What number verse is 1 Kings 7:45 in the Bible?

1 Kings 7:45 is the 8,980th verse of the Bible. Counting straight through the King James canon — all 31,102 verses from Genesis 1:1 to Revelation 22:21 — 1 Kings 7:45 sits at position 8,980.

Translation

King James Version

And the pots, and the shovels, and the basons: and all these vessels, which Hiram made to king Solomon for the house of the LORD, were of bright brass.

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KJV (with Strong's)

And the pots ^H5518, and the shovels ^H3257, and the basons ^H4219: and all these vessels ^H3627, which Hiram ^H2438 made ^H6213 to king ^H4428 Solomon ^H8010 for the house ^H1004 of the LORD ^H3068, were of bright ^H4178 brass ^H5178.

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Complete Jewish Bible

the ash pots, the shovels and the sprinkling basins. All these articles that Hiram made for King Shlomo in the house of ADONAI were of burnished bronze.

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Berean Standard Bible

and the pots, shovels, and sprinkling bowls. All the articles that Huram made for King Solomon in the house of the LORD were made of burnished bronze.

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American Standard Version

and the pots, and the shovels, and the basins: even all these vessels, which Hiram made for king Solomon, in the house of Jehovah, were of burnished brass.

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World English Bible Messianic

and the pots, and the shovels, and the basins: even all these vessels, which Hiram made for king Solomon, in the LORD’s house, were of burnished brass.

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Geneva Bible (1599)

And pottes, and besomes and basens: and all these vessels, which Hiram made to King Salomon for the house of the Lord, were of shining brasse.

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Young's Literal Translation

and the pots, and the shovels, and the bowls; and all these vessels, that Hiram hath made to king Solomon for the house of Jehovah, are of brass--polished.

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Study This Verse

SUMMARY

1 Kings 7:45 provides a meticulous inventory of the utilitarian yet sacred vessels crafted by Hiram for Solomon's Temple, specifically detailing the "pots," "shovels," and "basons." These items, indispensable for the daily sacrificial and cleansing rituals of the Temple, were fashioned from "bright brass" (bronze), underscoring their exceptional quality, durability, and fitting aesthetic for the House of the LORD. The verse highlights the comprehensive nature of the Temple's furnishing, where even the most practical implements were designed and produced with divine excellence in mind.

CONTEXT

Literary Context: This verse is situated within a highly detailed account of the construction and furnishing of Solomon's Temple, specifically in 1 Kings 7. Chapters 1 Kings 6 and 1 Kings 7 together provide an exhaustive description of the architectural elements and the various sacred implements. Following the completion of the Temple structure itself, the narrative shifts to the elaborate bronze furnishings and vessels, beginning with the two massive pillars (Jachin and Boaz) and the "Sea" (a colossal basin). Verse 45 is part of a list that itemizes the smaller, yet critically important, tools used in the Temple service, preceding the enumeration of gold items and the final completion of the work in 1 Kings 7:51. This meticulous cataloging underscores the divine importance of every detail within the sacred space, emphasizing that all aspects of worship were carefully prescribed and executed.
Historical & Cultural Context: King Solomon's reign (c. 970-931 BCE) marked a zenith of prosperity, peace, and international relations for ancient Israel. The construction of the Temple was the crowning achievement of his reign, fulfilling the long-held desire of his father, David, to build a permanent dwelling for God's presence (2 Samuel 7:1-17). The "bright brass" (more accurately, bronze) mentioned in the verse was a valuable and widely used metal in the ancient Near East, prized for its strength, durability, and ability to be polished to a high luster. The commissioning of Hiram, a skilled artisan from Tyre (1 Kings 7:13-14), reflects Solomon's extensive trade alliances and his commitment to acquiring the best craftsmanship available for God's house. Tyre was renowned for its metallurgical expertise, making Hiram an ideal choice for crafting these sacred vessels, ensuring they were not only functional but also aesthetically magnificent and enduring, reflecting the glory of the God they served.
Key Themes: The meticulous description of the Temple's furnishings, including the items in 1 Kings 7:45, contributes to several key themes within the book of Kings and the broader biblical narrative. First, it highlights the excellence required in divine service. Every item, from the grand pillars to the humble "pots" and "shovels," was to be of the highest quality, reflecting the supreme worthiness of God. Second, it emphasizes God's attention to detail and the sacredness of all aspects of worship. The Bible's precise enumeration demonstrates that no element of the Temple's function was insignificant; each served a divine purpose. Third, the collaboration between Solomon and Hiram underscores the theme of sacred craftsmanship, where human skill, resources, and ingenuity are consecrated and employed for God's glory. This dedication to quality and detail for God's dwelling place foreshadows the New Testament emphasis on believers as the temple of the Holy Spirit, called to live lives of excellence and purity for God (1 Corinthians 6:19-20).

EXPOSITION AND ANALYSIS

Key Word Analysis

Pots (Hebrew, çîyr', H5518): According to H5518, these were likely large vessels used for boiling, cooking, or holding liquids. In the context of the Temple, they would have been employed for carrying away ashes from the altar, collecting sacrificial byproducts, or perhaps for cooking portions of the sacrifices designated for the priests. Their mention alongside shovels suggests a utilitarian purpose related to the maintenance and cleansing of the altar area and the handling of sacred offerings. Despite their practical function, their inclusion in the list of "bright brass" vessels underscores that even the most mundane tasks and tools in God's service were to be consecrated and of high quality.
Brass (Hebrew, nᵉchôsheth', H5178): As per H5178, this term refers to copper, or more accurately in this context, bronze (an alloy of copper, typically with tin). Bronze was a highly valued metal in the ancient world due to its strength, durability, and resistance to corrosion. When polished or "peeled" (referencing the KJV's "bright" from H4178, môwrâṭ, implying a scoured or polished state), it could achieve a lustrous appearance. Its extensive use for these Temple vessels signifies not only their material value and longevity but also their aesthetic beauty, fitting for a sacred space dedicated to the glorious God. The material choice implies permanence and a commitment to enduring quality in worship and sacrificial service.
Hiram (Hebrew, Chîyrâm', H2438): As defined by H2438, this refers to the skilled bronze worker from Tyre, commissioned by King Solomon for the Temple's extensive metalwork. His expertise was renowned throughout the ancient Near East, and his involvement highlights the international collaboration and the pursuit of the finest available craftsmanship for the Lord's house. Hiram's role underscores that human skill and artistry, when consecrated to divine purposes, can produce works of profound spiritual significance and enduring beauty, contributing directly to the glory of God.

Verse Breakdown

"And the pots, and the shovels, and the basons:" This initial clause provides a specific inventory of three distinct types of vessels, emphasizing their functional roles within the Temple. The "pots" (H5518, çîyr) were likely for handling waste or cooking, the "shovels" (H3257, yâʻ) for managing coals or ashes on the altar, and the "basons" (H4219, mizrâq) or bowls for collecting blood from sacrifices or for ritual ablutions. The enumeration highlights the comprehensive nature of the Temple's equipment, ensuring every functional need for the sacrificial and cleansing systems was met with dedicated, sacred implements.
"and all these vessels, which Hiram made to king Solomon for the house of the LORD," This clause broadens the scope from the specific items to "all these vessels" (H3627, kᵉlîy), reinforcing that the entire collection of implements was part of Hiram's extensive and skilled work (H6213, ʻâsâh). Crucially, it identifies the master craftsman (H2438, Hiram) and the patron (H4428, King Solomon; H8010, Solomon), but most importantly, it highlights the ultimate purpose and destination of these items: "for the house (H1004, bayith) of the LORD (H3068, Yᵉhôvâh)." This phrase elevates their status from mere tools to sacred objects, consecrated for divine service and worship within God's dwelling place.
"[were of] bright brass." This concluding phrase specifies the material from which all these vessels were fashioned. As noted, "bright brass" accurately translates to bronze (H5178, nᵉchôsheth), signifying a material of high quality, durability, and aesthetic appeal (implied by "bright" or polished). The choice of bronze for even these utilitarian items underscores the principle that everything dedicated to God, no matter how seemingly minor or practical, should be of the highest standard, reflecting the glory and majesty of the One being served. It speaks to the enduring nature of divine service and the permanence of God's covenant.

Literary Devices

The verse employs several literary devices to convey its meaning and emphasis. Enumeration is prominently featured in the listing of "pots, and the shovels, and the basons," which serves to highlight the meticulous detail and comprehensive nature of the Temple's furnishings. This detailed inventory underscores that no aspect of the sacred service was overlooked or deemed insignificant. Emphasis is achieved through the specific mention of "bright brass" (bronze) as the material for these utilitarian items. This choice of material, known for its luster, strength, and durability, elevates the status of these seemingly mundane tools, imbuing them with a sense of sacredness and quality fitting for God's holy house. Furthermore, the phrase "all these vessels" provides a summary statement that gathers the individual items under a collective designation, reinforcing the idea of a complete and divinely appointed set of implements. The underlying symbolism of "bright brass" itself suggests purity, strength, enduring value, and the radiance of God's presence, qualities that were essential for objects used in the presence of a holy God.

THEOLOGICAL AND THEMATIC CONNECTIONS

1 Kings 7:45, in its detailed description of the Temple's bronze vessels, underscores a profound theological principle: the call to offer God nothing less than our very best. The meticulous craftsmanship and the use of "bright brass" for even the most practical implements demonstrate that excellence and beauty are not peripheral but integral to worship. This reflects God's own character—His perfection, glory, and meticulous attention to detail in creation and redemption. The Temple, as God's dwelling place, was to be a microcosm of divine order and splendor, where every element, from the grand architecture to the smallest shovel, testified to His majesty. This principle extends beyond physical structures to the spiritual lives of believers, urging us to consecrate our talents, resources, and daily tasks to God with the same commitment to quality and purpose. It teaches that true worship encompasses not only grand gestures but also faithful stewardship of the seemingly ordinary.

REFLECTION AND APPLICATION

The detailed account of the Temple's furnishings in 1 Kings 7:45 serves as a powerful reminder that our service to God, regardless of its apparent significance, should always be marked by excellence and intentionality. Just as the "pots, shovels, and basons" for the Temple were made of "bright brass," not cheap iron or common clay, so too should our daily tasks, our spiritual gifts, and our relationships be offered to God with the highest quality of effort and heart. This isn't about achieving human perfection, which is unattainable, but about cultivating a sincere commitment to honoring God in every sphere of life. It challenges us to consider whether we relegate certain aspects of our lives to a lesser standard, deeming them "unspiritual" or "unimportant," or if we strive to consecrate all our endeavors, big or small, to His glory. Our mundane responsibilities, when performed with a heart of worship and a desire to serve Him, become sacred acts, shining brightly like "bronze" in His sight, reflecting the glory of the One we serve.

Questions for Reflection

In what areas of your life do you tend to offer less than your "bright brass" best to God, perhaps deeming them insignificant or secular?
How can you intentionally elevate seemingly mundane tasks or responsibilities into acts of worship, reflecting the excellence seen in the Temple's furnishings?
What does it mean for your spiritual gifts and talents to be "bright brass" in the service of the Lord and His church today, contributing to the building up of His spiritual temple?

FAQ

Why is the material "bright brass" (bronze) emphasized for these specific Temple vessels?

Answer: The emphasis on "bright brass" (bronze) for the Temple vessels in 1 Kings 7:45 is significant for several profound reasons. Firstly, durability and permanence: Bronze is a strong, resilient metal, ensuring that these essential tools would endure for generations of Temple service. This reflects God's desire for an enduring place of worship and a lasting covenant with His people. Secondly, value and quality: Bronze was a valuable material in the ancient world, indicating that no expense was spared in furnishing God's house. It underscores the principle that everything offered to God should be of the highest quality, reflecting His supreme worthiness and majesty. Thirdly, aesthetic and symbolic beauty: When polished, bronze has a lustrous, "bright" appearance, contributing to the overall splendor and glory of the Temple. Symbolically, bronze in the Old Testament often represented strength, judgment, and purity (e.g., the bronze altar for sacrifice in Exodus 27:1-8 or the bronze laver for cleansing in Exodus 30:17-21), making it an appropriate material for items used in the sacred rituals of atonement and purification. Thus, the material choice communicates both practical function and profound theological meaning, signifying the sacredness and enduring nature of God's presence and His requirements for worship.

CHRIST-CENTERED FULFILLMENT

The meticulous detail concerning the Temple's bronze vessels in 1 Kings 7:45 finds its ultimate Christ-centered fulfillment in the person and work of Jesus. The physical Temple, with its elaborate furnishings and precise rituals, served as a shadow of the perfect reality to come (Hebrews 8:5). The "bright brass" vessels, essential for the sacrificial system and the maintenance of a holy space, point to the unblemished purity and enduring strength of Christ's sacrifice. Just as these implements facilitated atonement and communion in the Old Covenant, Jesus, as the true Lamb of God who takes away the sin of the world, perfectly fulfilled all the requirements of the Law and the Temple service through His once-for-all sacrifice on the cross (Hebrews 9:11-14). He is the ultimate "vessel" of God's perfect plan, made of divine "bronze"—pure, strong, and eternally effective. Furthermore, the emphasis on excellence and dedication in crafting these Temple items foreshadows the perfect obedience and complete consecration of Christ, who perfectly accomplished the will of God (John 4:34). Through Him, believers are now incorporated into a spiritual temple (1 Peter 2:5), called to offer spiritual sacrifices of excellence, empowered by the very Spirit of God who now indwells them, making their lives a fragrant offering to the Lord.

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Commentary on 1 Kings 7 verses 13–47

13 ¶ And king Solomon sent and fetched Hiram out of Tyre.

14 He was a widow's son of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass: and he was filled with wisdom, and understanding, and cunning to work all works in brass. And he came to king Solomon, and wrought all his work.

15 For he cast two pillars of brass, of eighteen cubits high apiece: and a line of twelve cubits did compass either of them about.

16 And he made two chapiters of molten brass, to set upon the tops of the pillars: the height of the one chapiter was five cubits, and the height of the other chapiter was five cubits:

17 And nets of checker work, and wreaths of chain work, for the chapiters which were upon the top of the pillars; seven for the one chapiter, and seven for the other chapiter.

18 And he made the pillars, and two rows round about upon the one network, to cover the chapiters that were upon the top, with pomegranates: and so did he for the other chapiter.

19 And the chapiters that were upon the top of the pillars were of lily work in the porch, four cubits.

20 And the chapiters upon the two pillars had pomegranates also above, over against the belly which was by the network: and the pomegranates were two hundred in rows round about upon the other chapiter.

21 And he set up the pillars in the porch of the temple: and he set up the right pillar, and called the name thereof Jachin: and he set up the left pillar, and called the name thereof Boaz.

22 And upon the top of the pillars was lily work: so was the work of the pillars finished.

23 And he made a molten sea, ten cubits from the one brim to the other: it was round all about, and his height was five cubits: and a line of thirty cubits did compass it round about.

24 And under the brim of it round about there were knops compassing it, ten in a cubit, compassing the sea round about: the knops were cast in two rows, when it was cast.

25 It stood upon twelve oxen, three looking toward the north, and three looking toward the west, and three looking toward the south, and three looking toward the east: and the sea was set above upon them, and all their hinder parts were inward.

26 And it was an hand breadth thick, and the brim thereof was wrought like the brim of a cup, with flowers of lilies: it contained two thousand baths.

27 And he made ten bases of brass; four cubits was the length of one base, and four cubits the breadth thereof, and three cubits the height of it.

28 And the work of the bases was on this manner: they had borders, and the borders were between the ledges:

29 And on the borders that were between the ledges were lions, oxen, and cherubims: and upon the ledges there was a base above: and beneath the lions and oxen were certain additions made of thin work.

30 And every base had four brasen wheels, and plates of brass: and the four corners thereof had undersetters: under the laver were undersetters molten, at the side of every addition.

31 And the mouth of it within the chapiter and above was a cubit: but the mouth thereof was round after the work of the base, a cubit and an half: and also upon the mouth of it were gravings with their borders, foursquare, not round.

32 And under the borders were four wheels; and the axletrees of the wheels were joined to the base: and the height of a wheel was a cubit and half a cubit.

33 And the work of the wheels was like the work of a chariot wheel: their axletrees, and their naves, and their felloes, and their spokes, were all molten.

34 And there were four undersetters to the four corners of one base: and the undersetters were of the very base itself.

35 And in the top of the base was there a round compass of half a cubit high: and on the top of the base the ledges thereof and the borders thereof were of the same.

36 For on the plates of the ledges thereof, and on the borders thereof, he graved cherubims, lions, and palm trees, according to the proportion of every one, and additions round about.

37 After this manner he made the ten bases: all of them had one casting, one measure, and one size.

38 Then made he ten lavers of brass: one laver contained forty baths: and every laver was four cubits: and upon every one of the ten bases one laver.

39 And he put five bases on the right side of the house, and five on the left side of the house: and he set the sea on the right side of the house eastward over against the south.

40 And Hiram made the lavers, and the shovels, and the basons. So Hiram made an end of doing all the work that he made king Solomon for the house of the LORD:

41 The two pillars, and the two bowls of the chapiters that were on the top of the two pillars; and the two networks, to cover the two bowls of the chapiters which were upon the top of the pillars;

42 And four hundred pomegranates for the two networks, even two rows of pomegranates for one network, to cover the two bowls of the chapiters that were upon the pillars;

43 And the ten bases, and ten lavers on the bases;

44 And one sea, and twelve oxen under the sea;

45 And the pots, and the shovels, and the basons: and all these vessels, which Hiram made to king Solomon for the house of the LORD, were of bright brass.

46 In the plain of Jordan did the king cast them, in the clay ground between Succoth and Zarthan.

47 And Solomon left all the vessels unweighed, because they were exceeding many: neither was the weight of the brass found out.

I. II. Main points1. 2. Sub-points

We have here an account of the brass-work about the temple. There was no iron about the temple, though we find David preparing for the temple iron for things of iron, Ch1 29:2. What those things were we are not told, but some of the things of brass are here described and the rest mentioned.

I. The brasier whom Solomon employed to preside in this part of the work was Hiram, or Huram (Ch2 4:11), who was by his mother's side an Israelite, of the tribe of Naphtali, by his father's side a man of Tyre, Kg1 7:14. If he had the ingenuity of a Tyrian, and the affection of an Israelite to the house of God (the head of a Tyrian and the heart of an Israelite), it was happy that the blood of the two nations mixed in him, for thereby he was qualified for the work to which he was designed. As the tabernacle was built with the wealth of Egypt, so the temple with the wit of Tyre. God will serve himself by the common gifts of the children of men.

II. The brass he made use of was the best he could get. All the brazen vessels were of bright brass (Kg1 7:45), good brass, so the Chaldee, that which was strongest and looked finest. God, who is the best, must be served and honoured with the best.

III. The place where all the brazen vessels were cast was the plain of Jordan, because the ground there was stiff and clayey, fit to make moulds of for the casting of the brass (Kg1 7:46), and Solomon would not have this dirty smoky work done in or near Jerusalem.

IV. The quantity was not accounted for. The vessels were unnumbered (so it may be read, Kg1 7:47, as well as unweighed), because they were exceedingly numerous, and it would have been an endless thing to keep the account of them; neither was the weight of the brass, when it was delivered to the workmen, searched or enquired into; so honest were the workmen, and such great plenty of brass they had, that there was no danger of wanting. We must ascribe it to Solomon's care that he provided so much, not to his carelessness that he kept no account of it.

V. Some particulars of the brass-work are described.

1.Two brazen pillars, which were set up in the porch of the temple (Kg1 7:21), whether under the cover of the porch or in the open air is not certain; it was between the temple and the court of the priests. These pillars were neither to hang gates upon nor to rest any building upon, but purely for ornament and significancy. (1.) What an ornament they were we may gather from the account here given of the curious work that was about them, chequer-work, chain-work, net-work, lily-work, and pomegranates in rows, and all of bright brass, and framed no doubt according to the best rules of proportion, to please the eye. (2.) Their significancy is intimated in the names given them (Kg1 7:21): Jachin - he will establish; and Boaz - in him is strength. Some think they were intended for memorials of the pillar of cloud and fire which led Israel through the wilderness: I rather think them designed for memorandums to the priests and others that came to worship at God's door, [1.] To depend upon God only, and not upon any sufficiency of their own, for strength and establishment in all their religious exercises. When we come to wait upon God, and find our hearts wandering and unfixed, then by faith let us fetch in help from heaven: Jachin - God will fix this roving mind. It is a good thing that the heart be established with grace. We find ourselves weak and unable for holy duties, but this is our encouragement: Boaz - in him is our strength, who works in us both to will and to do. I will go in the strength of the Lord God. Spiritual strength and stability are to be had at the door of God's temple, where we must wait for the gifts of grace in the use of the means of grace. [2.] It was a memorandum to them of the strength and establishment of the temple of God among them. Let them keep close to God and duty, and they should never lose their dignities and privileges, but the grant should be confirmed and perpetuated to them. The gospel church is what God will establish, what he will strengthen, and what the gates of hell can never prevail against. But, with respect to this temple, when it was destroyed particular notice was taken of the destroying of these pillars (Kg2 25:13, Kg2 25:17), which had been the tokens of its establishment, and would have been so if they had not forsaken God.

2.A brazen sea, a very large vessel, above five yards in diameter, and which contained above 500 barrels of water for the priests' use, in washing themselves and the sacrifices, and keeping the courts of the temple clean, Kg1 7:23, etc. It stood raised upon the figures of twelve oxen in brass, so high that either they must have stairs to climb up to it or cocks at the bottom to draw water from it. The Gibeonites, or Nethinim, who were to draw water for the house of God, had the care of filling it. Some think Solomon made the images of oxen to support this great cistern in contempt of the golden calf which Israel had worshipped, that (as bishop Patrick expresses it) the people might see there was nothing worthy of adoration in those figures; they were fitter to make posts of than to make gods of. Yet this prevailed not to prevent Jerusalem's setting up the calves for deities. In the court of the tabernacle there was only a laver of brass provided to wash in, but in the court of the temple a sea of brass, intimating that by the gospel of Christ much fuller preparation is made for our cleansing than was by the law of Moses. That had a laver, this has a sea, a fountain opened, Zac 13:1.

3.Ten bases, or stands, or settles, of brass, on which were put ten lavers, to be filled with water for the service of the temple, because there would not be room at the molten sea for all that had occasion to wash there. The bases on which the lavers were fixed are very largely described here, Kg1 7:27, etc. They were curiously adorned and set upon wheels, that the lavers might be removed as there was occasion; but ordinarily they stood in two rows, five on one side of the court and five on the other, Kg1 7:39. Each laver contained forty baths, that is, about ten barrels, Kg1 7:38. Those must be very clean that bear the vessels of the Lord. Spiritual priests and spiritual sacrifices must be washed in the laver of Christ's blood and of regeneration. We must wash often, for we daily contract pollution, must cleanse our hands and purify our hearts. Plentiful provision is made for our cleansing; so that if we have our lot for ever among the unclean it will be our own fault.

4.Besides these, there was a vast number of brass pots made to boil the flesh of the peace-offerings in, which the priests and offerers were to feast upon before the Lord (see Sa1 2:14); also shovels, wherewith they took out the ashes of the altar. Some think the word signifies flesh-hooks, with which they took meat out of the pot. The basins also were made of brass, to receive the blood of the sacrifices. These are put for all the utensils of the brazen altar, Exo 38:3. While they were about it they made abundance of them, that they might have a good stock by them when those that were first in use wore out and went to decay. Thus Solomon, having wherewithal to do so, provided for posterity.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 13–47. Public domain.

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BedeAD 735

Of the Temple of Solomon 2.21.1

It is appropriate that the vessels of the Lord’s house were cast in the region of the Jordan, namely, in the river in which our Lord deigned to be baptized and by his immersion in the waves of its waters changed the element for us into a bath for sins. For every baptism of the faithful in which they are consecrated to the Lord is celebrated on the model of his baptism whereby he himself sanctified the waters. It is proper that the vessels of the Lord’s house should have been made in the country of the Jordan, for there is no other way for us to become vessels of election and mercy than by looking to his baptism that he underwent in that river and making sure that we too are washed in that life-giving river. However, it must be noted that he says these vessels were made not only in the country around the Jordan but also in its plains to signify the multiplication of the faithful that was to take place not only in Judea but also in the wide world of all the nations in fulfillment of the prophecy that says, “The plains and everything in them will rejoice.”

Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.

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Cross-References

Exodus 27:3
And thou shalt make his pans to receive his ashes, and his shovels, and his basons, and his fleshhooks, and his firepans: all the vessels thereof thou shalt make of brass.
Exodus 38:3
And he made all the vessels of the altar, the pots, and the shovels, and the basons, and the fleshhooks, and the firepans: all the vessels thereof made he of brass.
2 Chronicles 4:16
The pots also, and the shovels, and the fleshhooks, and all their instruments, did Huram his father make to king Solomon for the house of the LORD of bright brass.
Leviticus 8:31
¶ And Moses said unto Aaron and to his sons, Boil the flesh at the door of the tabernacle of the congregation: and there eat it with the bread that is in the basket of consecrations, as I commanded, saying, Aaron and his sons shall eat it.
Zechariah 14:21
Yea, every pot in Jerusalem and in Judah shall be holiness unto the LORD of hosts: and all they that sacrifice shall come and take of them, and seethe therein: and in that day there shall be no more the Canaanite in the house of the LORD of hosts.
Ezekiel 46:20
Then said he unto me, This is the place where the priests shall boil the trespass offering and the sin offering, where they shall bake the meat offering; that they bear them not out into the utter court, to sanctify the people.
Ezekiel 46:24
Then said he unto me, These are the places of them that boil, where the ministers of the house shall boil the sacrifice of the people.