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Commentary

Song of Solomon 1:13-14

A bundle of myrrh is my wellbeloved unto me; he shall lie all night betwixt my breasts.

The location of the heart is said by experts to lie between the two breasts. Here is where the bride says that she has the sachet in which her treasure is kept. Also, the heart is said to be a source of warmth from which the body’s heat is distributed through the arteries. The body’s members are thereby heated, animated and nourished by the heart’s fire. Therefore the bride has received the good odor of Christ in the governing part of the soul and has made her own heart a kind of sachet for such incense. And so she makes all her actions, like parts of the body, seethe with the breath from her heart so that no iniquity can cool her love for God in any member of her body.

HOMILIES ON THE SONG OF SONGS 3

Song of Solomon 1:15

Behold, thou art fair, my love; behold, thou art fair; thou hast doves' eyes.

When her own beauty is manifest, the loveliness of her eyes is extolled. The bridegroom says that her eyes are those of a dove that seem to convey this meaning: when the pupils of the eye are clear, the faces of those gazing at them are clearly reflected. Persons skilled in studying natural phenomena say that the eye sees by receiving the impression of images emanating from visible objects. For this reason the beauty of the bride’s eyes is praised since the image of a dove appears in her pupils. Whenever a person gazes upon an object he receives in himself the image of that object. He who no longer attends to flesh and blood looks toward the life of the Spirit. As the apostle says, such a person lives in the Spirit, conforms to the Spirit, and by the Spirit puts to death the deeds of the body. This person has become wholly spiritual, neither natural nor carnal.

HOMILIES ON THE SONG OF SONGS 4

Song of Solomon 2:7

I charge you, O ye daughters of Jerusalem, by the roes, and by the hinds of the field, that ye stir not up, nor awake my love, till he please.

An oath works in two ways. In the present text, the soul is progressing toward great heights, as we have seen. At the same time she is instructing less advanced souls in the way of perfection. She uses the oath not to assure them of the progress she herself has made but to lead them through their oath to a life of virtue. She adjures them to keep their love alert and watchful until his good will come to fulfillment, that is, until all are saved and come to a knowledge of the truth.

HOMILIES ON THE SONG OF SONGS 4

Song of Solomon 2:8

The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.

The voice of the bridegroom was heard when God spoke through the prophets. After the voice the Word came leaping over the mountains that stood in his way, and by bounding over the hills, he made every rebellious power subject to himself, both the inferior powers and those that are greater. The distinction between mountains and hills signifies that both the superior adversary and the inferior one are trampled and destroyed by the same power and authority. The lion and the dragon, superior beasts, are trampled; so too are the serpent and the scorpion, which are inferior.

HOMILIES ON THE SONG OF SONGS 5

Song of Solomon 3:1-4

By night on my bed I sought him whom my soul loveth: I sought him, but I found him not.

The chamber is indeed the heart that becomes an acceptable dwelling of God when it returns to that state which it had in the beginning made by “her who conceived me.” We would be correct by understanding “mother” as the first cause of our being.

HOMILIES ON THE SONG OF SONGS 6

Song of Solomon 3:6-7

Who is this that cometh out of the wilderness like pillars of smoke, perfumed with myrrh and frankincense, with all powders of the merchant?

What then is their meaning? Perhaps the loveliness of the divine beauty has something fearful about it as characterized by elements contrary to corporeal beauty. What attracts our desire is pleasant to the sight, soft to the touch, and not associated with anything fearful or terrifying. But that incorruptible beauty is fearful, terrifying and not easily frightened. Since our desire for carnal things in the body’s members is subject to passion and defilement, like a band of robbers it ambushes the mind, captivates it and carries away the will. Therefore it becomes God’s enemy; as the apostle says, the wisdom of the flesh arises from what is inimical to God. It follows that the love of God arises from what is opposed to carnal desire. If carnal desire consists of weakness, laxity and laziness, the love of God is made up of a fearful, terrifying fortitude. An unrelenting anger scares and puts to flight the ambush resulting from pleasure, thus revealing the soul’s beauty as pure and no longer sullied by a desire for carnal pleasure. The king’s nuptial bed is therefore surrounded by armed…
What then is their meaning? Perhaps the loveliness of the divine beauty has something fearful about it as characterized by elements contrary to corporeal beauty. What attracts our desire is pleasant to the sight, soft to the touch, and not associated with anything fearful or terrifying. But that incorruptible beauty is fearful, terrifying and not easily frightened. Since our desire for carnal things in the body’s members is subject to passion and defilement, like a band of robbers it ambushes the mind, captivates it and carries away the will. Therefore it becomes God’s enemy; as the apostle says, the wisdom of the flesh arises from what is inimical to God. It follows that the love of God arises from what is opposed to carnal desire. If carnal desire consists of weakness, laxity and laziness, the love of God is made up of a fearful, terrifying fortitude. An unrelenting anger scares and puts to flight the ambush resulting from pleasure, thus revealing the soul’s beauty as pure and no longer sullied by a desire for carnal pleasure. The king’s nuptial bed is therefore surrounded by armed men expert in battle. The sword at the thigh terrorizes and causes fear against dark, nocturnal thoughts and against those who lie in ambush to shoot arrows in the darkness at the upright of heart. The weapons of those standing guard around the bed destroy impure desires.

HOMILIES ON THE SONG OF SONGS 6

Song of Solomon 3:10-11

He made the pillars thereof of silver, the bottom thereof of gold, the covering of it of purple, the midst thereof being paved with love, for the daughters of Jerusalem.

No one can adequately grasp the terms pertaining to God. For example, “mother” is mentioned in the Song in place of “father.” Both terms mean the same, because there is neither male nor female in God. For how can anything transitory like this be attributed to God? But when we are one in Christ, we are divested of the signs of this difference along with the old person. Therefore every name equally indicates God’s ineffable nature; neither can “male” nor “female” defile God’s pure nature. Because of this, the father mentioned in the gospel parable prepares a wedding. The prophet says of God, “You have placed on his head a crown of precious stones.” Hence the Song says that a crown is placed upon the bridegroom by his mother. Since the nuptials and bride are one, one mother places the crown upon the bridegroom’s head. Neither does it make much difference whether one calls the Son of God the only begotten God, or the Son of his love. According to Paul, each name has the capacity to be a bridal escort that leads the bridegroom to dwell in us.

HOMILIES ON THE SONG OF SONGS 7

Song of Solomon 4:2

Thy teeth are like a flock of sheep that are even shorn, which came up from the washing; whereof every one bear twins, and none is barren among them.

Now is the time to examine the beauty attributed to the teeth of shorn sheep.… If we look at the literal meaning of this verse, I do not see how teeth can be compared with prolific sheep.… What then can we gather from these words? Persons reducing the divine mysteries into small fragments for a clearer interpretation of the text make spiritual food more easily acceptable for the body of the church. They perform the function of teeth by receiving the thick, dense bread of the text into their mouths. By a more subtle contemplation, they make the food delectable.

HOMILIES ON THE SONG OF SONGS 7

Song of Solomon 4:10-12

How fair is thy love, my sister, my spouse! how much better is thy love than wine! and the smell of thine ointments than all spices!

Because a seal protects the inviolability of whatever it guards, it scares off thieves; everything not stolen remains unharmed for the master. Praise of the bride in the Song would then testify to her excellence in virtue because her mind remains safe from enemies and is guarded for her Lord in purity and tranquility. Purity seals this fountain while the radiance and transparency of the bride’s heart is unclouded by no mire of evil thoughts.

HOMILIES ON THE SONG OF SONGS 9

Song of Solomon 4:13-15 · 2 passages

Thy plants are an orchard of pomegranates, with pleasant fruits; camphire, with spikenard,

When the Word raises his bride to such a point through her ascents, he leads her even further, saying that her garments have the scent of frankincense. Scripture testifies that Christ is clothed with this frankincense. The end of a virtuous life is participation in God, for frankincense manifests the divinity. The soul is not always led by the Word to what is higher by means of honey and milk, but after having been compared with the scent of frankincense, the garden becomes an image of paradise. It is not loosely guarded as with our first parents, but protected from every side by recollection of the bridegroom’s command.

HOMILIES ON THE SONG OF SONGS 9

In order that we may know the plants that the Word cultivates in believers, the Song calls the trees he planted “pomegranates.” These issue from the bride’s mouth. The pomegranate is difficult for a thief to grasp because of its thorny branches, and its fruit is surrounded and protected by a rind bitter and harsh to the taste. Once the pomegranate ripens in its own good time, and once the rind is peeled off and the inside revealed, it is sweet and appealing to the sight much like honey to the taste; its juice tastes like wine and affords much pleasure to the palate. I think that the issues from the bride’s mouth [are] a “garden of pomegranates” present in the souls of those listening to her. We must heed her words and not become soft by indulgence and enjoyment of this present life. Rather we should choose a life that has become toughened by continence. Thus virtue’s fruit is inaccessible to thieves and is protected by the bitter covering of self-control. Surrounded by a solemn, austere way of life, it wards off as though by spiny thorns those who approach the fruit with evil intent.

HOMILIES ON THE SONG OF SONGS 9

Song of Solomon 5:2-5 · 2 passages

I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.

Resurrection is not effected in us unless a voluntary death precedes it. Such a voluntary death is indicated by the drops of myrrh dripping from the bride’s hands, for her fingers are filled with this spice. She says that myrrh did not come into her hands from any other source—if this were so, myrrh would mean something accidental and involuntary. Rather her hands (the operative faculties of the soul) drop myrrh, meaning a voluntary mortification of her bodily passions.

HOMILIES ON THE SONG OF SONGS 12

Once all the senses have been put to sleep and are gripped by inaction, the heart’s action is pure; reason looks above while it remains undisturbed and free from the senses’ movement.…If a person pays attention to the senses and is drawn by pleasure in the body, he will live his life without tasting the divine joy, since the good can be overshadowed by what is inferior. For those who desire God, a good not shadowed over by anything awaits them; they realize that what enters the senses must be avoided. Therefore, when the soul enjoys only the contemplation of being, it will not arise for those things that effect sensual pleasure. It puts to rest all bodily movement, and by naked, pure insight, the soul will see God in a divine watchfulness. May we be made worthy through this sleep, of which the Song has spoken, to keep our soul vigilant.

HOMILIES ON THE SONG OF SONGS 10

Song of Solomon 5:6

I opened to my beloved; but my beloved had withdrawn himself, and was gone: my soul failed when he spake: I sought him, but I could not find him; I called him, but he gave me no answer.

The bride says, “I sought him, but found him not.” How can the bridegroom be found when he does not reveal anything of himself? He has no color, form, quality, quantity, place, appearance, evidence, comparison or resemblance. Rather, everything we can discover always transcends our comprehension and completely escapes our search. Therefore the bride says, “I have sought him by my soul’s capacities of reflection and understanding. He completely transcended them, and he escaped my mind when it drew near to him.”How can that which is always beyond everything we know be designated by a name? For this reason the bride understands every function of a name as a sign of the ineffable good. The significance of each word falls short and shows something inferior to the truth.… The soul thus calls the Word as best it can. It cannot do so as it wishes, for the soul desires more than it is capable of. The soul does not wish what it is incapable of receiving, such as God himself, but its choice is in accord with its wish. Since the one called is unattainable, the bride says, “I called him, but he d…
The bride says, “I sought him, but found him not.” How can the bridegroom be found when he does not reveal anything of himself? He has no color, form, quality, quantity, place, appearance, evidence, comparison or resemblance. Rather, everything we can discover always transcends our comprehension and completely escapes our search. Therefore the bride says, “I have sought him by my soul’s capacities of reflection and understanding. He completely transcended them, and he escaped my mind when it drew near to him.”How can that which is always beyond everything we know be designated by a name? For this reason the bride understands every function of a name as a sign of the ineffable good. The significance of each word falls short and shows something inferior to the truth.…
The soul thus calls the Word as best it can. It cannot do so as it wishes, for the soul desires more than it is capable of. The soul does not wish what it is incapable of receiving, such as God himself, but its choice is in accord with its wish. Since the one called is unattainable, the bride says, “I called him, but he did not answer.”

HOMILIES ON THE SONG OF SONGS 12

Song of Solomon 5:10 · 2 passages

My beloved is white and ruddy, the chiefest among ten thousand.

All these elements constituting the bridegroom’s beauty are made known for our benefit but do not show his invisible, incomprehensible beauty.…Therefore, whoever looks at the visible world and understands the wisdom that has been made manifest by the beauty of creatures can make an analogy from the visible to invisible beauty, the fountain of beauty whose emanation established all living beings in existence. Similarly, whoever views the world of this new creation in the church sees in it him who is all in all. This person is then led by faith through what is finite and comprehensible to knowledge of the infinite.

HOMILIES ON THE SONG OF SONGS 13

All flesh implies birth, with marriage as the means for bringing it about. The person, however, who is not subject to a birth of flesh with respect to the mystery of religion does not submit to the actions effected by human nature or to the passions arising from the mind. He understands that the generation of the flesh belongs to all humankind. The bride says that he who partakes of flesh and blood is “white and ruddy.” However, by indicating the body’s nature by these two colors, she does not say that Christ partakes of that birth common to humankind. Rather, God assumed our human nature from the multitude of people he had begotten. From the passage of succeeding generations, Christ alone entered this life by a new form of birth. Nature did not cooperate in this birth but served it. Therefore, the bride says that her spouse is “white and ruddy.” That is, he dwells in this present life through flesh and blood while having been begotten from virginal purity. His conception is virginal. His birth is undefiled and without pangs. His bridal chamber is the power of the Most High overshado…
All flesh implies birth, with marriage as the means for bringing it about. The person, however, who is not subject to a birth of flesh with respect to the mystery of religion does not submit to the actions effected by human nature or to the passions arising from the mind. He understands that the generation of the flesh belongs to all humankind. The bride says that he who partakes of flesh and blood is “white and ruddy.” However, by indicating the body’s nature by these two colors, she does not say that Christ partakes of that birth common to humankind. Rather, God assumed our human nature from the multitude of people he had begotten. From the passage of succeeding generations, Christ alone entered this life by a new form of birth. Nature did not cooperate in this birth but served it. Therefore, the bride says that her spouse is “white and ruddy.” That is, he dwells in this present life through flesh and blood while having been begotten from virginal purity. His conception is virginal. His birth is undefiled and without pangs. His bridal chamber is the power of the Most High overshadowing the virgin like a cloud. He is a nuptial torch of the Holy Spirit’s splendor. His bed is free from passion, and his marriage is incorruptibility.The bridegroom born under such circumstances as these is rightly called “chosen from myriads.” He was free from birth resulting from marriage, for his existence does not come from marriage. No terminology pertaining to human birth can rightly pertain to Christ’s incorruptible, painless birth because virginity and childbirth cannot apply to the bridegroom at the same time. As the Son is given to us without a father, the child is thus begotten without birth.

HOMILIES ON THE SONG OF SONGS 13

Song of Solomon 5:12

His eyes are as the eyes of doves by the rivers of waters, washed with milk, and fitly set.

The eyes “upon the fullness of waters” are compared with doves because of their simplicity and innocence, and the Word says they have been washed in milk. A quality of milk is that it does not reflect any image. Every other liquid is like a mirror whose smooth surface serves to reflect the image of those gazing in it. However, milk lacks such reflective capacity. This is, then, the best praise for the church’s eyes. They do not reflect deceptive, shadowy pictures of nonexistent things that are erroneous, vain or contrary to the true nature of reality. They look, rather, at being itself, and do not reflect the false visions and fantasies of life. Thus the perfect soul bathes its eyes in milk to keep them pure.

HOMILIES ON THE SONG OF SONGS 13

Song of Solomon 5:15

His legs are as pillars of marble, set upon sockets of fine gold: his countenance is as Lebanon, excellent as the cedars.

A pillar must rest on the foundation of truth. Truth is golden, and its bases are the bridegroom’s legs adorning his hands and head. The foundation may be interpreted as marble. We understand by the Song’s words that the body’s legs are marble pillars, that is, those persons who support and bear the body of the church by exemplary lives and sound words. Through them the base of our faith is firm, the course of virtue is completed, and the entire body is raised on high by our longing for God’s promise. Truth and stability guide the church’s body. Gold represents truth, which, according to Paul, is called the foundation of the divine edifice. … Christ is the truth upon whom are founded the legs, or pillars of the church.

HOMILIES ON THE SONG OF SONGS 14

Song of Solomon 6:5

Turn away thine eyes from me, for they have overcome me: thy hair is as a flock of goats that appear from Gilead.

A goat is honored because its thick coat provides an image of beauty for the bride. Another reason for praise is that a goat can pass over rocks with a sure foot, agilely turn on mountain peaks, courageously pass through difficult, rough places, and can go safely on the road of virtue. Some would maintain that this animal is suitable for the comparison with the bride because Moses the lawgiver uses it for many of the sacred functions of the law.

HOMILIES ON THE SONG OF SONGS 15

Song of Solomon 6:9

My dove, my undefiled is but one; she is the only one of her mother, she is the choice one of her that bare her. The daughters saw her, and blessed her; yea, the queens and the concubines, and they praised her.

“My dove, my perfect one, is one.” The Lord’s words in the gospel explain this more clearly … that in the diversity of their lives’ activities, they should not be divided in their choices of the good. Rather, they should all be one, united into a single good through the unity of the Holy Spirit.… All will look to the same goal, and every evil will be destroyed. God will be all in all, and all persons will be united together in fellowship of the Good, Christ Jesus our Lord, to whom be glory and power forever and ever.

HOMILIES ON THE SONG OF SONGS 15

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