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Translation
King James Version
In the plain of Jordan did the king cast them, in the clay ground between Succoth and Zarthan.
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KJV (with Strong's)
In the plain H3603 of Jordan H3383 did the king H4428 cast H3332 them, in the clay H4568 ground H127 between Succoth H5523 and Zarthan H6891.
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Complete Jewish Bible
The king cast them in the plain of the Yarden, in the clay ground between Sukkot and Tzartan.
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Berean Standard Bible
The king had them cast in clay molds in the plain of the Jordan between Succoth and Zarethan.
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American Standard Version
In the plain of the Jordan did the king cast them, in the clay ground between Succoth and Zarethan.
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World English Bible Messianic
The king cast them in the plain of the Jordan, in the clay ground between Succoth and Zarethan.
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Geneva Bible (1599)
In the plaine of Iorden did the King cast them in clay betweene Succoth and Zarthan.
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Young's Literal Translation
In the circuit of the Jordan hath the king cast them, in the thick soil of the ground, between Succoth and Zarthan.
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See on the biblical-era map
City Plan: Jerusalem in the Time of Solomon
City Plan: Jerusalem in the Time of Solomon View full PDF
Building Plan: Solomon's Palace and the Temple Complex
Building Plan: Solomon's Palace and the Temple Complex View full PDF
Building Plan: Solomon's Temple
Building Plan: Solomon's Temple View full PDF

Map © Biblica Open Bible Maps · CC BY-SA 4.0

In the KJVVerse 8,981 of 31,102

Study This Verse

SUMMARY

1 Kings 7:46 provides a precise geographical and logistical detail concerning the construction of Solomon's Temple, specifically the casting of its massive bronze furnishings and architectural components. This verse reveals that King Solomon directed this immense industrial undertaking to occur in the Jordan River plain, leveraging the unique, deep clay deposits found in the area situated between Succoth and Zarthan. It underscores the meticulous planning, vast resources, and specialized metallurgical expertise required for such a monumental sacred project, highlighting the practical realities behind the creation of God's dwelling place in Jerusalem.

CONTEXT

  • Literary Context: This verse is strategically placed within 1 Kings 7, a chapter that meticulously details the construction of Solomon's Temple furnishings and, subsequently, his own palace. Following the general account of the Temple's completion in 1 Kings 6, chapter 7 shifts focus to the intricate and grand features within. Verses 1 Kings 7:13-45 specifically describe the work of Hiram of Tyre, the master craftsman commissioned for all the bronze elements, including the monumental pillars Jachin and Boaz, the Molten Sea, the lavers, and various other vessels. Verse 46 serves as a crucial geographical interlude, pinpointing the exact industrial site where these colossal bronze objects were cast. This detail emphasizes the sheer scale and logistical complexity of the operation before the narrative returns to the final placement and installation of these items within the Temple structure.
  • Historical & Cultural Context: King Solomon's reign (c. 970-931 BC) marked a zenith of peace and prosperity for the united kingdom of Israel, enabling ambitious national projects like the Temple. This undertaking demanded immense resources, advanced engineering, and highly specialized labor. Phoenicia, particularly the city-state of Tyre, was renowned throughout the ancient Near East for its metallurgical prowess. King Hiram of Tyre, a key ally, provided not only precious materials but also a master craftsman (also named Hiram, or Huram-Abi, as mentioned in 2 Chronicles 2:13), whose expertise was indispensable for the bronze work, as detailed in 1 Kings 7:13-14. The Jordan Valley, specifically the area between Succoth and Zarthan, was strategically chosen for its abundant deposits of deep, high-quality clay, which was essential for creating the large, durable molds needed for casting massive bronze objects. Furthermore, the proximity to the Jordan River provided an essential water source for preparing the molds and cooling the molten metal, demonstrating a sophisticated understanding of ancient industrial logistics and resource management.
  • Key Themes: This verse, though seemingly a technical detail, contributes significantly to several overarching themes within 1 Kings and the broader biblical narrative. Firstly, it highlights the theme of Divine Mandate and Human Excellence, illustrating that while God commanded the Temple's construction as His dwelling place, He expected and enabled the highest standards of human ingenuity, specialized labor, and meticulous planning. The strategic selection of the casting site and the use of skilled craftsmen like Hiram underscore the diligent effort involved in sacred projects. Secondly, the verse reinforces the theme of Historical Veracity and Geographical Precision, with the specific mention of "the plain of Jordan" and "between Succoth and Zarthan" lending concrete detail and credibility to the biblical account. This precision authenticates the historical reality of God's interaction with His people. Lastly, it vividly portrays the Immense Scale and Complexity of the Temple Project. The necessity of establishing a major industrial operation far from Jerusalem to handle the casting of such colossal elements underscores the vast resources, logistical challenges, and national significance of building God's dwelling place, a project unparalleled in Israel's history since the construction of the Tabernacle described in Exodus 35-40.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • cast (Hebrew, yātsaq', H3332): This primitive root verb signifies "to pour out," and by implication, "to melt or cast as metal." In the context of 1 Kings 7:46, it specifically refers to the highly skilled and labor-intensive process of melting large quantities of bronze and pouring the molten metal into pre-formed molds. The scale of the objects (such as the Molten Sea, which held thousands of gallons, and the massive pillars Jachin and Boaz) indicates an advanced metallurgical operation requiring immense heat, precise temperature control, and careful handling of the molten material to ensure the integrity and quality of the finished products.
  • plain (Hebrew, kikkâr', H3603): Derived from a root meaning "circle," this term refers to a circumjacent tract or region, specifically the Ghor or valley of the Jordan. This geographical designation is crucial as it identifies the broad, flat, and often fertile valley through which the Jordan River flows. For the purpose of casting, the "plain of Jordan" provided the necessary expansive space for a large-scale industrial site, away from population centers, and was known for its specific geological features conducive to the work.
  • clay ground (Hebrew, maʻăbeh and ʼădâmâh', H4568): This phrase describes a specific type of soil. **Maʻăbeh (H4568) means "compact" or "loam," referring to the dense, heavy quality of the clay. **ʼAdâmâh (H127) refers to "soil" or "ground," often implying its reddish hue. Together, "clay ground" denotes a deep, rich, and cohesive clay deposit. This particular quality of clay was indispensable for constructing the large, robust molds required to withstand the extreme temperatures of molten bronze without cracking, collapsing, or deforming. The abundance of this ideal clay in the Jordan plain was a primary factor in choosing this location for the massive casting operation.

Verse Breakdown

  • "In the plain of Jordan did the king cast them,": This initial clause sets the general geographical stage for the significant industrial activity. "Them" refers to the numerous bronze articles for the Temple, including the monumental Molten Sea, the ten lavers, and the two grand pillars, whose fabrication is extensively detailed in the preceding verses of 1 Kings 7. The phrase "did the king cast them" highlights King Solomon's direct authority, initiative, and oversight in this massive undertaking, underscoring his central role in orchestrating the entire Temple construction project, not merely commissioning it.
  • "in the clay ground": This phrase provides a critical geological specificity, explaining why this particular location in the Jordan plain was chosen. The presence of suitable "clay ground" was not incidental but a paramount requirement. This deep, heavy, and malleable clay was absolutely essential for constructing the robust and precise molds that could endure the immense heat and pressure of molten bronze without compromising the structural integrity or intricate details of the colossal objects being cast. Its unique properties made it ideal for large-scale ancient metallurgy.
  • "between Succoth and Zarthan.": This final clause offers precise geographical markers, pinpointing the exact area within the Jordan plain where this industrial complex was established. Succoth was located on the east side of the Jordan River, while Zarthan (also known as Zaretan or Zeredathah) was generally situated on the west side, near Adam. This indicates a specific, resource-rich zone in the Jordan Valley, strategically chosen for its abundance of the necessary high-quality clay and its proximity to the Jordan River for water, making it an ideal site for such a large-scale, heavy-industry operation, far from the bustling capital of Jerusalem.

Literary Devices

The verse employs several literary devices to enhance its communication of meaning and significance. Precision and Detail are paramount, as the author meticulously provides exact geographical coordinates for a specific industrial operation. This attention to detail not only enhances the historical credibility of the narrative but also underscores the meticulousness and thoroughness with which the Temple was constructed. The phrase "between Succoth and Zarthan" functions as a form of Merism, encompassing the entire region or stretch of land situated between these two points, thereby highlighting the extensive area utilized for this monumental work. While seemingly a simple statement of fact, the verse subtly employs Understatement to convey the immense scale and logistical complexity of the Temple project. By locating this critical, heavy industry far from Jerusalem itself, the text implicitly communicates the sheer magnitude of resources, labor, and planning required—an operation too disruptive, dangerous, or space-intensive to conduct within the city walls.

THEOLOGICAL AND THEMATIC CONNECTIONS

This seemingly technical verse on ancient metallurgy holds profound theological implications, revealing God's expectation of excellence, meticulousness, and diligent effort in the service and worship offered to Him. The detailed account of the Temple's construction, even down to the specific location of its workshops and the type of soil used for casting, underscores that God is not indifferent to the quality of human effort in His service. Just as the Tabernacle was built according to precise divine specifications, so too was Solomon's Temple, demonstrating that the sacred requires not only spiritual devotion but also diligent, skilled, and well-planned human labor. This commitment to excellence in the physical construction foreshadows the spiritual reality that God desires our best in all areas of life, recognizing that our work, when done unto Him, can be an act of worship. The physical Temple, built with such care, served as a tangible representation of God's desire to dwell among His people, a theme that finds its ultimate fulfillment in Christ.

  • Exodus 31:1-5: This passage describes Bezalel and Oholiab being supernaturally filled with the Spirit of God for craftsmanship, highlighting divine enablement for sacred work, mirroring how Hiram's skill was providentially utilized for the Temple.
  • Haggai 1:8: God commands His people to "go up to the mountains and bring wood and build the house," emphasizing the importance of active participation, diligent effort, and resourcefulness in constructing His dwelling place.
  • Hebrews 8:5: This verse states that the earthly sanctuary serves as a "copy and shadow of the heavenly things," implying that the meticulous detail and quality of the physical Temple pointed to a greater, perfect heavenly reality.

REFLECTION AND APPLICATION

The detailed account of the Temple's construction, including the precise location of its industrial workshops, serves as a powerful reminder that even in grand spiritual endeavors, there are practical, earthly realities that must be addressed with diligence, wisdom, and excellence. This verse teaches us that God values not only the spiritual intent but also the quality of our work and the responsible use of the resources He provides. It challenges us to consider how we approach our own "building projects"—whether in our careers, families, ministries, or personal development. Are we striving for excellence in the mundane tasks, recognizing that our labor, when offered to God, can be an act of worship? The thoroughness in building the first Temple points to the ultimate reality of God's desire for His presence among His people, a theme later fulfilled in Jesus Christ, the Word made flesh, who tabernacled among us. Our lives, as temples of the Holy Spirit, should reflect the same commitment to integrity, quality, and purpose in every sphere.

Questions for Reflection

  • How does the meticulous detail in building the Temple, even down to the location of its workshops, inform our approach to service and work in our own lives?
  • In what areas of our lives can we apply the principle of "excellence in the mundane," recognizing that all our labor, when done with integrity, can be an act of worship to God?
  • How does God's provision of specific resources (like the unique clay) and skilled individuals (like Hiram) for the Temple's construction encourage us in our own endeavors and reliance on His divine provision and enablement?

FAQ

Why was the casting of the bronze objects done so far from Jerusalem?

Answer: The casting operation was conducted in the Jordan Valley, a significant distance from Jerusalem, for several crucial practical and logistical reasons. Firstly, the specific "clay ground" (deep, heavy clay) required for creating the large, durable molds was abundant in this region, particularly between Succoth and Zarthan, but was not readily available in Jerusalem. Secondly, the process of melting and casting massive bronze objects would have generated immense heat, smoke, and noise, making it unsuitable for the densely populated capital city. Thirdly, the sheer scale of the operation, involving the movement of heavy raw materials and the need for large furnaces and ample workspace, necessitated an industrial site with considerable space and access to water (from the Jordan River) for various stages of the process, including cooling. While transporting the finished, heavy bronze articles was a significant logistical challenge, it was ultimately more feasible and less disruptive than performing the entire casting process within Jerusalem itself.

Who was Hiram, and what was his significance to the Temple project?

Answer: Hiram (also known as Huram-Abi in parallel accounts like 2 Chronicles 2:13) was a master craftsman from Tyre, a prominent Phoenician city. He was renowned throughout the ancient world for his exceptional skill in working with various metals (bronze, gold, silver, iron), stone, and wood, as well as in engraving and designing. King Solomon specifically requested his expertise from King Hiram of Tyre (his namesake) because of his unparalleled abilities, especially in metallurgy. Hiram's significance lies in his crucial role in fabricating all the intricate and massive bronze furnishings for the Temple, including the two great pillars (Jachin and Boaz), the enormous Molten Sea, the ten lavers, and numerous other utensils. His craftsmanship ensured that the Temple's bronze elements were not only functional but also aesthetically magnificent, reflecting the high standards of artistry and quality expected for God's dwelling place.

What was the particular significance of the "clay ground" mentioned in the verse?

Answer: The "clay ground" (Hebrew: maʻăbeh haʼădâmâh) was of paramount significance because it refers to a specific type of deep, dense, and rich clay soil found abundantly in the Jordan Valley. This particular quality of clay was absolutely essential for creating the large, robust, and intricate molds needed for casting massive bronze objects like the Molten Sea and the Temple pillars. Unlike ordinary soil, this heavy, compact clay possessed the unique properties to withstand the immense heat of molten bronze without cracking, collapsing, or deforming, which would have ruined the complex castings. Ancient metallurgy relied heavily on understanding the properties of different soils, and the abundance of this ideal clay in the Jordan plain made it the perfect, indeed necessary, location for such a large-scale industrial operation, ensuring the structural integrity and artistic precision of the Temple's bronze elements.

CHRIST-CENTERED FULFILLMENT

The meticulous detail and immense effort dedicated to constructing Solomon's Temple, even down to the specific "clay ground" in the Jordan plain where its bronze components were cast, powerfully foreshadow the ultimate dwelling of God among humanity in Jesus Christ. The physical Temple, built with such human skill and divine wisdom, was a temporary and imperfect shadow of the perfect, eternal reality of God's presence. In Christ, God's presence is no longer confined to a building made with hands, for He is the true Temple, as He Himself declared, "Destroy this temple, and in three days I will raise it up," speaking of the temple of His body (John 2:19-21). Indeed, in Him "all the fullness of the Deity lives in bodily form" (Colossians 2:9). Just as the "clay ground" was essential for the Temple's physical components to be formed, so too was the "clay" of human flesh essential for God's ultimate dwelling among us; the Word became flesh and "tabernacled among us" (John 1:14), making His dwelling in human form. The wisdom and meticulous planning seen in the Temple's construction find their ultimate expression in Christ, who is the wisdom of God (1 Corinthians 1:24) and who perfectly accomplished God's redemptive plan. Through His sacrifice, we, as believers, become living stones built into a spiritual house (1 Peter 2:5), temples of the Holy Spirit (1 Corinthians 6:19), thereby fulfilling the Temple's purpose of housing God's presence in a new and greater way, not in a physical structure, but in redeemed humanity.

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Commentary on 1 Kings 7 verses 13–47

I. II. Main points1. 2. Sub-points

We have here an account of the brass-work about the temple. There was no iron about the temple, though we find David preparing for the temple iron for things of iron, Ch1 29:2. What those things were we are not told, but some of the things of brass are here described and the rest mentioned.

I. The brasier whom Solomon employed to preside in this part of the work was Hiram, or Huram (Ch2 4:11), who was by his mother's side an Israelite, of the tribe of Naphtali, by his father's side a man of Tyre, Kg1 7:14. If he had the ingenuity of a Tyrian, and the affection of an Israelite to the house of God (the head of a Tyrian and the heart of an Israelite), it was happy that the blood of the two nations mixed in him, for thereby he was qualified for the work to which he was designed. As the tabernacle was built with the wealth of Egypt, so the temple with the wit of Tyre. God will serve himself by the common gifts of the children of men.

II. The brass he made use of was the best he could get. All the brazen vessels were of bright brass (Kg1 7:45), good brass, so the Chaldee, that which was strongest and looked finest. God, who is the best, must be served and honoured with the best.

III. The place where all the brazen vessels were cast was the plain of Jordan, because the ground there was stiff and clayey, fit to make moulds of for the casting of the brass (Kg1 7:46), and Solomon would not have this dirty smoky work done in or near Jerusalem.

IV. The quantity was not accounted for. The vessels were unnumbered (so it may be read, Kg1 7:47, as well as unweighed), because they were exceedingly numerous, and it would have been an endless thing to keep the account of them; neither was the weight of the brass, when it was delivered to the workmen, searched or enquired into; so honest were the workmen, and such great plenty of brass they had, that there was no danger of wanting. We must ascribe it to Solomon's care that he provided so much, not to his carelessness that he kept no account of it.

V. Some particulars of the brass-work are described.

1.Two brazen pillars, which were set up in the porch of the temple (Kg1 7:21), whether under the cover of the porch or in the open air is not certain; it was between the temple and the court of the priests. These pillars were neither to hang gates upon nor to rest any building upon, but purely for ornament and significancy. (1.) What an ornament they were we may gather from the account here given of the curious work that was about them, chequer-work, chain-work, net-work, lily-work, and pomegranates in rows, and all of bright brass, and framed no doubt according to the best rules of proportion, to please the eye. (2.) Their significancy is intimated in the names given them (Kg1 7:21): Jachin - he will establish; and Boaz - in him is strength. Some think they were intended for memorials of the pillar of cloud and fire which led Israel through the wilderness: I rather think them designed for memorandums to the priests and others that came to worship at God's door, [1.] To depend upon God only, and not upon any sufficiency of their own, for strength and establishment in all their religious exercises. When we come to wait upon God, and find our hearts wandering and unfixed, then by faith let us fetch in help from heaven: Jachin - God will fix this roving mind. It is a good thing that the heart be established with grace. We find ourselves weak and unable for holy duties, but this is our encouragement: Boaz - in him is our strength, who works in us both to will and to do. I will go in the strength of the Lord God. Spiritual strength and stability are to be had at the door of God's temple, where we must wait for the gifts of grace in the use of the means of grace. [2.] It was a memorandum to them of the strength and establishment of the temple of God among them. Let them keep close to God and duty, and they should never lose their dignities and privileges, but the grant should be confirmed and perpetuated to them. The gospel church is what God will establish, what he will strengthen, and what the gates of hell can never prevail against. But, with respect to this temple, when it was destroyed particular notice was taken of the destroying of these pillars (Kg2 25:13, Kg2 25:17), which had been the tokens of its establishment, and would have been so if they had not forsaken God.

2.A brazen sea, a very large vessel, above five yards in diameter, and which contained above 500 barrels of water for the priests' use, in washing themselves and the sacrifices, and keeping the courts of the temple clean, Kg1 7:23, etc. It stood raised upon the figures of twelve oxen in brass, so high that either they must have stairs to climb up to it or cocks at the bottom to draw water from it. The Gibeonites, or Nethinim, who were to draw water for the house of God, had the care of filling it. Some think Solomon made the images of oxen to support this great cistern in contempt of the golden calf which Israel had worshipped, that (as bishop Patrick expresses it) the people might see there was nothing worthy of adoration in those figures; they were fitter to make posts of than to make gods of. Yet this prevailed not to prevent Jerusalem's setting up the calves for deities. In the court of the tabernacle there was only a laver of brass provided to wash in, but in the court of the temple a sea of brass, intimating that by the gospel of Christ much fuller preparation is made for our cleansing than was by the law of Moses. That had a laver, this has a sea, a fountain opened, Zac 13:1.

3.Ten bases, or stands, or settles, of brass, on which were put ten lavers, to be filled with water for the service of the temple, because there would not be room at the molten sea for all that had occasion to wash there. The bases on which the lavers were fixed are very largely described here, Kg1 7:27, etc. They were curiously adorned and set upon wheels, that the lavers might be removed as there was occasion; but ordinarily they stood in two rows, five on one side of the court and five on the other, Kg1 7:39. Each laver contained forty baths, that is, about ten barrels, Kg1 7:38. Those must be very clean that bear the vessels of the Lord. Spiritual priests and spiritual sacrifices must be washed in the laver of Christ's blood and of regeneration. We must wash often, for we daily contract pollution, must cleanse our hands and purify our hearts. Plentiful provision is made for our cleansing; so that if we have our lot for ever among the unclean it will be our own fault.

4.Besides these, there was a vast number of brass pots made to boil the flesh of the peace-offerings in, which the priests and offerers were to feast upon before the Lord (see Sa1 2:14); also shovels, wherewith they took out the ashes of the altar. Some think the word signifies flesh-hooks, with which they took meat out of the pot. The basins also were made of brass, to receive the blood of the sacrifices. These are put for all the utensils of the brazen altar, Exo 38:3. While they were about it they made abundance of them, that they might have a good stock by them when those that were first in use wore out and went to decay. Thus Solomon, having wherewithal to do so, provided for posterity.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 13–47. Public domain.
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BedeAD 735
Of the Temple of Solomon 2.21.1
It is appropriate that the vessels of the Lord’s house were cast in the region of the Jordan, namely, in the river in which our Lord deigned to be baptized and by his immersion in the waves of its waters changed the element for us into a bath for sins. For every baptism of the faithful in which they are consecrated to the Lord is celebrated on the model of his baptism whereby he himself sanctified the waters. It is proper that the vessels of the Lord’s house should have been made in the country of the Jordan, for there is no other way for us to become vessels of election and mercy than by looking to his baptism that he underwent in that river and making sure that we too are washed in that life-giving river. However, it must be noted that he says these vessels were made not only in the country around the Jordan but also in its plains to signify the multiplication of the faithful that was to take place not only in Judea but also in the wide world of all the nations in fulfillment of the prophecy that says, “The plains and everything in them will rejoice.”
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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