Song Of Solomon 2:14

KJV

¶ O my dove, [that art] in the clefts of the rock, in the secret [places] of the stairs, let me see thy countenance, let me hear thy voice; for sweet [is] thy voice, and thy countenance [is] comely.

KJV (with Strong's)

O my dove {H3123}, that art in the clefts {H2288} of the rock {H5553}, in the secret {H5643} places of the stairs {H4095}, let me see {H7200} thy countenance {H4758}, let me hear {H8085} thy voice {H6963}; for sweet {H6156} is thy voice {H6963}, and thy countenance {H4758} is comely {H5000}.

Complete Jewish Bible

[He] My dove, hiding in holes in the rock, in the secret recesses of the cliff, let me see your face and hear your voice; for your voice is sweet, and your face is lovely.

Berean Standard Bible

O my dove in the clefts of the rock, in the crevices of the cliff, let me see your face, let me hear your voice; for your voice is sweet, and your countenance is lovely.

American Standard Version

O my dove, that art in the clefts of the rock, In the covert of the steep place, Let me see thy countenance, Let me hear thy voice; For sweet is thy voice, and thy countenance is comely.

Commentary

### SUMMARY
Song of Solomon 2:14 captures the ardent longing of the beloved (the male lover, often understood as Solomon) for his Shulamite bride. He addresses her tenderly as "my dove," envisioning her nestled in secluded, protective places—the "clefts of the rock" and "secret places of the stairs." His heartfelt plea is for her to emerge from her hiddenness, to reveal her face and allow him to hear her voice, which he declares to be sweet and her countenance beautiful. This verse encapsulates themes of intimacy, invitation, and the profound delight the lover takes in the presence and expression of his beloved.

### CONTEXT
* **Literary Context:** This verse is nestled within a larger poetic dialogue in [Song of Solomon chapter 2](/song_of_solomon/2 "Song of Solomon 2 - The Lovers in Spring"). The chapter opens with the Shulamite describing herself and her beloved, using rich natural imagery. The lover then arrives, inviting her to "rise up, my love, my fair one, and come away" ([Song of Solomon 2:10](/song_of_solomon/2-10 "Song of Solomon 2:10 - The Lover's Invitation")). This invitation is set against the backdrop of spring's renewal, symbolizing the blossoming of their love. Verse 14 follows the lover's call to "catch for us the foxes, the little foxes that spoil the vineyards" ([Song of Solomon 2:15](/song_of_solomon/2-15 "Song of Solomon 2:15 - Catch the Little Foxes")), suggesting a desire to protect their budding relationship. The Shulamite's hiddenness in the "clefts of the rock" in verse 14 might be a response to the lover's earlier, more open invitation, perhaps indicating shyness or a playful retreat, prompting his tender entreaty for her to reveal herself.

* **Historical & Cultural Context:** The Song of Solomon is set in ancient Israel, likely during the reign of King Solomon, a period known for its prosperity and cultural flourishing. Doves were common in the region, often nesting in rocky crevices, and were frequently used as symbols of purity, innocence, and beauty in ancient Near Eastern poetry. The imagery of "clefts of the rock" and "secret places of the stairs" reflects the rugged, mountainous terrain of Israel, where natural caves and hidden pathways provided refuge. Such places could also be associated with modesty or a private space for women. The cultural norms of the time would have emphasized a certain demureness in women, making the lover's gentle coaxing for her to reveal herself both respectful and deeply affectionate. The setting in spring, with its imagery of blossoming flowers and singing birds, enhances the romantic and idyllic atmosphere of the lovers' courtship.

* **Key Themes:** [Song of Solomon 2:14](/song_of_solomon/2-14 "Song of Solomon 2:14 - The Lover's Plea") contributes to several overarching themes within the book. Firstly, it highlights the theme of **Intimacy and Desire**, as the lover expresses a profound longing for personal connection—not just physical proximity, but the sight of her face and the sound of her voice. Secondly, the imagery of the "dove" and her hiddenness speaks to the theme of **Vulnerability and Protection**, suggesting a delicate beloved who may be shy or in a place of security, yet is called to emerge into deeper relationship. Thirdly, the lover's commendation of her "sweet" voice and "comely" countenance underscores the theme of **Affirmation and Admiration**, revealing the deep appreciation and delight he takes in her very being. This verse also subtly introduces the theme of **Overcoming Obstacles to Intimacy**, as the lover seeks to draw his beloved out of her secluded space into more open communion, echoing the broader narrative of their relationship's development, as seen in the Shulamite's own search for her beloved in [Song of Solomon chapter 3](/song_of_solomon/3 "Song of Solomon 3 - The Shulamite Seeks Her Beloved").

### EXPOSITION AND ANALYSIS

#### Key Word Analysis
* **dove (Hebrew, _yôwnâh'_):** H3123. This term of endearment is derived from a root suggesting warmth, likely referring to the warmth of their mating. It signifies beauty, innocence, purity, and gentleness. In this context, it tenderly identifies the beloved, emphasizing her delicate and cherished nature. The lover's choice of "dove" underscores his affectionate perception of her.
* **clefts (Hebrew, _chăgâv'_):** H2288. From an unused root meaning "to take refuge," this word refers to a rift or fissure in rocks. It suggests a secure, often hidden, and sometimes difficult-to-reach place. Here, it paints a picture of the beloved being in a secluded, protected, or perhaps shyly withdrawn position, prompting the lover's invitation to emerge.
* **countenance (Hebrew, _marʼeh'_):** H4758. Derived from a root meaning "to see," this word refers to a view, an appearance, or the thing seen. It encompasses one's facial expression, form, or general looks, often implying beauty or comeliness. The lover's desire to "see thy countenance" is a longing for visual intimacy, to behold her face and perceive her presence fully.

#### Verse Breakdown
* **"O my dove, [that art] in the clefts of the rock, in the secret [places] of the stairs,"** This opening clause establishes the lover's tender address to his beloved, calling her "my dove," a term of deep affection. The subsequent imagery places her in secluded, perhaps hard-to-reach locations—the "clefts of the rock" and "secret places of the stairs." This could symbolize her shyness, modesty, or a playful withdrawal, or even a place of safety and refuge. It sets the scene for his subsequent plea, indicating that she is not fully visible or accessible to him.
* **"let me see thy countenance, let me hear thy voice;"** This is the core request of the lover. He longs for her to reveal herself fully. "Let me see thy countenance" expresses a desire for visual intimacy, to behold her face and presence. "Let me hear thy voice" signifies a longing for auditory connection, for her to speak to him. These two requests highlight a desire for complete, open communication and presence, moving beyond her hiddenness.
* **"for sweet [is] thy voice, and thy countenance [is] comely."** This final clause provides the motivation for his plea. The lover affirms the inherent beauty and pleasantness of his beloved. Her "voice" is described as "sweet" (H6156, _ʻârêb_), indicating it is pleasing and harmonious to his ears. Her "countenance" is "comely" (H5000, _nâʼveh_), meaning it is beautiful, fitting, and attractive. This affirmation serves as both a compliment and an encouragement for her to emerge, assuring her that her presence is delightful to him.

#### Literary Devices
Song of Solomon 2:14 is rich in **Imagery**, painting a vivid picture of the beloved as a delicate "dove" nestled in the rugged "clefts of the rock" and "secret places of the stairs." This imagery evokes both her vulnerability and her elusive beauty. The use of "my dove" is a classic **Term of Endearment**, conveying deep affection and tenderness. The verse also employs **Parallelism** in the lover's requests ("let me see thy countenance, let me hear thy voice") and in his affirmations ("sweet is thy voice, and thy countenance is comely"), creating a rhythmic and emphatic expression of his desire. Furthermore, the entire verse functions as a **Metaphor** for the lover's yearning for open, unhindered intimacy and communication with his beloved, inviting her out of any perceived hiding or shyness.

### THEOLOGICAL AND THEMATIC CONNECTIONS
This verse, while deeply personal and romantic, carries profound theological implications when viewed through an allegorical lens, often interpreted as Christ's longing for His Church or an individual believer. It speaks to God's desire for genuine, unhindered intimacy with His people. Just as the lover calls his beloved out of her hiddenness, God continually invites us to draw near to Him, to emerge from places of fear, shame, or spiritual apathy. He longs to hear our "voice" in prayer, worship, and confession, and to see our "countenance"—our lives lived openly, authentically, and in devotion before Him. His delight in us is not based on our perfection, but on His steadfast love and the beauty He imputes to us through grace. This divine longing for communion is a recurring theme throughout Scripture.

* [Genesis 3:9](/genesis/3-9 "Genesis 3:9 - God Seeks Adam and Eve")
* [Revelation 3:20](/revelation/3-20 "Revelation 3:20 - Christ Knocks at the Door")
* [Psalm 45:11](/psalms/45-11 "Psalm 45:11 - The King Desires Your Beauty")

### REFLECTION AND APPLICATION
Song of Solomon 2:14 serves as a tender invitation for us to consider the nature of our own relationship with God. The lover's earnest plea for his beloved to emerge from her hiddenness resonates with God's persistent call for us to come out of whatever "clefts of the rock" or "secret places" we might be hiding in—be it fear, shame, busyness, or spiritual complacency. He desires not just our obedience, but our presence, our authentic voice in prayer, and the open expression of our lives before Him. Just as the Shulamite's voice was sweet and her countenance comely to her lover, our prayers and our lives, when offered in sincerity, are precious and beautiful in God's sight. This verse encourages us to respond to His loving call, to shed our inhibitions, and to engage in a deeper, more vulnerable, and more joyful communion with our Creator and Redeemer. It reminds us that God delights in us and longs for us to share our hearts with Him.

#### Questions for Reflection
* **What "clefts of the rock" or "secret places" might you be hiding in, preventing full intimacy with God?**
* **How does the idea of God finding your "voice" sweet and your "countenance" comely impact your willingness to pray or live openly before Him?**
* **In what practical ways can you "let God see your countenance" and "hear your voice" more consistently in your daily life?**

### FAQ

**Why is the beloved called a "dove" in this verse?**

Answer: The term "dove" (Hebrew: _yôwnâh_) is a tender and affectionate term of endearment used frequently in the Song of Solomon. Culturally, doves were associated with purity, innocence, beauty, and gentleness. Spiritually, they can symbolize the Holy Spirit or a cherished, undefiled bride. In this context, it highlights the lover's deep affection and the beloved's delicate, cherished nature, emphasizing her beauty and purity in his eyes. It's a loving, intimate address that sets the tone for his earnest plea.

**What do "clefts of the rock" and "secret places of the stairs" symbolize?**

Answer: These phrases describe secluded, often rugged, and somewhat inaccessible locations. Symbolically, they can represent various things:
* **Shyness or Modesty:** The beloved might be retreating out of shyness or a sense of modesty, common in courtship.
* **Protection or Refuge:** These places offer security, suggesting she is in a safe, private space.
* **Hiding or Hesitation:** Her presence in these places might indicate a reluctance or hesitation to fully emerge into the open, intimate relationship the lover desires.
* **Figurative Distance:** It could simply be a poetic way of expressing a slight distance or barrier that the lover wishes to overcome to achieve closer communion. The lover's plea is to draw her out of this hiddenness into full, visible, and audible presence.

**What is the significance of the lover wanting to "see thy countenance" and "hear thy voice"?**

Answer: This dual request emphasizes the lover's desire for complete and authentic intimacy. To "see thy countenance" (face) is to behold her presence, her expression, her very being. It signifies a longing for visual communion and the full revelation of her person. To "hear thy voice" is to desire her verbal communication, her thoughts, her feelings, her songs, and her prayers. Together, these requests highlight a yearning for deep, personal connection that transcends mere physical proximity. It's about genuine interaction and the full expression of love, where both sight and sound contribute to a rich, reciprocal relationship. This longing for both visual and auditory engagement is fundamental to profound human connection, and allegorically, to our relationship with God, who desires to see our lives and hear our prayers, as seen in [Psalm 141:2](/psalms/141-2 "Psalm 141:2 - Let My Prayer Be Counted as Incense").

### CHRIST-CENTERED FULFILLMENT
Song of Solomon 2:14 finds its ultimate and most profound fulfillment in the person and work of Jesus Christ and His relationship with His Church. Christ is the ultimate Bridegroom, and the Church is His beloved Bride, whom He passionately pursues. Just as the lover in the Song longs for his dove to emerge from the "clefts of the rock," Christ continually calls His people out of their hiding places—whether those are places of sin, shame, fear, or worldly distractions. He desires a deep, unveiled intimacy with us. His plea, "let me see thy countenance, let me hear thy voice," echoes His longing for our authentic presence in worship and our heartfelt prayers. He doesn't just want our service; He wants our very selves, our faces turned towards Him in adoration, and our voices lifted in praise and petition. He declares our "voice" sweet and our "countenance" comely, not because of our inherent perfection, but because He has cleansed and adorned us with His righteousness ([Ephesians 5:25-27](/ephesians/5-25 "Ephesians 5:25-27 - Christ's Love for the Church")). This verse beautifully illustrates the active, pursuing love of Christ, who stands at the door and knocks, desiring to come in and fellowship with us ([Revelation 3:20](/revelation/3-20 "Revelation 3:20 - Christ Knocks at the Door")). He knows His sheep, and His sheep hear His voice, responding to His loving call to draw near ([John 10:27](/john/10-27 "John 10:27 - My Sheep Hear My Voice")). Thus, Song of Solomon 2:14 becomes a tender invitation to embrace the intimate relationship Christ offers, knowing that our presence and prayers are truly delightful to Him.

Note: Commentary is generated by AI with a directive for Biblical fidelity. Always rely on the Holy Spirit for discernment. The Scripture text and cross-references are from verified, non-AI sources.

Cross-References

Song Of Solomon 1:5

I [am] black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.

Ezra 9:5

¶ And at the evening sacrifice I arose up from my heaviness; and having rent my garment and my mantle, I fell upon my knees, and spread out my hands unto the LORD my God,

Ezra 9:6

And said, O my God, I am ashamed and blush to lift up my face to thee, my God: for our iniquities are increased over [our] head, and our trespass is grown up unto the heavens.

Song Of Solomon 8:13

¶ Thou that dwellest in the gardens, the companions hearken to thy voice: cause me to hear [it].

Song Of Solomon 5:2

¶ I sleep, but my heart waketh: [it is] the voice of my beloved that knocketh, [saying], Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, [and] my locks with the drops of the night.

Exodus 3:6

Moreover he said, I [am] the God of thy father, the God of Abraham, the God of Isaac, and the God of Jacob. And Moses hid his face; for he was afraid to look upon God.

Exodus 33:22

And it shall come to pass, while my glory passeth by, that I will put thee in a clift of the rock, and will cover thee with my hand while I pass by: