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Translation
King James Version
The door posts, and the narrow windows, and the galleries round about on their three stories, over against the door, cieled with wood round about, and from the ground up to the windows, and the windows were covered;
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KJV (with Strong's)
The door posts H5592, and the narrow H331 windows H2474, and the galleries H862 round about H5439 on their three stories H7969, over against H5048 the door H5592, cieled H7824 with wood H6086 round about H5439, and from the ground H776 up to the windows H2474, and the windows H2474 were covered H3680;
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Complete Jewish Bible
as well as the thresholds, narrow windows and galleries around these three, had wood panelling around them as far as the thresholds and from the ground up to the windows; and the windows were covered.
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Berean Standard Bible
as well as the thresholds and the beveled windows and the galleries all around with their three levels opposite the threshold, were overlaid with wood on all sides. They were paneled from the ground to the windows, and the windows were covered.
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American Standard Version
the thresholds, and the closed windows, and the galleries round about on their three stories, over against the threshold, ceiled with wood round about, and from the ground up to the windows (now the windows were covered),
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World English Bible Messianic
the thresholds, and the closed windows, and the galleries around on their three stories, over against the threshold, with wood ceilings all around, and from the ground up to the windows, (now the windows were covered),
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Geneva Bible (1599)
The postes and the narowe windowes, and the chambers round about, on three sides ouer against the postes, sieled with cedar wood rounde about, and from the ground vp to the windowes, and the windowes were sieled.
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Young's Literal Translation
the thresholds, and the narrow windows, and the galleries round about them three, over-against the threshold, a ceiling of wood all round about, and the ground unto the windows and the covered windows,
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In the KJVVerse 21,543 of 31,102

Study This Verse

SUMMARY

Ezekiel 41:16 offers a highly detailed architectural description of the visionary temple's interior, specifically focusing on the precise construction of its doorposts, distinctive narrow and covered windows, and multi-story galleries. This verse contributes to the overarching impression of a divinely designed and meticulously ordered sacred space, emphasizing the extensive use of wood paneling from the ground level up to the windows, all of which underscores the profound sanctity, beauty, and purposeful design of God's future dwelling place among His people.

CONTEXT

  • Literary Context: Ezekiel 41:16 is intricately woven into the prophet Ezekiel's monumental vision of a new temple, a restored land, and a renewed city, encompassing chapters 40-48 of his book. This comprehensive vision, granted to Ezekiel during the Babylonian exile, served as a powerful message of hope, divine presence, and future restoration for the displaced people of Israel. Chapter 41 meticulously details the dimensions and features of the temple's inner sanctuary, including the Holy Place and the Most Holy Place, along with the surrounding side chambers and their access points. Verse 16, with its specific focus on the interior finishes—doorposts, windows, and galleries—builds upon the precise measurements introduced in Ezekiel 40 and anticipates the description of the altar and the awe-inspiring return of God's glory to the temple in Ezekiel 43. Its inclusion highlights the divine attention to every minute detail of this sacred edifice.
  • Historical & Cultural Context: The temple vision was revealed to Ezekiel during a period of profound national trauma for Israel, as they endured exile in Babylon following the devastating destruction of Solomon's Temple in Jerusalem. In this context of despair and displacement, the detailed vision of a glorious new temple provided immense spiritual and psychological solace, functioning as a tangible promise of future restoration and the enduring presence of God among His people. Ancient Near Eastern temples were universally regarded as the earthly dwelling places of deities, and their construction typically involved meticulous planning, the use of precious materials, and elaborate adornment to reflect the majesty and power of the god worshipped. The emphasis on extensive wood paneling in Ezekiel's vision, for instance, echoes the luxurious cedar and cypress wood employed in Solomon's Temple, signifying sanctity, beauty, and durability. The "narrow windows" may also reflect common architectural features in ancient sacred structures or fortresses, designed to control light, maintain privacy, or offer defensive advantages, thereby contributing to the solemn and enclosed atmosphere appropriate for a holy dwelling.
  • Key Themes: The meticulous architectural descriptions in Ezekiel 41 and specifically in verse 16, contribute significantly to several overarching themes within the book of Ezekiel and the broader biblical narrative. Firstly, they powerfully underscore Divine Precision and Order. The exhaustive level of detail, from the exact dimensions of doorposts to the multi-story galleries, conveys God's meticulous nature and His perfect blueprint for His sacred dwelling, leaving nothing to chance. This divine order stands in stark contrast to the chaos and destruction experienced by Israel during the exile. Secondly, the description of structures "cieled with wood" speaks to the Glory and Magnificence of God's Dwelling. Such luxurious finishes imply a substantial, beautiful, and complete interior, emphasizing the grandeur appropriate for the dwelling of the Most High God and the sacredness of His presence. This resonates with the rich adornment of Solomon's Temple, which was also paneled with cedar. Finally, the entire temple vision, including these specific architectural elements, serves as a powerful prophecy of Future Hope and Restoration. While the immediate circumstances were dire, the vision points to God's unwavering faithfulness to His covenant promises, indicating a future time of renewed worship and God's dwelling among His people, a theme that finds its ultimate expression in the promise of God's eternal presence with humanity in the new heavens and new earth, as seen in Revelation 21:3.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • windows (Hebrew, challôwn', H2474): This term refers to an opening or aperture, specifically a window, often implying a perforation. In the context of the visionary temple, these are not primarily for expansive views but for controlling light, ventilation, or serving a symbolic purpose, contributing to the enclosed and sacred atmosphere.
  • narrow (Hebrew, ʼâṭam', H331): Derived from a root meaning "to close" or "to contract," this word describes the windows as being constricted or having bevelled jambs. This suggests a design that limits outward visibility and perhaps inward light, reinforcing the temple's sacred, set-apart nature and preventing distraction from the outside world.
  • covered (Hebrew, kâçâh', H3680): This primitive root means "to plump" or "to fill up hollows," and by implication, "to cover" or "to conceal." Applied to the windows, it suggests they were either obscured, latticed, or otherwise designed to prevent full transparency, further contributing to the temple's interior sanctity and controlled environment.

Verse Breakdown

  • "The door posts, and the narrow windows, and the galleries round about on their three stories,": This initial clause immediately establishes the architectural complexity and multi-level design of the temple's auxiliary structures. "Door posts" (H5592, çaph) denote the vertical elements framing an entrance, indicating specific points of access. The "narrow windows" (H2474, challôwn combined with H331, ʼâṭam) are a distinctive feature, suggesting a controlled environment. The "galleries" (H862, ʼattûwq) are described as ledges or offsets, implying walkways or levels, further clarified by "three stories" (H7969, shâlôwsh), indicating a substantial, multi-tiered structure surrounding the main temple building.
  • "over against the door,": This phrase (H5048, neged combined with H5592, çaph) precisely locates these architectural elements. They are positioned directly opposite or in front of the main entrance, highlighting their integral role in the temple's overall layout and the intended flow of movement within the complex.
  • "cieled with wood round about,": This specifies the interior finishing material. "Cieled with wood" (H7824, shâchîyph combined with H6086, ʻêts) indicates that the interior surfaces of these structures were comprehensively covered or paneled with timber. The phrase "round about" (H5439, çâbîyb) emphasizes the extensive nature of this wood paneling, covering all sides of these multi-story structures, signifying a complete, high-quality, and luxurious finish.
  • "and from the ground up to the windows, and the windows were covered;": This final clause provides further detail on the extent of the wood paneling and the unique nature of the windows. The wood paneling extended "from the ground" (H776, ʼerets) "up to the windows" (H2474, challôwn), indicating that the lower sections of the walls were entirely wood-paneled. The concluding phrase, "and the windows were covered" (H3680, kâçâh), reiterates the distinctive design of these "narrow windows," suggesting they were not transparent but obscured or latticed, perhaps to maintain the sanctity and solemnity of the interior by limiting external views and controlling light.

Literary Devices

Ezekiel 41:16 powerfully employs Imagery and Meticulous Detail to convey its profound message. The precise enumeration of architectural elements—doorposts, narrow windows, three-story galleries, and extensive wood paneling—creates a remarkably vivid mental picture of a highly ordered, substantial, and sacred structure. This extreme level of Meticulous Detail is itself a primary literary device, serving to emphasize the divine origin and perfect blueprint of the temple, suggesting that every aspect is significant and purposeful, reflecting God's own character of order and perfection. Furthermore, the entire temple functions as rich Symbolism. Beyond a literal building, it symbolizes God's enduring presence, His unwavering faithfulness to His covenant promises, and the future restoration of His people to a right relationship with Him. The "narrow windows" and "covered" openings might symbolically represent the sacred enclosure and the controlled, reverent access to God's holy presence, sharply distinguishing the sacred space from the profane world outside.

THEOLOGICAL AND THEMATIC CONNECTIONS

Ezekiel 41:16, with its emphasis on the meticulous design and rich finishing of the visionary temple, speaks profoundly to the nature of God and His desire to dwell among His people. The divine blueprint, extending to the smallest architectural detail, underscores God's sovereignty, His commitment to order, and His desire for a holy, beautiful, and perfectly prepared dwelling place. This vision, given during a time of exile and despair, served as a powerful reminder of God's faithfulness to His covenant and His ultimate plan for restoration and renewed communion with humanity. The physical temple, with its intricate design, foreshadows the spiritual reality of God's presence, first fully embodied in Christ, and subsequently manifested in His church, where believers are being built into a spiritual house.

  • Exodus 25:8 - "Let them make me a sanctuary; that I may dwell among them." This foundational command for the Tabernacle underscores God's enduring desire to dwell intimately with His people, a theme that finds its grandest expression in the temple visions and ultimately in Christ.
  • 1 Kings 6:15 - "And he built the walls of the house within with boards of cedar, both the floor of the house, and the walls of the cieling: and he covered them on the inside with wood, and covered the floor of the house with planks of fir." This verse describes the extensive and luxurious wood paneling in Solomon's Temple, providing a historical precedent and parallel for the high-quality finish described in Ezekiel's visionary temple.
  • Revelation 21:22 - "And I saw no temple therein: for the Lord God Almighty and the Lamb are the temple of it." This eschatological vision reveals the ultimate fulfillment where a physical temple is no longer needed because God Himself, in Christ, fully dwells among His people, transcending all architectural limitations and signifying perfect, unmediated communion.

REFLECTION AND APPLICATION

Ezekiel 41:16, as an integral part of the larger temple vision, offers timeless principles for believers today. The meticulous care God takes in designing His dwelling place, even in a visionary context, profoundly reminds us of His value for excellence, order, and beauty in all things, especially in matters pertaining to His worship and presence. This passage encourages us to reflect on the divine blueprint for our lives, recognizing that God has a purposeful design for each of us, calling us to live with intentionality and precision. Just as the temple was prepared for God's glory, we are called to prepare our lives as "temples of the Holy Spirit" (1 Corinthians 6:19), striving for order, beauty, and dedication in our personal walk with God. The "narrow windows" might prompt us to consider how we intentionally limit distractions and focus our gaze on Christ, maintaining a sacred and uncompromised space within our hearts for His presence. Ultimately, this vision assures us of God's unwavering faithfulness to His promises, even when circumstances seem bleak, inspiring hope and perseverance in our spiritual journey.

Questions for Reflection

  • How does the meticulous detail of Ezekiel's temple vision challenge or affirm your understanding of God's character and His expectations for our lives?
  • In what practical ways can you, as a "temple of the Holy Spirit," strive for greater order, beauty, and dedication in your daily life and spiritual disciplines?
  • What "narrow windows" or intentional limitations might you need to implement in your life to cultivate a more sacred and focused walk with God, free from worldly distractions?

FAQ

What is the significance of the "narrow windows" and "covered" windows in Ezekiel's temple vision?

Answer: The "narrow windows" (Hebrew: challôwn combined with ʼâṭam, meaning "contracted" or "closed") and the fact that they were "covered" (Hebrew: kâçâh, meaning "to conceal" or "to fill up") suggest a deliberate and significant design choice. Unlike windows designed for expansive views or abundant natural light, these likely served to control the amount and direction of light, maintain a profound sense of enclosure, and contribute to the solemn and reverent atmosphere of the temple interior. The covering could imply latticework, screens, or even a design that allowed light in but obscured outward vision, emphasizing the sacred, set-apart nature of the space and preventing distraction from the outside world. This design choice powerfully reinforces the idea that the temple was a place dedicated solely to God's presence, distinct from the common realm and its influences.

Is Ezekiel's temple vision meant to be a literal blueprint for a future temple?

Answer: The interpretation of Ezekiel's temple vision varies significantly among scholars. Some believe it describes a literal temple that will be built in the future, often associated with the millennial reign of Christ on earth. Others view it primarily as a symbolic representation of God's renewed presence among His people, a spiritual reality that transcends a physical building. Given the highly idealized and sometimes physically impossible dimensions and features described in the vision, many scholars lean towards interpreting it as a prophetic vision conveying profound theological truths about God's holiness, His desire to dwell with His people, and the ultimate restoration of His kingdom, rather than a literal architectural plan for construction. The New Testament often reinterprets Old Testament temple imagery in spiritual terms, as seen in John 2:19-21 where Jesus refers to His own body as the true temple, foreshadowing the spiritual nature of God's dwelling among His people.

CHRIST-CENTERED FULFILLMENT

Ezekiel 41:16, with its intricate details of a meticulously designed and richly adorned temple, finds its ultimate Christ-centered fulfillment not in a physical edifice, but profoundly in the person and redemptive work of Jesus Christ. The visionary temple, with its precise dimensions, sacred materials, and controlled access, points to God's unwavering desire for a perfect and holy dwelling place among humanity. This divine desire is fully and perfectly realized in Jesus, who is the true and ultimate Temple of God, for "in him dwelleth all the fulness of the Godhead bodily" (Colossians 2:9). Just as the temple's narrow windows and covered openings controlled access and emphasized holiness, Christ is the "new and living way" (Hebrews 10:20) through whom we gain direct access to God's holy presence, a way made possible by His perfect sacrifice on the cross. The detailed wood paneling, signifying beauty, permanence, and a finished work, foreshadows the glorious and enduring nature of God's presence fully embodied in Christ and, by extension, in His Church, which is being built up as a spiritual house of "living stones" upon the cornerstone, Jesus Christ Himself (1 Peter 2:5). Thus, the meticulous blueprint of Ezekiel's temple ultimately directs our gaze to the flawless perfection, divine glory, and accessible holiness embodied in Jesus, the one in whom God's presence truly dwells among His people forever.

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Commentary on Ezekiel 41 verses 12–26

Here is, 1. An account of a building that was before the separate place (that is, before the temple), at the end towards the west (Eze 41:12), which is here measured, and compared (Eze 41:13) with the measure of the house, and appears to be of equal dimensions with it. This stood in a court by itself, which is measured (Eze 41:15) and its galleries, or chambers belonging to it, its posts and windows, and the ornaments of them, Eze 41:15-17. But what use was to be made of this other building we are not told; perhaps, in this vision, it signified the setting up of a church among the Gentiles not inferior to the Jewish temple, but of quite another nature, and which should soon supersede it. 2. A description of the ornaments of the temple, and the other building. The walls on the inside from top to bottom were adorned with cherubim and palm-trees, placed alternately, as in Solomon's temple, Kg1 6:29. Each cherub is here said to have two faces, the face of a man towards the palm tree on one side and the face of a young lion towards the palm-tree on the other side, Eze 41:19. These seem to represent the angels, who have more than the wisdom of a man and the courage of a lion; and in both they have an eye to the palms of victory and triumph which are set before them, and which they are sure of in all their conflicts with the powers of darkness. And in the assemblies of the saints angels are in a special manner present, Co1 11:10. 3. A description of the posts of the doors both of the temple and of the sanctuary; they were squared (Eze 41:21), not round like pillars; and the appearance of the one was as the appearance of the other. In the tabernacle, and in Solomon's temple, the door of the sanctuary, or most holy, was narrower than that of the temple, but here it was fully as broad; for in gospel-times the way into the holiest of all is made more manifest than it was under the Old Testament (Heb 9:8) and therefore the door is wider. These doors are described, Eze 41:23, Eze 41:24. The temple and the sanctuary had each of them its door, and they were two-leaved, folding doors. 4. We have here the description of the altar of incense, here said to be an altar of wood, Eze 41:22. No mention is made of its being over-laid with gold; but surely it was intended to be so, else it would not bear the fire with which the incense was to be burned, unless we will suppose that it served only to put the censers upon. Or else it intimates that the incense to be offered in the gospel-temple shall be purely spiritual, and the fire spiritual, which will not consume an altar of wood. Therefore this altar is called a table. This is the table that is before the Lord. Here, as before, we find the altar turned into a table; for, the great sacrifice being now offered, that which we have to do is to feast upon the sacrifice at the Lord's table. 5. Here is the adorning of the doors and windows with palm-trees, that they might be of a piece with the walls of the house, Eze 41:25, Eze 41:26. Thus the living temples are adorned, not with gold, or silver, or costly array, but with the hidden man of the heart, in that which is not corruptible.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 12–26. Public domain.
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JeromeAD 420
Commentary on Ezekiel
(Versed. 8 seqq.) 'And I saw in the house a height all around, with foundations of reed measuring six cubits, and the width along the outer wall of the side chamber, five cubits. And the inner part of the house and the space between the storehouses, twenty cubits wide all around the house. And there were doors in the side chambers toward the outer court, one door toward the north, and another door toward the south. And the width of the place for worship, five cubits all around.' And the building, which was separate and facing the road towards the sea, was seventy cubits wide. The wall of the building was five cubits wide all around, and its length was ninety cubits. After he reached the Holy of Holies, of which we spoke earlier, that venerable man measured the wall of the Holy of Holies. It had a height of six cubits because of the structure of the world and all visible creation, which was created in six days, and a width of one side of four cubits, not on one side only, but all around. But the width of the house, measured around, was four cubits, to represent the four elements from which all things are composed, especially human bodies. Against these, the holy ones fight and subject themselves to the power of the soul, so that they may deserve to enter the inner regions and know the secrets of the Lord. The sides of the house, which were around it and were separated from the walls of the temple by a space of four cubits, were joined together. So that one side touched another side, and it had a length not of thirty-three cubits, but of sixty-six, that is, sixty-six. In the book of Leviticus, it is said that after one week in the birth of a male child, the mother and the child must wait for thirty-three days in order to undergo purification (Lev. XII). However, if the child is female, the waiting period is doubled to sixty-six days. And because, in order to enter the holy of holies, we need not only the first birth, but also the second, to be born in the flesh and be reborn in the spirit: therefore, the number is not sixty-six, but twice thirty and three, so that both births are owed to God the creator and his mercy, and the two sides of the house that support the structure of the temple are enclosed by a double wall. And what follows according to the Hebrew: 'And there were certain heights that would go out through the wall of the house on the sides all around, to contain, and not touch the wall of the temple,' signifies this: that holy men, amidst the multitude of believers, burst forth through the wall of the temple, through all the sides all around, and uphold the foundations of the Church, and yet do not touch the wall of the temple: content with having seen only, and from afar, worship the indescribable mysteries. Now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. And now abideth faith, hope, charity, these three; but the greatest of these is charity. (1 Corinthians 13:12-13) But through the circular and spiral ascent we reach the upper room of the temple, which, among all shapes, is also approved by philosophers of this age as the most beautiful: for both the sky, the sun, the moon, and the other stars, and the earth, in human bodies as well, the eyes are like other stars, and the shape of the head, which is the receptacle of all the senses, and the rounded fingers, and women, and arms, exhibit this roundness. Moreover, I think that the upper room of the temple, which we ascend from the lower to the higher, is the same one that Elijah and Elisha had, as mentioned in the book of Kings, and also Tabitha had it in the Acts of the Apostles, which means 'the gazelle' in Greek, and our damsel who had reached the highest through good works (3 Kings 17; 4 Kings 4; Acts 9; Acts 10). But the Apostle Peter, on whom the Lord established the foundations of the Church, surpasses the upper room and comes to the roof, which is more significantly called 'dorma' in Greek, that is, the solarium of the roof, and he came to know the mysteries of the Church, previously unknown to the world. The Savior also made the Pasch in the upper room, and in a large and wide upper room, and after all impurity had been cleansed and the bed prepared, and the spiritual feast prepared, where he delivered the mystery of his body and blood to his disciples, and left to us the eternal celebration of the immaculate Lamb. And he added: And from the middle to the saddest, that is, the third upper room and Thrael, it seems to me that it should be marked with a note. For why do we need to discuss doubtful and unwritten things when we should devote ourselves to the books held by the Hebrews? It follows: 'And I saw in the house a height encompassed by sides, measured by a reed, a space of six cubits; and a width by the outer wall of the side of five cubits; and between the treasuries' (which Symmachus calls 'exedrae') 'a width of twenty cubits around the house.' By these measurements it is shown that we are deserving of ascending not only into the Holy of Holies, but also into their upper room, and that we should always remember that through the six days of our earthly condition, and through the five senses, and through the twenty cubits of width, we ascend to the upper room of the temple, leaving behind earthly humility and the sense of the letter, and we pass over to the summit of the Church, and rejoice in the fellowship of the Holy Spirit.' And the entrance, he says, of the side toward the north (Jer. 1:14), from which evil spreads over all the earth, and which the Lord promises to drive away from us, saying: 'And I will drive away from you him who is from the north' (Joel 2:20). And it is a beautiful place for prayer at the entrance opposite the north, so that, according to the Apostle, we may pray without ceasing (1 Thess. 5), and say with Jeremiah: 'Let not the apple of my eye be silent' (Lam. 2:18), whether we desire to avoid present evils or give thanks for the past. For as long as we are in the tent of this body, we groan and say: Wretched me, who will set me free from this body of death? (Rom. VII, 24). But there was also a door to the South, which had a place of prayer nearby according to the Hebrew custom, and it extended five cubits around. For after the cold of the North, we pass through the heat of the South, and yet we still seek a place for prayer, in the door of the North, in order to escape dangers; in the South, to give thanks for the past and to have a secure possession of victory. But five cubits, and in this place they indicate divine senses, through which we ascend from earthly things to higher things. And the building, he says, which was separated and turned toward the road facing the sea, was seventy cubits wide: so that after labors and dangers, and the waves and shipwrecks of this world, and seventy years, of which Jeremiah, Daniel, and Zechariah write (Jer. 25 and 29; Dan. 9, Zech. 9); but also the legitimate sabbath of seven decades we may attain: so that we may have eternal rest, and through the width of five cubits we may come to a length of ninety cubits: in which age Sarah gave birth to a son according to the promise, who, at the age of ninety, that is, at the end of nine decades, was born to Abraham, who was one hundred years old (Gen. 21), that is, having the mystery of ten decades. The following Scripture will show what the number signifies.

(Verses 13 and following) And the house was measured in length a hundred cubits. And the separate building, and its walls, were also a hundred cubits in length. The width before the face of the house, and that which was separate against the East, was a hundred cubits. And the length of the building over against the face thereof, which was separated at the back, was also a hundred cubits. And there were chambers exceeding in height on either side a hundred cubits; and the inner temple, and the porches of the court. Doorways and slanted windows were set outward, in a perimeter on three sides against the threshold of each, and a wooden floor went all the way around. And the earth was up to the windows: and the windows were closed. Above the doors, and up to the inner house; and on the outside, through every wall on the inside; and on the outside, to the measurement. And cherubs and palm trees were carved: and a palm tree was between cherub and cherub: and each cherub had two faces: the face of a man next to the palm tree on one side, and the face of a lion next to the palm tree on the other side; carved throughout the whole house on the inside. From the ground up to the upper gates, there were carved cherubim and palm trees on the wall of the temple. The threshold was square. The sanctuary faced the shape of the wooden altar, its height being three cubits. Its length was two cubits. Its corners, length, and walls were all made of wood. Seventy: It measured against the length of the house, one hundred cubits. And the remaining and separating walls, in the length of one hundred cubits. And the width against the face of the temple, and the remaining opposite one hundred cubits. And he measured the length of the separating wall facing the back of the house, and the remaining width of one hundred cubits. And the temple and the corners, and the outer Aelam covered with wood, and three windows made like a net, for light to shine through, that one could look through them. And the house and the adjacent structures, all covered with wood around. And the floor, and from the floor to the windows. And the windows were opened threefold, so that one could look through them: both into the inner and outer house, and through every wall around inside and outside the measurement, and carved cherubim, and palm trees between cherub and cherub. Two faces of cherub: the face of a man towards the palm tree on one side, and the face of a lion towards the palm tree on the other side: the entire wall was carved all around from the floor to the rafters with cherubim and carved palm trees. And the sanctuary and the temple were opened on four corners towards the face of the saints: a vision as if the appearance of a wooden altar: its height being three cubits, and its length two cubits: and its width two cubits: and it had horns, and its bases and walls were wooden.» The word 'contra', which the LXX translated at the beginning of the testimony, where it is written: 'And he measured against the house', is not found in Hebrew, and therefore it must be marked with an obelus, in order for it to be correct and true, and he measured the house with a length of one hundred cubits, and so on. The Holy of Holies and the inner sanctuary are described, which is said to have a perfect number of ten decades, after ninety cubits, with three sides having one hundred cubits each: so that we may serve the Lord with our mind, speech, and deeds, remembering that Apostolic example in which it is said: 'That we may know the breadth, and length, and depth, and height' (Ephesians 3:18). But what is said in Hebrew, the separate structure and its walls, the Septuagint translates as separating and not clinging to the walls of the temple, but having their own nearby walls. The temple itself, as well as its corners and the porch or entrance hall (propylon), were covered with wood, a symbol of wisdom, as the Scripture records the tree of life being located in paradise (Gen. II). The windows were made in the form of a net, similar to lattice screens, so that they were not covered with stone or glass, but with wooden lattices woven with twists and turns. In Hebrew, they have diagonal windows, which were only present in three parts of the temple: on the right, on the left, and at the back, that is, to the South, North, and West. The eastern part, however, did not have windows because the entrance itself let in bright light from within, and all the interior of the temple was filled with the light of the doors, so that someone could look inside through each window and opening. And not only were the exterior areas covered with wood, but there was such an abundance of wood all around that the floor and everything up to the windows were connected with wood. The windows were opened in three ways according to the Seventy, so that when they were opened, a triple understanding of God's temple would be revealed, according to what is said elsewhere: 'But you, write down these things in three ways' (Prov. 22:20). And through them, both the interior and the exterior are seen: so that we may know the invisible things that are within, and the visible things that are without; so that one thing may show the mind, another the flesh, another the spiritual understanding, and another the simple historical account; and through all the surrounding walls, internally and externally, their measurements were consistent. For nothing is done in the temple of God without reason and measure, especially in the holy of holies made by God. The Cherubim were also carved, no doubt in wood, extending from the floor to the windows, and the carvings were so finely made that they appeared not sculpted, but applied. Cherubim are interpreted as a multitude of knowledge. Therefore, within the innermost part of the temple, after the multitude of knowledge, there are carvings and palm trees, in which the sign of victory is, as the Apostle says: But I press on to the goal for the prize of the heavenly call of God, in Christ Jesus (Philippians 3:14). Which palms were between the Cherub and the Cherub, so that one Cherub was surrounded on both sides by two palms: which Cherub did not, as we read at the beginning of this prophet, have four faces, namely, of a man, a lion, a calf, and an eagle; but only two, that is, of a man and a lion, of which the first pertains to reason, and the second to fury, which is more significantly called θυμὸς in Greek. By fury, however, we mean not that which is close to disturbance and vice, but that which consolidates the softness of the mind and makes the soul of the combatant stronger. For in the beginning, we are subject to concupiscence, which pertains to the earthly works; and some are carnal, others are spiritual, of which the ultimate is attributed to eagles. But when we enter the innermost sanctuary, and possess the inner parts of the temple, we have no need for anything else except reason and strength, of which one pertains to perception and prudence, the other to the perseverance of the soul. Therefore, every wall around the temple, from the floor to the ceiling, had Cherubim and palms skillfully carved: after which the sanctuary and the temple were opened from the four corners opposite the faces of the holy ones. First, we have a multitude of knowledge, through which we achieve victory over the enemy, and then a sanctuary and temple are opened to us, which has four angles, and a very strong position, and which is inclined in no direction. For it has the nature of a square measure, so that it may stand on a stable base, and it possesses, in a mystical number that is clear to the wise reader, four elements from which all things consist, solid and everlasting. And they looked at everything opposite the face of the sanctuary: before which was the sanctuary, or in which was the image of the wooden altar three cubits high, and two cubits long, and two cubits wide, which together make seven cubits. This altar had horns; and both its bases and its walls, that is, its sides, were made of wood, in which the holy Scriptures mysteries, human speech cannot explain: how the altar, in which the fire was to be kindled, namely the incense offering, should suffer nothing from the fire, but, so to speak, becomes more pure through the fire. For just as the works of the saints, of which the Apostle writes, 'The work of each will be made manifest; for the Day will disclose it' (1 Corinthians 3:13), do not perish, but are made even more pure through fire, so too the wood of the altar, which is from the trees of paradise, is not consumed by nearby fire, but is made even more pure. It is not surprising to believe this about the sanctuary and the inner parts of the temple and the altar of incense, since even linen, which is a type of flax, or something with a similar appearance to linen, is found to be cleaner the more it is burned. Forgive, reader, the difficulty, and grant pardon to the impoverished understanding. For through slanted and net-like windows, which are always closed, we can barely allow our eye to enter into the inner chamber of our heart, so that all that we see, we see in shadow and in image, and with the Apostle, we cry out: O the depth of the riches of the wisdom and knowledge of God! How inscrutable are his judgments, and how unsearchable his ways (Rom. XI, 13)! And: Who has known the mind of God (Isaiah XL, 13), except the one who is the angel of great counsel, and who has the power to reveal worthy mysteries? And in Rome, they call the projections on the walls of dining rooms 'solaria,' or 'Meniana' from the one who first invented them, which some Greeks call 'exōstras.'
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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