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Translation
King James Version
And they ministered before the dwelling place of the tabernacle of the congregation with singing, until Solomon had built the house of the LORD in Jerusalem: and then they waited on their office according to their order.
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KJV (with Strong's)
And they ministered H8334 before H6440 the dwelling H4908 place of the tabernacle H168 of the congregation H4150 with singing H7892, until Solomon H8010 had built H1129 the house H1004 of the LORD H3068 in Jerusalem H3389: and then they waited H5975 on their office H5656 according to their order H4941.
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Complete Jewish Bible
They served as singers before the tabernacle of the tent of meeting, until Shlomo had built the house of ADONAI in Yerushalayim; and they carried out their tasks in a prescribed order.
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Berean Standard Bible
They ministered with song before the tabernacle, the Tent of Meeting, until Solomon built the house of the LORD in Jerusalem. And they performed their duties according to the regulations given them.
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American Standard Version
And they ministered with song before the tabernacle of the tent of meeting, until Solomon had built the house of Jehovah in Jerusalem: and they waited on their office according to their order.
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World English Bible Messianic
They ministered with song before the tabernacle of the Tent of Meeting, until Solomon had built the LORD’s house in Jerusalem: and they waited on their office according to their order.
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Geneva Bible (1599)
And they ministred before the Tabernacle, euen the Tabernacle of the Congregation with singing, vntill Salomon had built ye house of the Lord in Ierusalem: then they continued in their office, according to their custome.
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Young's Literal Translation
and they are ministering before the tabernacle of the tent of meeting, in song, till the building by Solomon of the house of Jehovah in Jerusalem; and they stand according to their ordinance over their service.
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Study This Verse

SUMMARY

1 Chronicles 6:32 meticulously details the unwavering and divinely ordained service of the Levitical musicians—specifically the families of Heman, Asaph, and Ethan (Jeduthun)—who ministered with singing before the Tabernacle. This verse underscores their continuous dedication to worship, which persisted from the period of the portable sanctuary until the completion of Solomon's magnificent Temple in Jerusalem, at which point their organized duties seamlessly transitioned to the new, permanent house of the LORD, maintaining their sacred office according to established order.

CONTEXT

  • Literary Context: This verse is deeply embedded within an extensive genealogical record of the Levites in 1 Chronicles 6, a chapter primarily dedicated to tracing the lineage and roles of the priestly and Levitical families. Following a detailed account of the high priestly line (1 Chronicles 6:1-15) and other Levitical clans, the Chronicler focuses specifically on the musicians appointed by King David (1 Chronicles 6:31-47). This particular section highlights the profound importance of worship and the highly structured nature of its administration in Israel. By placing the musicians' service within these genealogies, the text emphasizes their legitimate, hereditary claim to their sacred office and the continuity of their ministry, which was considered as vital to the nation's spiritual life as the priestly functions of sacrifice and intercession. The Chronicler's meticulous attention to these details underscores the divine blueprint for Israel's worship and the faithful adherence to it.
  • Historical & Cultural Context: The historical backdrop of 1 Chronicles 6:32 spans a pivotal period in Israelite worship: the transition from the portable Tabernacle to the permanent Temple. The Tabernacle, a mobile sanctuary, had served as the central place of worship and the dwelling place of God's presence since the Exodus (as described in Exodus 40:34-38). It symbolized God's journeying with His people through the wilderness and into the Promised Land. King David, renowned as a "man after God's own heart," profoundly reformed and organized Israelite worship, establishing a highly structured musical ministry with dedicated Levites (see 1 Chronicles 25:1-8). The construction of the Temple by Solomon (detailed in 1 Kings 6) marked a monumental shift to a permanent, grander structure in Jerusalem, reflecting Israel's settled status in the land and the establishment of a fixed, central place for national worship. Culturally, music was an integral part of ancient Near Eastern worship, but in Israel, it was elevated to a sacred art, performed by specially designated Levites as an act of devotion, praise, and intercession, often accompanied by prophetic utterance.
  • Key Themes: This verse contributes to several overarching themes prominent in the book of Chronicles. Primarily, it underscores the theme of Devoted and Continuous Worship, highlighting that the service of God, particularly through music, was not sporadic but a constant, organized, and dedicated endeavor. The phrase "until Solomon had built the house of the LORD" emphasizes the Continuity of Divine Service across significant historical and architectural transitions, demonstrating unwavering faithfulness regardless of changing circumstances. Furthermore, the mention of their service "according to their order" points to the theme of Divine Order and Organization in worship, reflecting God's nature as a God of order and King David's meticulous arrangements for sacred duties (as seen in 1 Chronicles 23-26). Finally, the verse subtly marks the Transition in Sacred Space, from the mobile Tabernacle, which symbolized God's presence among His wandering people, to the stationary Temple, which would become the central, permanent locus of national worship and pilgrimage for centuries to come, a transition that fulfills David's desire to build a house for the Lord, as recounted in 2 Samuel 7.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • Ministered (Hebrew, shârath', H8334): This verb (H8334) denotes a deep, devoted, and often humble service, particularly in a sacred or official capacity. It implies attending upon a superior, performing duties on their behalf, or contributing to a greater purpose. In this context, it highlights the Levites' role as dedicated servants and worshippers of God, whose primary function was to facilitate and lead the corporate worship of the congregation. It signifies more than mere performance; it is a posture of submission, active participation, and faithful execution of divine service.
  • Singing (Hebrew, shîyr', H7892): This noun (H7892) refers specifically to the act of singing, or a song itself, often associated with expressions of praise, lament, instruction, or celebration. Here, it emphasizes the vocal and musical component of the Levites' ministry. It underscores that their service was not merely ceremonial but involved an active, audible, and heartfelt expression of devotion, joy, and spiritual engagement, making music a central and indispensable element of their worship. Their "singing" was the very "song" offered to God.
  • Order (Hebrew, mishpâṭ', H4941): While mishpâṭ (H4941) can broadly mean "justice," "judgment," or "law," in this specific context, it refers to an established custom, regulation, or prescribed manner of performing duties. It signifies that the Levitical musicians' service was not haphazard, arbitrary, or improvised, but was structured, systematic, and well-organized, reflecting the meticulous arrangements and ordinances instituted by King David for the proper and reverent functioning of the worship services. It speaks to the discipline, precision, and divine authorization required in sacred duties, ensuring that worship was conducted in a manner pleasing to God.

Verse Breakdown

  • "And they ministered before the dwelling place of the tabernacle of the congregation with singing": This clause identifies the primary activity, the subjects, and the initial location of the Levitical musicians' service. "They" refers to the Levitical musicians, specifically the families of Heman, Asaph, and Ethan (Jeduthun), who were appointed by King David. Their ministry was conducted "before the dwelling place of the tabernacle of the congregation," indicating their presence and service at the very heart of Israel's worship life, where God's presence was manifested. The phrase "with singing" specifies the nature of their ministry, emphasizing the central and continuous role of vocal music and praise in their sacred duties. This was a dedicated and ongoing service.
  • "until Solomon had built the house of the LORD in Jerusalem": This temporal phrase marks a significant transition point in Israel's worship history. It specifies the duration of their service at the Tabernacle, indicating that their ministry was unwavering and consistent throughout the period leading up to and culminating in the construction of the permanent Temple. It highlights the remarkable continuity of their commitment, bridging the era of the portable sanctuary with the era of the fixed, magnificent Temple, demonstrating faithfulness across architectural and historical shifts.
  • "and [then] they waited on their office according to their order": This concluding phrase describes the continuation and nature of their service after the Temple's completion. "Waited on their office" implies a diligent, responsible, and prepared fulfillment of their duties, signifying a readiness to serve. The crucial phrase "according to their order" signifies that their ministry was not ad hoc but was structured, organized, and performed according to established regulations, divisions, and rotas, likely those meticulously instituted by King David (as detailed in 1 Chronicles 25). This emphasizes the discipline, precision, and divine authorization behind their sacred work, ensuring continuity and reverence in worship.

Literary Devices

The verse employs several literary devices to convey its profound message. Chronological Progression is explicitly evident in the phrase "until Solomon had built the house of the LORD," which marks a clear and significant transition in sacred space and ministerial context. This highlights the remarkable Continuity of service despite changing circumstances, emphasizing the unwavering dedication and faithfulness of the Levites. The phrase "according to their order" points to Structure and Organization, underscoring the meticulous planning, divine appointment, and disciplined execution that characterized their ministry. There is also an implicit Contrast between the mobile, temporary "tabernacle of the congregation" and the permanent, grand "house of the LORD in Jerusalem." This contrast symbolizes Israel's journey from a nomadic people to a settled nation with a fixed, central place of worship, subtly elevating the significance of the Temple as the culmination of God's dwelling among His people and the stability of His covenant.

THEOLOGICAL AND THEMATIC CONNECTIONS

1 Chronicles 6:32 profoundly illustrates the theological importance of ordered, continuous, and joyful worship in the life of God's people. The Levites' dedicated service, particularly through music, underscores the principle that worship is not merely an optional activity but a central, divinely ordained responsibility that demands consistency, excellence, and intentionality. Their seamless transition from the Tabernacle to the Temple without interruption of service speaks to the enduring nature of God's call to worship, transcending physical structures and historical periods. It teaches that faithfulness to God's commands—including those pertaining to corporate worship—is paramount, and that God delights in the organized, heartfelt praise of His people. This verse also subtly points to God's desire for His presence to dwell among His people, first in a portable sanctuary, then in a magnificent temple, foreshadowing His ultimate and intimate indwelling in believers through the Holy Spirit.

REFLECTION AND APPLICATION

The unwavering dedication of the Levitical musicians in 1 Chronicles 6:32 offers a powerful and enduring model for believers today. Their consistent ministry "with singing" reminds us that worship is not just a confined Sunday activity but a continuous posture of the heart, expressed through various means, with music being a profound and divinely ordained vehicle for praise, spiritual connection, and theological proclamation. The seamless transition from Tabernacle to Temple without disruption of their service challenges us to embrace adaptability in our methods of ministry and mission while remaining steadfast and unwavering in our core purpose of serving God and proclaiming His glory. Furthermore, their commitment to serving "according to their order" emphasizes the vital importance of excellence, preparation, intentionality, and discipline in all our spiritual endeavors, whether in corporate worship, personal devotion, or acts of service to others. God is a God of order and beauty, and our offerings to Him should reflect that same intentionality, devotion, and pursuit of excellence, recognizing that our service is a sacred privilege.

Questions for Reflection

  • How does the continuous and ordered service of the Levitical musicians challenge my own consistency and intentionality in worship and devotion?
  • In what practical ways can I more intentionally use music as a means of expressing praise, lament, and connecting with God in my daily life, beyond formal worship settings?
  • Where might I need to adapt my methods or approaches to service and ministry in a changing world, while remaining faithful to the unchanging core purpose of glorifying God?
  • What does serving "according to their order" mean for my personal spiritual disciplines, my participation in corporate worship, and my commitment to the body of Christ?

FAQ

Who were "they" who ministered with singing, and why were they so important?

Answer: "They" refers primarily to the Levitical musicians, specifically the families of Heman, Asaph, and Ethan (also known as Jeduthun), who were appointed by King David for the ministry of music in worship. Their importance stemmed from several factors: they were divinely appointed and meticulously organized by King David (as detailed in 1 Chronicles 25), making their service legitimate, structured, and continuous. Music played a vital and multifaceted role in Israelite worship, not merely as entertainment, but as a profound expression of praise, lament, thanksgiving, and instruction (see Psalm 95:1-2). It was deeply integrated into the sacrificial system, festivals, and prophetic ministry. Their continuous and ordered service ensured that the worship of God was always vibrant, reverent, and orderly, serving as spiritual leaders who facilitated the congregation's connection with the divine presence.

CHRIST-CENTERED FULFILLMENT

The Levitical ministry of singing before the Tabernacle and Temple, as described in 1 Chronicles 6:32, finds its ultimate fulfillment and profound transformation in Jesus Christ. The Tabernacle and Temple, as the dwelling places of God's presence among His people, were but glorious shadows pointing to Christ, who is the true and ultimate Temple—the very place where God fully dwells among humanity in bodily form (John 1:14) and the one who declared, "Destroy this temple, and in three days I will raise it up," speaking of His body (John 2:19-21). The continuous, ordered worship of the Levites foreshadows the perfect, eternal worship offered by Christ, our great High Priest, who entered the true heavenly sanctuary once for all, securing eternal redemption (Hebrews 9:11-12). Moreover, through Christ's atoning work, believers are now made "living stones" in a spiritual house, a "holy priesthood" offering "spiritual sacrifices acceptable to God through Jesus Christ" (1 Peter 2:5). The singing ministry of the Levites anticipates the new song of redemption sung by the redeemed in Christ, a song that transcends earthly temples and resonates eternally in the heavenly courts, praising the Lamb who was slain (Revelation 5:9-10). Thus, the ancient order of worship points forward to the new covenant reality where all believers, indwelt by the Spirit, participate in a continuous, Christ-centered ministry of praise and service, fulfilling the very essence of what the Levitical singers embodied and bringing it to its glorious, spiritual culmination.

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Commentary on 1 Chronicles 6 verses 31–53

When the Levites were first ordained in the wilderness much of the work then appointed them lay in carrying and taking care of the tabernacle and the utensils of it, while they were in their march through the wilderness. In David's time their number was increased; and, though the greater part of them was dispersed all the nation over, to teach the people the good knowledge of the Lord, yet those that attended the house of God were so numerous that there was not constant work for them all; and therefore David, by special commission and direction from God, new-modelled the Levites, as we shall find in the latter part of this book. Here we are told what the work was which he assigned them.

I. Singing-work, Ch1 6:31. David was raised up on high to be the sweet psalmist of Israel (Sa2 23:1), not only to pen psalms, but to appoint the singing of them in the house of the Lord (not so much because he was musical as because he was devout), and this he did after that the ark had rest. While that was in captivity, obscure, and unsettled, the harps were hung upon the willow-trees: singing was then thought unseasonable (when the bridegroom is taken away they shall fast); but the harps being resumed, and the songs revived, at the bringing up of the ark, they were continued afterwards. For we should rejoice as much in the prolonging of our spiritual privileges as in the restoring of them. When the service of the ark was much superseded by its rest they had other work cut out for them (for Levites should never be idle) and were employed in the service of song. Thus when the people of God come to the rest which remains for them above they shall take leave of all their burdens and be employed in everlasting songs. These singers kept up that service in the tabernacle till the temple was built, and then they waited on their office there, Ch1 6:32. When they came to that stately magnificent house they kept as close both to their office and to their order as they had done in the tabernacle. It is a pity that the preferment of the Levites should ever make them remiss in their business. We have here an account of the three great masters who were employed in the service of the sacred song, with their respective families; for they waited with their children, that is, such as descended from them or were allied to them, Ch1 6:33. Heman, Asaph, and Ethan, were the three that were appointed to this service, one of each of the three houses of the Levites, that there might be an equality in the distribution of this work and honour, and that every one might know his post, such an admirable order was there in this choir service. 1. Of the house of Kohath was Heman with his family (Ch1 6:33), a man of a sorrowful spirit, if it be the same Heman that penned the 88th psalm, and yet a singer. He was the grandson of Samuel the prophet, the son of Joel, of whom it is said that he walked not in the ways of Samuel (Sa1 8:2, Sa1 8:3); but it seems, though the son did not, the grandson did. Thus does the blessing entailed on the seed of the upright sometimes pass over one generation and fasten upon the next. And this Heman, though the grandson of that mighty prince, did not think it below him to be a precentor in the house of God. David himself was willing to be a door-keeper. Rather we may look upon this preferment of the grandson in the church as a recompense for the humble modest resignation which the grandfather made of his authority in the state. Many such ways God has of making up his people's losses and balancing their disgraces. Perhaps David, in making Heman the chief, had some respect to his old friend Samuel. 2. Of the house of Gershom was Asaph, called his brother, because in the same office and of the same tribe, though of another family. He was posted on Heman's right hand in the choir, Ch1 6:39. Several of the psalms bear his name, being either penned by him or tuned by him as the chief musician. It is plain that he was the penman of some psalms; for we read of those that praised the Lord in the words of David and of Asaph. He was a seer as well as a singer, Ch2 29:30. His pedigree is traced up here, through names utterly unknown, as high as Levi, Ch1 6:39-43. 3. Of the house of Merari was Ethan (Ch1 6:44), who was appointed to Heman's left hand. His pedigree is also traced up to Levi, Ch1 6:47. If these were the Heman and Ethan that penned the 88th and 89th psalms, there appears no reason here why they should be called Ezrahites (see the titles of those psalms), as there does why those should be called so who are mentioned Ch1 2:6, and who were the sons of Zerah.

II. There was serving-work, abundance of service to be done in the tabernacle of the house of God (Ch1 6:48), to provide water and fuel, - to wash and sweep, and carry out ashes, - to kill, and flay, and boil the sacrifices; and to all such services there were Levites appointed, those of other families, or perhaps those that were not fit to be singers, that had either no good voice or no good ear. As every one has received the gift, so let him minister. Those that could not sing must not therefore be laid aside as good for nothing; though they were not fit for that service, there was other service they might be useful in.

III. There was sacrificing-work, and that was to be done by the priests only, Ch1 6:49. They only were to sprinkle the blood and burn the incense; as for the work of the most holy place, that was to be done by the high priest only. Each had his work, and they both needed one another and both helped one another in it. Concerning the work of the priests we are here told, 1. What was the end they were to have in their eye. They were to make an atonement for Israel, to mediate between the people and God; not to magnify and enrich themselves, but to serve the public. They were ordained for men. 2. What was the rule they were to have in their eye. They presided in God's house, yet must do as they were bidden, according to all that God commanded. That law the highest are subject to.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 31–53. Public domain.
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Theodoret of CyrusAD 458
QUESTIONS ON FIRST CHRONICLES, PROLOGUE
The Chronicles also speak about the tabernacle because a temple of the Lord had not yet been built by either Samuel or David. The text also adds that that the holy services were held in the tabernacle. Worship was observed at that time according to the number of the days of the week. For it also says, “and their kindred who were in their villages were obliged to come in every seven days, in turn, to be with them.” With regard to the holy utensils it says, “Some of them had charge of the utensils of service, for they were required to count them when they were brought in and taken out. Others of them were appointed over the furniture, and over all the holy utensils, also over the choice flour, the wine, the oil, the incense and the spices.” And about the priests it says, “Others, of the sons of the priests, prepared the mixing of the spices.” With regard to the tomb of Saul the Chronicles gives us much information, and in the Book of Kings itself we read that his bones were gathered and buried in the land of Jabesh.
Theodoret of CyrusAD 458
QUESTIONS ON 1 CHRONICLES, PROLOGUE
There is abundant information in the books of Chronicles which were written to continue the books of the Kings and to preserve the memory of such important events. The first book begins with a genealogy that sets out to demonstrate how the human race came from a single man. Since it focuses only on the single kingdom of Judah, it can tell us about its cities and the villages, and from where they took their names. Here we come to know Nathan, from whom the blessed Luke constructed the beginning of his genealogy of our Lord and Savior, Son of David and Solomon’s brother4 on his mother’s side: “The following children were born to him in Jerusalem: Shimeah, Shobab, Nathan and Solomon, that is, the four children he fathered with Bersabea, daughter of Ammiel.” And Rechab6 herself, who is mentioned in many books of Scripture, is said to have come from the tribe of Judah.It also clearly explains why Reuben lost his birthright and Joseph gained it and also, finally, the reason why the tribe of Judah obtained the highest honor: “The sons of Reuben the firstborn of Israel. He was the firstborn, but because he defiled his father’s bed his birthright was given to the sons of Joseph son of Israel, so that he is not enrolled in the genealogy according to the birthright; though Judah became prominent among his brothers and a ruler came from him, yet the birthright belonged to Joseph.” It also explains the reason why such a great honor was conceded to Joseph. By the will of God Judah had the dignity of receiving the Lord who was born from him according to the flesh. This is the sense tacitly expressed with the words “a leader from him.” Indeed the passage seems to assert that not only the kings of the earth derived from Judah, but also the eternal king himself who had no beginning and will never end.
It also describes the situation of the tribes beyond the Jordan, those of Reuben and Gad, and even the tribes of Manasseh which later were received into those of the Hagarites and the Itureans, and talks about the tribes of the Naphiseans, and all those peoples who entered into conflict with them. In addition the text relates how they fought and won, and made the Hagarites flee. And it also reports the reason for the victory: “When they received help against them, the Hagarites and all who were with them were given into their hands, for they cried to God in the battle, and he granted their entreaty because they trusted in him.” It also describes the amount of the spoils of war: “They captured their livestock: 50, of their camels, 250, sheep, 2, donkeys and 100, captives. Many were slain because the war was from God. And they lived in their territory until the exile.”
Theodoret of CyrusAD 458
QUESTIONS ON 1 CHRONICLES, PROLOGUE
The genealogy of the priests and the Levites comes after this. It relates that Zadok, who was high priest at the time of David, had been the eleventh from Aaron; that Azariah, nephew of Zadok, had been the first to receive the priestly anointing in the temple built by Solomon. Among them there was also Jehozadak, who was brought to Babylon as a war prisoner. Jesus9 was his son, a high priest as well, who delivered the people from bondage together with Zerubbabel, and built a temple for the Lord. Here we also learn that Korah, who revolted against the great Moses, was a nephew of Isaar, son of Caath and brother of Amram, Aaron’s and Moses’ father. According to this lineage he was related to the first legislator. But he himself paid in the desert for his errors, although his children did not share the punishment of their father. From here Samuel13 came and then Aeman, who intoned Psalms and was a nephew of the prophet Samuel. In fact he was the son of Joel, son of Samuel. On the other hand, Asaph, one of the singers, came from the lineage of Gerson, son of Levi and brother of Caath. Aetham, who also belonged to the group of the singers, had Merari, the third son of Levi, as great-grandfather.The text also explains the difference between the priests and the Levites. It relates that the Levites were initiated into all the ministries of the holy altar of God: “But Aaron and his sons made offerings on the altar of burnt offering and on the altar of incense, doing all the work of the most holy place, to make atonement for Israel, according to all that Moses the servant of God had commanded.” It seems to me, in fact, that this book was written after the return from Babylon. For this reason it also talks about the bondage and explains its cause: “So all Israel was enrolled by genealogies; and these are written in the book of the Kings of Israel. And Judah was taken into exile in Babylon because of their unfaithfulness. Now the first to live again in their possessions in their towns were Israelites, priests, Levites, and temple servants.” These accounts show that the book was begun after the captivity. Indeed no historian ever relates facts that happened afterwards, but what happened before or during his times. And actually only the prophets have the power to foretell the future. In addition it says that also those who had inhabited that land before them had been enslaved. And actually many of them still live with them: the Canaanites, Chettites, Jebusites, who had been their companions in such a misfortune. Also the priests and the Levites were brought into captivity with the Israelites. I believe that those who were called “the saints’ servants” were then called Nathinim. Many of them, in fact, consecrated themselves to the ministries of the priests and the Levites. There were among them also those who were entrusted with the carrying of the water, the gathering of wood and other necessary duties. Indeed, if it was imposed to the Gabaonites, who were foreigners, to follow Joshua in the praises and to perform some works as porters or carpenters, this task was even more the duty of the Israelites. As a proof of this I have found in the interpretation of Hebrew names that this name means “house of Iaō,” that is, “of the God who is.” The text, in fact, mentions the children of Israel and among them Judah and Benjamin, and Ephraim18 and Manasseh. It also mentions the priests and the Levites, who inhabited those cities. About the Korēnites it says that they derived from Korah. It also says that among them there had been the guardians of the temple of God as well, and it seems that this custom had been introduced by Samuel and David. “All these, who were chosen as gatekeepers at the thresholds, were two hundred twelve. They were enrolled by genealogies in their villages. David and the prophet Samuel established them in their office of trust. So they and their descendants were in charge of the gates of the house of the Lord, that is, the house of the tent, as guards. The gatekeepers were on the four sides, east, west, north, and south.”
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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