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King James Version
And the foundations of the wall of the city were garnished with all manner of precious stones. The first foundation was jasper; the second, sapphire; the third, a chalcedony; the fourth, an emerald;
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KJV (with Strong's)
And G2532 the foundations G2310 of the wall G5038 of the city G4172 were garnished with G2885 all manner of G3956 precious G5093 stones G3037. The first G4413 foundation G2310 was jasper G2393; the second G1208, sapphire G4552; the third G5154, a chalcedony G5472; the fourth G5067, an emerald G4665;
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Complete Jewish Bible
The foundations of the city wall were decorated with all kinds of precious stones — the first foundation stone was diamond, the second sapphire, the third chalcedony, the fourth emerald,
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Berean Standard Bible
The foundations of the city walls were adorned with every kind of precious stone: The first foundation was jasper, the second sapphire, the third chalcedony, the fourth emerald,
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American Standard Version
The foundations of the wall of the city were adorned with all manner of precious stones. The first foundation was jasper; the second, sapphire; the third, chalcedony; the fourth, emerald;
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World English Bible Messianic
The foundations of the city’s wall were adorned with all kinds of precious stones. The first foundation was jasper; the second, sapphire; the third, chalcedony; the fourth, emerald;
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Geneva Bible (1599)
And the foundations of the wall of ye city were garnished with all maner of precious stones: the first foundation was Iasper: the second of Saphire: the third of a Chalcedonie: the fourth of an Emeraude:
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Young's Literal Translation
and the foundations of the wall of the city with every precious stone have been adorned; the first foundation jasper; the second, sapphire; the third, chalcedony; the fourth, emerald;
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Study This Verse

SUMMARY

Revelation 21:19 offers a breathtaking glimpse into the architectural splendor of the New Jerusalem, the eternal dwelling place of God with His redeemed people. This verse specifically details the magnificent foundations of the city's wall, describing them as "garnished with all manner of precious stones," and then enumerates the first four of these twelve foundational gems: jasper, sapphire, chalcedony, and emerald. This vivid imagery underscores the inestimable value, divine beauty, and unwavering stability of God's perfected kingdom, a place of ultimate security and glory prepared for His saints.

CONTEXT

  • Literary Context: Revelation 21 initiates the climactic vision of the "new heaven and new earth" and the descent of the New Jerusalem from God out of heaven. Following the judgment of Babylon and the final defeat of evil, this chapter marks the culmination of God's redemptive plan, presenting the eternal state where God dwells directly with humanity. Verses 9-14 introduce the New Jerusalem as the Bride of the Lamb, describing its immense size, perfect symmetry, and the presence of twelve gates and twelve foundations, bearing the names of the twelve tribes of Israel and the twelve apostles of the Lamb, respectively. Verse 18 describes the wall as built of jasper and the city itself of pure gold, like clear glass. Verse 19 then transitions from the general description of the wall to a detailed enumeration of the precious stones adorning its twelve foundations, continuing into Revelation 21:20 with the remaining eight stones. This meticulous description emphasizes the city's divine origin, unparalleled glory, and eternal permanence.
  • Historical & Cultural Context: In the ancient world, cities were defined by their walls and foundations, which signified security, permanence, and civic identity. The use of precious stones for adornment was common in royal palaces, temples, and sacred objects, symbolizing wealth, power, and divine favor. For instance, the high priest's breastplate in ancient Israel was adorned with twelve precious stones, each representing one of the twelve tribes (Exodus 28:17-21). This Old Testament imagery would have resonated deeply with John's Jewish audience, evoking themes of covenant, priesthood, and God's chosen people. The specific stones mentioned were highly valued and known for their beauty and rarity, often associated with divine presence or heavenly glory in ancient literature. The concept of a heavenly city with foundations was also present in Jewish thought, as seen in Hebrews 11:10, which speaks of Abraham looking forward to "the city which has foundations, whose builder and maker is God."
  • Key Themes: Revelation 21:19 contributes significantly to several overarching themes within the book of Revelation and biblical theology. Firstly, it powerfully conveys the Divine Splendor and Glory of God's ultimate dwelling place, portraying a city of unimaginable beauty and value, far surpassing any earthly creation. This highlights God's majestic nature and His desire to surround His people with unparalleled glory. Secondly, the emphasis on Security and Stability is paramount; foundations are the very basis of any structure's permanence. The twelve, divinely adorned foundations assure believers of the eternal, unshakeable nature of God's kingdom and His promises. Thirdly, the Symbolism of Precious Stones points to God's covenant faithfulness and the inclusion of His entire redeemed people. While the exact correlation of each stone to a specific tribe or apostle is debated, the collective imagery evokes the continuity of God's people from both Old and New Testaments, united in Christ. This vision of the New Jerusalem, with its meticulously designed and gloriously adorned foundations, ultimately speaks to the Perfection of God's Redemptive Plan, culminating in an eternal state of secure, beautiful, and intimate fellowship with Him.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • foundations (Greek, themélios', G2310): From a derivative of tithēmi (to put down), this term refers to something put down, a substruction, or the base of a building. In Revelation 21:19, it signifies the literal structural base of the New Jerusalem's wall, but also metaphorically represents the unshakeable and permanent nature of God's eternal kingdom. The twelve foundations are crucial for the city's stability and bear profound theological significance.
  • garnished with (Greek, kosméō', G2885): Derived from kosmos (order, adornment), this verb means "to put in proper order," "to decorate," or "to adorn." The use of "garnished" emphasizes that the foundations are not merely constructed from these stones but are intentionally and beautifully embellished. This highlights the divine artistry and meticulous care with which God has prepared this eternal dwelling, showcasing its inherent beauty and value rather than mere functionality.
  • precious (Greek, tímios', G5093): From timē (honor, value), this adjective denotes something valuable, costly, honored, or esteemed. When applied to the stones of the foundations, it underscores their immense worth, not just materially but also symbolically. These are not ordinary stones; they are of the highest quality and significance, reflecting the unparalleled glory and honor of the city and its divine builder.

Verse Breakdown

  • "And the foundations of the wall of the city were garnished with all manner of precious stones.": This opening clause establishes the central theme of the verse: the foundations of the New Jerusalem's wall are not plain or utilitarian, but are lavishly adorned. The phrase "all manner of precious stones" immediately conveys an image of extraordinary wealth, beauty, and diversity, setting the stage for the detailed enumeration that follows. It suggests a divine opulence that transcends earthly understanding, emphasizing the city's heavenly origin and the glory of its Creator.
  • "The first foundation was jasper;": The description begins with jasper, a stone known for its clarity and brilliance, often associated with God's glory (Revelation 4:3). As the first stone, it sets the tone for the unparalleled beauty and purity of the city's base, suggesting a foundation rooted in divine light and perfection.
  • "the second, sapphire;": Sapphire, a deep blue stone, was highly valued in the ancient world and often associated with the heavens and God's throne (Exodus 24:10). Its inclusion as the second foundation reinforces the celestial nature of the New Jerusalem and the profound presence of God within it.
  • "the third, a chalcedony;": Chalcedony, a translucent, often milky-white or bluish-gray stone, adds another dimension to the palette of the foundations. While perhaps less overtly symbolic than jasper or sapphire, its presence contributes to the overall diversity and intricate beauty of the foundation, demonstrating the comprehensive and varied glory of God's design.
  • "the fourth, an emerald;": Emerald, a vibrant green stone, symbolizes life, freshness, and growth. Its inclusion brings a splash of natural vitality to the otherwise ethereal description, perhaps hinting at the new creation's flourishing life and the restoration of paradise within the New Jerusalem. Together, these first four stones begin to paint a picture of an incredibly diverse, vibrant, and divinely beautiful foundation.

Literary Devices

The description in Revelation 21:19 makes rich use of several literary devices to convey its profound message. Imagery is paramount, as John paints a vivid, sensory picture of the New Jerusalem's foundations adorned with brilliant, costly gems. This visual imagery evokes a sense of awe, wonder, and unimaginable beauty, allowing the reader to "see" the glory of the eternal city. Symbolism is deeply embedded, as precious stones in biblical tradition often symbolize divine glory, purity, value, and the presence of God (e.g., the high priest's breastplate, the throne of God). The twelve foundations themselves are symbolic of the complete people of God—the twelve tribes of Israel and the twelve apostles of the Lamb—signifying the continuity of God's covenant and the unity of His redeemed. The specific enumeration of the stones (jasper, sapphire, chalcedony, emerald) is a form of Enumeration, which lends a sense of meticulous detail and divine intentionality to the description, emphasizing that every aspect of God's eternal dwelling is carefully and perfectly designed. Finally, the sheer extravagance and beauty described could be seen as Hyperbole, where the language exaggerates earthly concepts of beauty and value to convey a transcendent, divine reality that surpasses human comprehension.

THEOLOGICAL AND THEMATIC CONNECTIONS

Revelation 21:19 offers profound theological insights into the nature of God's eternal kingdom and His relationship with His people. The foundations, adorned with precious stones, symbolize the unshakeable security and divine beauty of the New Jerusalem, which is the ultimate culmination of God's redemptive plan. The twelve foundations, bearing the names of the twelve apostles (Revelation 21:14), signify the church's foundational reliance on the apostolic teaching and the continuity of God's covenant people, encompassing both Old and New Testaments. The preciousness of the stones reflects the immense value God places on His redeemed, and the glory of the city mirrors the glory of God Himself, who dwells within it. This passage assures believers of a future reality that is not only secure and permanent but also exquisitely beautiful and divinely appointed, a testament to God's faithfulness and His meticulous care for His saints.

REFLECTION AND APPLICATION

The vision of the New Jerusalem's foundations in Revelation 21:19 is far more than a mere architectural blueprint; it is a profound source of hope, assurance, and inspiration for believers today. It calls us to lift our gaze beyond the transient struggles and imperfections of this present world and fix our eyes on the glorious, eternal reality that awaits us. This passage reminds us that God is actively preparing a perfect, secure, and unimaginably beautiful home for His people—a place where every tear will be wiped away and sorrow will cease. This future hope should anchor our souls, providing strength in times of adversity and shaping our priorities. Knowing that our ultimate citizenship is in this divinely built city should motivate us to live lives that reflect its values: purity, holiness, and a deep appreciation for God's majestic beauty. It encourages us to trust in God's unwavering faithfulness, for if He meticulously adorns the very foundations of His eternal city, how much more will He care for and perfect those who are His own?

Questions for Reflection

  • How does the vision of the New Jerusalem's precious foundations impact your understanding of God's character and His plans for eternity?
  • In what ways can focusing on the "eternal perspective" described in Revelation 21:19 help you navigate the challenges and fleeting nature of your current circumstances?
  • What does the meticulous detail and beauty of the New Jerusalem's foundations teach you about God's care and intentionality in preparing a dwelling place for His people?

FAQ

What is the significance of the twelve foundations and their precious stones?

Answer: The twelve foundations of the New Jerusalem's wall hold profound symbolic significance. Revelation 21:14 clarifies that these foundations bear "the names of the twelve apostles of the Lamb." This connects the New Jerusalem directly to the church, which is described in Ephesians 2:20 as being "built on the foundation of the apostles and prophets, Christ Jesus Himself being the cornerstone." The number twelve is highly symbolic in biblical numerology, representing completeness and divine order, particularly in relation to God's people (the twelve tribes of Israel and the twelve apostles). The precious stones themselves symbolize the immense value, purity, glory, and beauty of God's eternal kingdom. While there are various interpretations regarding the specific meaning of each stone, collectively they convey the unparalleled splendor and divine nature of the city, reflecting the majesty of God who dwells within it. They also hint at the diversity and richness of God's creation and His redeemed people.

CHRIST-CENTERED FULFILLMENT

Revelation 21:19, describing the glorious foundations of the New Jerusalem, finds its ultimate fulfillment and meaning in Jesus Christ. He is not merely the architect and builder of this magnificent city, but He is Himself the very foundation upon which all of God's redemptive plan rests. As the apostle Paul declares in 1 Corinthians 3:11, "no one can lay a foundation other than that which is laid, which is Jesus Christ." The New Jerusalem, with its twelve foundations bearing the names of the apostles, is built upon the truth proclaimed by these apostles, a truth centered entirely on Christ's life, death, and resurrection. He is the "cornerstone" (Ephesians 2:20) who perfectly unites Jew and Gentile, bringing them into one holy temple in the Lord. The precious stones adorning the foundations reflect the immeasurable value and glory of Christ Himself, who is "more precious than rubies" (Proverbs 3:15) and whose sacrifice purchased this eternal dwelling for His people. The beauty and security of the New Jerusalem are a direct consequence of His finished work on the cross, through which He conquered sin and death, making it possible for God to dwell perfectly with humanity. Thus, the vision of the New Jerusalem's foundations is a testament to the supreme worth, foundational role, and glorious redemptive power of Jesus Christ, the Lamb who makes all things new (Revelation 21:5).

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Commentary on Revelation 21 verses 9–27

I. II. Main points1. 2. Sub-points(1.) (2.) Details

We have already considered the introduction to the vision of the new Jerusalem in a more general idea of the heavenly state; we now come to the vision itself, where observe,

I. The person that opened the vision to the apostle - one of the seven angels, that had the seven vials full of the seven last plagues, Rev 21:9. God has a variety of work and employment for his holy angels. Sometimes they are to sound the trumpet of divine Providence, and give fair warning to a careless world; sometimes they are to pour out the vials of God's anger upon impenitent sinners; and sometimes to discover things of a heavenly nature to those that are the heirs of salvation. They readily execute every commission they receive from God; and, when this world shall be at an end, yet the angels shall be employed by the great God in proper pleasant work to all eternity.

II. The place from which the apostle had this glorious view and prospect. He was taken, in ecstasy, into a high mountain. From such situations men usually have the most distinct views of adjacent cities. Those who would have clear views of heaven must get as near heaven as they can, into the mount of vision, the mount of meditation and faith, whence, as from the top of Pisgah, they may behold the goodly land of the heavenly Canaan.

III. The subject-matter of the vision - the bride, the Lamb's wife (Rev 21:10); that is, the church of God in her glorious, perfect, triumphant state, under the resemblance of Jerusalem, having the glory of God shining in its lustre, as uxor splendit radiis mariti - the bride comely through the comeliness put on her by her husband; glorious in her relation to Christ, in his image now perfected in her, and in his favour shining upon her. And now we have a large description of the church triumphant under the emblem of a city, far exceeding in riches and splendour all the cities of this world; and this new Jerusalem is here represented to us both in the exterior and the interior part of it.

1.The exterior part of the city - the wall and the gates, the wall for security and the gates for entrance.

(1.)The wall for security. Heaven is a safe state; those that are there are enclosed with a wall, that separates them and secures them from all evils and enemies: now here, in the account of the wall, we observe, [1.] The height of it, which, we are told, is very high, seventy yards (Rev 21:17), sufficient both for ornament and security. [2.] The matter of it: It was as jasper; a wall all built of the most precious stones, for firmness and lustre, Rev 21:11. This city has a wall that is impregnable as well as precious. [3.] The form of it was very regular and uniform: It was four-square, the length as large as the breadth. In the new Jerusalem all shall be equal in purity and perfection. There shall be an absolute uniformity in the church triumphant, a thing wanted and wished for on earth, but not to be expected till we come to heaven. [4.] The measure of the wall (Rev 21:15, Rev 21:16): Twelve thousand furlongs each way, each side, which is forty-eight thousand furlongs in the whole compass, or fifteen hundred German miles. Here is room sufficient for all the people of God - many mansions in their Father's house. [5.] The foundation of the wall, for heaven is a city that hath her foundations (Rev 21:19); the promise and power of God, and the purchase of Christ, are the strong foundations of the church's safety and happiness. The foundations are described by their number - twelve, alluding to the twelve apostles (Rev 21:14), whose gospel doctrines are the foundations upon which the church is built, Christ himself being the chief corner-stone; and, as to the matter of these foundations, it was various and precious, set forth by twelve sorts of precious stones, denoting the variety and excellency of the doctrines of the gospel, or of the graces of the Holy Spirit, or the personal excellencies of the Lord Jesus Christ.

(2.)The gates for entrance. Heaven is not inaccessible; there is a way opened into the holiest of all; there is a free admission to all those that are sanctified; they shall not find themselves shut out. Now, as to these gates, observe, [1.] Their number - twelve gates, answering to the twelve tribes of Israel. All the true Israel of God shall have entrance into the new Jerusalem, as every tribe had into the earthly Jerusalem. [2.] Their guards which were placed upon them - twelve angels, to admit and receive the several tribes of the spiritual Israel and keep out others. [3.] The inscription on the gates - the names of the twelve tribes, to show that they have a right to the tree of life, and to enter through the gates into the city. [4.] The situation of the gates. As the city had four equal sides, answering to the four quarters of the world, east, west, north, and south, so on each side there were three gates, signifying that from all quarters of the earth there shall be some who shall get safely to heaven and be received there, and that there is as free entrance from one part of the world as from the other; for in Christ there is neither Jew nor Greek, Barbarian, Scythian, bond, nor free. Men of all nations, and languages, who believe on Christ, have by him access to God in grace here and in glory hereafter. [5.] The materials of these gates - they were all of pearls, and yet with great variety: Every gate one pearl, either one single pearl of that vast bigness, or one single sort of pearl. Christ is the pearl of great price, and he is our way to God. There is nothing magnificent enough in this world fully to set forth the glory of heaven. Could we, in the glass of a strong imagination, contemplate such a city as is here described, even as to the exterior part of it, such a wall, and such gates, how amazing, how glorious, would the prospect be! And yet this is but a faint and dim representation of what heaven is in itself.

2.The interior part of the new Jerusalem, Rev 21:22-27. We have seen its strong wall, and stately gates, and glorious guards; now we are to be led through the gates into the city itself; and the first thing which we observe there is the street of the city, which is of pure gold, like transparent glass, Rev 21:21. The saints in heaven tread upon gold. The new Jerusalem has its several streets. There is the most exact order in heaven: every saint has his proper mansion. There is converse in heaven: the saints are then at rest, but it is not a mere passive rest; it is not a state of sleep and inactivity, but a state of delightful motion: The nations that are saved walk in the light of it. They walk with Christ in white. They have communion not only with God, but with one another; and all their steps are firm and clean. They are pure and clear as gold and transparent glass. Observe,

(1.)The temple of the new Jerusalem, which was no material temple, made with men's hands, as that of Solomon and Zerubbabel, but a temple altogether spiritual and divine; for the Lord God Almighty, and the Lamb, are the temple thereof. There the saints are above the need of ordinances, which were the means of their preparation for heaven. When the end is attained the means are no longer useful. Perfect and immediate communion with God will more than supply the place of gospel institutions.

(2.)The light of this city. Where there is no light, there can be no lustre nor pleasure. Heaven is the inheritance of the saints in light. But what is that light? There is no sun nor moon shining there, Rev 21:23. Light is sweet, and a pleasant thing it is to behold the sun. What a dismal world would this be if it were not for the light of the sun! What is there in heaven that supplies the want of it? There is no want of the light of the sun, for the glory of God lightens that city, and the Lamb is the light thereof. God in Christ will be an everlasting fountain of knowledge and joy to the saints in heaven; and, if so, there is no need of the sun or moon, any more than we here need to set up candles at noon day, when the sun shineth in its strength.

(3.)The inhabitants of this city. They are described here several ways. [1.] By their numbers - whole nations of saved souls; some out of all nations, and many out of some nations. All those multitudes who were sealed on earth are saved in heaven. [2.] By their dignity - some of the kings and princes of the earth: great kings. God will have some of all ranks and degrees of men to fill the heavenly mansions, high and low; and when the greatest kings come to heaven they will see all their former honour and glory swallowed up of this heavenly glory that so much excels. [3.] Their continual accession and entrance into this city: The gates shall never be shut. There is no night, and therefore no need of shutting up the gates. Some one or other is coming in every hour and moment, and those that are sanctified always find the gates open; they have an abundant entrance into the kingdom.

(4.)The accommodations of this city: All the glory and honour of the nations shall be brought into it. Whatever is excellent and valuable in this world shall be there enjoyed in a more refined kind, and to a far greater degree - brighter crowns, a better and more enduring substance, more sweet and satisfying feasts, a more glorious attendance, a truer sense of honour and far higher posts of honour, a more glorious temper of mind, and a form and a countenance more glorious than ever were known in this world.

(5.)The unmixed purity of all who belong to the new Jerusalem, Rev 21:27. [1.] There the saints shall have no impure thing remaining in them. In the article of death they shall be cleansed from every thing that is of a defiling nature. Now they feel a sad mixture of corruption with their graces, which hinders them in the service of God, interrupts their communion with him, and intercepts the light of his countenance; but, at their entrance into the holy of holies, they are washed in the laver of Christ's blood, and presented to the Father without spot. [2.] There the saints shall have no impure persons admitted among them. In the earthly Jerusalem there will be a mixed communion, after all the care that can be taken. Some roots of bitterness will spring up to trouble and defile Christian societies; but in the new Jerusalem there is a society perfectly pure. First, Free from such as are openly profane. There are none admitted into heaven who work abominations. In the churches on earth sometimes abominable things are done, solemn ordinances profaned and prostituted to men openly vicious, for worldly ends; but no such abominations can have place in heaven. Secondly, Free from hypocrites, such as make lies, say they are Jews, and are not, but do lie. These will creep into the churches of Christ on earth, and may lie concealed there a long time, perhaps all their days; but they cannot intrude into the new Jerusalem, which is wholly reserved for those that are called, and chosen, and faithful, who are all written, not only in the register if the visible church, but in the Lamb's book of life.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 9–27. Public domain.
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Clement of AlexandriaAD 215
The Instructor Book 2
Tradition assures us that the heavenly Jerusalem that is above is built up of holy gems, and we know that the twelve gates of the heavenly city, which signify the wonderful beauty of the apostolic teaching, are compared with precious jewels. These priceless stones are described as possessing certain colors that are themselves precious, while the rest is left of an earthly substance. To say that the city of the saints is built of such jewels, even though it is a spiritual edifice, is a cogent symbol indeed. By the incomparable brilliance of the gems is understood the spotless and holy brilliance of the substance of the spirit.
TertullianAD 220
Against Marcion, Book III, Chapter 25
But we do confess that a kingdom is promised to us upon the earth, although before heaven, only in another state of existence; inasmuch as it will be after the resurrection for a thousand years in the divinely-built city of Jerusalem, "let down from heaven," [Revelation 21:2] which the apostle also calls "our mother from above;" [Galatians 4:26] and, while declaring that our πολίτευμα, or citizenship, is in heaven, he predicates of it that it is really a city in heaven. This both Ezekiel had knowledge of [Ezekiel 48:30-35] and the Apostle John beheld. [Revelation 21:10-23] And the word of the new prophecy which is a part of our belief, attests how it foretold that there would be for a sign a picture of this very city exhibited to view previous to its manifestation. This prophecy, indeed, has been very lately fulfilled in an expedition to the East. For it is evident from the testimony of even heathen witnesses, that in Judæa there was suspended in the sky a city early every morning for forty days. As the day advanced, the entire figure of its walls would wane gradually, and sometimes it would vanish instantly. We say that this city has been provided by God for receiving the saints on their resurrection, and refreshing them with the abundance of all really spiritual blessings, as a recompense for those which in the world we have either despised or lost; since it is both just and God-worthy that His servants should have their joy in the place where they have also suffered affliction for His name's sake. Of the heavenly kingdom this is the process. After its thousand years are over, within which period is completed the resurrection of the saints, who rise sooner or later according to their deserts there will ensue the destruction of the world and the conflagration of all things at the judgment: we shall then be changed in a moment into the substance of angels, even by the investiture of an incorruptible nature, and so be removed to that kingdom in heaven of which we have now been treating, just as if it had not been predicted by the Creator, and as if it were proving Christ to belong to the other god and as if he were the first and sole revealer of it.
Victorinus of PettauAD 304
Commentary on the Apocalypse of the Blessed John
And in that he says that the sun is not necessary in the city, he shows, evidently, that the Creator as the immaculate light shines in the midst of it, whose brightness no mind has been able to conceive, nor tongue to tell. In that he says there are three gates placed on each of the four sides, of single pearls, I think that these are the four virtues, to wit, prudence, fortitude, justice, temperance, which are associated with one another. And, being involved together, they make the number twelve. But the twelve gates we believe to be the number of the apostles, who, shining in the four virtues as precious stones, manifesting the light of their doctrine among the saints, cause it to enter the celestial city, that by intercourse with them the choir of angels may be gladdened. And that the gates cannot be shut, it is evidently shown that the doctrine of the apostles can be separated from rectitude by no tempest of contradiction. Even though the floods of the nations and the vain superstitions of heretics should revolt against their true faith, they are overcome, and shall be dissolved as the foam, because Christ is the Rock by which, and on which, the Church is founded. And thus it is overcome by no traces of maddened men.
Victorinus of PettauAD 304
Commentary on the Apocalypse of the Blessed John
The city which he says is squared, he says also is resplendent with gold and precious stones, and has a sacred street, and a river through the midst of it, and the tree of life on either side, bearing twelve manner of fruits throughout the twelve months; and that the light of the sun is not there, because the Lamb is the light of it; and that its gates were of single pearls; and that there were three gates on each of the four sides, and that they could not be shut. I say, in respect of the square city, he shows forth the united multitude of the saints, in whom the faith could by no means waver. As Noah is commanded to make the ark of squared beams, that it might resist the force of the deluge, by the precious stones he sets forth the holy men who cannot waver in persecution, who could not be moved either by the tempest of persecutors, or be dissolved from the true faith by the force of the rain, because they are associated of pure gold, of whom the city of the great King is adorned. Moreover, the streets set forth their hearts purified from all uncleanness, transparent with glowing light, that the Lord may justly walk up and down in them.
Caesarius of ArlesAD 542
EXPOSITION ON THE APOCALYPSE 21:19, HOMILY 19
He mentions the names of the various gems in the foundations so that he might show the various gifts of grace that have been given to the apostles, as was spoken concerning the Holy Spirit, “who apportions to each one individually as he wills.”
Primasius of HadrumetumAD 560
COMMENTARY ON THE APOCALYPSE 21:18-20
In the song of Tobit we read, “All your walls will be precious stones,” and also in Isaiah, “Behold, I will set your stones in order and lay your foundations with sapphires, and I will place jasper for your buttresses, and I will put your gates in formed stones, and all your borders will be in precious stones.” And as though explaining what he had said, lest you think materially of an earthly edifice, he added, “All your sons will be taught by the Lord, and there shall be great peace for your children.” The blessed Paul also concurs with these thoughts: “Built upon the foundation of the apostles and prophets, Christ Jesus himself being the cornerstone, in whom the whole structure is joined together and grows into a holy temple in the Lord.” … Having said that the foundation was from every precious stone, he now names them in turn.… By the images of all these stones the beauty and support of the virtues are signified by which each one of the saints is spiritually decorated. Moreover, the entire city itself is described as adorned with these same stones, both in their strength and in the elegance of their variety.
Apringius of BejaAD 600
TRACTATE ON THE APOCALYPSE 21:19
These foundations of the city are understood to be the apostolic faith and the preaching of the apostles, upon which our Lord Jesus Christ constructs his city. For he who is the Foundation of foundations is himself the builder who upon the faith in his own most blessed name builds the holy church, which consists of those who were the very first and of those who follow after them until the end of the world, which is unknown to us. The various precious stones signify the apostles because in each of them shine the gifts and miracles that belong to the Holy Spirit. Moreover, that the brightness of the unified light is seen within them indicates that what shines outward from them never ceases to exist within.
Andreas of CaesareaAD 614
COMMENTARY ON THE APOCALYPSE 21:19
The twelve “foundations” were twelve precious stones, eight of which were worn in ancient times on the breastplate of the high priest, and four have been added to show the agreement of the new [covenant] with the old [covenant] and the superiority of the things brought to light in it. And so, the apostles are decorated with every virtue, which is made clear through the precious stones.
Andreas of CaesareaAD 614
COMMENTARY ON THE APOCALYPSE 21:19
The sapphire stone is like the heavenly body, from which also the color azure comes, and symbolizes the blessed Paul. For he was caught up into the third heaven and drew there those who were persuaded by him, and there in the heavens he has his citizenship.
Andreas of CaesareaAD 614
COMMENTARY ON THE APOCALYPSE 21:19
The emerald is green in color, and when rubbed with oil [it] receives a brilliant shine and beauty. We believe that this stone indicates the proclamation of the Evangelist John, which by divine oil makes bright the sorrow that has come to us through sins and by the most precious gift of theology grants to faith that which is everlasting.
Andreas of CaesareaAD 614
COMMENTARY ON THE APOCALYPSE 21:19
It is likely that through the jasper, which has the color green like the emerald, the chief apostle Peter is indicated. For he bore the death of Christ in the body and in his love for [Christ] made known that which is everlasting and always new, guiding us to green pastures through the warmth of his faith.
Andreas of CaesareaAD 614
COMMENTARY ON THE APOCALYPSE 21:19
This stone [chalcedony] was not borne on the breastplate of the high priest, but rather anthracite, which does not appear here. We are then of the opinion that at that time the saint called anthracite by another name. But anthracite indicates the blessed apostle Andrew, who like coal was ignited by the Spirit.
BedeAD 735
Commentary on Revelation
The first foundation was jasper. There are many kinds of jasper. One is green in color and appears sprinkled with flowers. Another resembles an emerald but is of a thicker color, which is said to drive away all illusions. Another has a mixed color of snow and the foam of the sea waves, with a slightly reddish hue. Thus, through jasper, the unfading green of faith is indicated, which is imbued with the sacrament of the Lord's passion through the waters of baptism and adorned with all the spiritual graces for those who grow in merit. Whoever has this faith drives away vain fears, as the blessed Apostle Peter advises: Your adversary the devil prowls around like a roaring lion, seeking someone to devour. Resist him, firm in your faith (1 Peter 5). And one can say with the bride: My beloved is radiant and ruddy (Song of Songs 5). Hence, it is fitting that the wall is built of this stone here, and in Isaiah, the fortifications of the same city are strengthened and adorned with it.
BedeAD 735
Commentary on Revelation
The fourth foundation was emerald. The emerald is of such intense greenness that it surpasses all other green things, such as grasses, leaves, and gems, even tinging the surrounding air with its green reflection, which enhances its verdant appearance. It is noteworthy that it thrives in green oil, despite its natural properties. There are many types of emeralds, but the most renowned come from Scythia, followed by those from Bactria, and then Egypt. The emerald signifies souls that are ever flourishing in faith. The more they are tested by the adversities of the world—symbolized by the coldness of Scythia—the more they strive to preserve the imperishable and eternal inheritance kept in heaven by hope, and to spread this hope to others through preaching. They also grow in their contempt for the world through the chalice of the Lord’s passion and the internal richness of charity, which is given by the Holy Spirit. The homeland of this gemstone, a very beautiful land but uninhabitable, fittingly corresponds to these souls. Although it abounds in gold and gems, it is guarded by gryphons, ferocious flying creatures, or rather, winged beasts. They are quadrupeds, with bodies like lions and heads and wings like eagles. The Arimaspians, who are noted for having a single eye in the middle of their foreheads, fight with these gryphons to obtain the gems, driven by a remarkable desire. The Psalmist had entered this land abundant with treasures of virtues when he said: Behold, I fled far away and remained in the wilderness (Psalm 55), meaning he had withdrawn his soul from the allurements of the world. In this land, he encountered opposing beasts, praying: May lying lips be silenced, which speak arrogantly against the righteous in pride and contempt (Psalm 31). He also reveals that he found desirable treasures here, exclaiming with delightful admiration: How great is your goodness, Lord, which you have stored up for those who fear you (Psalm 31), and continues in this vein until the end of the psalm. Against such creatures striving to snatch away the seed of the divine word from us, the saints, who vigilantly guard it with single-minded heavenly desire, are like the Arimaspians with their singular focus, enabling them to seek out and uncover the gem of faith and other virtues. The higher the virtue, the fewer its cultivators and the greater the persecution it endures from unclean spirits, who, like horrific gryphons, are terrestrial in the degradation of their merits but aerial in the pride of their minds. They strive relentlessly not to possess spiritual riches for themselves but to take them away from men. And because such a lofty height of faith has been made known to the world through the Gospel, it is fitting that the emerald, representing this faith, is placed fourth, corresponding to the four books of the Gospel.
BedeAD 735
Commentary on Revelation
The third foundation was chalcedony. Chalcedony shines with a pale light like that of a lamp and glows brightly outdoors but not indoors. This represents those who, supported by heavenly desire, remain hidden from men and perform their fasting, almsgiving, and prayers in secret. However, when commanded to come forward for public duties, whether in teaching or other services of the saints, they immediately reveal the inner brightness they possess. Because it is said to resist carvings but glow when struck by the rays of the sun or the touch of fingers, attracting straw to itself when it becomes heated, this stone aptly represents those who do not allow their strength to be overcome by anyone but rather draw the weaker to themselves into the light and ardor of their own virtue. Of one such individual, it is said: He was a burning and shining lamp (John 5). Burning with love and shining with speech. They always replenish the light of their virtues with the oil of internal charity, so it does not go out. The fact that chalcedony is found among the Nasamones, a region of Ethiopia, indicates that they shine with a fervent love while their reputation remains obscure, as if tainted by a dark complexion.
BedeAD 735
Commentary on Revelation
The second foundation was sapphire. The color and sacrament of this stone were explained by Moses when he described the appearance of God: Under His feet was something like a pavement made of sapphire stone, as clear as the sky itself (Exodus 24). Ezekiel also says that the place where God's throne is has the appearance of sapphire, and the glory of the Lord resides in this color, which bears the image of the heavenly. Thus, one who possesses such qualities can say with the Apostle: Our citizenship is in heaven (Philippians 3). When struck by the rays of the sun, it emits a burning brilliance. For the soul of the saints, always intent on heavenly things, renewed daily by the rays of divine light, becomes more ardent and fervent in seeking the eternal and urging others to do the same. Since it is said to be found in the Red Sea, it signifies that through the Lord's passion and the sacred washing of baptism, the minds of mortals are elevated to hope for heavenly things.
BedeAD 735
Commentary on Revelation
The foundations of the city's wall were adorned with every kind of precious stone. The names of various stones indicate the species of virtues, their order, or their diversity, by which the entire heavenly Jerusalem is constructed. For it is difficult for each individual to flourish in all virtues. Indeed, Isaiah, when describing the adornment of the same city, says: Behold, I will set your stones in antimony, and lay your foundations with sapphires (Isaiah 54), and so on, immediately adding, as if explaining: All your children shall be taught by the Lord (Isaiah 54).
OecumeniusAD 990
Commentary on Revelation
And he says the foundations of the wall of that city are adorned with every precious stone. As for the foundation of the wall, the Lord is a wall, as has been said many times. We have spoken of the holy apostles in the foregoing. As though Christ rests in their teaching and has mounted upon them according to the promise given, in which he also says, "and behold, I am with you all the days until the end of the age." (Matt. 28:20) Therefore these are the foundations, that is, the apostles, in every excellence; for the precious stones denote excellence, they are adorned; for by deed they became pure through the preaching and through the struggles for Christ and by their favorable nature toward him even unto blood.

And if anyone will wish to be precise even about the stones, such a kind of vision may be found, but a little from above will be enough. The high priests according to the law of Moses were variously attired with a kind of tunic and a shoulder-covering and a mitre and a breastplate, girded and surrounded by other things (see Ex. 29:5-6), both awe and astonishment, moreover exhibiting a secret symbolism through their form. And among them was also the saying of judgment (see Ex. 28:15), which was carried upon the shoulder-covering by a woven work in various fashion. The form of the saying was a double breastplate, a small and square thing (Ex. 28:16), in which twelve stones were set in four rows with the names of the sons of Israel; some of these stones indeed were also placed in the foundations of the wall there, others were corner-stones and not placed in those. For in the breastplate of judgments there are borne eight stones corresponding to the foundations there: jacinth; sapphire; emerald; sardius; chrysolite; beryl; topaz; amethyst; and four of the stones in the foundations are not numbered with those in the breastplate of judgment. They are these: sardonyx; chrysoprase; hyacinth.
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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