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Translation
King James Version
And the curious girdle of his ephod, that was upon it, was of the same, according to the work thereof; of gold, blue, and purple, and scarlet, and fine twined linen; as the LORD commanded Moses.
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KJV (with Strong's)
And the curious girdle H2805 of his ephod H642, that was upon it, was of the same, according to the work H4639 thereof; of gold H2091, blue H8504, and purple H713, and scarlet H8144 H8438, and fine twined H7806 linen H8336; as the LORD H3068 commanded H6680 Moses H4872.
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Complete Jewish Bible
The decorated belt on the vest, used to fasten it, was of the same workmanship and materials -gold; blue, purple and scarlet yarn; and finely twined linen -as ADONAI had ordered Moshe.
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Berean Standard Bible
And the skillfully woven waistband of the ephod was of one piece with the ephod, of the same workmanship—with gold, with blue, purple, and scarlet yarn, and with finely spun linen, just as the LORD had commanded Moses.
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American Standard Version
And the skilfully woven band, that was upon it, wherewith to gird it on, was of the same piece and like the work thereof; of gold, of blue, and purple, and scarlet, and fine twined linen; as Jehovah commanded Moses.
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World English Bible Messianic
The skillfully woven band that was on it, with which to fasten it on, was of the same piece, like its work; of gold, of blue, purple, scarlet, and fine twined linen; as the LORD commanded Moses.
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Geneva Bible (1599)
And the broydred garde of his Ephod that was vpon him, was of the same stuffe, and of like worke: euen of golde, of blewe silke, and purple, and skarlet, and fine twined linen, as the Lord had commanded Moses.
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Young's Literal Translation
And the girdle of his ephod which is on it is of the same, according to its work, of gold, blue, and purple, and scarlet, and twined linen, as Jehovah hath commanded Moses.
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The Kingdom of Egypt in the Time of Moses
The Kingdom of Egypt in the Time of Moses View full PDF
Building Plan: The Tabernacle
Building Plan: The Tabernacle View full PDF

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In the KJVVerse 2,670 of 31,102

Study This Verse

SUMMARY

Exodus 39:5 provides a meticulous description of the "curious girdle" of the high priestly ephod, detailing its precise composition of gold, blue, purple, scarlet, and fine twined linen. This verse is part of the broader narrative recounting the faithful execution of God's instructions for the Tabernacle and its sacred furnishings, underscoring the Israelites' unwavering obedience to divine command and the profound symbolic significance embedded in every element designed for the worship of Yahweh.

CONTEXT

  • Literary Context: Exodus 39 is situated within the latter half of the book, which transitions from the divine revelation of the Tabernacle's blueprints (Exodus 25-31) to the detailed account of its actual construction and the making of the priestly garments (Exodus 35-40). This chapter specifically focuses on the completion of the sacred vestments for Aaron and his sons, with verse 5 honing in on a crucial component of the High Priest's ephod—the "curious girdle." The recurring refrain, "as the LORD commanded Moses," which punctuates this entire section, emphasizes the meticulous adherence to God's precise instructions, highlighting the theme of obedience and the sanctity of the divine blueprint. The ephod itself was a sleeveless, vest-like garment, foundational to the High Priest's attire, designed to support the breastplate with its twelve tribal stones.
  • Historical & Cultural Context: The events described in Exodus 39 unfold in the wilderness, following the Israelites' liberation from Egypt and the covenant establishment at Mount Sinai. This period was pivotal in shaping Israel's identity as God's chosen people, with a divinely ordained system of worship centered on His manifest presence in the Tabernacle. The materials specified in Exodus 39:5—gold, blue, purple, scarlet, and fine twined linen—were not only precious but also held significant cultural and symbolic value in the ancient Near East. Gold universally denoted divinity, royalty, and imperishability. Blue dye (Hebrew: tekhelet), likely derived from a murex snail, symbolized the heavens, divine revelation, and God's dwelling. Purple (Hebrew: argaman), also from murex, was the color of royalty, majesty, and wealth, often reserved for kings and high officials. Scarlet (Hebrew: tola'at shani), derived from a worm, represented life, vitality, and often atonement due to its blood-like hue. Fine twined linen (Hebrew: shesh) was a symbol of purity, righteousness, and holiness, frequently worn by priests and royalty. The deliberate use of such rich and symbolic materials for the High Priest's garments underscored the immense sanctity of his office and the profound significance of his mediatorial role between a holy God and the Israelite community, reflecting the glory of the God he served. This emphasis on precise materials and craftsmanship echoes the practices of other ancient cultures in constructing temples and cultic objects, but here, it is uniquely tied to the explicit commands of Yahweh, as seen in the detailed instructions given in Exodus 28 and Exodus 35.
  • Key Themes: Exodus 39:5 contributes to several overarching themes within the book of Exodus and the Pentateuch. Primarily, it highlights the theme of Divine Command and Human Obedience, emphasizing that every detail of the Tabernacle and its service was divinely ordained and meticulously executed by the Israelites. This obedience is presented as a cornerstone of their covenant relationship with God. Secondly, the verse underscores the Holiness and Glory of God, reflected in the precious and symbolic materials used for His dwelling place and the garments of His High Priest. The beauty and richness of the materials were meant to convey the majesty of the One being worshipped. Finally, it reinforces the theme of Mediation and Atonement, as the High Priest, through his divinely appointed attire, served as the primary mediator between God and Israel, foreshadowing the ultimate mediatorial work of Christ. The specific colors, particularly scarlet, also subtly point towards the necessity of blood for atonement, a theme explicitly developed later in the Mosaic Law and ultimately fulfilled in the New Testament.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • Curious (Hebrew, chêsheb', H2805): Meaning "a belt or strap (as being interlaced); curious girdle." This word, often translated as "skillfully woven band" or "cunningly wrought," does not imply strangeness but rather denotes intricate, artistic, or expert craftsmanship. In the context of the Tabernacle, it emphasizes that the work was not merely functional but was executed with the highest degree of excellence, ingenuity, and careful design, befitting the sacred purpose and the glory of God.
  • Work (Hebrew, maʻăseh', H4639): Meaning "an action (good or bad); generally, a transaction; abstractly, activity; by implication, a product (specifically, a poem) or (generally) property." In this verse, "work" refers to the craftsmanship and artistry involved in creating the girdle. It highlights the high quality and skilled execution required for the sacred articles, reflecting the meticulous standards God set for His worship.
  • Commanded (Hebrew, tsâvâh', H6680): Meaning "(intensively) to constitute, enjoin; appoint, (for-) bid, (give a) charge, (give a, give in, send with) command(-er, -ment), send a messenger, put, (set) in order." This verb signifies a direct, authoritative instruction from God. Its repeated use throughout the Tabernacle construction narrative emphasizes the divine origin of every detail and the absolute necessity of human obedience to God's revealed will.

Verse Breakdown

  • "And the curious girdle of his ephod, that [was] upon it, [was] of the same, according to the work thereof;": This clause specifies that the "curious girdle"—the skillfully woven band designed to secure the ephod—was not a separate, lesser accessory but an integral extension of the ephod itself. It was crafted from the identical materials and with the same intricate, expert workmanship as the main garment. This highlights the seamless integration and consistent excellence demanded for all parts of the sacred attire, ensuring that every component met the divine standard of holiness and beauty.
  • "[of] gold, blue, and purple, and scarlet, and fine twined linen;": This enumerates the five specific, divinely ordained materials from which the girdle, like the ephod, was made. Each material carried profound symbolic weight: gold for divinity, royalty, and imperishability; blue for heavenly origin and divine revelation; purple for majesty and kingship; scarlet for life, vitality, and atonement; and fine twined linen for purity, righteousness, and holiness. The combination of these rich and meaningful elements underscored the sacredness of the High Priest's office and the glory of the God he served.
  • "as the LORD commanded Moses.": This concluding phrase, a powerful and recurring motif throughout the Tabernacle construction narrative (Exodus 35-40), serves as a definitive affirmation of divine authority and human obedience. It emphasizes that every detail, from the grand design to the smallest component like the girdle's materials and craftsmanship, was explicitly ordained by God. This reiteration underscores the absolute importance of following God's instructions precisely, highlighting that true worship and service must align perfectly with His revealed will, not human preference or innovation.

Literary Devices

Exodus 39:5 employs several significant literary devices. Repetition is a prominent feature throughout Exodus 35-40, particularly the recurring phrase "as the LORD commanded Moses." This serves to emphasize the meticulous obedience of the Israelites to divine instructions, reinforcing the theme of faithfulness and the sanctity of God's commands. Symbolism is deeply embedded in the description of the materials. Gold, blue, purple, scarlet, and fine twined linen are not merely functional but are rich in theological meaning, representing aspects of God's character (holiness, majesty, glory) and the High Priest's role (purity, mediation, atonement). The "curious girdle" itself, through the Hebrew word cheshev (skillfully woven), exemplifies synecdoche, where a specific, intricately crafted part represents the overall high quality and divine origin of all the Tabernacle's elements. The detailed enumeration of materials also creates a sense of verisimilitude, lending credibility and solemnity to the divine instructions and their faithful execution.

THEOLOGICAL AND THEMATIC CONNECTIONS

Exodus 39:5, in its detailed description of the high priestly girdle, powerfully conveys several core theological truths. It underscores God's meticulous nature and His demand for excellence and precision in worship. The fact that God specified not only the design but also the exact materials and craftsmanship for the priestly garments reveals that every aspect of approaching Him is divinely ordered and carries profound significance. This obedience to divine command is not arbitrary but is foundational to a right relationship with God, demonstrating reverence and trust in His wisdom. The symbolic richness of the materials also points to the holiness and glory of God, and the sacred, mediatorial role of the High Priest, who served as a vital link between a holy God and His covenant people.

REFLECTION AND APPLICATION

Exodus 39:5, though describing an ancient garment, offers profound insights for contemporary believers. It reminds us that God is a God of detail, and He cares deeply about how we approach Him and serve Him. The meticulous craftsmanship and specific materials of the high priestly garments were not arbitrary but were divinely designed to reflect God's glory and the sacredness of His presence. For us today, while we no longer have a literal Tabernacle or a Levitical priesthood, the principle of offering our best to God remains. Our worship, our service, our daily lives should be marked by intentionality, excellence, and a spirit of obedience to His Word. Just as the artisans faithfully executed God's commands, we are called to live out our faith with integrity and devotion, recognizing that our lives are a spiritual offering. This verse challenges us to consider if we are giving God our "gold, blue, purple, scarlet, and fine twined linen"—that is, our most precious resources, our highest skills, and our purest intentions—in every area of our lives, acknowledging that true devotion is expressed not only in grand gestures but also in faithful attention to what might seem like minor details.

Questions for Reflection

  • In what areas of my life am I called to demonstrate "curious" (skillful and intentional) workmanship for the Lord?
  • How does the emphasis on precise obedience in Exodus 39:5 challenge or affirm my understanding of following God's commands today?
  • What "materials" (talents, resources, time, character) am I offering to God, and do they reflect the excellence and purity He deserves?

FAQ

What is the significance of the "curious girdle" being "of the same" materials as the ephod?

Answer: The phrase "of the same" signifies that the girdle was made from the identical precious materials—gold, blue, purple, scarlet, and fine twined linen—and with the same high level of intricate craftsmanship as the ephod itself. This emphasizes the unity, integrity, and consistent holiness of the High Priest's sacred garments. It underscores that every component, even what might seem like a mere accessory, was essential and had to meet the divine standard of excellence and symbolic meaning. This consistency ensured that the entire ensemble was fit for the holy purpose of mediating before God, leaving no detail to human discretion, as meticulously outlined in Exodus 28.

Why are specific colors and materials so important in the Tabernacle and priestly garments?

Answer: The specific colors (blue, purple, scarlet) and materials (gold, fine twined linen) are profoundly symbolic, carrying deep theological meaning that points to God's character and His plan of redemption. Gold represents divinity, royalty, and imperishability, signifying God's eternal nature. Blue symbolizes the heavens, God's heavenly dwelling, and divine revelation. Purple signifies royalty, majesty, and wealth, highlighting God's supreme kingship. Scarlet points to life, vitality, and often atonement (due to its association with blood), foreshadowing the sacrificial system. Fine twined linen represents purity, righteousness, and holiness, essential attributes for approaching a holy God. Together, these materials and colors communicate the glory, majesty, and holiness of God, the sacredness of the priestly office, and ultimately foreshadow the perfect purity and atoning work of Christ. This rich symbolism is consistent across various elements of the Tabernacle, as seen in the instructions for the curtains in Exodus 26.

CHRIST-CENTERED FULFILLMENT

Exodus 39:5, with its meticulous description of the High Priest's "curious girdle" and its symbolic materials, finds its ultimate and glorious fulfillment in Jesus Christ, our perfect High Priest. The Old Testament High Priest, adorned in garments of gold, blue, purple, scarlet, and fine linen, served as a type, a shadow pointing to the greater reality to come. These garments, representing holiness, purity, royalty, and atonement, were necessary for a flawed human priest to approach a holy God on behalf of a sinful people. Jesus, however, required no such external adornment to qualify Him for His priestly office. He is inherently pure, holy, and righteous, the very Lamb of God who takes away the sin of the world. His "garment" is His own perfect humanity and divine nature, and His "girdle" is His unwavering commitment to the Father's will, securing His perfect sacrifice. Unlike the Levitical priests who offered repeated sacrifices and entered an earthly sanctuary, Christ, through His own blood, entered the true, heavenly sanctuary once for all, securing an eternal redemption. The glory and beauty of the High Priest's attire foreshadow the infinitely greater glory and perfect efficacy of Christ's high priestly ministry, through whom we now have confident access to the Father (Hebrews 4:16). He is the true and living way, embodying all the symbolic perfections of the Old Testament priesthood and fulfilling them in His person and work.

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Commentary on Exodus 39 verses 1–31

In this account of the making of the priests' garments, according to the instructions given (ch. 28), we may observe, 1. That the priests' garments are called here clothes of service, Exo 39:1. Note, Those that wear robes of honour must look upon them as clothes of service; for from those upon whom honour is put service is expected. It is said of those that are arrayed in white robes that they are before the throne of God, and serve him day and night in his temple, Rev 7:13, Rev 7:15. Holy garments were not made for men to sleep in, or to strut in, but to do service in; and then they are indeed for glory and beauty. The Son of man himself came not to be ministered unto, but to minister. 2. That all the six paragraphs here, which give a distinct account of the making of these holy garments, conclude with those words, as the Lord commanded Moses, Exo 39:5, Exo 39:7, Exo 39:21, Exo 39:26, Exo 39:29, Exo 39:31. The like is not in any of the foregoing accounts, as if in these, more than any other of the appurtenances of the tabernacle, they had a particular regard to the divine appointment, both for warrant and for direction. It is an intimation to all the Lord's ministers to make the word of God their rule in all their ministrations, and to act in observance of and obedience to the command of God. 3. That these garments, in conformity to the rest of the furniture of the tabernacle, were very rich and splendid; the church in its infancy was thus taught, thus pleased, with the rudiments of this world; but now under the gospel, which is the ministration of the Spirit, to affect and impose such pompous habits as the church of Rome does, under pretence of decency and instruction, is to betray the liberty wherewith Christ has made us free, and to entangle the church again in the bondage of those carnal ordinances which were imposed only till the time of reformation. 4. That they were all shadows of good things to come, but the substance is Christ, and the grace of the gospel; when therefore the substance has come, it is a jest to be fond of the shadow. (1.) Christ is our great high-priest; when he undertook the work of our redemption, he put on the clothes of service - he arrayed himself with the gifts and graces of the Spirit, which he received not by measure - girded himself with the curious girdle of resolution, to go through with his undertaking - charged himself with the curious girdle of resolution, to go through with his undertaking - charged himself with all God's spiritual Israel, bore them on his shoulders, carried them in his bosom, laid them near his heart, engraved them on the palms of his hands, and presented them in the breast-plate of judgment unto his Father. And (lastly) he crowned himself with holiness to the Lord, consecrating his whole undertaking to the honour of his Father's holiness: now consider how great this man is. (2.) True believers are spiritual priests. The clean linen with which all their clothes of service must be made is the righteousness of saints (Rev 19:8), and Holiness to the Lord must be so written upon their foreheads that all who converse with them may see, and say, that they bear the image of God's holiness, and are devoted to the praise of it.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 1–31. Public domain.
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Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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