What number verse is 2 Chronicles 4:17 in the Bible?

2 Chronicles 4:17 is the 11,264th verse of the Bible. Counting straight through the King James canon — all 31,102 verses from Genesis 1:1 to Revelation 22:21 — 2 Chronicles 4:17 sits at position 11,264.

Translation

King James Version

In the plain of Jordan did the king cast them, in the clay ground between Succoth and Zeredathah.

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KJV (with Strong's)

In the plain ^H3603 of Jordan ^H3383 did the king ^H4428 cast ^H3332 them, in the clay ^H5645 ground ^H127 between Succoth ^H5523 and Zeredathah ^H6868.

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Complete Jewish Bible

The king cast them in the plain of the Yarden, in the clay ground between Sukkot and Tz'redah.

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Berean Standard Bible

The king had them cast in clay molds in the plain of the Jordan between Succoth and Zeredah.

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American Standard Version

In the plain of the Jordan did the king cast them, in the clay ground between Succoth and Zeredah.

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World English Bible Messianic

The king cast them in the plain of the Jordan, in the clay ground between Succoth and Zeredah.

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Geneva Bible (1599)

In the playne of Iorden did the King cast them in clay betweene Succoth and Zeredathah.

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Young's Literal Translation

In the circuit of the Jordan hath the king cast them, in the thick soil of the ground, between Succoth and Zeredathah.

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Study This Verse

SUMMARY

Second Chronicles 4:17 meticulously details the geographical location for the large-scale bronze casting operations vital to constructing Solomon's Temple. It specifies that the colossal bronze furnishings—such as the great pillars, the molten sea, and the bases for the lavers—were cast by the king's skilled artisans, under the direction of Hiram of Tyre, in the clay-rich plain of Jordan, precisely situated between the towns of Succoth and Zeredathah. This seemingly technical detail profoundly underscores the immense scale, meticulous planning, and advanced metallurgical expertise required for the Temple's construction, revealing the practical realities underpinning this grand divine undertaking.

CONTEXT

Literary Context: This verse is embedded within 2 Chronicles chapters 3-5, a section dedicated to the comprehensive description of Solomon's Temple construction and its elaborate furnishings. Chapter 4 specifically enumerates the various bronze elements, including the impressive bronze altar, the immense molten sea, the ten intricate lavers, and the two monumental pillars, Jachin and Boaz, along with their ornate decorations and accompanying stands. Verse 17 serves as a crucial logistical interjection, transitioning from a description of the finished articles to the practical reality of their manufacture. It explains the specific location where these enormous items, too large to be cast within the confines of the Temple itself, were forged. This detail grounds the preceding descriptions in a tangible, historical reality, emphasizing the sheer scale of the undertaking and the practical genius required to translate the divine blueprint into a physical edifice.
Historical & Cultural Context: The construction of the Temple was a monumental endeavor, demanding vast resources, sophisticated engineering, and highly specialized craftsmanship. In the ancient Near East, large-scale bronze casting was a pinnacle of advanced metallurgy. It required immense heat generated by massive furnaces, significant quantities of raw materials (primarily copper and tin), and specific types of high-quality clay for durable molds capable of withstanding molten metal temperatures exceeding 1,000°C. The "plain of Jordan" was strategically chosen for such an operation due to its abundant deposits of suitable clay, its proximity to the Jordan River (providing essential water for the casting process and cooling), and the expansive open space necessary for the immense heat, fumes, and logistical operations. The involvement of Hiram of Tyre, a master craftsman from Phoenicia, highlights the crucial international collaboration, as Israel relied on the superior metallurgical expertise of its northern neighbors. This verse thus offers a valuable glimpse into the industrial capabilities and inter-regional cooperation characteristic of the Solomonic era.
Key Themes: Though a technical detail, 2 Chronicles 4:17 contributes significantly to several overarching themes within the book. First, it subtly highlights Divine Detail and Precision, suggesting that God's meticulous oversight extends even to the practical logistics of constructing His dwelling place. The very specificity of the location implies that every aspect of the Temple's construction, from its grand design to the source of its materials, was part of a divinely ordered plan. Second, it underscores Human Skill and Collaboration, implicitly celebrating the extraordinary craftsmanship of Hiram and his laborers, working under Solomon's astute direction. It showcases the synergy between different peoples—Israelites and Phoenicians—united for a sacred purpose, a collaboration also detailed in 1 Kings 7:46. Finally, the Geographical Significance of "Succoth and Zeredathah" (also known as Zarethan or Zarthan) grounds the narrative in verifiable geography, affirming the historical authenticity of these events and the tangible nature of Solomon's kingdom.

EXPOSITION AND ANALYSIS

Key Word Analysis

cast (Hebrew, yâtsaq', H3332): A primitive root meaning "to pour out (transitive or intransitive); by implication, to melt or cast as metal; by extension, to place firmly, to stiffen or grow hard." This verb specifically refers to the complex and dangerous process of melting metal and pouring it into a mold. Its use here emphasizes the highly specialized technical skill involved in creating the massive bronze objects for the Temple, which were not merely fashioned but meticulously formed through a sophisticated metallurgical operation.
plain (Hebrew, kikkâr', H3603): Meaning "a circle, i.e. (by implication) a circumjacent tract or region, especially the Ghor or valley of the Jordan; also a (round) loaf; also a talent (or large [round] coin)." In this context, "plain" refers to the broad, flat expanse of the Jordan River valley. Its selection as the casting site was strategic, owing to its abundant clay deposits, access to water, and the open space necessary for a large-scale industrial operation.
clay (Hebrew, ʻâb', H5645): Meaning "properly, an envelope, i.e. darkness (or density, 2 Chronicles 4:17); specifically, a (scud) cloud; also a copse." While this word can mean "cloud," in the context of 2 Chronicles 4:17, it refers to the dense, rich, and cohesive earth suitable for making molds. The presence of such high-quality clay was critical for constructing the robust molds capable of withstanding the extreme temperatures of molten bronze, ensuring the structural integrity and successful casting of these massive objects.

Verse Breakdown

"In the plain of Jordan did the king cast them": This clause establishes the primary geographical location for the immense bronze casting operations. "The king" refers to Solomon, indicating his ultimate authority and commissioning of the work, though the actual casting was executed by highly skilled artisans like Hiram. "Them" refers to the colossal bronze furnishings previously described in 2 Chronicles 4, such as the pillars, the molten sea, and the lavers, which were too large and required too much heat to be cast within the confines of the Temple precincts themselves.
"in the clay ground": This phrase specifies the particular type of terrain within the Jordan plain that was utilized. The presence of suitable, high-quality clay was absolutely crucial for constructing the durable molds into which the molten bronze would be poured. This detail highlights the practical and material requirements for such a massive and technologically advanced undertaking in the ancient world.
"between Succoth and Zeredathah": These are two specific geographical markers within the Jordan plain, providing a precise location for the foundry. Succoth was situated on the east side of the Jordan River, and Zeredathah (also known as Zarethan or Zarthan) was on the west. Pinpointing the location between these two known points emphasizes the historical accuracy and meticulous record-keeping of the chronicler, grounding the grand narrative in verifiable geography.

Literary Devices

The Chronicler's inclusion of this seemingly technical detail employs several significant literary devices. Precision and Specificity are paramount, as the verse meticulously names the exact geographical location, moving beyond a mere general reference to "somewhere in the valley." This precise naming contributes profoundly to the Historicity and Realism of the narrative, grounding the grand account of Temple construction in tangible, verifiable facts, thereby enhancing its credibility and demonstrating the Chronicler's commitment to factual accuracy. Furthermore, there is an element of Understatement; the simple statement "did the king cast them" belies the monumental effort, advanced technology, and immense resources required for such an industrial feat in the ancient world. The verse also subtly serves as a form of Validation, confirming the historical reality of the Temple's construction and the immense logistical challenges overcome through divine provision and human ingenuity.

THEOLOGICAL AND THEMATIC CONNECTIONS

This verse, though focused on a practical detail, resonates with profound theological implications. It illustrates that God's work, even when executed through human hands, is characterized by meticulous planning, divine provision, and the highest standards of craftsmanship. Just as God meticulously designed the universe and prepared the earth for human habitation, so too did He oversee the practicalities of His earthly dwelling place. This attention to detail in the physical construction of the Temple reflects God's character—a God of order, precision, and excellence who values every aspect of His creation and every act of service offered to Him. It reminds us that even the seemingly mundane or "behind-the-scenes" aspects of our service are significant in God's eyes and contribute to His larger purposes, demonstrating that true worship encompasses diligent execution in all things.

REFLECTION AND APPLICATION

The seemingly technical detail of 2 Chronicles 4:17 offers a powerful and enduring lesson for contemporary believers: God is deeply invested in the practicalities of our service, and excellence in execution, even in what appears to be mundane or behind-the-scenes, brings Him profound glory. Just as the massive bronze castings required specific materials, a precise location, and immense skill, so too does our spiritual service require careful planning, the right resources (both spiritual and material), and dedicated effort. This verse challenges us to consider how we apply our gifts, talents, and resources, no matter how ordinary or specialized they seem, to God's purposes. It encourages resourcefulness, urging us to utilize what God has abundantly provided (like the clay in the Jordan plain) for His kingdom work. It also emphasizes the value of craftsmanship and attention to detail, reminding us that our commitment to quality and diligence in all areas of life can be a profound act of worship. Ultimately, it teaches us that every component of our lives, when offered to God with intentionality and excellence, can contribute to the building of His spiritual temple and the advancement of His eternal purposes.

Questions for Reflection

How does the meticulous detail in this verse challenge my approach to seemingly mundane tasks in my own service to God?
In what ways can I better utilize the "resources" (talents, time, material possessions) God has given me for His kingdom, even in practical, behind-the-scenes ways?
What does this verse teach me about the value of collaboration and specialized skill in serving a greater purpose, and how can I apply this in my community?

FAQ

Why was the "plain of Jordan" chosen for casting the Temple's bronze items?

Answer: The plain of Jordan was an ideal location for several practical reasons crucial for large-scale bronze casting. Firstly, it was known for its abundant deposits of high-quality clay, which was essential for creating the durable molds needed to withstand the immense heat of molten bronze. Secondly, its proximity to the Jordan River provided a reliable water source, necessary for various stages of the casting process, including cooling. Thirdly, the relatively flat and open terrain offered ample space for the large-scale industrial operation, including the furnaces, workshops, and storage areas, and allowed for the dissipation of the intense heat and fumes generated. This strategic choice is also noted in the parallel account in 1 Kings 7:46.

Who was Hiram, and what was his role in the Temple's construction?

Answer: Hiram (or Huram in Chronicles) was a highly skilled bronze craftsman from Tyre, a prominent Phoenician city-state. He was commissioned by King Solomon to oversee and execute the intricate bronze work for the Temple, as described in 2 Chronicles 2:13-14. His expertise was crucial because Israel, while rich in resources, did not possess the advanced metallurgical knowledge and experience that Phoenicia did. Hiram was responsible for designing and casting the two massive bronze pillars (Jachin and Boaz), the enormous molten sea, the ten bronze lavers with their stands, and other essential bronze furnishings, playing a pivotal role in bringing the Temple's elaborate design to fruition.

CHRIST-CENTERED FULFILLMENT

The meticulous detail of 2 Chronicles 4:17, describing the precise location for casting the Temple's bronze furnishings, points forward to the ultimate, divinely ordained precision of God's plan of salvation in Christ. The physical Temple, with its elaborate components forged with such care, served as a tangible representation of God's presence among His people, foreshadowing the Incarnation where God's glory truly "dwelt among us" in the person of Jesus Christ, as John 1:14 declares. Just as the Temple's components were shaped through intense heat and precise processes, so too was Christ's perfect life and atoning sacrifice the culmination of God's perfectly executed plan, a work meticulously prepared "before the foundation of the world" (1 Peter 1:19-20). The "casting" process, involving transformation from raw material to sacred object, can also be seen as a metaphor for the transformative work of the Holy Spirit, making believers into a "new creation" in Christ (2 Corinthians 5:17), who together form the spiritual temple, built upon the cornerstone of Christ Himself (Ephesians 2:19-22). Thus, the earthly precision in building a temporary dwelling points to the eternal perfection of God's redemptive work, fully realized in Christ, who is the ultimate fulfillment of God's dwelling among humanity.

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Commentary on 2 Chronicles 4 verses 11–22

11 ¶ And Huram made the pots, and the shovels, and the basons. And Huram finished the work that he was to make for king Solomon for the house of God;

12 To wit, the two pillars, and the pommels, and the chapiters which were on the top of the two pillars, and the two wreaths to cover the two pommels of the chapiters which were on the top of the pillars;

13 And four hundred pomegranates on the two wreaths; two rows of pomegranates on each wreath, to cover the two pommels of the chapiters which were upon the pillars.

14 He made also bases, and lavers made he upon the bases;

15 One sea, and twelve oxen under it.

16 The pots also, and the shovels, and the fleshhooks, and all their instruments, did Huram his father make to king Solomon for the house of the LORD of bright brass.

17 In the plain of Jordan did the king cast them, in the clay ground between Succoth and Zeredathah.

18 Thus Solomon made all these vessels in great abundance: for the weight of the brass could not be found out.

19 And Solomon made all the vessels that were for the house of God, the golden altar also, and the tables whereon the shewbread was set;

20 Moreover the candlesticks with their lamps, that they should burn after the manner before the oracle, of pure gold;

21 And the flowers, and the lamps, and the tongs, made he of gold, and that perfect gold;

22 And the snuffers, and the basons, and the spoons, and the censers, of pure gold: and the entry of the house, the inner doors thereof for the most holy place, and the doors of the house of the temple, were of gold.

We have here such a summary both of the brass-work and the gold-work of the temple as we had before (Kg1 7:13, etc.), in which we have nothing more to observe than, 1. That Huram the workman was very punctual: He finished all that he was to make (Ch2 4:11), and left no part of his work undone. Huram, his father, he is called, Ch2 4:16. Probably it was a sort of nickname by which he was commonly known, Father Huram; for the king of Tyre called him Huram Abi, my father, in compliance with whom Solomon called him his, he being a great artist and father of the artificers in brass and iron. He acquitted himself well both for ingenuity and industry. 2. Solomon was very generous. He made all the vessels in great abundance (Ch2 4:18), many of a sort, that many hands might be employed, and so the work might go on with expedition, or that some might be laid up for use when others were worn out. Freely he has received, and he will freely give. When he had made vessels enough for the present he could not convert the remainder of the brass to his own use; it is devoted to God, and it shall be used for him.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 11–22. Public domain.

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Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.

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