मुख्य मजकुरावर जा

Isaiah 44:14

“The Folly and Shame of Idolatry”· Isaiah 44:9–20Read in context
King James Version
He heweth him down cedars, and taketh the cypress and the oak, which he strengtheneth for himself among the trees of the forest: he planteth an ash, and the rain doth nourish it.
KJV (with Strong's)
He heweth him down H3772 cedars H730, and taketh H3947 the cypress H8645 and the oak H437, which he strengtheneth H553 for himself among the trees H6086 of the forest H3293: he planteth H5193 an ash H766, and the rain H1653 doth nourish H1431 it.
Complete Jewish Bible
He goes to chop down cedars; he takes an evergreen and an oak; he especially tends one tree in the forest, plants a pine for the rain to nourish.
Berean Standard Bible
He cuts down cedars or retrieves a cypress or oak. He lets it grow strong among the trees of the forest. He plants a laurel, and the rain makes it grow.
American Standard Version
He heweth him down cedars, and taketh the holm-tree and the oak, and strengtheneth for himself one among the trees of the forest: he planteth a fir-tree, and the rain doth nourish it.
World English Bible Messianic
He cuts down cedars for himself, and takes the cypress and the oak, and strengthens for himself one among the trees of the forest. He plants a fir tree, and the rain nourishes it.
Geneva Bible (1599)
He will hewe him downe cedars, and take the pine tree and the oke, and taketh courage among the trees of the forest: he planteth a firre tree, and the raine doeth nourish it.
Young's Literal Translation
Cutting down to himself cedars, He taketh also a cypress, and an oak, And he strengtheneth it for himself Among the trees of a forest, He hath planted an ash, and the shower doth nourish it .
मराठी · MRCV
तो गंधसरू तोडतो किंवा बहुतेक सुरू वा एला ही झाडे निवडतो, तो त्या झाडाला रानातील इतर झाडांसह वाढवितो, किंवा देवदारू लावतो व पावसाच्या पाण्यावर त्याला वाढू देतो.
Translation
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In the KJVVerse 18,548 of 31,102 · 59.6%

Study this verse

Summary

Isaiah 44:14 is a pivotal verse within a broader prophetic denunciation of idolatry, meticulously detailing the initial, laborious steps an idol maker undertakes to fashion a god from natural resources. It powerfully highlights the profound irony of human beings investing significant effort in creating an inert object, while simultaneously revealing God's overarching sovereignty even in providing the very materials—such as the rain that nourishes the trees—that are then perverted for false worship. This verse serves as a foundational element in Isaiah's compelling argument for the incomparable uniqueness and omnipotence of the one true God, contrasting Him sharply with the utter futility and dependence of man-made deities.

Context

Literary Context

Isaiah 44:14 is strategically placed within a scathing polemic against idolatry, primarily found in Isaiah 44:9-20. This section immediately follows a majestic declaration of God's incomparable nature and His unique ability to foretell the future, a theme powerfully articulated in Isaiah 44:6-8. The prophet Isaiah systematically dismantles the logic of idol worship by exposing the mundane, human-driven process of its creation, juxtaposing it with the divine, effortless act of true creation. The verses leading up to and following verse 14 describe the entire manufacturing process, from felling trees to forming the idol and then bowing down to it, emphasizing the inherent absurdity of worshiping something crafted by one's own hands. This detailed exposé serves to underscore the profound spiritual blindness of those who engage in such practices, as further elaborated in Isaiah 44:18-20.

Historical & Cultural Context

The book of Isaiah was written during a period when the nation of Judah faced immense spiritual and political pressure from surrounding pagan cultures, which extensively practiced polytheism and idol worship. Empires like Assyria and Babylon, with their elaborate pantheons of gods represented by physical idols, posed a constant spiritual threat to Israel's foundational monotheistic faith. Idol worship was deeply ingrained in the ancient Near East, often linked to fertility cults, national security, and daily life, with people believing these deities controlled natural phenomena and human destiny. Isaiah's message was a stark call for Judah to remain faithful to Yahweh, the God of Israel, and to resist the pervasive temptation to adopt the religious practices of their neighbors. The detailed description of tree felling and wood preparation would have been intimately familiar to Isaiah's audience, making the prophet's pointed satire of the idol maker's efforts all the more potent and relatable.

Key Themes

This verse powerfully contributes to several overarching themes in the book of Isaiah. Foremost is the absurdity and futility of idolatry, a central motif throughout Isaiah 40-48. By detailing the human labor involved in crafting an idol, Isaiah underscores its inherent lifelessness and complete dependence on human effort, starkly contrasting it with the self-existent, all-powerful God. Another key theme is God's incomparable sovereignty and uniqueness, as the true God creates the very trees and sends the rain that nourishes them, highlighting His ultimate control even over the resources misused for false worship. This subtly reinforces the idea that the Creator is infinitely superior to anything created, a truth echoed in passages like Psalm 115:4-7 and Jeremiah 10:3-5. Finally, the passage touches on divine provision and common grace, as God's rain nourishes the trees that will be used for idolatry, demonstrating His universal goodness even towards those who reject Him, a concept also seen in Matthew 5:45.

Exposition and Analysis

Key Word Analysis

Heweth him down kârath' H3772

This primitive root means "to cut (off, down or asunder); by implication, to destroy or consume; specifically, to covenant." In this context, it vividly describes the physical act of felling trees, emphasizing the human effort and destructive action involved in acquiring the raw material for an idol. It highlights the idol's complete dependence on human agency from its very inception, in stark contrast to the self-existent nature of the true God.

Strengtheneth ʼâmats' H553

This root means "to be alert, physically (on foot) or mentally (in courage); confirm, be courageous (of good courage, stedfastly minded, strong, stronger), establish, fortify, harden, increase, prevail, strengthen (self)." Here, it denotes the process of making the wood firm or sturdy, perhaps through seasoning, drying, or specific preparation, to ensure the idol's durability and structural integrity. This word ironically underscores the human attempt to impart strength to an object that inherently possesses none and is, in fact, lifeless.

Nourish gâdal' H1431

This primitive root means "to twist... to be (causatively make) large (in various senses, as in body, mind, estate or honor, also in pride); advance, boast, bring up, exceed, excellent, be(-come, do, give, make, wax), great(-er, come to... estate, [phrase] things), grow(up), increase, lift up, magnify(-ifical), be much set by, nourish (up), pass, promote, proudly (spoken), tower." In this context, it refers to the rain causing the tree to grow, thrive, and become large. This is a profound and ironic detail, as it is God's own natural provision—the rain—that enables the growth of the very trees that will be used to fashion false gods, subtly asserting God's ultimate and undeniable control over all creation.

Verse Breakdown

"He heweth him down cedars, and taketh the cypress and the oak"

This initial clause precisely details the deliberate and laborious actions of the idol maker. He carefully selects and fells specific, sturdy, and often valuable trees—cedars, cypress, and oak—indicating a purposeful and resource-intensive endeavor. The choice of these particular woods suggests a desire for durability, perhaps a grand scale, and aesthetic appeal for the intended idol. Yet, this very act emphasizes the idol's complete reliance on common, natural, and created resources, underscoring its earthly, non-divine origin.

"which he strengtheneth for himself among the trees of the forest"

This part highlights the subsequent preparation of the wood. The idol maker "strengtheneth" or makes the wood firm, likely through drying, seasoning, or treating it, to ensure its suitability for carving and its longevity as an object of worship. The phrase "among the trees of the forest" underscores the mundane origin of the material; it is not from a divine source but from common, earthly vegetation. The crucial phrase "for himself" emphasizes the self-serving, human-centric, and ultimately futile nature of idolatry, where man creates a god in his own image and for his own purposes.

"he planteth an ash, and the rain doth nourish [it]."

This final clause provides a stark contrast and a profound, layered irony. The idol maker might even plant a tree, demonstrating a long-term commitment to this enterprise, perhaps even foreseeing its future use for idolatry. Crucially, it is "the rain" (God's sovereign provision) that "doth nourish" (causes to grow and thrive) the tree. This quiet observation subtly but powerfully reminds the reader of God's ultimate sovereignty and benevolent provision, even for the resources that are then perverted for idolatrous purposes. The idol maker depends entirely on God's sustaining power and common grace even as he rejects God by fashioning and worshiping a false deity.

Literary Devices

Isaiah 44:14 employs several potent literary devices to convey its message with striking force. Irony is paramount, as the verse meticulously details the immense human effort required to create an object of worship, implicitly contrasting it with the effortless, self-existent power of the true God. The ultimate irony lies in the fact that God's own rain nourishes the trees that will be fashioned into false deities, demonstrating His sovereignty even over the materials misused by idolaters. This also functions as a powerful form of satire, ridiculing the absurdity of worshiping something that is utterly dependent on human labor and natural processes for its very existence. The mention of specific trees like "cedars," "cypress," and "oak" serves as vivid imagery, grounding the abstract concept of idolatry in concrete, tangible actions and materials, making the prophet's critique more vivid and relatable. The detailed, step-by-step description of the idol-making process also creates a strong sense of verisimilitude, making the folly of the idolater's actions strikingly apparent and undeniable to the audience.

Theological and Thematic Connections

Isaiah 44:14 powerfully underscores the biblical critique of idolatry, revealing its inherent foolishness and the profound theological chasm between the Creator and the created. The passage highlights that anything fashioned by human hands, no matter how carefully crafted or seemingly strong, remains utterly dependent and lifeless, incapable of delivering salvation, true sustenance, or meaningful interaction. This stands in stark contrast to the living God who is the source of all life and provision, the ultimate sustainer, even for the very materials used in idolatry. The emphasis on God's rain nourishing the trees serves as a subtle yet potent reminder of His universal sovereignty and common grace, extending His beneficent provision even to those who reject Him and fashion false gods. This theme resonates deeply with the broader biblical narrative, which consistently champions monotheism and warns against the dangers of misplaced worship, calling humanity to acknowledge the one true God alone.

Reflection and Application

While the overt worship of wooden idols may seem archaic to many in contemporary society, the underlying principle of idolatry remains profoundly relevant and pervasive. This verse challenges us to critically examine what we "hew down," "strengthen for ourselves," and ultimately place our trust in, rather than the living God. Modern idols often manifest as anything that occupies the place of ultimate devotion, security, or identity in our hearts—be it career success, financial wealth, social status, personal comfort, relationships, or even self-image and self-reliance. Just as the idol maker invests immense effort into something lifeless and dependent, we too can expend our most precious resources—time, energy, passion, and intellect—on pursuits that ultimately cannot deliver true meaning, lasting satisfaction, or eternal salvation. Isaiah 44:14 calls us to recognize God's continuous, sovereign provision in all aspects of our lives, even in the "rain" that nourishes our endeavors, and to direct our worship and dependence solely towards Him, the Creator and Sustainer of all things. It is a profound call to discern what truly sustains and to worship the Source of all life, not the created things that can never satisfy.

Questions for Reflection

  1. What "materials" (resources, time, energy) am I "hewing down" and "strengthening for myself" in my life? Are these pursuits leading me to worship the Creator or the created?
  2. In what subtle or overt ways might I be relying on my own efforts, achievements, or created things for security, identity, or fulfillment, rather than on God's ultimate provision and power?
  3. How does recognizing God's common grace, even in providing for those who reject Him (like the rain nourishing the trees), deepen my appreciation for His boundless character and unwavering sovereignty?

FAQ

What is the main point Isaiah is making in Isaiah 44:14?

The main point Isaiah is making in Isaiah 44:14 is to expose the utter folly and absurdity of idolatry by detailing the mundane, human-driven process of creating an idol. He highlights the profound irony that humans exert significant effort to fashion an inert object, while the very materials used are sustained by the true God's provision (the rain nourishing the trees). This verse serves to contrast the lifelessness and dependence of man-made gods with the incomparable, self-existent, and all-sustaining power of Yahweh, the God of Israel. It underscores that anything created by human hands cannot be worthy of worship, especially when compared to the Creator of all things, as powerfully emphasized in Psalm 115:4-7.

How does this verse relate to modern-day idolatry?

While modern society may not typically carve gods from wood, the principle of idolatry remains highly relevant. Modern-day idolatry refers to anything that takes the rightful place of God in our lives—anything we trust in, derive our identity from, or give ultimate devotion to, apart from Him. This could include wealth, career success, relationships, power, comfort, self-image, or even intellectual pursuits. Just as the idol maker in Isaiah 44:14 invests significant time and effort into a lifeless object, we can similarly expend our most valuable resources on things that ultimately cannot deliver true satisfaction, security, or salvation. The verse serves as a timeless warning to examine our hearts and ensure that our ultimate trust and worship are directed towards the living God, who truly sustains and delivers, as seen in Jesus' teaching in Matthew 6:24.

Christ-Centered Fulfillment

Isaiah 44:14, with its vivid portrayal of the futility of man-made gods, finds profound Christ-centered fulfillment in the person and work of Jesus Christ. The passage critiques the human tendency to create saviors out of earthly materials and human effort, demonstrating their inherent powerlessness and dependence on creation. In contrast, Jesus is revealed as the true and living God, not "hewn down" or "strengthened" by human hands, but eternally pre-existent and fully divine, the very Word through whom all things came into being (John 1:1-3). He is the Creator through whom "all things were created, in heaven and on earth, visible and invisible" (Colossians 1:16), including the cedars, cypress, and oaks, and the rain that nourishes them. The irony of God's rain nourishing the very trees used for idols foreshadows God's ultimate act of grace: sending His Son, Jesus, into a world steeped in idolatry, not to be fashioned by it, but to redeem it. Jesus is the ultimate "strength" not derived from human effort but from divine power, able to truly save and sustain where idols utterly fail (Hebrews 7:25). He is the one true object of worship, the Lamb of God who takes away the sin of the world, offering life and salvation that no humanly crafted deity could ever provide (John 1:29). In Christ, the emptiness of trusting in created things is exposed, and the fullness of trusting in the Creator is revealed, for in Him "all the fullness of God was pleased to dwell" (Colossians 1:19).

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Public-domain commentary

Matthew Henry

From his Commentary on the Whole Bible. Henry comments on passages, not single verses — this entry covers Isaiah 44:9–20. His four-level outline is real structure in the source text, so it is rendered as structure.

1662–1714 · 12 verses
Passage under commentIsaiah 44:9–20
I. II. Main points1. 2. Sub-points(1.) (2.) Details[1.] [2.] Fine details

Often before, God, by the prophet, had mentioned the folly and strange sottishness of idolaters; but here he enlarges upon that head, and very fully and particularly exposes them to contempt and ridicule. This discourse is intended, 1. To arm the people of Israel against the strong temptation they would be in to worship idols when they were captives in Babylon, in compliance with the custom of the country (they being far from the city of their own solemnities) and to humour those who were now their lords and masters. 2. To cure them of their inclination to idolatry, which was the sin that did most easily beset them and to reform them from which they were sent into Babylon. As the rod of God is of use to enforce the word, so the word of God is of use to explain the rod, that the voice of both together may be heard and answered. 3. To furnish them with something to say to their Chaldean task-masters. When they insulted over them, when they asked, Where is your God? they might hence ask them, What are your gods? 4. To take off their fear of the gods of their enemies, and to encourage their hope in their own God that he would certainly appear against those who set up such scandalous competitors as these with him for the throne.

Now here, for the conviction of idolaters, we have,

I.A challenge given to them to clear themselves, if they can, from the imputation of the most shameful folly and senselessness imaginable, Isa 44:9-11. They set their wits on work to contrive, and their hands on work to frame, graven images, and they call them their delectable things; extremely fond they are of them, and mighty things they expect from them. Note, Through the corruption of men's nature, those things that should be detestable to them are desirable and delectable; but those are far gone in a distemper to whom that which is the food and fuel of it is most agreeable. Now,

1.We tell them that those that do so are all vanity; they deceive themselves and one another, and put a great cheat upon those for whom they make these images.

2.We tell them that their delectable things shall not profit them, nor make them any return for the pleasure they take in them; they can neither supply them with good nor protect them from evil. The graven images are profitable for nothing at all, nor will they ever get any thing by the devoirs they pay to them.

3.We appeal to themselves whether it be not a silly sottish thing to expect any good from gods of their own making: They are their own witnesses, witnesses against themselves, if they would but give their own consciences leave to deal faithfully with them, that they are blind and ignorant in doing thus. They see not nor know, and let them own it, that they may be ashamed. If men would but be true to their own convictions, ordinarily we might be sure of their conversion, particularly idolaters; for who has formed a god? Who but a mad-man, or one out of his wits, would think of forming a god, of making that which, if he make it a god, he must suppose to be his maker?

4.We challenge them to plead their own cause with any confidence or assurance. If any one has the front to say that he has formed a god, when all his fellows come together to declare what each of them has done towards the making of this god, they will all be ashamed of the cheat they have put upon themselves, and laugh in their sleeves at those whom they have imposed upon; for the workmen that formed this god are of men, weak and impotent, and therefore cannot possibly make a being that shall be omnipotent, nor can they without blushing pretend to do so. Let them all be gathered together, as Demetrius and the craftsmen were, to support their sinking trade; let them stand up to plead their own cause, and make the best they can of it, with hand joined in hand; yet they shall fear to undertake it when it comes to the setting to, as conscious to themselves of the weakness and badness of their cause, and they shall be ashamed of it, not only when they appear singly, but when by appearing together they hope to keep one another in countenance. Note, Idolatry and impiety are things which men may justly both tremble and blush to appear in the defence of.

II.A particular narrative of the whole proceeding in making a god; and there needs no more to expose it than to describe it and tell the story of it.

1.The persons employed about it are handicraft tradesmen, the meanest of them, the very same that you would employ in making the common utensils of your husbandry, a cart or a plough. You must have a smith, a blacksmith, who with the tongs works in the coals; and it is hard work, for he works with the strength of his arms, till he is hungry and his strength fails, so eager is he, and so hasty are those who set him at the work to get it despatched. He cannot allow himself time to eat or drink, for he drinks no water, and therefore is faint, Isa 44:12. Perhaps it was a piece of superstition among them for the workman not to eat or drink while he was making a god. The plates with which the smith was to cover the image, or whatever iron-work was to be done about it, he fashioned with hammers, and made it all very exact, according to the model given him. Then comes the carpenter, and he takes as much care and pains about the timber-work, Isa 44:13. He brings his box of tools, for he has occasion for them all: He stretches out his rule upon the piece of wood, marks it with a line, where it must be sawed or cut of; he fits it, or polishes it, with planes, the greater first and then the less; he marks out with the compasses what must be the size and shape of it; and it is just what he pleases.

2.The form in which it is made is that of a man, a poor, weak, dying creature; but it is the noblest form and figure that he is acquainted with, and, being his own, he has a peculiar fondness for it and is willing to put all the reputation he can upon it. He makes it according to the beauty of a man, in comely proportion, with those limbs and lineaments that are the beauty of a man, but are altogether unfit to represent the beauty of the Lord. God put a great honour upon man when, in respect of the powers and faculties of his souls, he made him after the image of God; but man does a great dishonour to God when he makes him, in respect of bodily parts and members, after the image of man. Nor will it at all atone for the affront so far to compliment his god as to take the fairest of the children of men for his original whence to take his copy, and to give him all the beauty of a man that he can think of; for all the beauty of the body of a man, when pretended to be put upon him who is an infinite Spirit, is a deformity and diminution to him. And, when the goodly piece is finished, it must remain in the house, in the temple or shrine prepared for it, or perhaps in the dwelling house if it be one of the lares or penates - the household gods.

3.The matter of which it is mostly made is sorry stuff to make a god of; it is the stock of a tree.

(1.)The tree itself was fetched out of the forest, where it grew among other trees, of no more virtue or value than its neighbours. It was a cedar, it may be, or a cypress, or an oak, Isa 44:14. Perhaps he had an eye upon it some time before for this use, and strengthened it for himself, used some art or other to make it stronger and better-grown than other trees were. Or, as some read it, which hath strengthened or lifted up itself among the trees of the forest, the tallest and strongest he can pick out. Or, it may be, it pleases his fancy better to take an ash, which is of a quicker growth, and which was of his own planting for this use, and which has been nourished with rain from heaven. See what a fallacy he puts upon himself, in making that his refuge which was of his own planting, and which he not only gave the form to, but prepared the matter for; and what an affront he puts upon the God of heaven in setting up that a rival with him which was nourished by his rain, that rain which falls upon the just and unjust.

(2.)The boughs of this tree were good for nothing but for fuel; to that use were they put, and so were the chips that were cut off from it in the working of it; they are for a man to burn, Isa 44:15, Isa 44:16. To show that that tree has no innate virtue in it for its own protection, it is as capable of being burnt as any other tree; and, to show that he who chose it had no more antecedent value for it than for any other tree, he makes no difficulty of throwing part of it into the fire as common rubbish, asking no question for conscience' sake.

[1.]It serves him for his parlour-fire: He will take thereof and warm himself (Isa 44:15), and he finds the comfort of it, and is so far from having any regret in his mind for it that he saith, Aha! I am warm; I have seen the fire; and certainly that part of the tree which served him for fuel, the use for which God and nature designed it, does him a much greater kindness and yields him more satisfaction than ever that will which he makes a god of.

[2.]It serves him for his kitchen-fire: He eats flesh with it, that is, he dresses the flesh with it which he is to eat; he roasteth roast, and is satisfied that he has not done amiss to put it to this use. Nay,

[3.]It serves him to heat the oven with, in which we use that fuel which is of least value: He kindles it and bakes bread with the heat of it, and none charges him with doing wrong.

(3.)Yet, after all, the stock or body of the tree shall serve to make a god of, when it might as well have served to make a bench, as one of themselves, even a poet of their own, upbraids them, Horat. Sat. 1.8:

Olim truncus eram ficulnus, inutile lignum,

Quum faber, incertus scamnum faceretne Priapum,

Maluit esse deum; deus inde ego -

In days of yore our godship stood

A very worthless log of wood,

The joiner, doubting or to shape us

Into a stool or a Priapus,

At length resolved, for reasons wise,

Into a god to bid me rise.

- Francis

And another of them threatens the idol to whom he had committed the custody of his woods that, if he did not preserve them to be fuel for his fire, he should himself be made use of for that purpose:

Furaces moneo manus repellas,

Et silvam domini focis reserves,

Si defecerit haec, et ipse lignum es.

Drive the plunderers away, and preserve the wood

for thy master's hearth, or thou thyself shalt

be converted into fuel.

- Martial

When the besotted idolater has thus served the meanest purposes with part of his tree, and the rest has had time to season (he makes that a god in his imagination while that is in the doing, and worships it): He makes it a graven image, and falls down thereto (Isa 44:15), that is (Isa 44:17), The residue thereof he makes a god, even his graven image, according to his fancy and intention; he falls down to it, and worships it, gives divine honours to it, prostrates himself before it in the most humble reverent posture, as a servant, as a suppliant; he prays to it, as having a dependence upon it, and great expectations from it; he saith, Deliver me, for thou art my god. There where he pays his homage and allegiance he justly looks for protection and deliverance. What a strange infatuation is this, to expect help from gods that cannot help themselves! But it is this praying to them that makes them gods, not what the smith or the carpenter did to them. What we place our confidence in for deliverance that we make a god of.

Qui fingit sacros, auro vel marmore, vultus

Non facit ille deos; qui rogat, ille facit.

He who supplicates the figure, whether it be

of gold or of marble, makes it a god, and not

he who merely constructs it.

- Martial

III.Here is judgment given upon this whole matter, Isa 44:18-20.

In short, it is the effect and evidence of the greatest stupidity and sottishness that one could ever imagine rational beings to be guilty of, and shows that man has become worse than the beasts that perish; for they act according to the dictates of sense, but man acts not according to the dictates of reason (Isa 44:18): They have not known nor understood common sense; men that act rationally in other things in this act most absurdly. Though they have some knowledge and understanding, yet they are strangers to, nay, they are rebels against the great law of consideration (Isa 44:12): None considers in his heart, nor has so much application of mind as to reason thus with himself, which one would think he might easily do, though there were none to reason with him: "I have burnt part of this tree in the fire, for baking and roasting; and now shall I make the residue thereof an abomination?" (that is, an idol, for that is an abomination to God and all wise and good men); "shall I ungratefully choose to do, or presumptuously dare to do, what the Lord hates? shall I be such a fool as to fall down to the stock of a tree - a senseless, lifeless, helpless thing? shall I so far disparage myself, and make myself like that I bow down to?" A growing tree may be a beautiful stately thing, but the stock of a tree has lost its glory, and he has lost his that gives glory to it. Upon the whole, the sad character given of these idolaters is,

1.That they put a cheat upon themselves (Isa 44:20): They feed on ashes; they feed themselves with hopes of advantage by worshipping these idols, but they will be disappointed as much as a man that would expect nourishment by feeding on ashes. Feeding on ashes is an evidence of a depraved appetite and a distempered body; and it is a sign that the soul is overpowered by very bad habits when men, in their worship, go no further than the sight of their eyes will carry them. They are wretchedly deluded, and it is their own fault: A deceived heart of their own, more than the deceiving tongue of others, has turned them aside from the faith and worship of the living God to dumb idols. They are drawn away of their own lusts and enticed. The apostasy of sinners from God is owing entirely to themselves and to the evil heart of unbelief that is in their own bosom. A revolting and rebellious heart is a deceived heart.

2.That they wilfully persist in their self-delusion and will not be undeceived. There is none of them that can be persuaded so far to suspect himself as to say, Is there not a lie in my right hand? and so to think of delivering his soul. Note,

(1.)Idolaters have a lie in their right hand; for an idol is a lie, is not what it pretends, performs not what it promises, and it is a teacher of lies, Hab 2:18.

(2.)It highly concerns those that are secure in an evil way seriously to consider whether there be not a lie in their right hand. Is not that a lie which with complacency we hold fast as our chief good? Are our hearts set upon the wealth of the world and the pleasures of sense? They will certainly prove a lie in our right hand. And is not that a lie which with confidence we hold fast by, as the ground on which we build our hopes for heaven? If we trust to our external professions and performances, as if those would save us, we deceive ourselves with a lie in our right hand, with a house built on the sand.

(3.)Self-suspicion is the first step towards self-deliverance. We cannot be faithful to ourselves unless we are jealous of ourselves. He that would deliver his soul must begin with putting this question to his own conscience. Is there not a lie in my right hand?

(4.)Those that are given up to believe in a lie are under the power of strong delusions, which it is hard to get clear of, Th2 2:11.

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Historical interpretation

Historical Reception

One surviving comment on this verse from the historical church.

1 quote · AD 420
AD 420JeromePost-NiceneSourceCommentary on Isaiah
(Verse 6 and following) This is what the Lord, the king of Israel and his redeemer, the Lord of hosts, says: I am the first and I am the last, and there is no God besides me. Who is like me? Let him call and declare, and lay out the order for me, since I established the ancient people: what is coming and what will happen, let them declare to them. Do not be afraid, nor be troubled: from that time I have made you hear and announced it; you are my witnesses. Is there any God besides me, and a creator whom I do not know? All the idols of the nations are worthless, and the things they love do not profit them. They themselves are witnesses to their own worthlessness, for they do not see or understand, so that they may be put to shame. Who formed a god or cast an idol that is profitable for nothing? Look, all his companions shall be put to shame; the craftsmen are mere men. Let them all assemble, let them stand forth. They shall be terrified; they shall be put to shame together. The blacksmith takes a tool and works it with the coals; he fashions it with hammers and works it with his strong arm. He will be hungry and will become weak, he will not drink water, and he will grow weary. The carpenter extends the rule (or the form), he shapes it on the plane, he forms it with angles, and rounds it off with a compass. And he makes an image of a man, like a handsome man dwelling in a house. He cuts down cedars, he takes an oak, and a tree that stood among the woods. He plants a pine, which the rain nourishes, and it becomes fuel for men. He takes from them, and warms himself; he kindles it, and bakes bread. But the rest of it he made into a god and worshipped; he made an idol and bowed down to it. He burned half of it in the fire and cooked meat on it; he roasted a stew and ate it, and then he was satisfied. He warmed himself and said, 'Ah! I am warm; I see the fire.' The rest of the wood he made into a god, his idol. He bows down to it and worships; he prays to it and says, 'Save me, for you are my god.' They do not know, nor do they understand; for their eyes are too dim to see, and their hearts too dull to perceive. They do not recognize in their mind, nor do they know, nor do they feel to say: I burnt its middle with fire, and I baked bread on its coals. I cooked meat, and I ate, and from the rest of it I will make an idol, I will prostrate before the trunk of a tree, a part of it is ashes: the foolish heart worshipped it: and it did not save its soul, nor will it say: perhaps there is a lie in my right hand. After the preaching of the Apostles, the calling of the Gentiles, the coming of the Savior, and the outpouring of the Holy Spirit, which he promised to give to all who believe, when another will say, I belong to the Lord: another will call himself in the name of Jacob: another will write with his own hand that he belongs to the Lord, and when he has arisen from the unbelieving crowd of the Gentiles, he will be likened to Israel, so that having abandoned idols, he may be a worshipper of one God: it begins another section, which we have presented in its entirety, so as not to divide the unity of its meaning. And because the Septuagint in this chapter, with the exception of a few words, does not differ from the Hebrew, we are satisfied with our edition, by understanding which, the others will be understood as well. And this is a discourse against the idolaters of that time, to whom the prophet Isaiah proclaimed the coming things for the people, and he reproves those who, despising the religion of Almighty God, incline to wooden idols and worship the works of their own hands. Let us therefore run through each point. Thus says the Lord, the king of Israel, who is to be believed in me, and his redeemer, who will receive the coming of my Son: The Lord of hosts and virtues, and Almighty. For in Hebrew, it means Sabaoth (). I am the first and the last, I am Α and Ω; and there is no God without me, for the child whom I have chosen is God in me. Of whom I said above: Behold my child, whom I have chosen: my chosen one, whom my soul has received: he will bring judgment to the nations: and in his name the nations will hope. He does not say that he alone exists, but that apart from his own virtue and wisdom there is no external God, and condemns the belief in many gods and images: Who, he says, is like me? Let him call those things which are not as though they were, and explain the order of my creation, which I have balanced with reason, since I made man upon the earth. And not only do I desire this, but I also seek knowledge of the future. Therefore, you, Israel, of whom I am both king and redeemer, do not fear the images that you have learned are nothing on Mount Sinai. Is there perhaps another Creator, whom I do not know? Or is there another world beyond this one, which reveals the power of an unknown God? And not only the things that are made, but also those who make them, will be considered worthless. And when the time of vengeance comes, they will not be able to free themselves from the works of their own hands, which blind and senseless artisans confuse. For who can believe that God is formed by an axe, file, drill, or hammer? And are there statues made of thorns; or do the plumb-line, plow, and corner-squares, and the compass suddenly rise up into gods? Especially since the poverty of the artist is shown by hunger and thirst. For a wooden statue is made, representing human form, and the more beautiful it is, the narrower is the God thought to be. It is placed in a shrine, and is enclosed in eternal prison, which grew for a long time in the woods, and depending on the variety of trees, was either a cedar or an oak or a pine. And in a wondrous manner, its segments and scratches are thrown into the hearth, so that they may warm the artisan of God and cook different dishes. But the other part is fashioned into a god, so that, with the work complete, the creator may adore it and seek assistance from his own creation. Yet he does not understand or consider, indeed, he does not even look upon it with the eyes of the flesh or the mind, that it cannot be God, whose part has been consumed by fire, nor can the divine majesty be made by the hand of man. Moreover, the prophetic language is more fully covered with ridicule, which is easily understood and does not require a verbose, rather superfluous commentary. This is what Horace also writes about in his Satire, mocking the idols of the nations (Satire VIII, Book I).

Once I was a fig tree trunk, useless wood: When a craftsman was unsure whether to make a bench or Priapus. He preferred it to be a god: I became a god, the greatest fear of thieves and birds. . . . . . . . . . . . . Whatever is said about idols can also be applied to the leaders of heresies, who create images of their doctrines and lies with cunning hearts and worship things that they know are made by themselves. And their own error is not enough for them, unless they deceive even the simplest of their followers with their worship. Those who think that gain is godliness and devour the homes of widows (I Tim. VI), taking advantage of the ignorance of the common people, in this way, with dialectic art, as if with an axe and drill, they shape their own god, and they forge with a hammer, and they gild with the elegance of rhetorical language: of whom their god is their belly, and their glory is in their shame (Philipp. III).
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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