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Song of Solomon 1:6

“Self-Awareness and Beauty”Song of Solomon 1:5–6

King James Version
Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept.

Bible text: King James Version (1769 Blayney text) · Public domain

KJV (with Strong's)
Look H7200 not upon me, because I am black H7840, because the sun H8121 hath looked H7805 upon me: my mother's H517 children H1121 were angry H2787 with me; they made H7760 me the keeper H5201 of the vineyards H3754; but mine own vineyard H3754 have I not kept H5201.

Bible text: King James Version with Strong's numbers · Public domain

Berean Standard Bible
Do not stare because I am dark, for the sun has gazed upon me. My mother’s sons were angry with me; they made me a keeper of the vineyards, but my own vineyard I have neglected.

Bible text: Berean Standard Bible · Public domain

American Standard Version
Look not upon me, because I am swarthy, Because the sun hath scorched me. My mother’s sons were incensed against me; They made me keeper of the vineyards; But mine own vineyard have I not kept.

Bible text: American Standard Version (1901) · Public domain

World English Bible Messianic
Don’t stare at me because I am dark, because the sun has scorched me. My mother’s sons were angry with me. They made me keeper of the vineyards. I haven’t kept my own vineyard.

Bible text: World English Bible, Messianic edition · Public domain

Geneva Bible (1599)
Regard ye me not because I am blacke: for the sunne hath looked vpon mee. The sonnes of my mother were angry against mee: they made me the keeper of ye vines: but I kept not mine owne vine.

Bible text: Geneva Bible (1599) · Public domain

Young's Literal Translation
Fear me not, because I am very dark, Because the sun hath scorched me, The sons of my mother were angry with me, They made me keeper of the vineyards, My vineyard--my own--I have not kept.

Bible text: Young's Literal Translation · Public domain

King James Version — Interlinear
18 Hebrew words
  1. אַל'almay notH408NegParticle Negative
  2. תִּרְאוּנִיtir·'U·niyou look at meH7200V-Qal-Imperf-2mp ¦ 1csVerb Qal Imperfect 2nd Plural Masculineתִּרְאוּyou look atנִיme
  3. שֶׁאֲנִיshe·'a·Niwho IH589Rel-s ¦ Pro-1csPronoun Personal 1st Singular common genderשֶׁwhoאֲנִיI
  4. שְׁחַרְחֹרֶתshe·char·Cho·ret[am] blackishH7840Adj-fsAdjective Singular Feminine Absolute
  5. שֶׁשֱּׁזָפַתְנִיshe·she·za·Fat·ni[on] whom [it] has looked on meH7805Rel-s ¦ V-Qal-Perf-3fs ¦ 1csVerb Qal Perfect 3rd Singular Feminineשֶׁ[on] whomשֱּׁזָפַתְ[it] has looked onנִיme
  6. הַשָּׁמֶשׁha·Sha·meshthe sunH8121Art ¦ N-csNoun Singular common gender Absoluteהַtheשָּׁמֶשׁsun
  7. בְּנֵיbe·Nei[the] sons ofH1121N-mpcNoun Plural Masculine Construct
  8. אִמִּי'i·Mimy motherH517N-fsc ¦ 1csNoun Singular Feminine Construct with suffixאִמִּmotherיmy
  9. נִחֲרוּni·cha·ruthey were angryH2734V-Piel-Perf-3cpVerb Piel Perfect 3rd Plural common gender
  10. בִיViwith mePrep-b ¦ 1csSuffix Personal 1st Singular common genderבִwithיme
  11. שָׂמֻנִיsa·Mu·nithey made meH7760V-Qal-Perf-3cp ¦ 1csVerb Qal Perfect 3rd Plural common genderשָׂמֻthey madeנִיme
  12. נֹטֵרָהno·te·Rah[one who] keepsH5201V-Qal-Prtcpl-fsVerb Qal Participle Singular Feminine Absolute
  13. אֶת'et[obj.]H853DirObjMParticle Object Indicator
  14. הַכְּרָמִיםha·ke·ra·Mimthe vineyardsH3754Art ¦ N-mpNoun Plural Masculine Absoluteהַtheכְּרָמִיםvineyards
  15. כַּרְמִיkar·Mimy own vineyardH3754N-csc ¦ 1msNoun Singular common gender Construct with suffixכַּרְמִown vineyardיmy
  16. שֶׁלִּיshe·Liwhich [belongs] to meRel-s ¦ Prep-l ¦ 1csSuffix Personal 1st Singular common genderשֶׁwhichלִּ[belongs] toיme
  17. לֹאlo'notH3808NegParticle Negative
  18. נָטָרְתִּיna·Ta·re·tiI have keptH5201V-Qal-Perf-1csVerb Qal Perfect 1st Singular common gender
English is a literal word-by-word gloss of the Hebrew, not the KJV's wording. Why?

This is the original text the KJV's translators worked from — each Hebrew word with its own literal English meaning in this verse, prepared by scholars at Tyndale House, Cambridge. The KJV translates whole sentences, not word by word, so its wording differs: one Hebrew word can become several English words, and the KJV may choose “the LORD” where the gloss reads “Yahweh”. Both are faithful — they answer different questions. For the KJV's own rendering, switch to the KJV text.

Words in [ ] are added by the English.

Translation
Details
In the KJVVerse 17,544 of 31,102 · 56.4%

Study this verse

Written with AI assistance. Always check it against Scripture.

This verse

She asks the women to stop staring, explains that the sun darkened her while her angry brothers made her keep their vineyards, and confesses that her own vineyard went untended.

“Look not upon me, because I am black,”

A plea to stop staring. The confidence of verse 5 sits beside a real tenderness about how she looks.

“because the sun hath looked upon me:”

The sun is pictured as one who gazed at her, and its long look darkened her skin.

“my mother’s children were angry with me;”

Her own brothers turned against her, and their anger shaped her days.

“they made me the keeper of the vineyards;”

The work was laid on her by others, outdoors and exposed, and it explains her complexion.

“but mine own vineyard have I not kept.”

Busy guarding their vines, she left her own person and life untended. One Hebrew verb gives both “keeper” and “kept”.

Passage studySong of Solomon 1:5–6

Sun-Darkened and Still Comely

5I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon. 6Look not upon me, because I am black, because the sun hath looked upon me: my mother’s children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept.

Summary

A young woman from the country speaks to the women of Jerusalem about her own face. Her skin has been darkened by the sun, and she says so plainly: “I am black, but comely.” She is as dark as the tents of Kedar and as lovely as the curtains of Solomon’s house. Then she tells them why. Her brothers were angry with her and set her to keep their vineyards, and the long days in their vines left her own vineyard untended. In two verses we meet a woman who is honest about the marks of a hard life and still sure of her beauty, and the rest of the Song shows that her beloved sees her the same way.

A country girl speaks to the women of the court

These are among the first words the bride of the Song speaks, and she addresses them to the “daughters of Jerusalem”. They are the women of the city and of the royal court, and they come back again and again in the Song as the listeners and confidantes of her love story. She is a country girl standing among city ladies, and they set the standard of beauty she knows she is measured by.

She speaks before they can pass judgment. In a few words she introduces herself, explains how she looks and states her worth. She simply tells them who she is and leaves them to accept it.

What she means by “black, but comely”

The word for black, shâchôr, means dusky or dark, and at its fullest jet black. Here it describes her complexion, darkened by long hours outdoors, and the next verse gives the cause in her own words: “the sun hath looked upon me.” The word for comely, nâʼveh, means fitting or suitable, and so lovely to look at. With the small word “but” she holds the two together. Her darkness is real, her beauty is real, and she owns both of them.

In her day pale skin belonged to people of rank who lived at leisure indoors, while a sun-darkened face marked someone who worked outside, a shepherd or a keeper of vineyards. The ladies of Jerusalem would have seen at once that she came from the fields. Her answer to their look is calm and confident. She knows how she appears to them, and she knows she is lovely.

Her confidence is soon confirmed by the one whose opinion matters most to her. Her beloved begins to praise her a few verses later (Song of Solomon 1:9), and in time he tells her, “Thou art all fair, my love; there is no spot in thee” (Song of Solomon 4:7). A psalm speaks in the same way of the king and his bride: “So shall the king greatly desire thy beauty” (Psalm 45:11).

Is she speaking of her race?

She is speaking of skin darkened by the sun, which is the cause she gives in verse 6. The word belongs to her work outdoors, and it says nothing about race or nation in the modern sense.

The tents of Kedar and the curtains of Solomon

She gives two pictures of herself. The first is the tents of Kedar. Kedar, Qêdâr, was a son of Ishmael, and his name came to stand for his descendants, the wandering Arab tribes of the desert, whom Isaiah addresses in his prophecy against Arabia (Isaiah 21:13). Their tents were black, rough and made to last, the plain and hardy shelter of people who lived in the open. The name itself carries the sense of dusky or dark, the same darkness she sees in her own skin.

The second picture is the curtains of Solomon, the rich hangings of the king’s house, or perhaps of the Temple, finely woven and richly dyed. Scripture describes the splendour of Solomon’s building in 1 Kings 7. These curtains may well have been dark too, and they were splendid and costly.

Set side by side, the two pictures show a beauty that is both rugged and refined. She is as weathered and strong as a nomad’s tent and as fine as a palace hanging, simple and regal at once. God’s own works have the same variety: “O LORD, how manifold are thy works! in wisdom hast thou made them all” (Psalm 104:24), and “The heavens declare the glory of God” (Psalm 19:1). Beauty in his world comes in many forms.

Why the sun had darkened her

Verse 6 turns from her confidence to the story behind it. “Look not upon me,” she says, asking the women to stop staring, and the plea shows that their looks still hurt. The word for black here, shᵉcharchôreth, means swarthy or black. She gives the reason at once: “because the sun hath looked upon me.” The English repeats the word “look”. The women gaze at her now, but the sun gazed at her first, through long days in the open, and left its mark on her face.

Then she names the cause behind the sun. “My mother’s children were angry with me.” These are her brothers, the sons of her mother. The verb, chârar, at root means to glow or burn, and here it is used of anger that burned against her. Their anger took a practical form: “they made me the keeper of the vineyards.” Keeping vineyards was hard, exposed work, long hours in the heat guarding and tending the vines, and others laid it on her. Her dark skin is the mark of that labour.

Why were her brothers angry?

The Song leaves their reason unstated and records only what their anger did, which was to send her out into the vineyards. Jealousy, resentment or a wish to make use of her labour are all possible. Scripture tells of other households where brothers turned on one of their own, as Joseph’s brothers did in their jealousy (Genesis 37), and as David’s sons did in the wrong and the hatred of 2 Samuel 13. The bride mentions her brothers in a single line and moves on to what their anger cost her.

Mine own vineyard have I not kept

The word for vineyard, kerem, means a garden or vineyard, and she uses it twice. First come her brothers’ vineyards, real fields of vines that she was made to guard. Then comes “mine own vineyard”, which is a picture. The verb for keeping, nâṭar, means to guard, and so to tend and protect, and elsewhere it can mean holding on to anger. The same verb makes her the “keeper” of their vines and then confesses that her own she has “not kept”. She gave her care to what belonged to others, and what belonged to her went untended.

Coming straight after her words about her darkened face, her own vineyard first means her own person: her looks, her health and the life she might have tended if her days had been her own. The picture reaches to the inner life as well, and Scripture uses the same language of keeping for the heart: “Keep thy heart with all diligence; for out of it are the issues of life” (Proverbs 4:23). Jesus tells us what comes first among all the things that claim our time: “But seek ye first the kingdom of God, and his righteousness; and all these things shall be added unto you” (Matthew 6:33). Her lament is honest about a real loss, the cost of years given over to the demands of others.

The bride, Christ and his Church

Believers differ on how to read the Song. Some hold that it is a love poem, written as a drama, between King Solomon and a country girl. Others hold that it pictures the love between God and his people, and between Christ and the Church. On that second reading these two verses speak of the Church and her Lord.

The Church is gathered from redeemed sinners of every tribe and nation. She is “black” in her former sin, her earthly flaws and her humble beginnings, and Christ makes her “comely” by his cleansing work. Her beauty is given to her as a gift, “Even the righteousness of God which is by faith of Jesus Christ unto all and upon all them that believe” (Romans 3:22). The tents of Kedar picture her life now, a pilgrim people in temporary dwellings who confess, like the faithful of old, that they are “strangers and pilgrims on the earth” (Hebrews 11:13). The curtains of Solomon picture her glory in Christ, adorned with his splendour. Christ loved the Church and gave himself for it, “That he might present it to himself a glorious church, not having spot, or wrinkle, or any such thing; but that it should be holy and without blemish” (Ephesians 5:25–27). He sees his bride as she is becoming through his work.

Verse 6 finds its answer in Christ as well. The bride laboured under compulsion and lost her own vineyard in the work. Christ of his own will “took upon him the form of a servant” and “became obedient unto death, even the death of the cross” (Philippians 2:7–8), and in Gethsemane he prayed, “nevertheless not my will, but thine, be done” (Luke 22:42). Through all his suffering he kept faithfully the work the Father gave him and his communion with the Father. To everyone worn down by labour he says, “Come unto me, all ye that labour and are heavy laden, and I will give you rest” (Matthew 11:28), and he tends the souls of his people and makes them fruitful.

Comely in the sight of the King

The bride is honest. She names her dark skin, her brothers’ anger and the vineyard she let go, and she still says “comely”. You may carry marks of your own, from hard work, hard years or other people’s demands, and they are real. They are seen by a God whose eyes are on the heart: “for man looketh on the outward appearance, but the LORD looketh on the heart” (1 Samuel 16:7).

Peter tells believers where their true adorning lies: “the hidden man of the heart, in that which is not corruptible, even the ornament of a meek and quiet spirit, which is in the sight of God of great price” (1 Peter 3:3–4). God’s people are “the elect of God, holy and beloved” (Colossians 3:12), and their worth rests there. The same way of seeing turns outward too, so that we can see the comeliness in others whose faces show a harder life than ours. And our own vineyard is worth keeping, with its first care given to the Lord who gives rest to all who come to him.

Last revised

Historical interpretation

Five Centuries of Reception

8 surviving comments on this verse. Each one is dated, so this reads as a timeline rather than a list.

8 quotes · AD 253–735
Ante-NicenePost-NiceneEarly Medieval
300400500600700

Select a marker to jump to its quote. Markers stagger vertically where authors wrote within a few decades of each other.

We understand how the bride is both black and beautiful. But if you too do not repent, beware lest your soul be called black and foul and you be made foul by a double ugliness: black because of your past sins and ugly because you persevere in your vices.
Therefore, that visible sun does indeed blacken and burn those bodies upon which it settles at noon, but it preserves in its brightness those bodies that are placed far off and far away from its overhead position. It does not at all burn them, but gives light to them. But, in contrast, the true spiritual sun, which is the sun of righteousness in whose wings healing is said to be, illumines them and surrounds them with every brightness because he has found them of an upright heart and at the zenith of his radiance, but he does not look “askance” as much as “look down upon” those who “approach him askance,” since their own fickleness and instability causes this trouble for them.For the world was made not through that visible light, because it too is part of this world, but through that true light, by which light we are said to be despised, if we approach it in a crooked way.
“Do not look at me because I have become dark, because the sun looked down upon me.” …And so people have existed in this way in all that nation of the Ethiopians, to whom a certain natural blackness resides owing to the succession of fleshly seed, because in those places the sun burns with harsher rays and, once the bodies have been burned and blackened, they remain so as the innate flaw is passed down, generation to generation. But the blackness of the soul belongs to a contrary arrangement; for the soul is burned not by the sun looking at it but by the sun’s looking down upon it; it is obtained not by birth but by neglect; and thus, just as it is acquired by ignorance, so it is driven out and repulsed by diligence.
d. AD 392Gregory of ElviraPost-NiceneSourceEXPLANATION OF THE SONG OF SONGS 1:25
“Do not look at me,” it says, “because the sun has not regarded me.” The prophet Ezekiel proved that the sun is Christ when he said, “upon you who fear the Lord, the sun of righteousness will rise,” who is Christ. For, as I have often said, before the advent of the Son of God, the church of the Gentiles was dark because it had not yet believed in him. But when it was illuminated by Christ the true sun, it was made extremely lovely and decorous, such that the Holy Spirit would say to it through David: “the king desired your beauty.”
d. AD 604Gregory the DialogistEarly MedievalSourceFORTY GOSPEL HOMILIES 19 (17)
The church says of its weak members, “They have put me as a guard in the vineyards; my own vineyard I have not guarded.” Our vineyards are our deeds, and we cultivate them by our daily labor. We are put as guards in the vineyards, but we do not cultivate our own. When we are involved with external affairs, we neglect to watch over our own activities.
d. AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
And as if to say openly, "The bitterness of my persecutors has brought me such advantage and utility, that I have become the keeper of many vineyards, that is, churches of Christ, after the primitive vineyard, that is, the Church which I first began to establish and guard in Jerusalem, was scattered by their multitude. But the not keeping of the vineyard is to be referred not to the mind, but to the place: for indeed at that time, a significant part of the Church withdrew from Jerusalem due to persecution, which nonetheless retained the entire integrity of faith fixed in the heart, and even took up the duty of preaching with devout mouth, as we have said before. Some think that this phrase, 'They made me the keeper in the vineyards, my own vineyard I have not kept,' should be distinguished in such a way that by the name of 'vineyard,' the Church of Christ is indicated; but by the appellation 'vineyards,' the various decrees of the law and the diverse traditions of the Pharisees are understood. And they say, 'They have placed the Church among the vineyards,' who compelled the faithful to be circumcised, and to observe the ceremonies of the carnal law. Among these was he who said, 'And frequently punishing them in all the synagogues who believed, I will persecute them even to foreign cities' (Acts XXII). Therefore, he did not keep his own vineyard, with no small number of the faithful being scattered by him from Jerusalem, as if hewing down the branches of the heavenly vineyard. Yet the root of it could by no means be uprooted. But because the greater the adversity that tempts the faith of the elect, the more urgently it is necessary that they invoke the Redeemer's help, fittingly the holy Church, after lamenting that the sons of her mother rose up against her, and that her vineyard was shaken by their invasion, mindful of the Lord's promise where He said, 'In the world you will have tribulation; but be of good cheer, I have overcome the world' (John XVI), with a solicitous heart turned to Him, prays, saying:
d. AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
"The sons of my mother fought against me, etc." It is the voice of the primitive Church, which receives the wars of tribulations from the Synagogue itself, from which it derives its carnal origin, as the Acts of the Apostles most fully teach. In this sentence, firstly, it must be noted that the bride of Christ rightly asserts that she has been darkened by the sun, who used to work as a subordinate laborer cultivating and guarding the vineyard. There was, however, one vineyard of Christ in Jerusalem, namely the primitive Church itself, which on the day of Pentecost, that is, on the fiftieth day after the resurrection of the Lord, was dedicated by the coming of the Holy Spirit. At that time, its guardians were the apostles themselves. But after the persecution occurred, during the time of the blessed martyr Stephen, all were dispersed throughout the regions of Judea and Samaria, except for the apostles, it happened that there were many vineyards, that is, many churches of Christ in various places, preaching the word to those who were dispersed here and there. Indeed, by the action of divine providence, this dispersion of the Church of Jerusalem was the occasion for establishing many churches. Hence it is well that our codices have "They were scattered;" in Greek it says diesparisan, that is, "they were disseminated throughout the regions of Judea and Samaria." And shortly after, "Those who were disseminated went about evangelizing the word of God:" because the Jewish persecutors, indeed wishing to overthrow the Church, unwillingly spread the seed of the word more widely, and by persecuting one Church in Jerusalem, unwillingly caused many Churches to exist widely. So, when the primitive Church said it was darkened by afflictions, because the sons of its mother, that is, the parricidal Synagogue, hated and attacked it, it immediately added how much it had profited from these same afflictions, adding in the person of those to whom the care of preaching was entrusted: "They made me keeper of the vineyards, but my own vineyard I have not kept."
d. AD 735BedeEarly MedievalSourceCommentary on the Song of Songs
Do not consider me because I am dark, etc. Which is to say openly: Do not marvel at me, O daughters of Jerusalem, that is, souls devoted to God, because I am despised by men, because the heat of temptations, which for my inner beauty I do not cease to endure, has rendered me outwardly dark, whom, nonetheless, the heavenly grace has granted to be inwardly charming. Which is like the apostle Peter: Beloved, do not be surprised at the fiery trial when it comes upon you to test you, as though something strange were happening to you, but rejoice insofar as you share Christ's sufferings (1 Peter 4). And indeed, sometimes the name of the Lord Himself is signified by the sun, as it is said of His ascension: The sun was lifted up, and the moon stood still in its place; sometimes of His chosen ones, as He says: The righteous shall shine like the sun in the kingdom of their Father (Matthew 13). But in this place, it is better that the fervor of tribulations be figured by the appellation of the sun, according to what He Himself says about seeds sown on the rock: When the sun rose, they were scorched; and because they had no root, they withered away (Matthew 13). Which, later explaining it, He says thus: When tribulation or persecution arises on account of the word, immediately they fall away (Matthew 13), clearly declaring that tribulation and persecution are figured by the term "sun." Just as those who reside quietly at home often have whiter limbs, while those who work in the vineyard or garden or any other outdoor labor often have darker limbs due to much sun, so does the holy Church, the more earnestly she girds herself for spiritual combat, perceive fiercer snares of the old enemy rising against her. And just as the sinner is often praised in the desires of his soul, and he who commits iniquity is blessed, so sometimes the just man is reproached in the virtues of his soul; and he who acts rightly is cursed, as Paul attests, who says: We bless when reviled; we endure persecution; when slandered, we entreat (1 Corinthians 4). But He Himself, whose cause it is for which it happens, teaches the faithful that this ensnarement of blasphemy should be of little account, indeed that they should rejoice in it, saying, "Blessed are you when men curse you; and if they persecute you and say all manner of evil against you, and so forth (Matthew V)." Because therefore the holy Church sees itself adorned internally with faith and virtues, but bears witness that it is burned externally by persecutions, it remains to show whence it endured the first rage of persecution. It follows:
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.

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