2 Chronicles 9:11

KJV

And the king made [of] the algum trees terraces to the house of the LORD, and to the king's palace, and harps and psalteries for singers: and there were none such seen before in the land of Judah.

KJV (with Strong's)

And the king {H4428} made {H6213} of the algum {H418} trees {H6086} terraces {H4546} to the house {H1004} of the LORD {H3068}, and to the king's {H4428} palace {H1004}, and harps {H3658} and psalteries {H5035} for singers {H7891}: and there were none such {H1992} seen {H7200} before {H6440} in the land {H776} of Judah {H3063}.

Complete Jewish Bible

The king used the sandalwood to make walkways for the house of ADONAI and for the royal palace, also lyres and lutes for the singers. None like these had been seen before in the land of Y'hudah.

Berean Standard Bible

The king made the algum wood into steps for the house of the LORD and for the king’s palace, and into lyres and harps for the singers. Never before had anything like them been seen in the land of Judah.)

American Standard Version

And the king made of the algum-trees terraces for the house of Jehovah, and for the king’s house, and harps and psalteries for the singers: and there were none such seen before in the land of Judah.

Commentary

### SUMMARY
This verse highlights the unparalleled wealth and artistic endeavors of King Solomon, detailing the specific application of the rare and valuable algum trees imported from Ophir. These exotic woods were meticulously crafted into grand terraces for both the sacred House of the LORD and the king's opulent palace, and also fashioned into exquisite harps and psalteries for the Temple singers, underscoring a period of unprecedented splendor and the dedication of the finest resources to both divine worship and royal majesty in Judah.

### CONTEXT
* **Literary Context:** This verse is situated within a broader narrative detailing the zenith of King Solomon's reign, particularly his immense wisdom, wealth, and international prestige. Following the awe-inspiring visit of the Queen of Sheba ([2 Chronicles 9:1-9](/2_chronicles/9-1-9 "2 Chronicles 9:1-9 - The Queen of Sheba Visits Solomon")), the text shifts to elaborate on the sources and extent of Solomon's riches. Specifically, [2 Chronicles 9:10](/2_chronicles/9-10 "2 Chronicles 9:10 - Source of the Algum Trees") explicitly states that the algum trees, along with vast quantities of gold and precious stones, were brought from Ophir by the servants of Hiram and Solomon. Therefore, [2 Chronicles 9:11](/2_chronicles/9-11 "2 Chronicles 9:11 - Use of Algum Wood") serves as the immediate continuation, detailing *how* these exceptionally rare and valuable materials were utilized, not merely acquired. It provides concrete examples of the luxury and craftsmanship that characterized Solomon's kingdom, setting the stage for the subsequent accounts of his unparalleled prosperity before the narrative begins to pivot towards his later decline.
* **Historical & Cultural Context:** King Solomon's reign (c. 970-931 BC) is historically recognized as a period of significant peace, prosperity, and architectural expansion for Israel. His strategic alliances, particularly with Hiram, King of Tyre, facilitated extensive trade networks that brought exotic goods from distant lands, such as Ophir. The "algum trees" (also called "almug" in [1 Kings 10:11](/1_kings/10-11 "1 Kings 10:11 - Algum Wood from Ophir")) refer to a highly prized, imported wood, most likely sandalwood, renowned for its fragrance, durability, and beauty. Its use for both the Temple and the palace underscores the close intertwining of sacred and royal spheres in ancient Israelite society. Terraces were common architectural features, often grand staircases or elevated platforms, signifying status and grandeur. The crafting of musical instruments like harps and psalteries from such rare wood highlights the sophisticated musical culture, especially within Temple worship, where music played a crucial role in praising God, as seen in the extensive musical arrangements for the Temple detailed in [1 Chronicles 25](/1_chronicles/25 "1 Chronicles 25 - Temple Musicians"). The phrase "none such seen before" emphasizes the unprecedented nature of Solomon's wealth and the unique quality of these imports, distinguishing his reign from all previous eras in Judah.
* **Key Themes:** This verse powerfully illustrates several key themes prevalent in the book of Chronicles concerning Solomon's reign. Firstly, it highlights **Solomon's unparalleled wealth and wisdom**, demonstrating how divine blessing manifested in material prosperity and the ability to acquire and utilize the finest resources (see [2 Chronicles 9:22](/2_chronicles/9-22 "2 Chronicles 9:22 - Solomon's Unparalleled Wealth")). Secondly, it emphasizes the **dedication of resources to God's house**, as the most precious materials were used for the Temple, reflecting a commitment to honoring God with the best. This aligns with the Chronicler's emphasis on the Temple as the central place of worship and God's dwelling. Thirdly, the verse showcases the **splendor and glory of the Davidic kingdom** under Solomon, portraying an era of peace, prosperity, and artistic excellence that served as a model of God's ideal rule. Finally, it subtly points to the **integration of sacred and secular life** within the monarchy, as the same precious wood was used for both the Temple and the king's palace, indicating that even royal grandeur was intertwined with the divine blessing that flowed through the king.

### EXPOSITION AND ANALYSIS

#### Key Word Analysis
* **Algum trees (Hebrew, _ʼalgûwmmîym'_):** This term, referring to "sticks of algum wood," denotes a rare and highly valuable type of wood, widely believed to be sandalwood, imported from the distant land of Ophir (as noted in [2 Chronicles 9:10](/2_chronicles/9-10 "2 Chronicles 9:10 - Source of Algum Trees")). Its exotic origin and inherent qualities like fragrance and durability made it exceptionally prized for both construction and artistic endeavors, underscoring the vastness of Solomon's trading empire and the unprecedented luxury available during his reign.
* **Terraces (Hebrew, _mᵉçillâh'_):** Derived from a root meaning "to cast up" or "to build a highway," _mᵉçillâh_ refers to a thoroughfare, a viaduct, or a staircase. In this context, it suggests impressive architectural features, likely grand staircases or elevated platforms, enhancing the grandeur and accessibility of both the Temple complex and the royal palace. These were not merely functional pathways but significant structural and aesthetic elements, signifying status and majesty.
* **Psalteries (Hebrew, _nebel'_):** This term denotes a specific type of stringed musical instrument, often translated as a lyre or viol. Its name is derived from its resemblance in shape to a "skin-bag for liquids" or a "vase." The _nebel_ was typically larger than the "harps" (Hebrew, _kinnôwr_) also mentioned in the verse and produced a deeper, richer sound. Its inclusion here highlights the importance of sophisticated musical accompaniment in Temple worship and courtly life, emphasizing the dedication of the finest materials to instruments used for sacred praise.

#### Verse Breakdown
* **"And the king made [of] the algum trees terraces to the house of the LORD":** This clause reveals Solomon's primary use of the precious algum wood for significant architectural elements within the Temple complex. The construction of "terraces" (likely grand staircases or elevated platforms) from such rare material indicates a profound commitment to adorning God's dwelling with the most exquisite and durable resources available, reflecting the reverence and honor due to the divine presence.
* **"and to the king's palace":** The parallel use of the same rare wood for the king's own palace underscores the immense personal wealth and splendor of Solomon. It also signifies the close relationship between the sacred and royal spheres in ancient Israel, where the king, as God's anointed, was expected to embody divine blessing and majesty in his own dwelling as well.
* **"and harps and psalteries for singers":** Beyond architectural applications, the algum wood was also fashioned into high-quality musical instruments. This detail emphasizes the importance of music in both Temple worship and courtly entertainment. The use of such valuable wood for instruments suggests a commitment to excellence in musical performance and a desire to provide the finest tools for those who led praise and provided entertainment.
* **"and there were none such seen before in the land of Judah":** This concluding phrase serves as a powerful hyperbole, emphasizing the unprecedented nature of these items. It highlights the unique prosperity, artistic craftsmanship, and exotic resources that characterized Solomon's reign, setting it apart as a golden age unmatched in the history of Judah.

#### Literary Devices
The verse employs several literary devices to convey its message of unparalleled splendor. **Hyperbole** is evident in the concluding phrase, "and there were none such seen before in the land of Judah." This exaggeration effectively underscores the extraordinary and unique nature of the algum wood and the items crafted from it, emphasizing Solomon's unprecedented wealth and the magnificent quality of his reign. **Symbolism** is also at play, as the rare and valuable algum wood itself symbolizes divine blessing, the vastness of Solomon's kingdom, and the dedication of the finest resources to both sacred and royal purposes. The wood's exotic origin further symbolizes the international reach and prestige of Solomon's rule. Furthermore, there is a subtle **juxtaposition** between the "house of the LORD" and "the king's palace," highlighting how Solomon's immense resources were simultaneously directed towards both sacred worship and royal grandeur, demonstrating the integrated nature of his divinely blessed reign.

### THEOLOGICAL AND THEMATIC CONNECTIONS
The use of the finest and most unique materials for both the Temple and the palace in Solomon's reign reflects a profound theological principle: the offering of one's "best" to God. This echoes the Old Testament emphasis on quality sacrifices and offerings, where the unblemished and most valuable were consecrated to the Lord. Solomon's dedication of such rare wood for the Temple's terraces and instruments of worship signifies a recognition that God deserves the utmost honor and excellence in all things. This act of giving from abundance also foreshadows the glory and splendor of God's future kingdom, where all creation will ultimately reflect His beauty and majesty.

* [Exodus 25:1-9](/exodus/25-1-9 "Exodus 25:1-9 - Offerings for the Tabernacle")
* [1 Chronicles 29:1-5](/1_chronicles/29-1-5 "1 Chronicles 29:1-5 - David's Preparations for the Temple")
* [Haggai 2:7-9](/haggai/2-7-9 "Haggai 2:7-9 - The Latter Glory of the Temple")

### REFLECTION AND APPLICATION
This verse serves as a powerful reminder of stewardship and dedication. Solomon, blessed with unparalleled resources, chose to use the finest and most unique materials not only for his own palace but, significantly, for the house of the LORD and the instruments of worship. This challenges us to consider how we utilize the "algum trees" – the unique gifts, talents, resources, and opportunities – that God has entrusted to us. Are we reserving our "best" for ourselves, or are we dedicating our finest to God's purposes, whether in our worship, service, or daily lives? The principle extends beyond material wealth to our time, energy, and abilities. Just as the rare wood contributed to the beauty and functionality of the Temple, our dedicated and excellent use of our gifts can contribute to the flourishing of God's kingdom and the beauty of His presence in the world. It calls us to integrate our spiritual and daily lives, recognizing that all we have comes from God and should ultimately be used to honor Him and bless others.

#### Questions for Reflection
* **What "algum trees" (unique resources, talents, or opportunities) has God entrusted to me?**
* **In what specific ways can I dedicate my "best" to God's purposes, both in my personal life and in my community?**
* **How can I cultivate a mindset of excellence and beauty in my worship and service, reflecting the honor due to God?**

### FAQ
**What are "algum trees" and where did they come from?**

Answer: "Algum trees," also known as "almug trees" in [1 Kings 10:11](/1_kings/10-11 "1 Kings 10:11 - Algum Wood from Ophir"), refer to a rare and highly prized type of wood imported during Solomon's reign. While its exact botanical identification is debated, many scholars believe it was a form of sandalwood. These trees were brought from Ophir, a distant and rich land, along with vast quantities of gold and precious stones, indicating a sophisticated and far-reaching trade network established by Solomon and Hiram of Tyre (as mentioned in [2 Chronicles 9:10](/2_chronicles/9-10 "2 Chronicles 9:10 - Source of Algum Trees")).

**Why were these materials considered so special?**

Answer: These materials were considered exceptionally special primarily due to their rarity, exotic origin, and unique properties. As an imported wood from a distant land like Ophir, algum wood was not readily available in Judah, making it incredibly valuable. If it was indeed sandalwood, it would have been prized for its aromatic fragrance, fine grain, durability, and beautiful color. The phrase "none such seen before in the land of Judah" underscores its unprecedented nature and luxurious status, symbolizing the peak of Solomon's wealth and the unique splendor of his kingdom.

**What is the significance of using the wood for both the Temple and the palace?**

Answer: The dual use of the precious algum wood for both the Temple (the House of the LORD) and the king's palace carries significant meaning. Firstly, it highlights the immense and unparalleled wealth of King Solomon, as he could afford to use such rare and costly materials for both sacred and royal structures. Secondly, it demonstrates the close relationship between the sacred and royal spheres in ancient Israel. The king, as God's anointed representative, was expected to reflect divine blessing and order in his own dwelling, just as the Temple symbolized God's presence among His people. This integration signifies that even the king's personal grandeur was seen as part of the overall divine blessing and glory bestowed upon the nation.

### CHRIST-CENTERED FULFILLMENT
The unparalleled splendor of Solomon's reign, epitomized by the use of the unique algum trees for the Temple and royal palace, serves as a magnificent but ultimately incomplete foreshadowing of the ultimate King, Jesus Christ. Solomon's glory, though extraordinary, was earthly and temporary, eventually marred by his own failings and the kingdom's division. Yet, the dedication of the finest materials to the Temple hinted at a greater reality: the coming of a perfect King who would establish an eternal kingdom of incomparable glory. Jesus Christ is the true "Temple," not made with hands, in whom the fullness of God dwells bodily ([Colossians 2:9](/colossians/2-9 "Colossians 2:9 - Fullness of God in Christ")). He is building a spiritual house, not of wood or stone, but of living stones—His redeemed people, gathered from every nation, tribe, and tongue ([1 Peter 2:5](/1_peter/2-5 "1 Peter 2:5 - Living Stones")). The "none such seen before" aspect of Solomon's reign points to the truly incomparable and eternal glory of Christ's kingdom, where there will be no need for a physical temple because the Lord God Almighty and the Lamb are its temple ([Revelation 21:22-27](/revelation/21-22-27 "Revelation 21:22-27 - New Jerusalem, No Temple")). Just as the algum wood was fashioned into instruments for worship, believers in Christ are called to be instruments of praise, offering spiritual sacrifices and the fruit of lips that acknowledge His name ([Hebrews 13:15](/hebrews/13-15 "Hebrews 13:15 - Sacrifice of Praise")). In Christ, the ultimate dedication of the finest "materials"—His own perfect life and sacrifice—has been made, securing a glory that far surpasses any earthly kingdom ([John 1:14](/john/1-14 "John 1:14 - The Word Became Flesh")).

Note: Commentary is generated by AI with a directive for Biblical fidelity. Always rely on the Holy Spirit for discernment. The Scripture text and cross-references are from verified, non-AI sources.

Cross-References

1 Kings 10:12

And the king made of the almug trees pillars for the house of the LORD, and for the king's house, harps also and psalteries for singers: there came no such almug trees, nor were seen unto this day.

Revelation 5:8

And when he had taken the book, the four beasts and four [and] twenty elders fell down before the Lamb, having every one of them harps, and golden vials full of odours, which are the prayers of saints.

Psalms 92:1

¶ A Psalm [or] Song for the sabbath day. [It is a] good [thing] to give thanks unto the LORD, and to sing praises unto thy name, O most High:

Psalms 92:3

Upon an instrument of ten strings, and upon the psaltery; upon the harp with a solemn sound.

1 Chronicles 23:5

Moreover four thousand [were] porters; and four thousand praised the LORD with the instruments which I made, [said David], to praise [therewith].

Psalms 150:3

Praise him with the sound of the trumpet: praise him with the psaltery and harp.

Psalms 150:5

Praise him upon the loud cymbals: praise him upon the high sounding cymbals.