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King James Version
When he shewed the riches of his glorious kingdom and the honour of his excellent majesty many days, even an hundred and fourscore days.
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KJV (with Strong's)
When he shewed H7200 the riches H6239 of his glorious H3519 kingdom H4438 and the honour H3366 of his excellent H8597 majesty H1420 many H7227 days H3117, even an hundred H3967 and fourscore H8084 days H3117.
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Complete Jewish Bible
He displayed the dazzling wealth of his kingdom and his great splendor for a long time, 180 days.
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Berean Standard Bible
And for a full 180 days he displayed the glorious riches of his kingdom and the magnificent splendor of his greatness.
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American Standard Version
when he showed the riches of his glorious kingdom and the honor of his excellent majesty many days, even a hundred and fourscore days.
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World English Bible Messianic
He displayed the riches of his glorious kingdom and the honor of his excellent majesty many days, even one hundred eighty days.
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Geneva Bible (1599)
That he might shewe the riches and glorie of his kingdome, and the honour of his great maiestie many dayes, euen an hundreth and foure score dayes.
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Young's Literal Translation
in his shewing the wealth of the honour of his kingdom, and the glory of the beauty of his greatness, many days--eighty and a hundred days.
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Susa in the Time of Esther
Susa in the Time of Esther View full PDF
The Persian Empire in the time of Esther
The Persian Empire in the time of Esther View full PDF

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In the KJVVerse 12,707 of 31,102

Study This Verse

SUMMARY

Esther 1:4 provides a meticulous account of King Ahasuerus's extravagant exhibition of his vast kingdom's immense wealth and the unparalleled honor of his majestic reign, a grand spectacle that remarkably spanned 180 days. This verse functions as a pivotal narrative introduction, immediately immersing the reader in the opulent and politically charged environment of the Persian court in Susa, thereby establishing the magnificent stage upon which the subtle, divine orchestration of seemingly human events will unfold throughout the entire Book of Esther.

CONTEXT

  • Literary Context: Esther 1:4 is an integral component of the book's opening scene, which meticulously establishes the setting and introduces the primary human protagonist, King Ahasuerus. Following the initial verses that identify the king, his sprawling empire extending from India to Ethiopia, and his capital, Susa, this verse immediately plunges the reader into the lavish heart of Persian royal life. It describes the initial, prolonged phase of a grand assembly or exhibition, which serves as a precursor to the more intimate seven-day feast for the inhabitants of Susa detailed in Esther 1:5. This protracted display of power and wealth is not merely descriptive; it fundamentally underscores the king's absolute authority and meticulously sets the stage for the dramatic events that will follow, including the deposition of Queen Vashti and the subsequent search for a new queen, which ultimately elevates Esther to prominence. The sheer scale and duration of this event emphasize the king's immense ego and serve as a stark contrast to the subtle, hidden hand of God that will later guide the narrative to its providential conclusion.
  • Historical & Cultural Context: Occurring in the third year of King Ahasuerus's reign, typically dated to circa 483 BC and widely identified by historians with Xerxes I, this event took place in Susa, one of the Achaemenid Persian Empire's four capital cities, renowned for its magnificent royal palace. The "hundred and fourscore days" (180 days, or six months) was not simply a festive occasion but likely a strategically significant assembly. During this extensive period, the king would have convened his nobles, princes, and officials from all 127 provinces of his vast empire, showcasing its immense resources, formidable military might, and political stability. Many scholars link this grand assembly to Xerxes' meticulous preparations for his ambitious invasion of Greece, which commenced around 481 BC. Such a prolonged exhibition would have served multiple purposes: to rally support among his satraps and commanders, to consolidate power, and perhaps to intimidate potential adversaries or rebellious provinces, thereby demonstrating the king's absolute dominion and the empire's formidable strength. This cultural practice of elaborate, prolonged displays of power was common among ancient Near Eastern monarchs, designed to reinforce their authority and prestige.
  • Key Themes: Esther 1:4 introduces several foundational themes that resonate throughout the book. Firstly, it highlights Ostentation and Human Power, emphasizing the king's profound desire to flaunt his immense wealth, vast resources, and absolute authority. This prolonged display is a deliberate show of force and opulence, meticulously designed to impress and perhaps intimidate his subordinates, foreign dignitaries, and provincial leaders, thereby setting a tone of human grandeur and self-aggrandizement. Secondly, it subtly introduces the overarching theme of Human Grandeur vs. Divine Sovereignty. While Ahasuerus revels in the "riches of his glorious kingdom and the honour of his excellent majesty," the Book of Esther ultimately reveals God's hidden hand orchestrating events behind the scenes, despite no direct mention of His name. The king's grand, visible display serves as a dramatic backdrop against which God's quieter, yet infinitely more powerful, providence will unfold, as powerfully articulated in Mordecai's pivotal declaration in Esther 4:14. Thirdly, the verse functions as a crucial Setting of the Stage, not only for the immediate, subsequent seven-day feast for the people in Susa mentioned in Esther 1:5, but also for the entire narrative arc, including the search for a new queen, the rise of Esther, and the eventual deliverance of the Jewish people from Haman's wicked plot. The king's self-aggrandizement unwittingly prepares the way for God's redemptive purposes.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • Riches (Hebrew, ʻôsher', H6239): This term, derived from a root meaning "to be rich," refers concretely to wealth and abundant possessions. In Esther 1:4, it signifies the vast material resources and accumulated treasures of King Ahasuerus's kingdom. The king's act of "shewing" these riches highlights a deliberate and ostentatious display of the empire's economic might and prosperity, intended to impress and assert dominance. It speaks to the tangible, quantifiable assets that underpinned the Persian Empire's power.
  • Glorious (Hebrew, kâbôwd', H3519): Properly meaning "weight," this word is used figuratively to denote splendor, honor, and copiousness. When applied to Ahasuerus's kingdom, it describes its magnificent and weighty reputation, its impressive grandeur, and the substantial nature of its power. While often used in the Old Testament to describe the inherent glory of God, its application here to an earthly kingdom underscores the king's aspiration to a level of magnificence and importance that would typically be associated with the divine, emphasizing the perceived "weight" or significance of his dominion.
  • Majesty (Hebrew, gᵉdûwlâh', H1420): This feminine noun, derived from the root meaning "to be great," signifies greatness, dignity, and mighty acts. In the context of Esther 1:4, "the honour of his excellent majesty" refers to the king's supreme dignity, his inherent greatness, and the awe-inspiring nature of his royal person. It encapsulates the king's personal grandeur and the high esteem in which he wished to be held, not merely for his wealth but for his inherent royal authority and the impressive scope of his rule.

Verse Breakdown

  • "When he shewed the riches of his glorious kingdom": This clause emphasizes the active and intentional exhibition of the empire's vast material wealth and abundant resources. The verb "shewed" (H7200, râʼâh) implies a deliberate act of making visible, a calculated display for an audience. The phrase "glorious kingdom" (using H3519, kâbôwd) suggests a kingdom of immense splendor, weight, and substantial power, a testament to its prosperity under Ahasuerus's rule. This was a strategic act of propaganda, designed to impress and consolidate loyalty among his subjects and dignitaries from across his vast empire.
  • "and the honour of his excellent majesty": This part focuses on the king's personal grandeur, dignity, and the profound respect he commanded. "Honour" (H3366, yᵉqâr) refers to value and dignity, while "excellent" (H8597, tiphʼârâh) denotes beauty, glory, or ornament, and "majesty" (H1420, gᵉdûwlâh) signifies greatness and dignity. Combined, these terms convey an unparalleled level of royal dignity, magnificence, and the awe-inspiring nature of his royal person. The display was not just about the kingdom's assets but about the king himself as the embodiment of that power and prestige, highlighting his desire for recognition, reverence, and perhaps even fear from those under his dominion.
  • "many days, [even] an hundred and fourscore days": This final clause underscores the extraordinary duration and immense scale of this exhibition. "An hundred and fourscore days" (180 days, or six months) is an immense period, signifying that this was no fleeting celebration but a protracted, strategic event. The sheer length of the display would have allowed for representatives from all corners of the vast empire to witness and be thoroughly impressed by the king's power, wealth, and stability, thereby reinforcing his absolute control and setting a precedent for the lavishness that defines the Persian court throughout the narrative.

Literary Devices

The description in Esther 1:4 employs several potent literary devices to convey the king's overwhelming grandeur and to establish the narrative's initial setting. Hyperbole is strikingly evident in the "hundred and fourscore days," an astonishing duration that emphasizes the unprecedented scale and extravagance of the royal exhibition, bordering on the unbelievable for a continuous event. This deliberate exaggeration serves to highlight the king's immense power and his insatiable desire for ultimate control and recognition. Implicit Contrast is also powerfully at play; the visible, overwhelming human grandeur of Ahasuerus's kingdom stands in stark opposition to the invisible, yet ultimately sovereign, hand of God that will subtly guide the entire narrative. This sets up a profound Irony, as the king's self-aggrandizing display unwittingly becomes the very stage upon which God's hidden purposes for His people will unfold, demonstrating that even human pride can be a tool in divine providence. Furthermore, the lavish description functions as potent Foreshadowing, signaling the opulent, dramatic, and often politically charged events that will characterize the entire book, where human ambition and political machinations are constantly juxtaposed with God's quiet, yet decisive, intervention.

THEOLOGICAL AND THEMATIC CONNECTIONS

Esther 1:4, with its vivid portrayal of human power and ostentation, serves as a profound theological counterpoint to the true source of all authority and glory. While King Ahasuerus parades the "riches of his glorious kingdom and the honour of his excellent majesty," the narrative of Esther, notably devoid of any direct mention of God, subtly yet powerfully reveals that true sovereignty resides not in earthly monarchs, however mighty, but in the unseen, guiding hand of the Almighty. This verse, therefore, implicitly introduces the foundational theme of God's hidden providence, demonstrating His capacity to work through seemingly secular events and even human pride to accomplish His divine and redemptive will. It serves as a stark reminder of the fleeting and ultimately superficial nature of human glory when compared to the eternal, unchangeable, and intrinsic glory of God.

REFLECTION AND APPLICATION

The extravagant display of King Ahasuerus in Esther 1:4 serves as a powerful and timeless mirror for contemporary reflection. In a world often preoccupied with outward appearances, the accumulation of material wealth, and the relentless pursuit of power and recognition, this verse cautions us against placing ultimate value or finding true significance in such fleeting and superficial glories. The king's 180-day exhibition of his "riches" and "majesty" ultimately reveals the inherent emptiness of human pride and self-aggrandizement when disconnected from divine purpose. For believers, it is a profound call to humility and a radical reorientation of our values. Are we, in our own lives, seeking to build our own "glorious kingdoms" and display our "excellent majesty," or are we striving to honor the true King, whose kingdom is not of this world and whose glory is eternal and intrinsic? This passage invites us to deeply consider where our true security, significance, and lasting joy lie, reminding us that even in the most secular-seeming circumstances, God is sovereignly at work, orchestrating events for His ultimate glory and the profound good of His people. Our focus should always be on His hidden hand, not on the visible, transient displays of human might or success.

Questions for Reflection

  • What "riches" or "majesty" do I tend to display or seek validation from in my own life, and how might these distract me from God's purposes?
  • How does the fleeting nature of King Ahasuerus's earthly power contrast with the enduring, eternal sovereignty of God in my understanding and daily walk?
  • In what specific ways might God be working through seemingly ordinary, challenging, or even self-serving events in my life to accomplish His greater, redemptive purposes?
  • How can I cultivate a deeper heart of humility, consistently recognizing that true significance, worth, and lasting fulfillment come solely from God, not from outward displays of success, status, or power?

FAQ

What was the primary purpose of King Ahasuerus's 180-day display mentioned in Esther 1:4?

Answer: The 180-day display, meticulously described in Esther 1:4, was far more than a mere social gathering; it was a highly strategic and political exhibition of the Persian Empire's immense wealth, formidable power, and perceived stability. Historically, this grand assembly is widely linked to Xerxes I's extensive preparations for his ambitious military campaign against Greece. During this prolonged period, the king would have hosted his numerous nobles, princes, and officials from all 127 provinces, showcasing the empire's vast resources, consolidating support for his upcoming ventures, and demonstrating his absolute dominion. It served to impress and perhaps intimidate both his subjects and foreign dignitaries, reinforcing his supreme authority and demonstrating the formidable might of his "glorious kingdom." This grand display was a calculated move to solidify his rule and rally his forces for future endeavors.

How does Esther 1:4 contribute to setting the stage for the rest of the book's narrative?

Answer: Esther 1:4 is crucial for establishing the narrative's opulent tone and political context. By immediately highlighting the king's extravagant wealth and absolute power, it immerses the reader in the luxurious and politically charged environment of the Persian court. This initial display of human grandeur provides a stark backdrop against which the subtle, yet profoundly powerful, theme of divine providence will unfold throughout the book. The king's arbitrary exercise of power, first demonstrated through this lavish exhibition and later in his decree concerning Queen Vashti in Esther 1:19, sets in motion the intricate chain of events that eventually brings Esther, a humble Jewish woman, into prominence and ultimately leads to the miraculous deliverance of her people from annihilation. The verse emphasizes that even in the midst of human pride, ambition, and seemingly random events, God is sovereignly at work, preparing the way for His divine purposes.

CHRIST-CENTERED FULFILLMENT

Esther 1:4, with its vivid depiction of King Ahasuerus's earthly kingdom and its ostentatiously displayed glory, serves as a powerful contrast and a subtle foreshadowing of the ultimate, eternal kingdom of Jesus Christ. Ahasuerus, a human king, felt compelled to "shew the riches of his glorious kingdom" through a protracted, external, and ostentatious display to assert his authority and majesty. His glory was acquired, external, and ultimately fleeting, dependent on human perception and political maneuvering. In stark contrast, Jesus Christ does not need to "shew" His riches or majesty in such a manner; He is the very embodiment of divine glory and the King of an eternal, spiritual kingdom. His glory is inherent, not displayed for human approval, but eternally revealed through His very being, His perfect life, and His redemptive work on the cross. While Ahasuerus's feast was a prelude to a search for a new queen and earthly power struggles, Christ's kingdom is established not through human decree or military might, but through His self-sacrificial love, as the Lamb of God who takes away the sin of the world. He is the true King who reigns not by human decree but by divine right, whose dominion is everlasting and whose kingdom shall never be destroyed (Daniel 7:14). The lavishness of Ahasuerus's earthly court, however grand, pales in comparison to the spiritual splendor and eternal joy of Christ's heavenly kingdom, where believers are invited to the marriage supper of the Lamb, a feast of eternal communion and celebration with the true King of Kings and Lord of Lords (Revelation 19:16).

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Commentary on Esther 1 verses 1–9

Which of the kings of Persia this Ahasuerus was the learned are not agreed. Mordecai is said to have been one of those that were carried captive from Jerusalem (Est 2:5, Est 2:6), whence it should seem that this Ahasuerus was one of the first kings of that empire. Dr. Lightfoot thinks that he was that Artaxerxes who hindered the building of the temple, who is called also Ahasuerus (Ezr 4:6, Ezr 4:7), after his great-grandfather of the Medes, Dan 9:1. We have here an account,

I. Of the vast extent of his dominion. In the time of Darius and Cyrus there were but 120 princes (Dan 6:1); now there were 127, from India to Ethiopia, Est 1:1. It had become an over-grown kingdom, which in time would sink with its own weight, and, as usual, would lose its provinces as fast as it got them. If such vast power be put into a bad hand, it is able to do so much the more mischief; but, if into a good hand, it is able to do so much the more good. Christ's kingdom is, or shall be, far larger than this, when the kingdoms of the world shall all become his; and it shall be everlasting.

II. Of the great pomp and magnificence of his court. When he found himself fixed in his throne, the pride of his heart rising with the grandeur of his kingdom, he made a most extravagant feast, wherein he put himself to vast expense and trouble only to show the riches of his glorious kingdom and the honour of his excellent majesty, Est 1:4. This was vain glory, an affection of pomp to no purpose at all; for none questioned the riches of his kingdom, nor offered to vie with him for honour. If he had shown the riches of his kingdom and the honour of his majesty, as some of his successors did, in contributing largely towards the building of the temple and the maintaining of the temple service (Ezr 6:8, Ezr 7:22), it would have turned to a much better account. Two feasts Ahasuerus made: - 1. One for his nobles and princes, which lasted a hundred and eighty days, Est 1:3, Est 1:4. Not that he feasted the same persons every day for all that time, but perhaps the nobles and princes of one province one day, of another province another day, while thus he and his constant attendants fared sumptuously every day. The Chaldee paraphrast (who is very bold in his additions to the story of this book) says that there had been a rebellion among his subjects and that this feast was kept for joy of the quashing of it. 2. Another was made for all the people, both great and small, which lasted seven days, some one day and some another; and, because no house would hold them, they were entertained in the court of the garden, Est 1:5. The hangings with which the several apartments were divided or the tents which were there pitched for the company, were very fine and rich; so were the beds or benches on which they sat, and the pavement under their feet, Est 1:6. Better is a dinner of herbs with quietness, and the enjoyment of one's self and a friend, than this banquet of wine with all the noise and tumult that must needs attend it.

III. Of the good order which in some respects was kept there notwithstanding. We do not find this like Belshazzar's feast, in which dunghill-gods were praised and the vessels of the sanctuary profaned, Dan 5:3, Dan 5:4. Yet the Chaldee paraphrase says that the vessels of the sanctuary were used in this feast, to the great grief of the pious Jews. It was not like Herod's feast, which reserved a prophet's head for the last dish. Two things which are laudable we may gather from the account here given of this feast: - 1. That there was no forcing of healths, nor urging of them: The drinking was according to the law, probably some law lately made; none did compel, no, not by continual proposing of it (as Josephus explains it); they did not send the glass about, but every man drank as he pleased (Est 1:8), so that if there were any that drank to excess it was their own fault, a fault which few would commit when the king's order put an honour upon sobriety. This caution of a heathen prince, even when he would show his generosity, may shame many who are called Christians, who think they do not sufficiently show their good housekeeping, nor bid their friends welcome, unless they make them drunk, and, under pretence of sending the health round, send the sin round, and death with it. There is a woe to those that do so; let them read it and tremble, Hab 2:15, Hab 2:16. It is robbing men of their reason, their richest jewel, and making them fools, the greatest wrong that can be. 2. That there was no mixed dancing; for the gentlemen and ladies were entertained asunder, not as in the feast of Belshazzar, whose wives and concubines drank with him (Dan 5:2), or that of Herod, whose daughter danced before him. Vashti feasted the women in her own apartment; not openly in the court of the garden, but in the royal house, Est 1:9. Thus, while the king showed the honour of his majesty, she and her ladies showed the honour of their modesty, which is truly the majesty of the fair sex.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 1–9. Public domain.
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Rabanus MaurusAD 856
EXPLANATION ON THE BOOK OF ESTHER 1
Even though from the historical point of view it simply appears to show the abundance of riches and the luxury of delights of a powerful king, … according to the holier mystery of our most powerful king, namely, Our Lord Christ, this preparation of a most magnificent banquet signifies the greatness of the spiritual riches and the excellence of the living treasures that he distributes according to the measure of his dispensation to each of his faithful.
Rabanus MaurusAD 856
Commentary on Esther
“So in the third year of his rule, King Ahasuerus held a grand feast for all his officials and young men, the famous heroes of Persia and Media, and the chiefs of the provinces in his presence, so that he could show off the wealth of the glory of his kingdom.” For our Redeemer—whom Ahasuerus represented in both his title and his rank—is interpreted as “my entry” or “my court”, because in the third era of that age the eternal ruler of man in the Father and the Holy Spirit opened wide to the human race the sacrament of his incarnation; and he has opened up for us the entryway to life and served to his faithful ones the most ample of spiritual banquets. The first era, then, was before the Law, the second was under the Law, and the third was under grace, namely when he fulfilled his preaching in the Gospels and prepared for all the nations an opulent meal of his body and blood. That is to say, the Lord himself was spiritually commending to us, in as a mystery, the excellence of this feast through the Gospel parable in which he described the king who threw a wedding for his son, and the great meal prepared by a man. “So the great king held a feast for seven days, in the entryway of the garden and the grove that the king had planted and cultivated by hand,” because for the entire period of that life which transpires in multiples of the number seven, our Redeemer satisfies his chosen ones with the pasturage of the divine word and the feasts of the virtues, in the Church of this world where each of the faithful readies himself— with correct faith and good works—to enter Paradise and the celestial kingdom. Hence they will become accustomed in every respect to the delights and the pleasures of the heavenly kingdom where fruit-bearing trees are planted, that is, where holy men and those who are famous for their good deeds show—through the divine gift that has been lavished on them—the beauty of holy conduct and proper doctrine. Hanging there “from every spot are tents the color of the sky, and fine linen and blue,” because it is there that the spiritual ornament of study, and the splendor of celestial wisdom, flash with the brilliance of the virtues whose proper purpose is to instruct us in those things. For that matter, the color of linen mimics (as some claim) the appearance of gold, and has deservedly been compared to the sheen of divine wisdom which excels above all in the cultivation and the practice of righteousness. “And these tents were stretched with ropes of flax and purple, and were supported by marble columns.” For flax signifies the mortification of the flesh, purple the blood of martyrdom, ivory the chastity of the body, and marble columns the solidity of the sacred teachers. It therefore makes sense that, as we are told, the tents of various colors were held up with ropes of flax and purple by ivory circles on marble columns, because the beauty of the holy Church ought to shine in the contemplation of wisdom—or rather in the perfection of the virtues—through the restraint and chastity of bodies, i.e. with the honor of martyrdom among the teachers of the sacred Gospels; and it ought, through both the word and the example of these men, to reach the notice of many people so that those who have been taught, encouraged and comforted by them may be able to reach, as they should, the court of the celestial empire. There were also “gold and silver couches spread about a floor inlaid with emerald and Parian marble, which he decorated with a marvelous variety of pictures,” because the humility of the saints, which is decorated with diverse kinds of the various virtues, provides the peace of inner contemplation to the chosen of God when they consider the divine word and investigate the true wisdom. It is there that the sweetness of knowing and loving God is lavished generously upon those who seek righteously in the gift of the Holy Spirit. It is about this couch that the bride speaks in the Song of Songs: “Our couch is bright with flowers;” in other words, when any of the saints make use of the tranquility of his times and depart from times of tribulation, it is then above all that they are free to make use of the sacred couches, fasting, prayer and all the other fruits of the spirit. They may then raise themselves up high in the contemplation of ethereal matters to gaze in all directions upon the glory of the divine majesty, since they have been given a respite from less essential concerns. The emerald is, after all, so called because it is so green; and Parian is the whitest kind of marble; and it is fitting that, as we are told, the floor where the couches were placed was set with these two stones, since it is through the whiteness, i.e. the chastity of the body, and the greenness of the good sense which is always verdant in the grace of God, that the foundations of humility are solidly laid where the reward of eternal peace is prepared for all those who deserve it. Hence it is written: “Blessed are the poor in spirit, because theirs is the kingdom of Heaven” (Matthew 5). And “He who has well humbled himself will be properly raised up” (Matthew 23). That is why the same Truth says to the disciples elsewhere in the Gospels: “Learn from me because I am gentle and humble of heart, and you will find rest for your souls; for my yoke is smooth, and my burden is light” (Matthew 11). “And those who were invited to the royal feast drank from golden goblets.” Those who drink from golden goblets are those who draw divine wisdom from the precious sayings of the sacred Gospels; and those who are served foods in different kinds of vessels are those who—by reading the Law and the prophets, and the apostles and the Gospels—are known to accept the manifold meals of spiritual doctrine on which are fed the souls brought up for eternal life. And as befits the magnificence of a king, wine is also served to the guests in exceptional abundance, since the gift of celestial grace is generously granted to each and every one of the faithful in accordance with the dispensation of divine mercy and the grant of the Holy Spirit. This is because, in Paul’s judgment: “the charity of God is spread throughout our hearts by the Holy Spirit which was given to us (Romans 5)”; and “To each one is given a manifestation of the Spirit for their use. Indeed, one person is able through the Spirit to speak the words of wisdom, while another, through the same Spirit, speaks the words of knowledge; to another is given faith in that same Spirit; to another, the grace of healing in that one Spirit; to another, the working of miracles; to another, prophecy; to another, the power to discern spirits; to another, the varieties of languages; to another, the interpretation of speech” (1 Corinthians 12). And what we said a moment ago—i.e. that he did not force to drink anyone who did not wish to do so, but as the king had decreed he sat each of his officials at tables so that each could take whatever he liked—symbolizes the freedom of grace in which no one is forced against his will to accept a spiritual gift, rather the willing participation of each individual is sought in accordance with that statement of the Lord where he says: “Whoever can accept this, let him accept it” (Matthew 19). And in the same spirit: “If you wish to enter into life, then keep the commandments” (ibid.). And again: “If you wish to be perfect, go, sell everything you have and give it to the poor, and you will have treasure in Heaven; and come, follow me” (ibid.). For at the festive and sacred feast of the holy Church, our king seats his teachers at the table of the Holy Scriptures so that they might dispense to each of the faithful the doctrines that are suited to him, and adapt to each man’s character the preaching of the word so that each one might take from it whatever he perceives as feasible and useful to him. Of course, the words of a teacher must be crafted with such skill that even though the faults of his hearers differ from one another, they should be suited to each individual and yet not contradict themselves; in this way he may maneuver in a single pass between the moderate passions, while at the same time cutting out—in the manner of a double-edged sword—the tumors of carnal thoughts. He may, accordingly, preach humility to the arrogant without making the timid more afraid; he may lavish authority upon the timid without loosening up on the arrogant; he may preach to the indolent and the sluggish attention to good works, without giving the impulsive the license to act without restraint; he may place limits upon the impulsive without making the indolent secure in their laziness; he may dampen the wrath of the impatient without encouraging carelessness among the easygoing and the gentle; he may enflame the feckless to take action without adding fuel to the irritable; he may fill the miserly with the desire to give generously, without having to preach tightfistedness to the prodigal; he may praise marriage to the promiscuous, without enticing the continent back to excess; he may praise bodily virginity to the continent, without causing married couples to look down on the fruitfulness of the flesh. He will preach the good in such a way that the bad will not also be commanded alongside it; he will praise the highest good without despising the final one; he will foster the final one so that for as long as it is believed sufficient, no one will ever turn from it toward the highest. So the faithful and wise slave who has been appointed the manager by his master, and gives his fellow slaves their share of the wheat on time, is praised by his master’s words; and he is promised that he will be put in charge of all his goods. Hence it is necessary that one who ministers with the cup of the word should possess the means of discretion, so that he may obtain from his ministry praise and reward rather than condemnation and torment.
Rabanus MaurusAD 856
Commentary on Esther
Though these preparations for so rich a feast seem intended to portray in concrete terms the parade of wealth and the abundance of delights possessed by a powerful king, it is actually a very sanctified allegory which symbolizes the magnitude of spiritual riches, and the excellence of the necessities of life, provided by the most powerful of kings, namely the Lord Christ, which he—in accord with his method of dispensation—has generously distributed to each of his faithful ones. For this king of great wealth, who was convinced by the entreaties of his faithful wife to do away with the imminent destruction of the Jews which wicked men were plotting, prefigures no one more than our Redeemer who is accosted every day by the prayers of the Church who is his dearest wife, and frees his chosen ones from the hands of their enemies, and subjects their adversaries to the punishment they deserve. And that Esther prefigures the Church, no one can doubt; nor may she be described as the bride of anyone but Christ. That is why no one should reject this interpretation merely because this actual king was faithless, as though this would mean he could never be a figure of the just king; for we do not say that anyone’s treacheries or transgressions are the sum of his behavior, whether he is trustworthy or even faithless: “He did not sin, and no deceit was found in his mouth” (1 Peter 2). “For how can light associate with darkness; or what can Christ have in common with Belial (2 Corinthians 6)?” Rather, the good actions and just judgments of any individual should be associated with no less an authority than the one from whom comes every good, about whom it is written: “He will judge the world in fairness, and the peoples in his truth” (Psalm 9). For the transgressions and sins of the faithful do not provide the most accurate representation of their character, as do the errors and wicked actions of the gentiles; and the reason we are saying this is because certain of our teachers have used David’s behavior toward Uriah and his wife as a prefiguration of Christ and the Church. Why would anyone want to suggest that Moses’ doubts at the “waters of dissension,” Aaron’s deception about manufacturing the calf, Solomon’s lust, Ezekiel’s arrogance, Peter’s denial, and Saul’s blasphemy are fitting prefigurations of our Redeemer? And yet no one can properly deny that the good actions and the correct doctrines of those men offered a great deal of evidence on his behalf. No one, therefore, ought to take us to task for comparing, by some sort of analogy, the righteous works and the just judgments of a great king to the king and judge of all the ages; since whatever is good belongs to him, and every sin flees his presence. But if anyone should feel that what we are saying is inappropriate, let him read the prophet Isaiah who compared Cyrus, the king of Persia and a gentile, to our Redeemer when he said in the person of the Lord: “I will give you hidden treasures and the secrets of hidden things so that you may know that I am the Lord, since I the God of Israel call on your name for the sake of my servant Jacob, and Israel my chosen one; and I have summoned you in your name, I have made you like me though you have not acknowledged me. I am the Lord and there is none greater; aside from me there is no God. I have strengthened you, though you have not acknowledged me” (Isaiah 45). Let him read as well the short works of the Fathers, who said that the deeds—or rather, the misdeeds—of the shameful kings Saul and Jeconiah were symbolic prefigurations of the holy actions of our Redeemer—that is, they interpret the death of Saul, who was anointed king but was quite rightly killed for his crimes, in reference to the death of Christ the innocent king; and they explain the fact that Jeconiah was exiled from Judah to Babylonia—which he deserved because of his sins—as a prefiguration of the grace of that same Redeemer of ours, which was why he deigned to wander through the world for sake of saving the nations once he had left the Jews behind for their faithlessness. They also reported that the actions of Pharaoh or Nebuchadnezzar should be understood as prefigurations of the enemies of the Church; for example: Pharaoh commands the male infants of the people of God to be killed in the river and the females spared, because the Devil wishes to extinguish the sturdy aspects of our behavior, and to nourish the feckless and weak ones. In the same way, Nebuchadnezzar ordered all the peoples subject to him to bow down and worship his statue to the sounds of orchestras and musicians; and the Devil uses the sweetness of earthly pomp to try and steer the human race away from proper intent, and to pervert the hearts of the deceived into indulging their desire, which is “the worship of images.” If, therefore, certain actions—namely the just punishment of shameful men—prefigured not only wicked acts but good ones, could not the good actions or words of good men, which are contained in the writings of the prophets, also have prefigured the good deeds of those who came after them? After all, the power of the sacred narrative is (as someone has said) that it tells us about what happened at o time or another so that it may spell out what is going to come; it approves of the actor so that it may reprove him in the guise of an allegory, and condemns what has happened to persuade us allegorically of what is going to happen. Let us also consider the short works of St. Augustine, who said that the seven husbands of a single wife who died without children, with whom the Sadducees were testing the Lord because they denied the idea of resurrection, were likewise a sure prefiguration of the sacrament of the Church. In fact, he taught that the wife, and her barrenness and death, as well as the deaths of her husbands, prefigured noteworthy events even though the Lord himself did not tell this story, and neither did any of the evangelists who were writing in his person; instead they recorded the unspeakable words that wicked men had thrown in the Lord’s face, on account of the Lord’s very sanctified response. So when the faithful reader finds these sentiments and others like them among the statements of the sacred Fathers, he should not give the credit to us if we choose to include assertions of a similar character in our own brief works.
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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