What number verse is 1 Kings 7:30 in the Bible?

1 Kings 7:30 is the 8,965th verse of the Bible. Counting straight through the King James canon — all 31,102 verses from Genesis 1:1 to Revelation 22:21 — 1 Kings 7:30 sits at position 8,965.

Translation

King James Version

And every base had four brasen wheels, and plates of brass: and the four corners thereof had undersetters: under the laver were undersetters molten, at the side of every addition.

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KJV (with Strong's)

And every ^H259 base ^H4350 had four ^H702 brasen ^H5178 wheels ^H212, and plates ^H5633 of brass ^H5178: and the four ^H702 corners ^H6471 thereof had undersetters ^H3802: under the laver ^H3595 were undersetters ^H3802 molten ^H3332, at the side ^H5676 of every ^H376 addition ^H3914.

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Complete Jewish Bible

Every trolley had four bronze wheels and bronze axles, and its four legs each had cast supports which were under the basin, with wreaths next to each.

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Berean Standard Bible

Each stand had four bronze wheels with bronze axles and a basin resting on four supports, with wreaths at each side.

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American Standard Version

And every base had four brazen wheels, and axles of brass; and the four feet thereof had undersetters: beneath the laver were the undersetters molten, with wreaths at the side of each.

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World English Bible Messianic

Every base had four bronze wheels, and axles of brass; and the four feet of it had supports: beneath the basin were the supports molten, with wreaths at the side of each.

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Geneva Bible (1599)

And euery base had foure brasen wheeles, and plates of brasse: and the foure corners had vndersetters: vnder the caldron were vndersetters molten at the side of euery addicion.

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Young's Literal Translation

And four wheels of brass are to the one base, and axles of brass; and its four corners have shoulders--under the laver are the molten shoulders, beside each addition.

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Study This Verse

SUMMARY

1 Kings 7:30 offers an exceptionally precise description of the movable bronze bases that supported the ten lavers within Solomon's Temple. This verse, part of an extensive architectural account, highlights the extraordinary precision, robust materials, and meticulous craftsmanship employed in every component of God's dwelling, underscoring the profound significance attached to even the seemingly minor elements of the sacred structure, reflecting the divine standard of excellence for worship and service.

CONTEXT

Literary Context: This verse is intricately woven into the fabric of 1 Kings chapter 7, which provides an exhaustive and highly detailed account of the intricate furnishings and vessels crafted for King Solomon's magnificent Temple in Jerusalem. Following the comprehensive description of the Temple's main structure and Solomon's own palace in chapter 6, the narrative shifts its focus to the elaborate bronze work commissioned from Hiram of Tyre, a master craftsman renowned for his skill. Verses 13-47 meticulously detail Hiram's contributions, including the two great bronze pillars (Jachin and Boaz), the massive Molten Sea, and the ten movable stands with their accompanying lavers. Verse 30 specifically describes one intricate aspect of these ten movable bases, demonstrating the narrative's unwavering attention to every component of the sacred space, thereby emphasizing the profound influence of the divine blueprint on the earthly construction.
Historical & Cultural Context: In the ancient Near East, the construction of temples was a monumental undertaking, serving not only as a place of worship but also as a powerful symbol reflecting the wealth, power, and religious devotion of the reigning monarch. The pervasive use of "brass" (bronze) was highly significant; bronze was a valuable and durable alloy, requiring sophisticated metallurgical skills to cast and work, particularly for large, intricate pieces like these bases. The detailed descriptions found in 1 Kings 7 are characteristic of ancient royal inscriptions that often glorified grand building projects, associating the king with divine favor and national prosperity. The lavers themselves were indispensable for priestly ablutions, a common practice in ancient religions, but particularly emphasized in Israelite worship as a prerequisite for approaching a holy God. This practice, deeply rooted in the Tabernacle's design, underscored the absolute necessity of ritual purity for those ministering in the sacred precincts, ensuring that all service was conducted in a state of ceremonial cleanliness.
Key Themes: Several profound themes emerge from this detailed description of the laver bases. Firstly, the emphasis on Divine Precision and Excellence is paramount; the exhaustive account of even the supporting bases for the lavers underscores the divine standard for the Temple. Every component, no matter how seemingly minor, was to be crafted with utmost precision and quality, reflecting God's glory and the sacredness of His dwelling, a principle consistently seen throughout the instructions for the Tabernacle and the Temple. Secondly, the theme of Functionality and Purity is explicitly evident. The "brasen wheels" indicate that these substantial bases were designed to be movable, allowing the lavers to be conveniently positioned for the priests' washing rituals. This functionality was essential for maintaining the purity required for service before God, linking back to the broader theme of holiness in worship. Lastly, the consistent use of "brass" (bronze) and the detailed description of the "undersetters" highlight the Rich Materials and Craftsmanship dedicated to God's house, signifying the immense wealth and resources expended, as well as the high level of metallurgical and artistic skill present in ancient Israel, exemplified by Hiram's expertise.

EXPOSITION AND ANALYSIS

Key Word Analysis

wheels (Hebrew, ʼôwphân', H212): Derived from a root meaning "to revolve," this term refers to the circular components that enabled the bases to move. In this context, the "four brasen wheels" signify the mobility of the substantial laver stands, allowing them to be repositioned as needed for the priests' washing rituals. Their construction from bronze emphasizes their durability and the robust engineering of these Temple furnishings.
undersetters (Hebrew, kâthêph', H3802): Literally meaning "shoulder" or "shoulder-piece," this term denotes a strong, supportive element. In the context of the laver bases, these "undersetters" were likely sturdy structural supports or decorative projections, providing both stability and aesthetic appeal. Their presence at the corners and directly under the laver highlights their critical role in bearing the significant weight of the water-filled basins, ensuring the integrity of the entire structure.
molten (Hebrew, yâtsaq', H3332): A primitive root meaning "to pour out," and by implication, "to melt or cast as metal." When applied to the "undersetters," this indicates that these specific supporting elements were not merely attached but were integrally cast as part of the bronze base itself. This method of construction speaks to the high level of metallurgical skill involved and ensures a firm, steadfast connection, reinforcing the durability and permanence of the Temple's sacred implements.

Verse Breakdown

"And every base had four brasen wheels, and plates of brass": This initial clause immediately establishes two fundamental characteristics of the laver bases: their mobility and their primary material. The "four brasen wheels" indicate that these substantial bronze stands were not stationary fixtures but were designed to be moved, likely to facilitate the priests' extensive washing rituals or for maintenance within the Temple courts. The "plates of brass" refer to the bronze panels or coverings that formed the main structure of the bases, emphasizing the uniform and robust use of this valuable and durable metal throughout their construction.
"and the four corners thereof had undersetters": This part of the verse describes specific structural or decorative elements located at each of the base's four corners. As noted in the key word analysis, "undersetters" (shoulders) imply strong, supportive features. These were likely ornate projections or sturdy braces that added to both the stability and the aesthetic grandeur of the stands, providing additional foundational support for the weight of the laver.
"under the laver [were] undersetters molten, at the side of every addition": This final clause provides even more precise and intricate detail about the support structure directly beneath the laver itself. The phrase "undersetters molten" suggests that these particular supports were cast as an integral part of the base's structure, rather than being attached later, indicating a superior level of craftsmanship and durability. "At the side of every addition" likely refers to the points where the laver was securely joined to the base, implying that these robust, integrally cast "shoulders" provided steadfast and comprehensive support at every crucial connection point, thereby ensuring the unwavering stability of the heavy bronze basin.

Literary Devices

The primary literary device at play in 1 Kings 7:30, and indeed throughout the architectural descriptions of Solomon's Temple, is Detailed Description. The verse meticulously enumerates the components of the laver bases: "four brasen wheels," "plates of brass," "undersetters" at the corners, and "undersetters molten" under the laver. This exhaustive cataloging serves to emphasize the extraordinary precision, craftsmanship, and immense expense invested in God's house. It is not merely a functional account but a profound testament to the divine standard of excellence required for His dwelling. Furthermore, there is an inherent element of Symbolism present in both the materials used and the function of the objects. The pervasive use of bronze (brass), a durable and valuable metal, symbolizes strength, permanence, and the preciousness of God's dwelling place. The lavers themselves, which these bases supported, symbolize the necessity of purity and cleansing for those who would approach God in worship, a foundational principle of Israelite theology. The mobility provided by the "wheels" might subtly symbolize the dynamic nature of God's presence or the accessibility of purification for the priests, emphasizing that the means to holiness were readily available.

THEOLOGICAL AND THEMATIC CONNECTIONS

The meticulous detail given to the bases of the lavers in 1 Kings 7:30 conveys profound theological truths about the character of God and the nature of worship. It speaks to a God who is a God of order, beauty, and absolute perfection, deserving of nothing less than the finest in every aspect of worship and service. The requirement for such precise, costly, and durable construction for even the supporting elements of the lavers underscores the paramount importance of purity and holiness in approaching the divine. The lavers were essential for ritual cleansing, and their elaborate bases signify that even the means to purity were to be treated with utmost reverence and crafted with excellence. This principle extends beyond mere ritual; it teaches that every part of our service to God, no matter how seemingly small, foundational, or "behind-the-scenes," should be offered with intentionality, integrity, and an unwavering commitment to excellence, reflecting the glory of the One we serve.

REFLECTION AND APPLICATION

While believers today no longer worship in a physical Temple with bronze lavers, the principles embedded in 1 Kings 7:30 remain profoundly relevant for our spiritual lives. The divine demand for meticulous craftsmanship and the use of costly materials in God's house serves as a powerful reminder that God is worthy of our very best in every area of life. This isn't about material wealth, but about the attitude of our hearts – a spirit of excellence, diligence, and wholehearted devotion. Just as the lavers symbolized the need for ritual cleansing before approaching a holy God, so too are we called to spiritual purity and holiness, recognizing that our access to God is now through Christ's perfect sacrifice. The attention to detail in the Temple's construction encourages us to consider the intentionality and excellence we bring to our spiritual disciplines, our service in the church, our daily work, and our relationships. Every aspect of our lives, when offered to God with a spirit of excellence, can be a testament to His glory and our profound devotion.

Questions for Reflection

In what areas of your life are you tempted to offer "less than your best" to God, and how can you cultivate a spirit of excellence and intentionality in those areas?
How does the emphasis on purity and holiness in the Temple's design relate to the call for spiritual cleansing and sanctification in a believer's life today?
What "foundational" or "behind-the-scenes" aspects of your faith, character, or service might God be calling you to approach with greater intentionality, precision, and dedication?

FAQ

Why does the Bible include such meticulous architectural details about the Temple, even down to the bases of the lavers?

Answer: The inclusion of such intricate architectural details, as seen in 1 Kings 7 and throughout the descriptions of the Tabernacle, serves several crucial purposes. Firstly, it underscores the divine origin and sacredness of the structure. God Himself provided the blueprint, and every detail was significant, reflecting His character of order, beauty, and perfection. Secondly, it emphasizes the immense value and reverence placed upon God's dwelling place and the worship conducted within it. No expense or effort was spared, signifying that God is worthy of the very best from His people. Thirdly, these details often carry profound symbolic meaning, pointing to theological truths about purity, holiness, and God's desire for intimate presence among His people. Finally, for the original audience, these descriptions would have affirmed the legitimacy, grandeur, and divine blessing upon Solomon's Temple, a central institution in Israelite life and worship.

What is the significance of "brass" (bronze) being used so extensively for these Temple furnishings?

Answer: The pervasive use of "brass" (bronze) for the Temple furnishings, including the lavers and their bases, is highly significant. Bronze was a valuable, durable, and lustrous alloy in the ancient world, requiring advanced metallurgical skills to produce and work. Its extensive use signifies the immense wealth and resources dedicated to God's house, reflecting the king's devotion and the nation's prosperity. The material's inherent durability also speaks to the permanence of God's covenant and the enduring nature of His presence among His people. Theologically, bronze was often associated with strength, resilience, and even judgment in biblical symbolism (e.g., the bronze serpent or the bronze altar). In the context of the Temple furnishings, it primarily highlights the preciousness, robustness, and enduring quality required for sacred objects used in the pure and holy worship of God.

CHRIST-CENTERED FULFILLMENT

The meticulous design of the lavers and their bases in Solomon's Temple, emphasizing purity, durability, and perfection, finds its ultimate and glorious fulfillment in Jesus Christ. The bronze lavers served as a vital means of ritual cleansing for the priests, a necessary prerequisite for approaching a holy God and ministering in His presence. This Old Testament practice powerfully foreshadowed the infinitely superior and complete cleansing offered by the precious blood of Jesus. Unlike the repeated and imperfect washings required under the Old Covenant, Christ's singular, perfect sacrifice provides a perfect and eternal purification, making us truly clean before God. The Temple itself, with its detailed and flawless construction, pointed to the perfect humanity and divine nature of Christ, who profoundly declared Himself to be the true Temple, the ultimate dwelling place of God among humanity. Furthermore, the Temple's ultimate purpose was to facilitate worship and communion with God; through Christ, believers are now made living stones in a spiritual house, able to approach God directly with confidence, cleansed and sanctified by His grace. The precision, excellence, and costliness demanded for the Temple's physical structure ultimately find their spiritual reality and perfect completion in the flawless work of Christ, who perfectly fulfills all the requirements of God's holiness and makes us holy in Him.

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Commentary on 1 Kings 7 verses 13–47

13 ¶ And king Solomon sent and fetched Hiram out of Tyre.

14 He was a widow's son of the tribe of Naphtali, and his father was a man of Tyre, a worker in brass: and he was filled with wisdom, and understanding, and cunning to work all works in brass. And he came to king Solomon, and wrought all his work.

15 For he cast two pillars of brass, of eighteen cubits high apiece: and a line of twelve cubits did compass either of them about.

16 And he made two chapiters of molten brass, to set upon the tops of the pillars: the height of the one chapiter was five cubits, and the height of the other chapiter was five cubits:

17 And nets of checker work, and wreaths of chain work, for the chapiters which were upon the top of the pillars; seven for the one chapiter, and seven for the other chapiter.

18 And he made the pillars, and two rows round about upon the one network, to cover the chapiters that were upon the top, with pomegranates: and so did he for the other chapiter.

19 And the chapiters that were upon the top of the pillars were of lily work in the porch, four cubits.

20 And the chapiters upon the two pillars had pomegranates also above, over against the belly which was by the network: and the pomegranates were two hundred in rows round about upon the other chapiter.

21 And he set up the pillars in the porch of the temple: and he set up the right pillar, and called the name thereof Jachin: and he set up the left pillar, and called the name thereof Boaz.

22 And upon the top of the pillars was lily work: so was the work of the pillars finished.

23 And he made a molten sea, ten cubits from the one brim to the other: it was round all about, and his height was five cubits: and a line of thirty cubits did compass it round about.

24 And under the brim of it round about there were knops compassing it, ten in a cubit, compassing the sea round about: the knops were cast in two rows, when it was cast.

25 It stood upon twelve oxen, three looking toward the north, and three looking toward the west, and three looking toward the south, and three looking toward the east: and the sea was set above upon them, and all their hinder parts were inward.

26 And it was an hand breadth thick, and the brim thereof was wrought like the brim of a cup, with flowers of lilies: it contained two thousand baths.

27 And he made ten bases of brass; four cubits was the length of one base, and four cubits the breadth thereof, and three cubits the height of it.

28 And the work of the bases was on this manner: they had borders, and the borders were between the ledges:

29 And on the borders that were between the ledges were lions, oxen, and cherubims: and upon the ledges there was a base above: and beneath the lions and oxen were certain additions made of thin work.

30 And every base had four brasen wheels, and plates of brass: and the four corners thereof had undersetters: under the laver were undersetters molten, at the side of every addition.

31 And the mouth of it within the chapiter and above was a cubit: but the mouth thereof was round after the work of the base, a cubit and an half: and also upon the mouth of it were gravings with their borders, foursquare, not round.

32 And under the borders were four wheels; and the axletrees of the wheels were joined to the base: and the height of a wheel was a cubit and half a cubit.

33 And the work of the wheels was like the work of a chariot wheel: their axletrees, and their naves, and their felloes, and their spokes, were all molten.

34 And there were four undersetters to the four corners of one base: and the undersetters were of the very base itself.

35 And in the top of the base was there a round compass of half a cubit high: and on the top of the base the ledges thereof and the borders thereof were of the same.

36 For on the plates of the ledges thereof, and on the borders thereof, he graved cherubims, lions, and palm trees, according to the proportion of every one, and additions round about.

37 After this manner he made the ten bases: all of them had one casting, one measure, and one size.

38 Then made he ten lavers of brass: one laver contained forty baths: and every laver was four cubits: and upon every one of the ten bases one laver.

39 And he put five bases on the right side of the house, and five on the left side of the house: and he set the sea on the right side of the house eastward over against the south.

40 And Hiram made the lavers, and the shovels, and the basons. So Hiram made an end of doing all the work that he made king Solomon for the house of the LORD:

41 The two pillars, and the two bowls of the chapiters that were on the top of the two pillars; and the two networks, to cover the two bowls of the chapiters which were upon the top of the pillars;

42 And four hundred pomegranates for the two networks, even two rows of pomegranates for one network, to cover the two bowls of the chapiters that were upon the pillars;

43 And the ten bases, and ten lavers on the bases;

44 And one sea, and twelve oxen under the sea;

45 And the pots, and the shovels, and the basons: and all these vessels, which Hiram made to king Solomon for the house of the LORD, were of bright brass.

46 In the plain of Jordan did the king cast them, in the clay ground between Succoth and Zarthan.

47 And Solomon left all the vessels unweighed, because they were exceeding many: neither was the weight of the brass found out.

I. II. Main points1. 2. Sub-points

We have here an account of the brass-work about the temple. There was no iron about the temple, though we find David preparing for the temple iron for things of iron, Ch1 29:2. What those things were we are not told, but some of the things of brass are here described and the rest mentioned.

I. The brasier whom Solomon employed to preside in this part of the work was Hiram, or Huram (Ch2 4:11), who was by his mother's side an Israelite, of the tribe of Naphtali, by his father's side a man of Tyre, Kg1 7:14. If he had the ingenuity of a Tyrian, and the affection of an Israelite to the house of God (the head of a Tyrian and the heart of an Israelite), it was happy that the blood of the two nations mixed in him, for thereby he was qualified for the work to which he was designed. As the tabernacle was built with the wealth of Egypt, so the temple with the wit of Tyre. God will serve himself by the common gifts of the children of men.

II. The brass he made use of was the best he could get. All the brazen vessels were of bright brass (Kg1 7:45), good brass, so the Chaldee, that which was strongest and looked finest. God, who is the best, must be served and honoured with the best.

III. The place where all the brazen vessels were cast was the plain of Jordan, because the ground there was stiff and clayey, fit to make moulds of for the casting of the brass (Kg1 7:46), and Solomon would not have this dirty smoky work done in or near Jerusalem.

IV. The quantity was not accounted for. The vessels were unnumbered (so it may be read, Kg1 7:47, as well as unweighed), because they were exceedingly numerous, and it would have been an endless thing to keep the account of them; neither was the weight of the brass, when it was delivered to the workmen, searched or enquired into; so honest were the workmen, and such great plenty of brass they had, that there was no danger of wanting. We must ascribe it to Solomon's care that he provided so much, not to his carelessness that he kept no account of it.

V. Some particulars of the brass-work are described.

1.Two brazen pillars, which were set up in the porch of the temple (Kg1 7:21), whether under the cover of the porch or in the open air is not certain; it was between the temple and the court of the priests. These pillars were neither to hang gates upon nor to rest any building upon, but purely for ornament and significancy. (1.) What an ornament they were we may gather from the account here given of the curious work that was about them, chequer-work, chain-work, net-work, lily-work, and pomegranates in rows, and all of bright brass, and framed no doubt according to the best rules of proportion, to please the eye. (2.) Their significancy is intimated in the names given them (Kg1 7:21): Jachin - he will establish; and Boaz - in him is strength. Some think they were intended for memorials of the pillar of cloud and fire which led Israel through the wilderness: I rather think them designed for memorandums to the priests and others that came to worship at God's door, [1.] To depend upon God only, and not upon any sufficiency of their own, for strength and establishment in all their religious exercises. When we come to wait upon God, and find our hearts wandering and unfixed, then by faith let us fetch in help from heaven: Jachin - God will fix this roving mind. It is a good thing that the heart be established with grace. We find ourselves weak and unable for holy duties, but this is our encouragement: Boaz - in him is our strength, who works in us both to will and to do. I will go in the strength of the Lord God. Spiritual strength and stability are to be had at the door of God's temple, where we must wait for the gifts of grace in the use of the means of grace. [2.] It was a memorandum to them of the strength and establishment of the temple of God among them. Let them keep close to God and duty, and they should never lose their dignities and privileges, but the grant should be confirmed and perpetuated to them. The gospel church is what God will establish, what he will strengthen, and what the gates of hell can never prevail against. But, with respect to this temple, when it was destroyed particular notice was taken of the destroying of these pillars (Kg2 25:13, Kg2 25:17), which had been the tokens of its establishment, and would have been so if they had not forsaken God.

2.A brazen sea, a very large vessel, above five yards in diameter, and which contained above 500 barrels of water for the priests' use, in washing themselves and the sacrifices, and keeping the courts of the temple clean, Kg1 7:23, etc. It stood raised upon the figures of twelve oxen in brass, so high that either they must have stairs to climb up to it or cocks at the bottom to draw water from it. The Gibeonites, or Nethinim, who were to draw water for the house of God, had the care of filling it. Some think Solomon made the images of oxen to support this great cistern in contempt of the golden calf which Israel had worshipped, that (as bishop Patrick expresses it) the people might see there was nothing worthy of adoration in those figures; they were fitter to make posts of than to make gods of. Yet this prevailed not to prevent Jerusalem's setting up the calves for deities. In the court of the tabernacle there was only a laver of brass provided to wash in, but in the court of the temple a sea of brass, intimating that by the gospel of Christ much fuller preparation is made for our cleansing than was by the law of Moses. That had a laver, this has a sea, a fountain opened, Zac 13:1.

3.Ten bases, or stands, or settles, of brass, on which were put ten lavers, to be filled with water for the service of the temple, because there would not be room at the molten sea for all that had occasion to wash there. The bases on which the lavers were fixed are very largely described here, Kg1 7:27, etc. They were curiously adorned and set upon wheels, that the lavers might be removed as there was occasion; but ordinarily they stood in two rows, five on one side of the court and five on the other, Kg1 7:39. Each laver contained forty baths, that is, about ten barrels, Kg1 7:38. Those must be very clean that bear the vessels of the Lord. Spiritual priests and spiritual sacrifices must be washed in the laver of Christ's blood and of regeneration. We must wash often, for we daily contract pollution, must cleanse our hands and purify our hearts. Plentiful provision is made for our cleansing; so that if we have our lot for ever among the unclean it will be our own fault.

4.Besides these, there was a vast number of brass pots made to boil the flesh of the peace-offerings in, which the priests and offerers were to feast upon before the Lord (see Sa1 2:14); also shovels, wherewith they took out the ashes of the altar. Some think the word signifies flesh-hooks, with which they took meat out of the pot. The basins also were made of brass, to receive the blood of the sacrifices. These are put for all the utensils of the brazen altar, Exo 38:3. While they were about it they made abundance of them, that they might have a good stock by them when those that were first in use wore out and went to decay. Thus Solomon, having wherewithal to do so, provided for posterity.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 13–47. Public domain.

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BedeAD 735

Of the Temple of Solomon 2.20.7

The four wheels are the four books of the Gospels, which are very aptly compared with wheels because, just as the wheel’s whirling motion can travel with the greatest rapidity wherever it is steered, so with the Lord’s help through the instrumentality of the apostles the word of the gospel filled all the regions of the world in a short space; as the wheel raises from the earth the chariot laid on it, and when raised carries it where the driver steers it, so the preaching of the gospel lifts up the minds of the elect from earthly cravings to heavenly desires and, having lifted them up, guides them to progress in good works or to the ministry of preaching, in whichever direction the helping grace of the Spirit wills. For since, in the text that follows, it says that “they were the kind of wheels usually designed for a chariot,” and moreover, we read of the saints, “The chariot of God is attended by ten thousands; thousands of them that rejoice,” why, then, is it that the wheels of the bases are compared with the wheels of chariots, unless it is that one and the same word of the gospel makes some of those whom it teaches chariots of God and others pillars of God’s temple?

Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.

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Cross-References

Ezekiel 10:10
And as for their appearances, they four had one likeness, as if a wheel had been in the midst of a wheel.
Ezekiel 10:13
As for the wheels, it was cried unto them in my hearing, O wheel.
Ezekiel 1:15
¶ Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces.
Ezekiel 1:21
When those went, these went; and when those stood, these stood; and when those were lifted up from the earth, the wheels were lifted up over against them: for the spirit of the living creature was in the wheels.
Ezekiel 3:13
I heard also the noise of the wings of the living creatures that touched one another, and the noise of the wheels over against them, and a noise of a great rushing.