Origen of Alexandria

And let us first attempt to investigate concerning the reason why it is that, although the churches of God have received three volumes written by Solomon, the book of Proverbs was put first among them, then second the book which is called Ecclesiastes, and the volume of the Song of Songs is reckoned in the third place.… We can call these moral, natural, and contemplative.… Now the moral discipline is called that through which the honest morals of living are applied and practices that tend toward virtue are prepared. It is called the natural discipline where the nature of each and every object is discussed so that nothing is done contrary to nature in life, but each thing is considered in its uses for which it was made by its Creator. It is called the contemplative discipline by which we pass over visible things and contemplate something about the divine and heavenly matters and view them with that mind alone, because we are passing over their bodily appearance.Some wise men of the Greeks taught things that they had taken from Solomon, on the grounds that he had taught them through the Spirit of God in a time and age long before them.… Solomon found these things before them and taught them through the wisdom that he received from God, as it is written, “And God gave Solomon understanding and very much wisdom and a breadth of heart like the sand on the shore of the sea. And wisdom multiplied in him above all the ancient sons of men and above all the wise men of Egypt.” Therefore, since Solomon wished to distinguish and separate those three disciplines (i.e., the moral, the natural and the contemplative), which earlier we said were the general disciplines, he published them in three books, with the individual books connected to the one following, each one in its own order.
Therefore, first in Proverbs he taught the moral topic by writing down the practices of life in succinct and brief adages. But he covered the second topic, which is called “natural,” in Ecclesiastes, in which he discusses many things about the world, separates the empty and vain items from the useful and necessary, and admonishes us to leave vanity and pursue the useful and proper things. He handles the contemplative topic in this book, which is now held in our hands, that is, in the Song of Songs, in which he instills into the soul the love of heavenly affairs and the desire for divine matters, all under the guise of a bride and groom, thereby teaching how to arrive at fellowship with God through the paths of charity and love.
This book is located last so that someone would come to it when he has been cleansed in his morals and has learned the knowledge of and distinction between corruptible and incorruptible things. This is so that he may not be offended in any of those figures by which the love of the bride for her heavenly bridegroom (which is really the love of the perfect soul for the Word of God) is described and formulated. For once those things have been dealt with, by which the soul is purified through its acts and morals and is led to the distinguishing of natural matters, one comes competently to dogmatics and to mystical matters and ascends to a contemplation of the Godhead with a sincere and spiritual love.

One must remember what we admonished beforehand in the preface, that this book has the appearance of a marriage song and is composed in the style of a drama. But we have said that a drama is where certain characters are introduced who speak—where some arrive suddenly, others withdraw or come near—and thus everything takes place in the interchanges of the characters. Therefore, this will be the appearance of the entire book; in accordance with this, an historical exposition will be applied by us with all our might. But nonetheless, according to what we have indicated in the preface, a spiritual understanding is established underneath the guise of bride and groom; it is either about the church speaking to Christ or about the soul being joined to the Word of God.Therefore, now let a certain bride be introduced in the guise of an historical account. She will have received from her most noble groom some engagement and dorwry gifts most befitting her title. But as her groom makes a delay for a long time, she worries out of a desire for his love and grows weary as she lies at home and does everything, as much as possible, to see her groom sometime and to enjoy his kisses. Because she sees that her love is kept waiting and cannot acquire what it longs for, she turns to prayer and begs God, since she knows that he is the Father of her groom.…
These are those matters, composed in the style of a drama, that an historical explanation covers. But let us see if an inner understanding can aptly be applied in this manner. Let it be the church desiring Christ, her husband … and thus let this church be as one person who speaks for all.

But now let us consider first, what are the songs, of which “Songs” this is said to be a “Song.” Therefore, I think that they are those songs, which formerly were being sung through the prophets or through the angels. Indeed, “the law” is said “to have been delivered through angels by the hand of an intermediary.” Therefore all those things which were announced to them were the excellent songs of the groom given through friends; that one song is what now the groom himself had to sing as a marriage song when he was about to receive his bride. In this song the bride does not wish to be sung to through the friends of the groom, but she desires to hear the words of the groom himself when he is then present. Thus she says, “Let him kiss me with the kisses of his mouth.” Thus, it is rightly honored above all songs, for the other songs, which the Law and the Prophets sang, seem to be sung to the bride when she was still a child and had not yet entered the passageway of adulthood, but this song seems to be sung to a woman who is now grown and very strong and who is now capable of manly strength and the perfect mystery.