Skip to content
Translation
King James Version
Over against the twenty cubits which were for the inner court, and over against the pavement which was for the utter court, was gallery against gallery in three stories.
Ask
KJV (with Strong's)
Over against the twenty H6242 cubits which were for the inner H6442 court H2691, and over against the pavement H7531 which was for the utter H2435 court H2691, was gallery H862 against H6440 gallery H862 in three H7992 stories.
Ask
Complete Jewish Bible
It was located between the inner courtyard, which was thirty-five feet wide, and the flooring of the outer courtyard. It had galleries, one above the other, on three floors.
Ask
Berean Standard Bible
Gallery faced gallery in three levels opposite the twenty cubits that belonged to the inner court and opposite the pavement that belonged to the outer court.
Ask
American Standard Version
Over against the twentycubitswhich belonged to the inner court, and over against the pavement which belonged to the outer court, was gallery against gallery in the third story.
Ask
World English Bible Messianic
Over against the twenty cubits which belonged to the inner court, and over against the pavement which belonged to the outer court, was gallery against gallery in the third story.
Ask
Geneva Bible (1599)
Ouer against the twentie cubites which were for the inner court, and ouer against the pauement, which was for the vtter court, was chamber against chamber in three rowes.
Ask
Young's Literal Translation
Over-against the twenty cubits that are to the inner court, and over-against the pavement that is to the outer court, is gallery over-against gallery, in the three storeys .
Ask

Study This Verse

SUMMARY

Ezekiel 42:3 provides a meticulous architectural detail within the prophet's grand vision of a future temple, specifically describing the precise arrangement of multi-storied galleries or chambers. These structures are carefully situated in relation to both the inner court's twenty-cubit space and the pavement of the outer court, highlighting the intricate design and divine order of the envisioned sacred complex. The verse contributes to the overall impression of a highly organized and functional edifice, designed to facilitate sacred activities and underscore the holiness of God's dwelling place among His people.

CONTEXT

  • Literary Context: This verse is deeply embedded within a lengthy and highly detailed architectural blueprint of a new temple, spanning from Ezekiel 40 through Ezekiel 48. Following the initial comprehensive measurements of the outer and inner courts, and the various gates and chambers described in Ezekiel 40-41, Ezekiel 42 focuses specifically on the chambers surrounding the temple proper. Verse 3, therefore, builds upon the preceding descriptions by detailing the galleries associated with these chambers, emphasizing their multi-level construction and their precise alignment with the established court dimensions. This meticulous detailing serves to underscore the divine origin and perfect order of the vision, providing a sense of tangible reality to God's future plans.
  • Historical & Cultural Context: The vision of the temple in Ezekiel was given during the Babylonian exile (c. 593-571 BC), a period of immense despair and spiritual desolation for the Jewish people who had witnessed the destruction of Solomon's Temple in Jerusalem. In this context, the detailed vision of a new, glorious temple served as a profound message of hope, restoration, and the enduring presence of God among His people. Such intricate architectural descriptions were not uncommon in ancient Near Eastern religious texts, where divine blueprints for sacred structures conveyed legitimacy, sanctity, and the active presence of deity. The "cubit" mentioned was a standard unit of measurement, typically around 18-21 inches, emphasizing the tangible and precise nature of the divine plan, assuring the exiles that God's future restoration was concrete and meticulously planned.
  • Key Themes: The meticulous architectural specifications in Ezekiel 40-48 contribute to several overarching themes crucial to Ezekiel's prophecy. Firstly, Divine Order and Precision is paramount; every measurement and placement, including the "gallery against gallery in three stories," speaks to God's perfect design and meticulous planning for His sacred space, contrasting sharply with the chaos and destruction experienced by Israel. Secondly, the vision emphasizes Holiness and Separation, with distinct courts, chambers, and precise dimensions designed to maintain the sanctity required for God's presence and priestly service. These structures facilitated proper worship and underscored the purity necessary for approaching the Holy One. Finally, the entire temple vision functions as a powerful symbol of Future Hope and Restoration, promising God's faithfulness to His covenant people and His ultimate dwelling among them, echoing the prophetic assurances found in passages like Jeremiah 31:33 and foreshadowing the ultimate new creation where God's presence is fully realized, as described in Revelation 21:3.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • gallery (Hebrew, ʼattûwq', H862): Meaning "a ledge or offset in a building," specifically referring to a gallery. In this context, it denotes a walkway, porch, or a series of chambers or colonnades. The repetition "gallery against gallery" (Hebrew, ʼattûwq_ el _ʼattûwq') emphasizes a stacked or parallel arrangement, suggesting multiple rows or levels of these structures. This word highlights the intricate, multi-level nature of the temple's surrounding chambers, indicating significant architectural complexity.
  • utter court (Hebrew, chîytsôwn_ _châtsêr', H2435): Composed of H2435 (chîytsôwn), meaning "outer" or "exterior," and H2691 (châtsêr), meaning "a yard" or "court." This phrase precisely designates the outermost large open area of the temple complex, typically accessible to a broader population. Its mention here provides a crucial spatial reference point, indicating that the galleries were positioned directly opposite or alongside this external area, further defining the temple's complex layout and the distinction between sacred and less sacred spaces.
  • three stories (Hebrew, shᵉlîyshîy', H7992): (shᵉlîyshîy), meaning "third" or "third-story cell." This term explicitly indicates a multi-tiered construction, with the galleries rising to three distinct levels. This detail is significant as it speaks to the grandeur, capacity, and functional complexity of the temple's auxiliary buildings, suggesting ample space for various priestly activities, storage, or other sacred purposes within the divine blueprint.

Verse Breakdown

  • "Over against the twenty [cubits] which [were] for the inner court": This clause establishes the first precise spatial reference point for the galleries. It indicates that these structures were situated opposite or adjacent to a specific twenty-cubit wide area that belonged to the inner court. This precision highlights the meticulous planning and exact measurements of the visionary temple, ensuring every component had a defined and ordered relationship to the whole sacred complex.
  • "and over against the pavement which [was] for the utter court": This second clause provides another crucial spatial reference, triangulating the location of the galleries. They were also positioned opposite or alongside the paved area of the outer court. This dual reference point helps to define the exact placement of these galleries, emphasizing their strategic position between the more sacred inner areas and the more public outer court, likely serving as a transitional or functional zone for the temple's operations.
  • "[was] gallery against gallery in three [stories].": This final clause describes the primary architectural feature of the verse: the galleries themselves. The phrase "gallery against gallery" suggests a stacked or parallel arrangement, indicating multiple rows or levels of these structures. The explicit mention of "three stories" confirms their vertical dimension, implying a significant architectural feature designed for specific functions, such as priestly chambers, storage, or access ways, within the grand and complex temple design.

Literary Devices

Ezekiel 42:3 is rich in Architectural Imagery, providing a precise, almost blueprint-like description of the temple's structure. The detailed measurements and spatial relationships ("over against the twenty cubits," "over against the pavement") create a vivid mental picture of a meticulously designed edifice, emphasizing the tangible reality and divine origin of the vision. The phrase "gallery against gallery" employs Repetition to underscore the stacked or parallel arrangement of these structures, reinforcing their multi-level and extensive nature. Furthermore, the entire temple vision, of which this verse is a part, functions as profound Symbolism. It symbolizes God's future dwelling with His people, His perfect order, and the restoration of His glory, providing hope and assurance in a time of exile and despair. The divine precision in the architectural details also serves as a symbol of God's absolute control and meticulous care over His creation and His covenant plans.

THEOLOGICAL AND THEMATIC CONNECTIONS

Ezekiel 42:3, with its precise architectural details, contributes to the overarching theological themes of God's divine order, holiness, and His unwavering desire to dwell among His people. The meticulousness of the temple's design underscores that God is a God of precision, purpose, and perfect planning, even in the midst of human chaos and destruction. The distinct chambers and courts, including these galleries, speak to the principle of separation for holiness, where every aspect of the sacred space is designed to facilitate proper worship and maintain the sanctity required for interaction with the Holy God. This vision, therefore, serves as a powerful testament to God's faithfulness to His covenant promises, offering a tangible hope of restoration and renewed communion for a people in exile, pointing forward to a time when God's presence would be fully realized among His redeemed.

REFLECTION AND APPLICATION

The intricate details of Ezekiel 42:3, describing the precise placement and multi-storied nature of the temple galleries, invite us to reflect on God's profound attention to detail and His desire for order in all things, especially in matters pertaining to His presence and worship. While we no longer worship in a physical temple of stone, the spiritual principles remain profoundly relevant. This verse reminds us that God's plans are purposeful and meticulously crafted, encouraging us to trust in His sovereign design for our lives and for the church. It challenges us to consider how we, as the spiritual temple of God (1 Corinthians 3:16), reflect His divine order, holiness, and precision in our walk, worship, and service. Just as every part of the temple had its place and purpose, so too does every believer have a unique and vital role within the body of Christ, contributing to the overall structure and function of God's dwelling place on earth. Our lives, individually and corporately, should be built with the same intentionality and reverence for God's holy presence.

Questions for Reflection

  • How does the meticulous detail of God's architectural plan for the temple challenge or affirm your understanding of His character?
  • In what ways can we, as the spiritual temple of God, reflect divine order and precision in our personal lives and corporate worship?
  • How does the concept of "gallery against gallery in three stories" inspire you to think about the multi-faceted and expansive nature of God's dwelling place among His people today?

FAQ

What was the likely purpose of these "galleries" in the temple vision?

Answer: While the text does not explicitly state their function, based on the context of the temple vision and ancient Near Eastern temple architecture, these "galleries" (chambers or colonnades) likely served various practical and sacred purposes. They could have been used as storage rooms for sacred vessels, priestly garments, or offerings; as preparation areas for sacrifices; as living quarters or offices for priests and Levites; or as spaces for teaching and instruction. Their multi-storied nature ("in three stories") suggests a significant capacity, indicating their importance in supporting the complex operations of the envisioned temple. The precise location "over against the inner court" and "over against the pavement which was for the utter court" implies they were integral to the flow and function of the temple complex, facilitating the sacred activities within its divinely ordained structure.

Does the detailed description of this temple, including Ezekiel 42:3, imply a literal future temple?

Answer: The interpretation of Ezekiel's temple vision, including the details in Ezekiel 42:3, varies among scholars. Some interpret it as a literal blueprint for a future, rebuilt temple in Jerusalem during a millennial reign of Christ. They argue that the extreme detail necessitates a physical fulfillment. Others view it as primarily symbolic, representing God's renewed presence, perfect order, and the spiritual reality of the church or the New Jerusalem, where God dwells with His people without a physical temple (Revelation 21:22). A third view suggests it might have been a conditional prophecy, outlining what could have been if Israel had fully repented, or that it is a blend of literal and symbolic elements. Regardless of the precise interpretation, the vision powerfully conveys God's unwavering commitment to dwelling with His people and establishing His perfect order and holiness.

CHRIST-CENTERED FULFILLMENT

While Ezekiel 42:3 describes a physical structure in a prophetic vision, its profound Christ-centered fulfillment lies in the person and work of Jesus Christ, who is the ultimate dwelling place of God among humanity. The elaborate temple, with its precise measurements and distinct chambers, pointed forward to the reality that God desires to dwell with His people, a desire perfectly realized in Christ. Jesus Himself declared, "Destroy this temple, and in three days I will raise it up," speaking not of the stone edifice but of the temple of His body (John 2:19-21). He is the true sanctuary, the ultimate meeting place between God and humanity, far surpassing any earthly structure in glory and access to God's presence. Through His atoning sacrifice, Christ opened a new and living way into the holiest of holies (Hebrews 10:19-20), fulfilling the purpose of all temple rituals and structures. Moreover, in Christ, believers are incorporated into a spiritual temple, becoming "living stones" built into a spiritual house where God dwells by His Spirit (1 Peter 2:5 and Ephesians 2:20-22). Thus, the meticulous order and design of Ezekiel's temple vision find their ultimate spiritual reality in the perfectly ordered and holy dwelling of God in Christ and His church, culminating in the New Jerusalem where God's presence is so complete that no temple is needed (Revelation 21:22).

Copy as

Commentary on Ezekiel 42 verses 1–14

The prophet has taken a very exact view of the temple and the buildings belonging to it, and is now brought again into the outer court, to observe the chambers that were in that square.

I. Here is a description of these chambers, which (as that which went before) seems to us very perplexed and intricate, through our unacquaintedness with the Hebrew language and the rules of architecture at that time. We shall only observe, in general, 1. That about the temple, which was the place of public worship, there were private chambers, to teach us that our attendance upon God in solemn ordinances will not excuse us from the duties of the closet. We must not only worship in the courts of God's house, but must, both before and after our attendance there, enter into our chambers, enter into our closets, and read and meditate, and pray to our Father in secret; and a great deal of comfort the people of God have found in their communion with God in solitude. 2. That these chambers were many; there were three stories of them, and, though the higher stories were not so large as the lower, yet they served as well for retirement, Eze 42:5, Eze 42:6. There were many, that there might be conveniences for all such devout people as Anna the prophetess, who departed not from the temple night or day, Luk 2:37. In my Father's house are many mansions. In his house on earth there are so; multitudes by faith have taken lodgings in his sanctuary, and yet there is room. 3. That these chambers, though they were private, yet were near the temple, within view of it, within reach of it, to teach us to prefer public worship before private (the Lord loves the gates of Zion more than all the dwellings of Jacob, and so must we), and to refer our private worship to the public. Our religious performances in our chambers must be to prepare us for the exercises of devotion in public, and to further us in our improvement of them, as our opportunities are. 4. That before these chambers there were walks of five yards broad (Eze 42:4), in which those that had lodgings in these chambers might meet for conversation, might walk and talk together for their mutual edification, might communicate their knowledge and experiences. For we are not to spend all our time between the church and the chamber, though a great deal of time may be spent to very good purpose in both. But man is made for society, and Christians for the communion of saints; and the duties of that communion we must make conscience of, and the privileges and pleasures of that communion we must take the comfort of. It is promised to Joshua, who was high priest in the second temple, that God will give him places to walk in among those that stand by, Zac 3:7.

II. Here is the use of these chambers appointed, Eze 42:13, Eze 42:14. 1. They were for the priests that approach unto the Lord, that they may be always near their business and may not be non-residents. Therefore they are called holy chambers, because they were for use of those that ministered in holy things during their ministration. Those that have public work to do for God and the souls of men have need to be much in private, to fit themselves for it. Ministers should spend much time in their chambers, in reading, meditation, and prayer, that their profiting may appear; and they ought to be provided with conveniences for this purpose. 2. There the priests were to deposit the most holy things, those parts of the offerings which fell to their share; and there they were to eat them, they and their families, in a religious manner, for the place is holy; and thus they must make a difference between those feasts upon the sacrifice and other meals. 3. There (among other uses) they were to lay their vestments, which God had appointed them to wear when they ministered at the altar, their linen ephods, coats, girdles, and bonnets. We read of the providing of priests garments after their return out of captivity, Neh 7:70, Neh 7:72. When they had ended their service at the altar they must lay by those garments, to signify that the use of them should continue only during that dispensation; but they must put on other garments, such as other people wear, when they approached to those things which were for the people, that is, to do that part of their service which related to the people, to teach them the law and to answer their enquiries. Their holy garments must be laid up, that they may be kept clean and decent for the credit of their service.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 1–14. Public domain.
Copy as
JeromeAD 420
Commentary on Ezekiel
Chapter XLII, verses 1 and following: 'And he brought me to the outer court by the way leading to the north, and he brought me to the treasury which was opposite the separated building and opposite the temple facing the north. On the face of the length of one hundred cubits of the north gate, and the breadth of fifty cubits, opposite the twenty cubits of the inner court, and opposite the pavement laid with stone of the outer court, where the porch was joined to the triple porch.' And before the treasury, there was a walkway ten cubits wide, looking inward, with the doors facing north, where the treasuries were lower on the upper levels because the porticoes that protruded from the lower and middle parts of the building supported them. These porticoes were narrow and did not have columns like the columns of the courtyards, so they protruded from the lower and middle parts of the building by fifty cubits. And there was an outer courtyard by the treasury, which was in the way of the outer court before the treasury: the length of it was fifty cubits. Because the length of the treasuries of the outer court was fifty cubits and the length before the face of the temple was one hundred cubits. And there was an entrance under these treasuries from the east for those who entered from the outer court: in the width of the courtyard of the eastern way before the separate building. And there were before the building treasuries, and a road in front of their face like the treasuries, which were on the northern side, according to their length, and thus their width. And every entrance of them, and their similarities, and their doors, according to the doors of the treasuries, which were on the road facing the South (Known), a door at the head of the road, which was in front of the separate vestibule through the Eastern road for those entering. LXX: And he brought me into the outer court towards the east, opposite the north gate; and he led me to the inner court, and behold, there were five chambers on the north side of the building, and a separate building adjoining the north side, one hundred cubits long and fifty cubits wide, with the same measurements as the gates of the inner court, and like the pillars of the outer court, according to the arrangement of the gateways of the three-sided portico, and opposite the chambers was a walkway ten cubits wide, one hundred cubits long, along the inner way of one cubit, with its entrance facing north. And the walkways of the upper rooms were similar, as the columns of the upper rooms stood out from the lower columns, and the space was similar. And there were triple porticoes, and they did not have columns like the columns on the outer side; therefore, they stood out from those that were lower, and in the middle of the ground fifty cubits, and the outer light was like the outer courtyard porticoes, which faced the porticoes of the north, with a length of fifty cubits. The length of the porticos facing the outer courtyard was fifty cubits. And these are opposite their own facade, all one hundred cubits, and the entrance of these porticos is towards the Eastern entrance, so one may enter through them into the outer courtyard, according to the light that was at the beginning of the walkway to the South, opposite the Southern side of the building, and separate. And the porticos and walkway are opposite their own facade, according to the measurements of the porticos and the way to the North, and their length, and their width, and all their exits, and entrances, and lights, and the entrance to the porticos towards the South, and the entrance from the beginning of the walkway to the light, the space of the reed pen: and so one may go towards the East through them. That which is translated into the East in the LXX is not found in the Hebrew, and it is clear that it is superfluous. For how is it brought out to the outer gate toward the East, when it follows against the gate of the North? That which we have also put above, and in this place: He brought me into the treasury, which will be opposite the separate building, and opposite the temple facing the North, for which it is held in the LXX: And he brought me: and behold, there are five chambers from the remaining building and next to the separate building toward the North: for separate, which Aquila and Symmachus translated, the second edition of Aquila, and Theodotion placed this word itself, Gazera (), expressing it similarly in all places: and many other things which are placed in the present passage between the Hebrew and the LXX not only differ in order, but also in number, and in the interpretation of words, so that if we wished to linger on each one, and seek and explain their reason for the diversity, we would depart greatly from the proposed subject. And I had wanted to pass over in silence my present testimony of final despair and greatness, but I thought it better to say anything than to say nothing at all, adopting that Socratic principle: I know that I do not know. For it is a part of knowledge to know that you do not know. Therefore, after the prophet had carefully observed the things that were inside, the man, whose rope and reed were in his hand, led him out to the outer courtyard, along the path leading to the North, which he had already seen from above before he entered the inner chambers. But we see things differently when it comes to perfect knowledge, compared to the beginning of discipline. And it is necessary for one who has looked into the inner workings, according to the same form and measures and hidden sacraments, to also see the external things. However, he was led into the treasury, or as the Septuagint translated it, the hall, or as Theodotion, the παστοφόριον, which is turned into a chamber: which was located opposite the separate building. But what the Seventy added for the treasury, five exedras, is not found in Hebrew. The treasury was a separate building, as we have already said. Gazera. And it was separate, receiving those who came from the North, and it was against the temple facing the North, that is, looking towards the parts of the North, but not located in the North, so that there would be an easier passage for those who were leaving the cold of the North, from which evils arise upon the earth (Jer. 1). We read in the book of Numbers that the tribes of Dan and Naphtali, and the sons of Bilhah and Zilpah, the maidservants of Rachel and Leah, held their camps in the northern regions. Moreover, the width of the entrance to the north was one hundred cubits, and the length was fifty cubits: a square number and perfect from ten decades, and from seven weeks, which is the number of remission, and at the beginning of unity, that is, the octave, it bursts forth, so that the spaces of the priestly duties in the temple of God may be shown. And that which is joined next to the Hebrew, opposite the twenty cubits of the inner court, which the Seventy have translated, was described like the gates of the inner court, has this meaning: that the number of a hundred and fifty in the outer court should have the same force as the number of twenty in the inner court. For if you reckon four times five times, in the number twenty, you will find both Testaments: so that both the Law may be held in the Gospel and the Gospel may be born from the root of the Law. For the number seventy, the likeness of the inner court, may have been interpreted, perhaps fearing the number twenty, in which offerings of Esau are made, to place in the inner court. It follows: And against the pavement, the floor of the outer court, where there was a porch, joined to the triple porch; for which seventy were transferred: And as the columns of the outer court were placed in order, opposite the face of the triple porches. However, it signifies that the pavement of the outer court was laid with living stone, so that the feet of the priests are not defiled by the dust of summer or the mud of winter. And so, the Lord, about to ascend to the Father, washes the feet of the Apostles (John 13), so that with purified and cleansed feet they may ascend to the kingdoms of heaven; and he commands the apostles that in whichever city they enter and are not received, they should shake off the dust from their feet (Matthew 10; and Mark 6): so that nothing of earthly possessions may remain with them. And not only was the pavement covered with stones, but there was also a portico joined to a triple portico. A portico protecting priests from rain and heat, and joined to the triple portico, showing the mystery of the Trinity, which, while being divided in names among the Father and the Son and the Holy Spirit, is yet joined in one divinity to itself. There was also before the treasury, or the halls, or the chambers, a walkway of ten cubits in width, looking towards the interior of the road of one cubit. And what was added by the Seventy: It is extra to have a length of one hundred cubits: for in the Hebrew it is not held, what they set forth, they took what is held in Hebrew, looking towards the interior of the road of one cubit, which we translated from the truth of Hebrew. But it signifies that before the doors of all the treasuries, or exedrae, and chambers, there was a walkway, having a width of ten cubits, which is a perfect number, either because of the Decalogue or because of the mystery of the Gospel. For if you come from one to four by twos and threes, the number ten is made, the number of the Gospels: in the width of which the priests walk, going before each treasury. But in such a way that they always look towards the interior of the path which leads to one cubit, that is, to the worship of one divinity, as the Son says to the Father: I have revealed thy name to men (John 17:6). For she is the way, looking inward, which is said in the Gospel: I am the way, and the truth, and the life (John XIV, 6): because no one comes to the knowledge of the Father, except through the Son. It follows: And their doors to the north, where the treasuries were in the lower and middle parts: because the porticoes which stood out from the lower and middle parts of the building supported them. For they were narrow, and did not have columns like the columns of the courts: therefore they stood out from the lower and middle parts by fifty cubits from the ground. What is joined: the doors of these, it is understood, (belong to) the exedrae or treasury rooms, about which there was discussion above. The treasuries were on the upper floors, that is, in the lower rooms. The upper rooms were ascended by Elijah and Elisha (1 Kings 17; 2 Kings 4); and the Lord, with the disciples, celebrated the Passover (Mark 14), and Tabitha, who was raised by the Apostle's faith and the merit of her virtues (Acts 9). These are the upper rooms, about which it is written in the psalm: He waters the mountains from his upper rooms (Psalm 104, 13). For unless a mountain is made, and rises to higher things, it will not be irrigated by the rains of the Lord, which for the diversity of merits are irrigated in the first, second, and third coenaculum. Even the storerooms themselves, that is, the treasuries of the Lord's treasures, are lower in the higher places. (Ephesians 3). However, the higher one is, the more one is humbled with the Apostle, saying: I am not worthy to be called an Apostle, because I persecuted the Church of God. (1 Corinthians 1:9). However, the treasure rooms themselves were located in the lower rooms, because they supported the porticoes that projected from the lower and middle parts of the building. And the reason why the treasure rooms were placed in the lower rooms and were lower was this: because the porticoes, which enjoyed the freedom of the air, supported and projected from the lower and middle parts of the building. In this way, the second floor of the building would be higher than the first floor, and the third floor would be higher than the second, so that as one ascended to higher levels, they would use a higher treasure room, which increased in humility, as the Lord says: 'If anyone wishes to be first, he shall be the last of all and the servant of all.' (Mark 9:35). For they were not carried by other columns, as we read in the columns of the atrium; but they protruded from the lower and middle parts of the ground by fifty cubits, as a sign of the remission of all debts. These, however, are the sad things of which it is commanded: Describe them in triple form, with counsel and knowledge, so that you may answer with words of truth those things that are proposed to you (Prov. 22:20-21). Therefore, the lower and outer parts need columns, but the higher and inner parts do not need the support of columns, that is, of external help. After this it is said: And the outer court was surrounded by a wall, with treasuries along the outside walls. The length of this outer court was fifty cubits, because the length of the treasuries of the outer court was fifty cubits, and the length before the front of the temple was one hundred cubits. The surrounding wall, called the peribolus, enclosed the treasuries along the outside walls of the outer court, and it was fifty cubits in length, as we have frequently mentioned. Moreover, the length in front of the face of the temple was not fifty cubits, as it was before the treasury, but one hundred cubits: so that after the remission of all sins, we may await perfect rewards in the number one hundred (Lev. XII). Regarding the barrier, or wall, which in Hebrew is called Gader (), the Seventy have interpreted it as light, which comes from outside and illuminates the eyes of our hearts: our natural light, which operates in the senses, is not sufficient to have the perfect brightness of knowledge, unless it enters from outside through the grace of God. What first illuminates the eyes of our heart, and the outer atrium, which extends to a width of fifty cubits, makes it shine. Then, when we come before the face of the temple, we shall receive perfect rewards in the number of one hundred. And below, there was an entrance to the treasury from the East for those entering from the outer atrium. For it is necessary for us to possess the riches of God, and to find the entrance below the treasury from the outer atrium, under the treasury of the East, and to come through the width of the vestibule, which faces the way of the East, to the building that is separated for the holy ones, before which are the treasuries, and in that very way, a likeness to the treasuries that were in the way of the North. For although we may reach the entrance to the East, the resemblance of the ancestors is found in the smaller things, and we cannot reach the light of the East except by way of the North, that is, by progressing from the smaller and lower things to the greater and higher things. In the very entrance itself, the length was similar to the width, that is, the same measurement throughout: every entrance and likeness, and doors had the same measurement and likeness as the treasure chambers that were on the road facing the South. For indeed, by the East the cold of the North is resisted, we reach the South, in which the bridegroom reclines at midday, and moves in full light. At the head, however, of the same road, that is, the Eastern one, which is open to those who enter, there is a door, which unless it is opened by Him who says: I am the door (John 10:9) and who has the key of David, to the vestibule separated by holy virtues, and which receives those coming from the North, we cannot reach. It is unnecessary to discuss each individual word of this passage in detail: both what has been said does not lack clarity, and what we keep silent about is almost similar to what we have said.
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
Copy as

Continue studying Ezekiel 42:3 across the web’s major study libraries — every link below opens this exact verse, chapter, or book on the destination site.

TrulyRandomVerse is not affiliated with these sites and doesn’t control their content. They’re linked because they’re genuinely useful.