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Song of Solomon 2:17

“The Dove in the Rock and the Little Foxes”Song of Solomon 2:14–17

King James Version
Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.

Bible text: King James Version (1769 Blayney text) · Public domain

KJV (with Strong's)
Until the day H3117 break H6315, and the shadows H6752 flee away H5127, turn H5437, my beloved H1730, and be thou like H1819 a roe H6643 or a young H6082 hart H354 upon the mountains H2022 of Bether H1336.

Bible text: King James Version with Strong's numbers · Public domain

Berean Standard Bible
Before the day breaks and shadows flee, turn, my beloved, and be like a gazelle or a young stag on the mountains of Bether.

Bible text: Berean Standard Bible · Public domain

American Standard Version
Until the day be cool, and the shadows flee away, Turn, my beloved, and be thou like a roe or a young hart Upon the mountains of Bether.

Bible text: American Standard Version (1901) · Public domain

World English Bible Messianic
Until the day is cool, and the shadows flee away, turn, my beloved, and be like a roe or a young deer on the mountains of Bether.

Bible text: World English Bible, Messianic edition · Public domain

Geneva Bible (1599)
Vntil the day breake, and the shadowes flee away: returne, my welbeloued, and be like a roe, or a yong hart vpon the mountaines of Bether.

Bible text: Geneva Bible (1599) · Public domain

Young's Literal Translation
Till the day doth break forth, And the shadows have fled away, Turn, be like, my beloved, To a roe, or to a young one of the harts, On the mountains of separation!

Bible text: Young's Literal Translation · Public domain

King James Version — Interlinear
16 Hebrew words
  1. עַד'aduntilH5704PrepPreposition
  2. שֶׁיָּפוּחַshei·ya·Fu·achthat [it] will breatheH6315Rel-s ¦ V-Qal-Imperf-3msVerb Qal Imperfect 3rd Singular Masculineשֶׁthatיָּפוּחַ[it] will breathe
  3. הַיּוֹםhai·Yomthe dayH3117Art ¦ N-msNoun Singular Masculine Absoluteהַtheיּוֹםday
  4. וְנָסוּve·Na·suand they will fleeH5127Conj-w ¦ V-Qal-ConsecPerf-3cpVerb Qal Consecutive Perfect 3rd Plural common genderוְandנָסוּthey will flee
  5. הַצְּלָלִיםha·tze·la·Limthe shadowsH6752Art ¦ N-mpNoun Plural Masculine Absoluteהַtheצְּלָלִיםshadows
  6. סֹבsoturnH5437V-Qal-Imp-2msVerb Qal Imperative 2nd Singular Masculine
  7. דְּמֵהde·mehbe likeH1819V-Qal-Imp-2msVerb Qal Imperative 2nd Singular Masculine
  8. לְךָle·Kha[for] yourselfPrep-l ¦ 2msSuffix Personal 2nd Singular Masculineלְ[for]ךָyourself
  9. דוֹדִיdo·Dimy O loverH1730N-msc ¦ 1csNoun Singular Masculine Construct with suffixדוֹדִO loverיmy
  10. לִצְבִיlitz·Vi[to] a gazelleH6643Prep-l ¦ N-msNoun Singular Masculine Absoluteלִ[to]צְבִיa gazelle
  11. אוֹ'oorH176ConjConjunction
  12. לְעֹפֶרle·'O·fer[to] [the] fawn ofH6082Prep-l ¦ N-mscNoun Singular Masculine Constructלְ[to]עֹפֶר[the] fawn of
  13. הָאַיָּלִיםha·'ai·ya·Limthe deer[s]H354Art ¦ N-mpNoun Plural Masculine Absoluteהָtheאַיָּלִיםdeer[s]
  14. עַל'alonH5921PrepPreposition
  15. הָרֵיHa·rei[the] mountains ofH2022N-mpcNoun Plural Masculine Construct
  16. בָתֶרVa·terravine[s]H1336N-msNoun Singular Masculine Absolute
English is a literal word-by-word gloss of the Hebrew, not the KJV's wording. Why?

This is the original text the KJV's translators worked from — each Hebrew word with its own literal English meaning in this verse, prepared by scholars at Tyndale House, Cambridge. The KJV translates whole sentences, not word by word, so its wording differs: one Hebrew word can become several English words, and the KJV may choose “the LORD” where the gloss reads “Yahweh”. Both are faithful — they answer different questions. For the KJV's own rendering, switch to the KJV text.

Words in [ ] are added by the English.

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In the KJVVerse 17,572 of 31,102 · 56.5%

Study this verse

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This verse

The bride asks her beloved to turn and come to her swiftly, like a gazelle or a young stag on the mountains of Bether, until the day breaks and the shadows flee.

“Until the day break, and the shadows flee away,”

She looks for the end of night and the coming of the light.

“turn, my beloved,”

A plea for him to come back to her, or to stay near.

“and be thou like a roe or a young hart”

Swift, graceful and strong, like a gazelle or a young stag.

“upon the mountains of Bether.”

Mountains whose name means division, which he crosses easily to reach her.

Passage studySong of Solomon 2:14–17

The Dove in the Rock and the Little Foxes

14O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely. 15Take us the foxes, the little foxes, that spoil the vines: for our vines have tender grapes. 16My beloved is mine, and I am his: he feedeth among the lilies. 17Until the day break, and the shadows flee away, turn, my beloved, and be thou like a roe or a young hart upon the mountains of Bether.

Summary

The bridegroom calls his bride, his dove, out of her hiding place in the rocks, because he longs to see her face and hear her voice. Then comes a call to catch the little foxes that spoil the vines while the grapes are still young. The bride answers with the Song’s best-known words of belonging, “My beloved is mine, and I am his”, and asks him to come to her swiftly, like a gazelle on the mountains, until the day breaks and the shadows flee away. These four verses celebrate the love of a husband and wife, and in them we also see the love of Christ for his church. He seeks his people, he guards what he is growing in them, and he belongs to them as they belong to him.

Who is speaking, and how the Song speaks to us

These verses close the springtime section of the Song that opens with the beloved’s arrival (Song of Solomon 2:8–17). He has already called her out into the new season, when the flowers appear and the birds sing: “Rise up, my love, my fair one, and come away” (Song of Solomon 2:10–13). In verse 14 he speaks again and asks to see her. In verses 16 and 17 the bride answers, and we know it is her because she speaks of “my beloved” and calls him “he”. Verse 15 stands between them, and it may be spoken by either of the two. Its “us” and “our vines” make it a call made on behalf of both.

The Song is first a song of married love between a man and a woman, and this is how the Bible honours that love: two people, each belonging to the other, with a faithfulness that belongs to them alone. The New Testament calls Christ the Bridegroom (John 3:29), and Paul says that marriage speaks of Christ and the church (Ephesians 5:32). So in these verses we also hear the love between Christ and his people. The two readings belong together, and each sheds light on the other.

The dove in the clefts of the rock

“O my dove” is a name of love. The Hebrew yôwnâh simply means a dove or pigeon, and the tenderness comes from the way he uses it: she is his dove. Doves nest in the cracks and caves of rocky hillsides, and that is where he pictures her, “in the clefts of the rock, in the secret places of the stairs”. The word for clefts, chăgâv, means a rift in the rock, and Strong’s links it to a root meaning to take refuge. The secret places of the stairs are hidden nooks along the rocky paths, out of sight and hard to reach. She is safe there, and she is also hidden from him.

Her hiding can be read as shyness or modesty, as a playful hesitation after his call to come away, or simply as the safety of a private place where she feels at ease. Each of these fits the picture, and in each one he wants her to come out to him.

Let me see thy countenance, let me hear thy voice

His request has two parts. The word for countenance, marʼeh, comes from the verb to see and means a person’s appearance, the way they look, and here it is her face. He wants to look at her and to hear her speak. Then he gives his reason: “for sweet is thy voice, and thy countenance is comely.” Sweet, ʻârêb, means pleasing and delightful to hear. Comely, nâʼveh, means beautiful and fitting. He wants the person herself, her own face and her own voice, and he tells her plainly how much they delight him. His praise is part of his invitation, because it assures her that she will be welcome when she comes out.

God seeks those who hide

The same longing runs through Scripture’s account of God and his people. When Adam and Eve hid after their sin, God came looking for them (Genesis 3:9). The psalmist speaks of the king who desires the beauty of his bride (Psalm 45:11) and asks that his prayer be set before God like incense (Psalm 141:2). Christ stands at the door and knocks, wanting to come in and eat with whoever opens (Revelation 3:20). He calls his people out of the places where fear, shame, busyness or a cold heart keep them hidden, because he wants their faces turned to him in worship and their voices raised to him in prayer.

His people are lovely to him because of what he has done for them. Christ loved the church and gave himself for it, to cleanse it and present it to himself glorious (Ephesians 5:25–27). His call goes both ways, too, for his sheep know his voice and follow him (John 10:27).

The little foxes that spoil the vines

In Israel a vineyard was a precious thing, a family’s livelihood and a sign of God’s blessing on the land. Foxes and jackals were a known menace to vineyards, eating the young shoots and the forming fruit. The Hebrew word shûwʻâl covers both animals, the fox and the jackal.

“Take us the foxes” uses ʼâchaz, to grasp, seize or take hold of, often with the sense of keeping hold of what is caught. The foxes are to be caught and held, so that they do no more harm. “The little foxes” adds qâṭân, which means small or young, so these may be young foxes, or simply small ones that are easy to overlook. Either way, the verse names the little ones especially.

They “spoil the vines”. The verb châbal can mean to bind, and it also means to ruin or destroy, which is its sense here. The reason for haste comes at the end: “for our vines have tender grapes.” The word for tender grapes, çᵉmâdar, is the young fruit of the vine, still forming. Damage done now costs the whole harvest.

Set in the middle of the spring scene, this verse brings a note of care into the joy. Love in its early season is lovely and also easily harmed. In a marriage, little foxes are the small things left unattended: a misunderstanding never cleared up, a small offence never forgiven, a silence that grows. Catching them early means clearing up those misunderstandings, forgiving quickly and speaking honestly with each other, before resentment takes root.

What are the little foxes in the life of faith?

They are the small sins and compromises that are easy to excuse and that wear away a believer’s life with God over time. Gossip, unforgiveness, a slow drift into spiritual apathy, neglected prayer and Bible reading, and small dishonesties all belong among them. Scripture warns about such things more than once. A little leaven works its way through the whole lump (Galatians 5:9), a root of bitterness springs up and troubles many (Hebrews 12:15), and so we are told to keep our hearts with all diligence (Proverbs 4:23). In a church the little foxes are division, gossip, apathy and a gradual drift from sound teaching.

Scripture often pictures God’s people as a vine. Isaiah sings of the vineyard the LORD planted and tended with care (Isaiah 5:1–7). Christ calls himself the true vine (John 15:1), and the fruit he looks for in his people is the fruit of the Spirit (Galatians 5:22–23). Behind the little foxes stands an enemy. Peter warns that the devil goes about looking for someone to devour (1 Peter 5:8), and Paul fears that believers might be led astray by the same deceit that beguiled Eve (2 Corinthians 11:3). Christ is the Good Shepherd who came to give life and laid down his life for the sheep (John 10:10–11), and at the cross he disarmed the powers of darkness (Colossians 2:15). He gives his people the strength to see and deal with the little foxes, and God will finish the good work he has begun in them (Philippians 1:6).

My beloved is mine, and I am his

The bride speaks now, and she says that she and her beloved belong to one another. The word for beloved, dôwd, means a beloved or a lover, and it can also mean love itself, or an uncle. In the Song it is her name for the man she loves. She states her claim on him first, “My beloved is mine”, and then his claim on her, “and I am his”. Neither belonging is one-sided, and that is where the security of their love rests.

The saying comes back later in the Song with its order reversed, “I am my beloved’s, and my beloved is mine” (Song of Solomon 6:3), and again in a fuller form: “I am my beloved’s, and his desire is toward me” (Song of Solomon 7:10). Love that grows sure of itself rests more and more on belonging to the other.

The same mutual belonging lies at the heart of our salvation. God says to his people, “I have loved thee with an everlasting love” (Jeremiah 31:3), and Christ says that he knows his own and is known by them (John 10:14). He bought his people for himself, and by faith they give themselves to him. So believers are in Christ, made new (2 Corinthians 5:17), and Christ lives in them (Galatians 2:20). Jesus describes the same bond when he speaks of his people abiding in him and he in them (John 15:5).

What does “he feedeth among the lilies” mean?

It pictures her beloved as a shepherd pasturing his flock in a lovely place. “Feedeth” is râʻâh, the shepherd’s verb, meaning to tend a flock, to pasture or to graze. It is the same word as “shepherd” in “The LORD is my shepherd” (Psalm 23:1). The lily, shûwshan, takes its name from its whiteness, and throughout the Song lilies stand for beauty and delight. So the bride sees her beloved at peace, caring for his flock among the flowers, in the same kind of place he called her out to in the spring.

The picture fits Christ, who calls himself the good shepherd who knows his sheep. The LORD who shepherds his people makes them lie down in green pastures (Psalm 23:2). He feeds them, guides them and delights in their growth.

Until the day break, and the shadows flee away

The bride’s last words in this section look toward the dawn. “Until the day break, and the shadows flee away” points to the moment when night ends and the light comes. The verb for flee away, nûwç, means to flee, to vanish or to escape, and it pictures the shadows slipping away as the morning comes. Until then she asks, “turn, my beloved”. It is a plea for him to come back to her, or to stay close through the night.

She asks him to be “like a roe or a young hart”, a gazelle or a young stag. These animals are swift and graceful and cross rough hill country with ease, and the comparison praises his beauty and strength as well as his speed. The place she names is “the mountains of Bether”. Bether is the name of a place, and the word means division or separation. It may be a real range of craggy hills, and the name gives the picture its point. Whatever lies between the two lovers, she wants him to cross it as quickly and easily as a gazelle crosses the mountains. Love has its times of distance, and the Song knows it, for in the next chapter the bride goes out searching for her beloved (Song of Solomon 3).

Longing for the day

The bride’s longing for the dawn and for her beloved’s coming is the longing of God’s people for him. The psalmist thirsts for the living God (Psalm 42:1–2), and Isaiah calls on God’s people to arise and shine, because the glory of the LORD is rising on them while darkness covers the earth (Isaiah 60:1–2). Christ crossed the deepest division of all, the division sin had made between us and a holy God, and through his cross God reconciled all things to himself (Colossians 1:20). His first coming was the daybreak of salvation. The church now waits for her Bridegroom and prays, “come, Lord Jesus” (Revelation 22:20). When he comes, God will wipe away every tear, and death and sorrow will be gone (Revelation 21:4). Then the last shadows will flee, and we will see him face to face (1 Corinthians 13:12).

The love that seeks, guards and belongs

In these four verses we see love from every side. The bridegroom seeks the one he loves and takes delight in her face and her voice. Together they guard what is growing between them, catching the small things that would ruin it. The bride rests in belonging to him, and she waits for him with hope through the night. The marriages God gives are meant to know this kind of love, and Christ shows it to his church in full. He seeks us out, he protects the young fruit of his work in us, he is ours and we are his, and he will come again when the day breaks.

Last revised

Historical interpretation

Three Centuries of Reception

7 surviving comments on this verse. Each one is dated, so this reads as a timeline rather than a list.

7 quotes · AD 397–735
Post-NiceneEarly Medieval
400500600700

Select a marker to jump to its quote. Markers stagger vertically where authors wrote within a few decades of each other.

d. AD 397Ambrose of MilanPost-NiceneSourceOn Isaac and the Soul
For thus he says: "I to my brother, and his desire is towards me." He repeats this meaning in a different way three times in the Song of Songs. In the beginning, he says: "My brother to me, and I to him, who grazes among the lilies, until the day breathes and the shadows flee away." Then he says: "I to my brother, and my brother to me, who grazes among the lilies." In the end, he says: "I to my brother, and his desire is towards me." First, as a foundational instruction for the soul, he said: "My brother to me." For with him as my teacher, my soul also took on an attachment to God: which follows, according to progress: thirdly, according to perfection. In the first, the soul still sees shadows as in an instruction, not yet moved by the revelation of the approaching Word, but for this reason the days of the Gospel did not yet shine on it: in the second, it gathers the sweet scents without the confusion of shadows: in the third, it now provides perfect rest in itself with the Word; that it may turn over on it, bend its head, and rest, holding the merit which it could not previously find in its search.
d. AD 430Augustine of HippoPost-NiceneSourceIN ANSWER TO THE JEWS 6:8
Since, then, there are in the Old Testament precepts that we who belong to the New Testament are not compelled to observe, why do not the Jews realize that they have remained stationary in useless antiquity rather than hurl charges against us who hold fast to the new promises, because we do not observe the old? Just as it is written in the Canticle of Canticles: “The day has broken, let the shadows retire,” the spiritual meaning has already dawned, the natural action has already ceased. “The God of Gods, the Lord has spoken: and he has called the earth from the rising of the sun to the going down thereof.”
d. AD 444Cyril of AlexandriaPost-NiceneSourceFRAGMENTS IN THE COMMENTARY ON THE SONG OF SONGS 2:17
With the barren synagogue abandoned, she asks the bridegroom to come to those downtrodden and humiliated and formerly idolatrous souls who will be raised with him to heavenly heights.
d. AD 451Nilus of SinaiPost-NiceneSourceCOMMENTARY ON THE SONG OF SONGS 64-66
He pastures his flocks among the lilies, therefore, although he does so only until the coming day emerges and the shadows begin to move on. Since the majority of people think that the events which are passing and not stable are fixed and will remain, because their faculty of discernment is obscured by the darkness of ignorance, they have need of the daylight in order to see that the shadows of the things of this world dissipate and have no permanence. For all present realities are shadows, drawing their origin from the good things of the heavens yet subsisting like shadows, only resembling the truth of the things there above. But once the night has passed and the dawn has arisen, the nature of things from on high is clearly seen, as if in sunlight. Then people realize: “Our life on the earth is a shadow.” Then they say, “My days, as the shadow, are in decline,” indicating how feeble and quick to vanish is temporal success. The one who says, “If there are many gods and many lords, yet for us there is only one God the Father, from whom all things come and for whom we exist, and one Lord Jesus Christ through whom all things come and through whom we exist,” can also say, “My beloved is mine, and I am his,” for the meaning is identical in each text. For anyone who renounces both gods and lords lays claim to the one God and Lord, from whom he exists and to whom he returns. “For,” it says, “for us there is one God from whom all things come and for whom we exist,” thus declaring clearly that “he is mine, and I am his.” …Regarding the expression “the shadows move on,” it is necessary to consider … that it refers to the abrogation of the works of the law. That is the shadow frequently cited by Paul as “the law having the shadow of good things to come and not the very image of the realities,” and again “These are only a shadow of the things to come, but the substance is of Christ,” and again, “They provide a copy and a shadow of the heavenly realities,” meaning the priests that functioned according to the law. Thus it is indicated for certain that, the shadow of the law having moved on, the truth of grace now governs, established upon the rock against which “the gates of hell shall never prevail.” …
It should also be remarked that it is everywhere necessary for the Word to rest upon the mountains, or at least upon the hills. And if the Word is ever found in the valleys or chasms, he is found there by reason of his great condescension and with the intention to restore those who are down there to the higher realities, on account of his love for humankind.
d. AD 500AponiusPost-NiceneSourceEXPOSITION OF SONG OF SONGS 5:4
In this verse, the Lord’s resurrection is taught and foretold. Just as the apostles were afraid without him, terrorized by the treachery of the Jews, so also is the soul, which, in a certain sense, is naked and unarmed without the assistance of the Holy Spirit, terrorized by the treachery of demons.
d. AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
Return, be like, my beloved, a roe or a young deer, etc. Because, he says, you have stirred and provoked me to cultivate the vineyards, that is, to instruct and multiply the faithful people, who have been ordered to drive away the cunning plots of attackers, like little foxes, from these same vineyards, because you wanted me to show my face to you, although you have not yet promised to reveal your face clearly to me, but making your acquaintance partly known to me, as if you speak to me through windows and lattice work. I beseech you to return more often from general instruction, to illuminate more sublimely the hearts of the more advanced, and just as the gaze, though rare, is with delight seen on the mountains from the roe or the young deer, so may your presence be any kind of traces of your greatness in the exalted minds. I pray that you reveal the sweetness of immortal life, which you promise to all my members in recompense, to be speculated upon even by some along the way, albeit from a distance. Furthermore, the name of the mountains suits the minds of those who have learned to open the eyes of the heart to the contemplation of heavenly things; when it is said, Over the mountains of Bether. For Bether is interpreted as a rising house, or a house of watches; and those who ascend more diligently in mind to the desires of the higher things, who more zealously watch to receive these, deservedly see the heavenly mysteries more excellently than others. But if it is read, as some manuscripts have, Over the mountains of Bethel, that is, the house of God, it has no question at all; for it is clear that the hearts of the righteous are rightly called mountains of the house of God, as opposed to the mountains of Samaria and Esau, and the like, that is, of heretics and all the proud. In another edition, we have seen written instead of this name, Over the mountains of spices and perfumes, which equally fits the minds of the saints, who are not dried up by vain thoughts, but, as with the healthful juices of the aromatic tree, are always refreshed with the internal sweetness and charity: about which juices and perfumes it has been signified often in this volume under the name of incense, myrrh, and aloes, and the like. But because lovers of truth come not only from the Jews but also from the Gentiles, and from both peoples one Church of the faithful is gathered, it remains in the song of love, after the vocation of Judea and the most sweet dialogue with its Redeemer, also to relate specifically how the Gentiles, in what order, have come to the recognition of salvation, and with what love they have held this found. Thus follows the voice of the beloved Church from the Gentiles.
d. AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
Until the day breaks, etc. That is, until the eternal light of the future age arises, and the shadows of this present life, that is, of ignorance or error, under which even we faithful now walk, who use the lamp of the word of God, until they pass away. For when that day desired by all nations begins to break forth, the Lord will no longer feed among the lilies, that is, among the assemblies of the saints, whom He will rather refresh with the eternal vision of His glory. "I will be satisfied," he says, "when your glory is revealed" (Psalm 16); and, "Blessed are those who hunger now, for they shall be filled" (Matthew 5). Nor is this, which compares present life to the shadows of night, and future life to the day, contrary to the apostolic saying; which testifies of this life we now live, saying, "The night is far gone; the day is at hand" (Romans 15); for, to speak briefly, the present life of the faithful, who, casting off the works of darkness, put on the armor of light, is indeed day in comparison to the unbelievers, who know or love nothing of true light; but in comparison to the future blessedness, where true light is seen eternally, it is still a very dark night. However, because the holy Church in this world recognizes two spiritual lives, one active and the other contemplative, Divine Scripture customarily speaks now of this, now of that, and now of both together. Above, making mention of the contemplative life, it says of the Lord, "Behold, he comes leaping upon the mountains, skipping upon the hills. My beloved is like a gazelle or a young stag." And then beginning with the active life, it says, "Behold, he stands behind our wall," and so on, until it says, "Catch us the foxes, the little foxes that spoil the vines, for our vines have tender grapes." All these things, well considered, urge us to the duty of good action. Then he adds of both together, "My beloved is mine, and I am his; he feeds among the lilies until the day breaks and the shadows flee away": for in both lives the beloved feeds among the lilies, because the Lord delights in the pure outward works and the sweet inner contemplation of the eternal ones of his chosen ones, and he is refreshed in his members. And this until the true light of day breaks, for then neither are we troubled by any labor of good work, nor do even the most perfect behold heavenly things through a glass darkly and momentarily, but the whole Church will see the King of Heaven in His beauty forever: of which vision, since any taste, however slight, greatly delights the spouse of Christ, it is aptly added:
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.

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