its immense capacity to hold three thousand baths of water. This verse highlights the unparalleled scale, meticulous craftsmanship, and functional purpose of the Temple's sacred furnishings, underscoring God's demand for excellence, beauty, and abundant provision in the place designated for His worship and the ritual purification of His priests.

Context

Literary Context

This verse is intricately woven into the Chronicler's detailed account of Solomon's Temple construction and its elaborate furnishings, following the general dimensions of the molten sea in 2 Chronicles 4:2 and its foundational placement upon twelve bronze oxen in 2 Chronicles 4:3-4. The Chronicler's narrative in 2 Chronicles 4 largely parallels the description found in 1 Kings 7:23-26, though with notable variations, particularly regarding the molten sea's capacity. The Chronicler, writing for a post-exilic community, emphasizes the Temple's divine glory, its meticulous construction, and the profound theological significance of its every component, reinforcing the enduring covenant relationship between God and Israel. The subsequent verses in 2 Chronicles 4:6-10 continue to describe other essential items, such as the ten lavers, lampstands, and tables, all contributing to the functionality, beauty, and sacred purpose of the worship space.

Historical & Cultural Context

The construction of Solomon's Temple, detailed throughout 1 Kings 6-8 and 2 Chronicles 3-7, represented a pivotal moment in Israelite history, signifying the permanent establishment of God's dwelling place among His people and the centralization of national worship in Jerusalem. The molten sea, an unprecedented feature compared to the smaller bronze laver in the Tabernacle (see Exodus 30:17-21), reflected the grandeur and prosperity of the Solomonic era, a golden age for the united monarchy. Its primary function was to serve as a massive reservoir for water, used by the priests for ritual cleansing before performing their sacred duties within the Temple precincts. This practice was deeply rooted in the Levitical law, which mandated purity for those who approached a holy God, ensuring that the priests were ritually prepared for their sacred ministry, thereby upholding the sanctity of the Temple and the worship conducted therein.

Key Themes

The meticulous details provided in 2 Chronicles 4:5 contribute significantly to several overarching themes prominent in the book of Chronicles and the broader biblical narrative. Firstly, it underscores the theme of Divine Grandeur and Meticulous Design, demonstrating that God desires not only functional but also aesthetically excellent and precisely crafted elements in His worship. The "flowers of lilies" and the specific measurements reflect the Creator's own attention to detail in His creation and His expectation of the highest quality in the service rendered to Him. Secondly, the extraordinary capacity of "three thousand baths" highlights Abundance and Provision, signifying God's limitless resources and His generous supply for the needs of His people, particularly those who serve Him in sacred capacities. This abundance ensures that the necessary purification rituals could be performed without hindrance. Thirdly, and most centrally, the molten sea's primary function for ritual washing reinforces the profound theme of Purity and Holiness, which is foundational to Old Testament worship and the very nature of God. The consistent emphasis on cleansing before approaching God, from the Tabernacle instructions in Exodus 29 to the detailed sacrificial laws in Leviticus, underscores humanity's need for purification to commune with a holy God.

Exposition and Analysis

Key Word Analysis

Handbreadth ṭêphach' H2947

This ancient unit of measurement, approximately 3-4 inches (7.5-10 cm), represents the width of four fingers joined together. Applied to the molten sea, this detail emphasizes the substantial and robust construction of the vessel, indicating its remarkable durability and the significant amount of bronze invested. This reinforces the sense of grandeur, permanence, and the immense value placed on this sacred furnishing within the Temple.

Lilies shûwshan' H7799

Refers to decorative carvings resembling lily flowers, specifically adorning the brim of the molten sea. This artistic detail highlights the aesthetic beauty and meticulous craftsmanship incorporated into the Temple's furnishings. Lilies in ancient Near Eastern art were often associated with beauty, purity, and sometimes royalty or divine favor, adding a layer of symbolic significance that aligns perfectly with the vessel's function for ritual purification in a holy space.

Bath bath' H1324

An ancient Hebrew liquid measure, roughly equivalent to 6 gallons (22 liters). The stated capacity of "three thousand baths" (approximately 18,000 gallons or 66,000 liters) indicates an extraordinary volume of water. This immense capacity underscores the abundant provision for the extensive ritual purification needs of the priests and signifies the grand scale of the Temple's operations and the vast resources dedicated to its sacred service.

Verse Breakdown

"And the thickness of it [was] an handbreadth"

This initial clause precisely details the substantial wall thickness of the molten sea. Specifying a "handbreadth" (approximately 3-4 inches) for such a massive bronze vessel conveys its immense weight, solidity, and the engineering marvel it represented. This robust construction ensured its durability, allowing it to withstand the vast volume of water it contained and to endure as a foundational element of the Temple for generations.

"and the brim of it like the work of the brim of a cup, with flowers of lilies"

This phrase vividly describes the artistic design of the vessel's rim. The comparison to "the brim of a cup" suggests an elegant, perhaps flaring or rounded, edge, indicating a refined aesthetic. The addition of "flowers of lilies" signifies intricate, decorative carvings that enhanced the beauty and elegance of the functional structure. This detail highlights the harmonious blend of utility and artistry in the Temple's design, reflecting the profound desire for God's dwelling to be not only practical but also exquisitely beautiful.

"[and] it received and held three thousand baths"

This final clause states the molten sea's immense capacity for water. The figure of "three thousand baths" (approximately 18,000 gallons) points to an extraordinary volume, significantly exceeding the 2,000 baths mentioned in the parallel account in 1 Kings 7:26. This vast capacity ensured an ample and continuous supply of water for the priests' extensive purification rituals, symbolizing God's abundant provision for His servants and the magnitude of the cleansing required for approaching His holiness.

Literary Devices

The Chronicler employs several literary devices in this verse to convey the grandeur and significance of the molten sea. Detailed Description is paramount, as the text meticulously records specific measurements ("handbreadth") and artistic elements ("flowers of lilies"). This precision emphasizes the extraordinary craftsmanship and the divine mandate for excellence in the Temple's construction, thereby magnifying the glory of God's dwelling. A Simile is effectively used in "the brim of it like the work of the brim of a cup," which aids the reader in visualizing the elegant and refined design of the vessel's edge, evoking a sense of grace and artistry. The inclusion of "flowers of lilies" introduces rich Symbolism, as lilies frequently represent purity, beauty, and divine favor in biblical and ancient Near Eastern contexts, aligning perfectly with the molten sea's function for ritual purification. Finally, the mention of "three thousand baths" compared to the 2,000 baths in 1 Kings may be interpreted as a form of Hyperbole or a theological emphasis on abundance. If hyperbole, it serves to underscore the sheer extraordinary capacity and God's limitless provision, highlighting the vastness of the cleansing required for His sacred service.

Theological and Thematic Connections

The detailed description of the molten sea in 2 Chronicles 4:5, particularly its immense capacity and beautiful design, speaks volumes about God's character and His relationship with His people. It reveals a God who is not only concerned with grand plans and functional necessity but also with meticulous execution, aesthetic excellence, and abundant provision in worship. The vast quantity of water for purification underscores the pervasive and constant need for holiness in approaching God, a theme central to the Old Covenant. This physical provision for cleansing profoundly foreshadows a deeper, spiritual reality—that God provides abundantly for the purification of His people, preparing them for sacred service and intimate communion. The beauty of the lilies reminds us that our worship should not merely be functional or obligatory but also offered with sincerity, beauty, and a heart that reflects God's own glorious nature and His desire for excellence.

Reflection and Application

2 Chronicles 4:5 invites us to contemplate the profound care and intentionality God invests in every detail, even in the physical structures dedicated to His worship. The massive molten sea, with its precise dimensions, robust construction, and beautiful adornments, reminds us that God values both functionality and beauty, abundance and purity. For believers today, this translates into a compelling call for excellence in all areas of our lives, especially in our worship and service to God. Just as the priests needed abundant water for cleansing before ministering, we recognize our constant and pervasive need for spiritual purification. The provision of such a large quantity of water points to God's limitless grace and His boundless capacity to cleanse us from all unrighteousness. Our approach to God should therefore be marked by a deep appreciation for His holiness, a fervent desire for personal purity, and an offering of our very best—not just in grand gestures, but in the meticulous details of our daily walk and devotion.

Questions for Reflection

  1. How does the emphasis on meticulous detail and beauty in the Temple's construction challenge or affirm your understanding of God's character and His expectations for our worship?
  2. In what specific ways do you recognize and experience the theme of "abundance" in God's provision for your spiritual needs and cleansing today?
  3. How can the concept of "purity" symbolized by the molten sea be practically applied to your daily life, choices, and worship in a New Covenant context, given Christ's ultimate cleansing?

FAQ

Why does 2 Chronicles 4:5 state "three thousand baths" when 1 Kings 7:26 says "two thousand baths" for the molten sea's capacity?

This discrepancy is a well-known point of discussion among biblical scholars, and several plausible explanations are commonly offered. One prevailing view suggests that the 2,000 baths in 1 Kings 7:26 refers to the actual working capacity or the amount of water the sea typically held for daily use, while the 3,000 baths in 2 Chronicles 4:5 represents its maximum, brim-full capacity, or perhaps its total potential volume if filled to overflowing. Another possibility is that the Chronicler, writing for a post-exilic audience, might have used a different standard of measurement, a rounder figure, or even employed a form of theological emphasis to highlight the immense scale and God's abundant provision, which was a significant theological point for a people rebuilding their faith and nation. Some also propose that the 3,000 baths could refer to the total amount of water that could be supplied to the sea over a period, not just held by it at one time. Ultimately, both accounts agree on the vastness of the vessel and its crucial purpose for ritual purification within the Temple.

Christ-Centered Fulfillment

The molten sea, with its immense capacity for water and its indispensable function for priestly purification, serves as a profound Old Testament type pointing to the ultimate and abundant cleansing found in Jesus Christ. Just as the Levitical priests needed to wash themselves before ministering, signifying the necessary holiness to approach God, so too does humanity, stained by sin, require a far greater and more complete purification. The vast volume of water in the molten sea powerfully foreshadows the boundless grace and infinite cleansing power of Christ's atoning sacrifice. He is the true and living "fountain opened for sin and uncleanness" (Zechariah 13:1), providing an inexhaustible supply of spiritual cleansing. The meticulous design and exquisite beauty of the molten sea, adorned with lilies, subtly hint at the perfection and glory of the One who would offer Himself as the spotless Lamb of God, who takes away the sin of the world!. Through His shed blood, we are not merely ritually cleansed but truly and eternally purified from all sin, enabling us to draw near to God with confidence and a clear conscience, not through physical washing, but through saving faith in Him (Hebrews 10:19-22). Christ is our ultimate and sufficient provision for holiness, empowering us to serve the living God with a conscience cleansed from dead works (Hebrews 9:14).

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Public-domain commentary

Matthew Henry

From his Commentary on the Whole Bible. Henry comments on passages, not single verses — this entry covers 2 Chronicles 4:1–10. His three-level outline is real structure in the source text, so it is rendered as structure.

1662–1714 · 10 verses
Passage under comment2 Chronicles 4:1–10
I. II. Main points1. 2. Sub-points(1.) (2.) Details

David often speaks with much affection both of the house of the Lord and of the courts of our God. Both without doors and within there was that which typified the grace of the gospel and shadowed out good things to come, of which the substance is Christ.

I.There were those things in the open court, in the view of all the people, which were very significant.

1.There was the brazen altar, Ch2 4:1. The making of this was not mentioned in the Kings. On this all the sacrifices were offered, and it sanctified the gift. This altar was much larger than that which Moses made in the tabernacle; that was five cubits square, this was twenty cubits square. Now that Israel had become both numerous and more rich, and it was to be hoped more devout (for every age should aim to be wiser and better than that which went before it), it was expected that there would be a greater abundance of offerings brought to God's altar than had been. It was therefore made such a capacious scaffold that it might hold them all, and none might excuse themselves from bringing those temptations of their devotion by alleging that there was not room to receive them. God had greatly enlarged their borders; it was therefore fit that they should enlarge his altars. Our returns should bear some proportion to our receivings. It was ten cubits high, so that the people who worshipped in the courts might see the sacrifice burnt, and their eye might affect their heart with sorrow for sin: "It is of the Lord's mercies that I am not thus consumed, and that this is accepted as an expiation of my guilt." They might thus be led to consider the great sacrifice which should be offered in the fulness of time to take away sin and abolish death, which the blood of bulls and goats could not possibly do. And with the smoke of the sacrifices their hearts might ascend to heaven in holy desires towards God and his favour. In all our devotions we must keep the eye of faith fixed upon Christ, the great propitiation. How they went up to this altar, and carried the sacrifices up to it, we are not told; some think by a plain ascent like a hill: if by steps, doubtless they were so contrived as that the end of the law (mentioned Exo 20:26) might be answered.

2.There was the molten sea, a very large brass pan, in which they put water for the priests to wash in, Ch2 4:2, Ch2 4:6. It was put just at the entrance into the court of the priests, like the font at the church door. If it were filled to the brim, it would hold 3000 baths (as here, Ch2 4:5), but ordinarily there were only 2000 baths in it, Kg1 7:26. The Holy Ghost by this signified,

(1.)Our great gospel privilege, that the blood of Christ cleanseth from all sin, Jo1 1:7. To us there is a fountain opened for all believers (who are spiritual priests, Rev 1:5, Rev 1:6), nay, for all the inhabitants of Jerusalem to wash in, from sin, which is uncleanness. There is a fulness of merit in Jesus Christ for all those that by faith apply to him for the purifying of their consciences, that they might serve the living God, Heb 9:14.

(2.)Our great gospel duty, which is to cleanse ourselves by true repentance from all the pollutions of the flesh and the corruption that is in the world. Our hearts must be sanctified, or we cannot sanctify the name of God. Those that draw nigh to God must cleanse their hands, and purify their hearts, Jam 4:8. If I was thee not, thou hast no part with me; and he that is washed still needs to wash his feet, to renew his repentance, whenever he goes in to minister, Joh 13:10.

3.There were ten lavers of brass, in which they washed such things as they offered for the burnt-offerings, Ch2 4:6. As the priests must be washed, so must the sacrifices. We must not only purify ourselves in preparation for our religious performances, but carefully put away all those vain thoughts and corrupt aims which cleave to our performances themselves and pollute them.

4.The doors of the court were overlaid with brass (Ch2 4:9), both for strength and beauty, and that they might not be rotted with the weather, to which they were exposed. Gates of brass we read of, Psa 107:16.

II.There were those things in the house of the Lord (into which the priests alone went to minister) that were very significant.

All was gold there. The nearer we come to God the purer we must be, the purer we shall be.

1.There were ten golden candlesticks, according to the form of that one which was in the tabernacle, Ch2 4:7. The written word is a lamp and a light, shining in a dark place. In Moses's time they had but one candlestick, the Pentateuch; but the additions which, in process of time, were to be made of other books of scripture might be signified by this increase of the number of the candlesticks. Light was growing. The candlesticks are the churches, Rev 1:20. Moses set up but one, the church of the Jews; but, in the gospel temple, not only believers, but churches, are multiplied.

2.There were ten golden tables (Ch2 4:8), tables whereon the show-bread was set, Ch2 4:19. Perhaps every one of the tables had twelve loaves of show-bread on it. As the house was enlarged, the house-keeping was. In my father's house there is bread enough for the whole family. To those tables belonged 100 golden basins, or dishes; for God's table is well furnished.

3.There was a golden altar (Ch2 4:19), on which they burnt incense. It is probable that this was enlarged in proportion to the brazen altar. Christ, who once for all made atonement for sin, ever lives, making intercession, in virtue of that atonement.

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Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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