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Psalm 137:4

“Sorrow and Silence in Babylonian Exile”Psalm 137:1–4

King James Version
How shall we sing the LORD'S song in a strange land?

Bible text: King James Version (1769 Blayney text) · Public domain

KJV (with Strong's)
How shall we sing H7891 the LORD'S H3068 song H7892 in a strange H5236 land H127?

Bible text: King James Version with Strong's numbers · Public domain

Berean Standard Bible
How can we sing a song of the LORD in a foreign land?

Bible text: Berean Standard Bible · Public domain

American Standard Version
How shall we sing Jehovah’s song In a foreign land?

Bible text: American Standard Version (1901) · Public domain

World English Bible Messianic
How can we sing the LORD’s song in a foreign land?

Bible text: World English Bible, Messianic edition · Public domain

Geneva Bible (1599)
Howe shall we sing, said we, a song of the Lord in a strange land?

Bible text: Geneva Bible (1599) · Public domain

Young's Literal Translation
How do we sing the song of Jehovah, On the land of a stranger?

Bible text: Young's Literal Translation · Public domain

King James Version — Interlinear
8 Hebrew words
  1. אֵיךְ'Eikhhow?H349InterrogParticle Interrogative
  2. נָשִׁירna·Shirwill we singH7891V-Qal-Imperf-1cpVerb Qal Imperfect 1st Plural common gender
  3. אֶת'et[obj.]H853DirObjMParticle Object Indicator
  4. שִׁירshir[the] song ofH7892N-mscNoun Singular Masculine Construct
  5. יְהוָהYah·wehYahwehH3068N-properNoun Proper Title
  6. עַל'AlonH5921PrepPreposition
  7. אַדְמַת'ad·Matground ofH127N-fscNoun Singular Feminine Construct
  8. נֵכָרne·KharforeignnessH5236N-msNoun Singular Masculine Absolute
English is a literal word-by-word gloss of the Hebrew, not the KJV's wording. Why?

This is the original text the KJV's translators worked from — each Hebrew word with its own literal English meaning in this verse, prepared by scholars at Tyndale House, Cambridge. The KJV translates whole sentences, not word by word, so its wording differs: one Hebrew word can become several English words, and the KJV may choose “the LORD” where the gloss reads “Yahweh”. Both are faithful — they answer different questions. For the KJV's own rendering, switch to the KJV text.

Words in [ ] are added by the English.

Translation
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In the KJVVerse 16,227 of 31,102 · 52.2%

Study this verse

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This verse

The exiles answer with a question that is also a refusal: the songs that belong to the LORD cannot be sung for their captors’ pleasure in a foreign land.

“How shall we sing”

shîyr, to sing. A question that expresses grief and refusal at once.

“the LORD’S song”

Yᵉhôvâh, the covenant name of God. The captors asked for songs of Zion, and the exiles call them the LORD’s own.

“in a strange land?”

ʼădâmâh, land or country, with nêkâr, foreign. The rest of the psalm turns to a vow never to forget Jerusalem.

Passage studyPsalm 137:1–4

By the Rivers of Babylon We Wept

1By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion. 2We hanged our harps upon the willows in the midst thereof. 3For there they that carried us away captive required of us a song; and they that wasted us required of us mirth, saying, Sing us one of the songs of Zion. 4How shall we sing the LORD’S song in a strange land?

Summary

Psalm 137 opens among the captives of Judah in Babylon, after Nebuchadnezzar’s armies had destroyed Jerusalem and its Temple. By the rivers of their captors’ land they sit down and weep as they remember Zion. They hang their harps on the willows that grow there. The men who carried them away demand a song, and a glad one, one of the songs of Zion, and the exiles answer with a question: “How shall we sing the LORD’S song in a strange land?” These four verses give God’s people words for grief, show how dear the city of his presence was to them, and guard the songs of his worship from becoming entertainment for those who mock him.

Why the exiles wept by the rivers of Babylon

The psalm belongs to the Babylonian exile. Nebuchadnezzar’s forces destroyed Jerusalem and the Temple in 586 BC (2 Kings 25, Jeremiah 52), and thousands of the people of Judah were taken from their homeland and resettled in Babylon. Jeremiah had foretold that the nations would serve the king of Babylon seventy years (Jeremiah 25:11), and the exile lasted until 538 BC, when Cyrus decreed that the people could return (Ezra 1). The “we” of the psalm are those captives, and they speak together, as one grieving people.

The name Babylon, Bâbel, is the same name as Babel, and Strong’s gives its meaning as confusion. It covers the city, the land of Babylonia and the whole Babylonian empire. The word for rivers, nâhâr, is a stream or river, used of great rivers such as the Nile and the Euphrates. In Babylon it points to the Euphrates with its tributaries and the many canals that watered the plain of Shinar and carried its farming, its trade and its defence. Those waters made Babylon rich, and to the exiles they were the waters of the land that held them captive. Jerusalem had its own song of a river: “There is a river, the streams whereof shall make glad the city of God” (Psalm 46:4). Now God’s people sat beside their conquerors’ rivers.

“There we sat down” uses yâshab, to sit down, which also means to dwell or remain. They sat as mourners sit. The elders of Zion sit on the ground in their grief (Lamentations 2:10), and Job’s friends sat down with him on the ground in his sorrow (Job 2:13). The word’s second sense fits their situation as well, because they had been made to settle in a land that was never their home.

“Yea, we wept” adds weight to the sitting. The verb bâkâh means to weep, to bemoan and to make lamentation, the outward weeping of people in mourning. They wept for everything that was gone: their land, the Temple, their freedom, and the place where God had set his presence among them. The book of Lamentations mourns the same loss over the ruined city (Lamentations 1), and another psalm speaks of tears that have been the psalmist’s food while he longs for God (Psalm 42:3).

What it meant to remember Zion

The tears came “when we remembered Zion”. The verb zâkar means to remember, and here memory is what breaks them. Tsîyôwn, Zion, was a mountain of Jerusalem, and its name came to stand for the city as the LORD’s dwelling place, the site of the Temple, the capital of the nation and the centre of Israel’s worship. To remember Zion was to remember fellowship with God, the blessings of his covenant, the gathered worship of his people and the songs of his house, and to set all of it beside the ruin of the city and their own humiliation.

That memory also held their sin. The law had warned that a people who turned from the LORD would be driven from their land (Deuteronomy 28), and the exile came as his discipline. Even so, the captives still remembered him and his city, and their weeping was itself a cry to the God who rules over the nations that oppressed them. The prophets spoke to exactly this longing. Isaiah brought words of comfort to Israel (Isaiah 40), Jeremiah wrote to the exiles of plans for hope and a future (Jeremiah 29), and Isaiah called all who love Jerusalem to rejoice with her one day (Isaiah 66:10).

Why they hung their harps on the willows

“We hanged our harps” uses tâlâh, to hang up or suspend, the word Strong’s notes is used especially of hanging on a gibbet. The harp, kinnôwr, is a stringed instrument, a lyre or harp, from a root meaning to twang. It belonged to Israel’s worship and celebration. A psalm calls for the LORD to be praised with the harp (Psalm 33:2), and a band of prophets came down prophesying to the sound of harp and other instruments (1 Samuel 10:5). When the exiles hung their harps on the trees, they put away the instruments of praise because grief had silenced their songs. Job says the same of his own sorrow, that his harp is turned to mourning (Job 30:31), and Lamentations pictures Jerusalem desolate and her people gone into exile (Lamentations 1:1–3).

The willow, ʻârâb, takes its name in Strong’s from the use of its shoots, osiers, woven into wattles. Willows grow beside water, and so they lined the rivers of verse 1. “In the midst thereof” uses tâvek, the middle or centre, also rendered “among”, and it places the silent harps in the heart of Babylon, among the trees by its rivers, in the very land of their captivity.

Hanging the harps up was a deliberate act. The exiles kept their instruments, and they would not play them there. God had promised through Isaiah that his anointed one would give “the garment of praise for the spirit of heaviness” (Isaiah 61:1–3), and the harps on the willows wait for that day.

What the captors demanded

“For there” means there in Babylon, by those rivers. The askers are “they that carried us away captive”, from shâbâh, to carry away into captivity. They “required” a song, and the verb shâʼal means to ask, inquire, request or require. Its force in this verse comes from the people asking, the conquerors who held the exiles in their power, so that what they asked for was a demand. Behind the English “a song” stand dâbâr, a word or matter, and shîyr, a song, so the captors asked for the words of a song.

The second half of the verse says the same thing more sharply. The askers are now “they that wasted us”, from tôwlâl, which Strong’s explains as one causing to howl, an oppressor, the people who had brought ruin on Judah. What they want is “mirth”, simchâh, joy, gladness and mirth. Then they name the song they want: “Sing us one of the songs of Zion.” The word for “songs” here is the same shîyr as “a song” earlier in the verse.

The songs of Zion were the psalms Israel sang in Jerusalem, often at the Temple, celebrating the LORD as King, his faithfulness to his covenant and the beauty of his city, such as Psalm 48 and Psalm 84. They were bound up with Israel’s covenant with God and with who they were as his people. The demand may have come from idle curiosity about a conquered people’s music, but the psalm names the askers as the ones who wasted them, and their request reads as a taunt. To demand gladness from people sitting in mourning is cruel, rather like asking a bereaved family to sing at the funeral. To ask for the songs of the LORD’s own city, from the people whose city and Temple they had destroyed, made the cruelty sharper still. Nehemiah’s grief for Jerusalem (Nehemiah 1:3–4) shows how deeply the ruin of the city wounded God’s people, and Isaiah’s call to sing a new song to the LORD from the ends of the earth (Isaiah 42:10–12) shows the kind of singing God himself would one day bring.

How shall we sing the LORD’s song in a strange land?

The exiles’ answer is a question that needs no reply. “Sing” is shîyr, the verb to sing, and “song” is again shîyr, the noun of verse 3. The song is “the LORD’S”, Yᵉhôvâh, the covenant name of Israel’s God, the self-existent and eternal One. The captors had asked for songs of Zion, and the exiles call them what they are, the songs that belong to the LORD himself. “A strange land” joins ʼădâmâh, land, soil or country, with nêkâr, foreign, the land of a foreign people and their gods.

The question carries both grief and resolve. Their sorrow was too heavy for joyful singing, and they would also keep the songs of the LORD from becoming a show for the people who had destroyed his house and mocked his name. Their worship was bound up with Jerusalem and the Temple, the place God had chosen, so the request asked them to sing in the land of their captivity the very songs that celebrated his presence in Zion (Psalm 48:1–2). Another psalm remembers going up with the crowd to the house of God and longs for it again (Psalm 42:4). By keeping silent, the exiles stayed faithful to the LORD and kept their identity as his people in the middle of a hostile land.

The psalm goes on from here. The singer vows never to forget Jerusalem (Psalm 137:5–6) and then prays for justice against Edom and Babylon (Psalm 137:7–9). Jeremiah (Jeremiah 29) and Ezekiel (Ezekiel 1) spoke God’s word to these same exiles, and the return they longed for came, as Ezra and Nehemiah record (Ezra 1, Nehemiah 1).

Is it wrong to praise God in a time of sorrow?

This verse shows God’s people guarding his songs from mockers and bringing their grief honestly before him. Scripture calls us to give thanks “in every thing” (1 Thessalonians 5:18), and it also gives us psalms of tears (Psalm 42:3), and both belong to faith. The exiles were unable to sing joyfully under the eyes of the men who had wasted their homeland, and they were unwilling to turn the LORD’s worship into entertainment. God understands such seasons and receives the lament of his people when their harps hang silent.

The verse also holds a tension that Scripture resolves later. God is present everywhere, yet the exiles grieved for the place where he had made his presence known. Jesus told the woman of Samaria that the true worshippers would worship the Father “in spirit and in truth” (John 4:23–24), and his people now sing the LORD’s song in every land.

Christ and the song of the exiles

The exile of Israel pictures a deeper exile, the separation of fallen people from the life-giving presence of God because of sin. Jesus, “the Lamb of God, which taketh away the sin of the world” (John 1:29), entered that brokenness. Isaiah foretold that he would be “cut off out of the land of the living” (Isaiah 53:8), and he wept over Jerusalem as the exiles had wept over Zion, grieving for a people blind to the things that belonged to their peace (Luke 19:41–44).

The captors in Babylon mocked a grieving people, and Jesus was mocked by soldiers before his crucifixion (Matthew 27:27–31). On the cross he cried, “My God, my God, why hast thou forsaken me?” (Matthew 27:46), bearing the separation from God that our sin had earned. Through his death and resurrection he gives rest to the weary (Matthew 11:28) and a joy that no one can take away (John 16:22).

In Christ, those who were strangers are made “fellowcitizens with the saints, and of the household of God”, built together into a dwelling place for God (Ephesians 2:19–22). Believers still live in this world as strangers and pilgrims (1 Peter 2:11), and we have come to Mount Zion, the city of the living God, the heavenly Jerusalem (Hebrews 12:22–24). Through Christ we offer the sacrifice of praise continually (Hebrews 13:15). The redeemed from every nation sing a new song to the Lamb (Revelation 5:9–10), and at the end God will dwell with his people and wipe away every tear, with no more sorrow or pain (Revelation 21:3–4). The harps hung on the willows of Babylon look forward to that song.

Songs kept for Zion

These verses give God’s people words for grief. The exiles sat, wept and remembered, and the Holy Spirit kept their lament in Scripture, which shows that God hears the sorrow of his people and makes room for it in their worship. Their silence shows how holy the LORD’s songs were to them, too precious to be sung on demand for those who mocked him. Their tears over Zion show that they still loved the place of his presence, even in a foreign land.

God did not forget these captives. He brought them home, and in Christ he has opened a better city to all who trust him, where his people will sing the LORD’s song with nothing to silence it.

Last revised

Public-domain commentary

Matthew Henry

From his Commentary on the Whole Bible. Henry wrote on whole passages, and this entry covers Psalm 137:1–6. He set out his notes in a three-level outline, kept here as he numbered it.

1662–1714 · 6 verses
Passage under commentPsalm 137:1–6
I. II. Main points1. 2. Sub-points(1.) (2.) Details

We have here the daughter of Zion covered with a cloud, and dwelling with the daughter of Babylon; the people of God in tears, but sowing in tears. Observe,

I.The mournful posture they were in as to their affairs and as to their spirits.

1.They were posted by the rivers of Babylon, in a strange land, a great way from their own country, whence they were brought as prisoners of war. The land of Babylon was now a house of bondage to that people, as Egypt had been in their beginning. Their conquerors quartered them by the rivers, with design to employ them there, and keep them to work in their galleys; or perhaps they chose it as the most melancholy place, and therefore most suitable to their sorrowful spirits. If they must build houses there (Jeremiah 29:5), it shall not be in the cities, the places of concourse, but by the rivers, the places of solitude, where they might mingle their tears with the streams. We find some of them by the river Chebar (Ezekiel 1:3), others by the river Ulai, Daniel 8:2.

2.There they sat down to indulge their grief by poring on their miseries. Jeremiah had taught them under this yoke to sit alone, and keep silence, and put their mouths in the dust, Lamentations 3:28, Lamentations 3:29. "We sat down, as those that expected to stay, and were content, since it was the will of God that it must be so." 3. Thoughts of Zion drew tears from their eyes; and it was not a sudden passion of weeping, such as we are sometimes put into by a trouble that surprises us, but they were deliberate tears (we sat down and wept), tears with consideration - we wept when we remembered Zion, the holy hill on which the temple was built. Their affection to God's house swallowed up their concern for their own houses. They remembered Zion's former glory and the satisfaction they had had in Zion's courts, Lamentations 1:7. Jerusalem remembered, in the days of her misery, all her pleasant things which she had in the days of old, Psalm 42:4. They remembered Zion's present desolations, and favoured the dust thereof, which was a good sign that the time for God to favour it was not far off, Psalm 102:13, Psalm 102:14. 4. They laid by their instruments of music (Psalm 137:2): We hung our harps upon the willows.

(1.)The harps they used for their own diversion and entertainment. These they laid aside, both because it was their judgment that they ought not to use them now that God called to weeping and mourning (Isaiah 22:12), and their spirits were so sad that they had no hearts to use them; they brought their harps with them, designing perhaps to use them for the alleviating of their grief, but it proved so great that it would not admit the experiment. Music makes some people melancholy. As vinegar upon nitre, so is he that sings songs to a heavy heart.

(2.)The harps they used in God's worship, the Levites' harps. These they did not throw away, hoping they might yet again have occasion to use them, but they laid them aside because they had no present use for them; God had cut them out other work by turning their feasting into mourning and their songs into lamentations, Amos 8:10. Every thing is beautiful in its season. They did not hide their harps in the bushes, or the hollows of the rocks; but hung them up in view, that the sight of them might affect them with this deplorable change. Yet perhaps they were faulty in doing this; for praising God is never out of season; it is his will that we should in every thing give thanks, Isaiah 24:15, Isaiah 24:16.

II.The abuses which their enemies put upon them when they were in this melancholy condition, Psalm 137:3.

They had carried them away captive from their own land and then wasted them in the land of their captivity, took what little they had from them. But this was not enough; to complete their woes they insulted over them: They required of us mirth and a song. Now,

1.This was very barbarous and inhuman; even an enemy, in misery, is to be pitied and not trampled upon. It argues a base and sordid spirit to upbraid those that are in distress either with their former joys or with their present griefs, or to challenge those to be merry who, we know, are out of tune for it. This is adding affliction to the afflicted.

2.It was very profane and impious. No songs would serve them but the songs of Zion, with which God had been honoured; so that in this demand they reflected upon God himself as Belshazzar, when he drank wine in temple-bowls. Their enemies mocked at their sabbaths, Lamentations 1:7.

III.The patience wherewith they bore these abuses, Psalm 137:4.

They had laid by their harps, and would not resume them, no, not to ingratiate themselves with those at whose mercy they lay; they would not answer those fools according to their folly. Profane scoffers are not to be humoured, nor pearls cast before swine. David prudently kept silence even from good when the wicked were before him, who, he knew, would ridicule what he said and make a jest of it, Psalm 39:1, Psalm 39:2. The reason they gave is very mild and pious: How shall we sing the Lord's song in a strange land? They do not say, "How shall we sing when we are so much in sorrow?" If that had been all, they might perhaps have put a force upon themselves so far as to oblige their masters with a song; but "It is the Lord's song; it is a sacred thing; it is peculiar to the temple-service, and therefore we dare not sing it in the land of a stranger, among idolaters." We must not serve common mirth, much less profane mirth, with any thing that is appropriated to God, who is sometimes to be honoured by a religious silence as well as by religious speaking.

IV.The constant affection they retained for Jerusalem, the city of their solemnities, even now that they were in Babylon.

Though their enemies banter them for talking so much of Jerusalem, and even doting upon it, their love to it is not in the least abated; it is what they may be jeered for, but will never be jeered out of, Psalm 137:5, Psalm 137:6. Observe,

1.How these pious captives stood affected to Jerusalem.

(1.)Their heads were full of it. It was always in their minds; they remembered it; they did not forget it, though they had been long absent from it; many of them had never seen it, nor knew any thing of it but by report, and by what they had read in the scripture, yet it was graven upon the palms of their hands, and even its ruins were continually before them, which was ann evidence of their faith in the promise of its restoration in due time. In their daily prayers they opened their windows towards Jerusalem; and how then could they forget it?

(2.)Their hearts were full of it. They preferred it above their chief joy, and therefore they remembered it and could not forget it. What we love we love to think of. Those that rejoice in God do, for his sake, make Jerusalem their joy, and prefer it before that, whatever it is, which is the head of their joy, which is dearest to them in this world. A godly man will prefer a public good before any private satisfaction or gratification whatsoever.

2.How stedfastly they resolved to keep up this affection, which they express by a solemn imprecation of mischief to themselves if they should let it fall: "Let me be for ever disabled either to sing or play on the harp if I so far forget the religion of my country as to make use of my songs and harps for the pleasing of Babylon's sons or the praising of Babylon's gods. Let my right hand forget her art" (which the hand of an expert musician never can, unless it be withered), "nay, let my tongue cleave to the roof of my mouth, if I have not a good word to say for Jerusalem wherever I am." Though they dare not sing Zion's songs among the Babylonians, yet they cannot forget them, but, as soon as ever the present restraint is taken off, they will sing them as readily as ever, notwithstanding the long disuse.

Historical interpretation

Historical reception

2 surviving comments on this verse. Each one is dated, so this reads as a timeline rather than a list.

2 quotes · AD 390–430
Post-Nicene
400

Select a marker to jump to its quote. Markers stagger vertically where authors wrote within a few decades of each other.

d. AD 390Gregory of NazianzusPost-NiceneSourceAGAINST THE EUNOMIANS, THEOLOGICAL ORATION 1[27].5
Certainly not, friends and brethren—I still call you “brethren,” though your attitude is not brotherly—do not let us accept such a view. We must not be like fiery, unruly horses, throwing reason our rider and spitting out the bit of discretion that so usefully restrains us, and running wide of the turning post. Let us conduct our debates within our frontiers and not be carried away to Egypt or dragged off to Assyria. Let us not “sing the song of the Lord in a foreign land,” by which I mean before any and every audience, heathen or Christian, friend or foe, sympathetic or hostile: these keep all too close a watch on us, and they would wish that the spark of our dissensions might become a conflagration; they kindle it, they fan it, by means of its own draught they raise it to the skies, and without our knowing what they are up to, they make it higher than the flames of Babylon that blazed all around. Having no strength in their own teaching, they hunt for it in our weakness, and for this reason like flies settling on wounds, they settle on our misfortune—or should I say our mistakes? Let us be blind to our doings no longer, and let us not neglect the proprieties in these matters. If we cannot resolve our disputes outright, let us at least make this mutual concession, to utter spiritual truths with the restraint due to them, to discuss holy things in a holy manner and not be broadcast to profane hearing what is not to be divulged.
"Those" then "who have led us captive," the devil and his angels, when have they spoken unto us: "Sing us one of the songs of Sion"? What answer we? Babylon bears you, Babylon contains you, Babylon nourishes you, Babylon speaks by your mouth, you know not to take in save what glitters for the present, you know not how to meditate on things of eternity, you take not in what you ask. "How shall we sing the Lord's song in a strange land?" [Psalm 137:4]. Truly, brethren, so it is. Begin to wish to preach the truth in such measure as you know it, and see how needful it is for you to endure such mockers, persecutors of the truth, full of falsehood. Reply to them, when they ask of you what they cannot take in, and say in full confidence of your holy song, "How shall we sing the Lord's song in a strange land!"
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.

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