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Translation
King James Version
And the glory of the God of Israel was gone up from the cherub, whereupon he was, to the threshold of the house. And he called to the man clothed with linen, which had the writer's inkhorn by his side;
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KJV (with Strong's)
And the glory H3519 of the God H430 of Israel H3478 was gone up H5927 from the cherub H3742, whereupon he was, to the threshold H4670 of the house H1004. And he called H7121 to the man H376 clothed H3847 with linen H906, which had the writer's H5608 inkhorn H7083 by his side H4975;
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Complete Jewish Bible
Then the glory of the God of Isra'el was made to go up from over the keruv, where it had been, to the threshold of the house. He called to the man clothed in linen, who had the scribe's writing equipment at his waist.
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Berean Standard Bible
Then the glory of the God of Israel rose from above the cherubim, where it had been, and moved to the threshold of the temple. And He called to the man clothed in linen who had the writing kit at his side.
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American Standard Version
And the glory of the God of Israel was gone up from the cherub, whereupon it was, to the threshold of the house: and he called to the man clothed in linen, who had the writer’s inkhorn by his side.
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World English Bible Messianic
The glory of the God of Israel was gone up from the cherub, whereupon it was, to the threshold of the house: and he called to the man clothed in linen, who had the writer’s inkhorn by his side.
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Geneva Bible (1599)
And the glorie of the God of Israel was gone vp from ye Cherub, whereupon he was and stoode on the doore of the house, and he called to the man clothed with linnen, which had the writers ynkhorne by his side.
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Young's Literal Translation
And the honour of the God of Israel hath gone up from off the cherub, on which it hath been, unto the threshold of the house.
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Study This Verse

SUMMARY

Ezekiel 9:3 captures a profoundly solemn moment in the prophet's vision, depicting the initial, progressive departure of the tangible glory of the God of Israel from His dwelling place within the Jerusalem temple. This symbolic movement, from the cherubim over the Ark to the temple's threshold, signifies God's impending withdrawal of His protective presence and favor in response to the profound idolatry, spiritual corruption, and social injustice rampant among His people, immediately preceding the divine judgment and the selective marking of the righteous for preservation.

CONTEXT

  • Literary Context: This verse is a pivotal moment within a series of escalating visions in Ezekiel, specifically following the graphic revelations of the abominations and idolatry committed within the temple precincts in Ezekiel 8. Chapters 8-11 form a cohesive narrative unit detailing the compelling reasons for God's righteous judgment and the subsequent, progressive departure of His glory from the temple and Jerusalem. Ezekiel 9 itself initiates the divine execution of judgment, beginning with the command to mark the righteous who lament the city's sins, followed by the indiscriminate slaughter of the unrepentant. Thus, Ezekiel 9:3 serves as the theological justification and visual prelude to the horrific judgment that immediately follows, demonstrating unequivocally that God's holy presence cannot abide with such profound defilement. The full, final departure of God's glory from the city is dramatically completed in Ezekiel 11:23.
  • Historical & Cultural Context: Ezekiel prophesied during the Babylonian exile (circa 593-571 BC), a period of immense national trauma for the kingdom of Judah. Although Jerusalem was under siege and would soon fall, the temple, the very heart of Israelite worship and national identity, was still operational. However, as revealed in Ezekiel's visions, the people had deeply compromised their covenant with Yahweh through pervasive syncretism, idolatry, and social injustice, even within the sacred temple itself. The concept of God's "glory" (Hebrew: kavod) dwelling in the temple was central to Israelite theology, symbolizing His active presence, protective power, and covenant faithfulness. The departure of this glory, therefore, was not merely a symbolic act but a profound theological statement that God was abandoning His sanctuary and His people to judgment. It signified the cessation of His protective presence and the imminent, divinely ordained destruction of Jerusalem by Nebuchadnezzar's forces, confirming that the catastrophe was not a sign of God's weakness but of His righteous judgment.
  • Key Themes: The central theme in Ezekiel 9, and indeed throughout much of the book of Ezekiel, is the holiness of God and the consequences of unrepentant sin. The departure of the glory underscores God's absolute purity and His inability to tolerate defilement, even within His own chosen sanctuary. This passage also highlights the dual aspects of divine judgment and preservation, as God acts decisively to punish the wicked while simultaneously providing a means of salvation for the righteous who lament the prevailing abominations, as explicitly commanded in Ezekiel 9:4. Furthermore, it powerfully emphasizes God's sovereignty over historical events, demonstrating that the impending destruction of Jerusalem was not a random calamity but a deliberate act of His righteous justice, carried out according to His divine plan.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • Glory (Hebrew, kâbôwd', H3519): From the root meaning "weight" or "heaviness," this term refers to the visible, weighty manifestation of God's presence, splendor, honor, and majesty. In this context, it is the tangible sign of Yahweh's indwelling presence in the temple, which is now in the process of withdrawing due to the people's pervasive sin and defilement. Its movement signifies a profound theological shift, indicating God's abandonment of a sanctuary that has been profaned.
  • Cherub (Hebrew, kᵉrûwb', H3742): These are celestial beings associated with God's throne and immediate presence, often depicted as guardians of His holiness (e.g., at the Garden of Eden in Genesis 3:24). In Ezekiel's vision, the cherubim are integral to the divine chariot-throne (as seen in Ezekiel 1 and Ezekiel 10), from which God's glory ascends. The glory's departure from the cherub indicates its initial movement away from the very core of God's immediate, manifest presence within the Holy of Holies of the temple.
  • Man (Hebrew, ʼîysh', H376): This term refers to an individual, a male person. Here, it specifically designates the divine messenger, distinct from the six executioners who follow him (Ezekiel 9:2). Clothed with linen and carrying a writer's inkhorn, this figure is commissioned directly by God for a specific, solemn task of discernment and preservation, highlighting God's meticulous justice and mercy even amidst impending judgment.

Verse Breakdown

  • "And the glory of the God of Israel was gone up from the cherub, whereupon he was": This clause describes the initial and most significant phase of God's glory departing the temple. The "glory" is the visible manifestation of God's active, indwelling presence, and its ascent "from the cherub" (likely referring to the cherubim over the ark of the covenant in the Holy of Holies, or the cherubim of the divine throne-chariot seen in Ezekiel's earlier vision) signifies the beginning of God's withdrawal from the most sacred space of the temple. This movement is a direct, divine response to the abominations detailed in Ezekiel 8.
  • "to the threshold of the house": The "threshold" (Hebrew: miphtân) represents a significant boundary, the entrance to the main temple building. The glory's movement to this point indicates a progressive, deliberate, and public withdrawal. It has not yet fully departed the temple or the city but has moved to a liminal space, poised for complete departure, symbolizing God's abandonment of His defiled sanctuary and His readiness to allow its destruction.
  • "And he called to the man clothed with linen": This introduces the divine command and the agent of God's discerning judgment. "He" refers to the Lord, the God of Israel, whose glory has just moved. The "man clothed with linen" is a figure of purity and holiness, often interpreted as an angelic or divine messenger (compare Daniel 10:5 and Revelation 15:6). He is given a specific, solemn commission directly by God before the judgment commences.
  • "which [had] the writer's inkhorn by his side": This crucial detail specifies the instrument of the linen-clothed man's mission. The "writer's inkhorn" (Hebrew: qeçeth), containing ink and pens, was a common scribal implement. Its presence here indicates that the man's task involves marking or inscribing, setting him apart for a role of administrative judgment and preservation, specifically foreshadowing the marking of the righteous who lament the city's sins, as revealed in Ezekiel 9:4.

Literary Devices

Ezekiel 9:3 is profoundly rich in Symbolism. The "glory of the God of Israel" is the preeminent symbol, representing God's manifest presence, divine approval, and protective power; its departure signifies His judgment and withdrawal. The "cherub" symbolizes God's mobile throne and the sanctity of His immediate presence within the Holy of Holies. The "threshold of the house" functions as a symbolic boundary, marking a transitional stage in God's abandonment of the temple, a point of no return. The "man clothed with linen" symbolizes purity, divine authority, and a priestly or angelic commission, while the "writer's inkhorn" symbolizes the act of recording, discerning, and marking for preservation or judgment. The entire scene is a vivid Theophany, a visual manifestation of God's presence and action, albeit one of withdrawal and judgment rather than a revelation of grace. There is also clear Foreshadowing as the glory's movement to the threshold anticipates its complete departure from the temple and the city, and the subsequent, inevitable destruction of both by the Babylonians.

THEOLOGICAL AND THEMATIC CONNECTIONS

Ezekiel 9:3 profoundly illustrates the theological truth that God's unblemished holiness demands separation from unrepentant sin and defilement. The progressive departure of His glory from the temple is not an arbitrary act but a righteous and necessary response to the profound idolatry, spiritual corruption, and moral decay witnessed within His sanctuary and among His covenant people. This passage serves as a stark reminder that while God is gracious and desires to dwell among His people, His manifest presence and protective favor are contingent upon their faithfulness, obedience, and purity. It underscores the severity of breaking covenant and the dire consequences of treating sacred spaces and divine commands with contempt. Yet, even in the midst of impending judgment, God's meticulous justice and enduring mercy are evident in the commission of the man with the inkhorn, signifying that amidst widespread corruption, God always discerns and preserves a faithful remnant who grieve over the sins of their generation.

  • Exodus 40:34-35 - Describes the glory of the Lord filling the newly consecrated tabernacle, establishing God's dwelling among His people in the wilderness.
  • 1 Kings 8:10-11 - Records the glory of the Lord filling Solomon's temple at its dedication, signifying God's acceptance and presence in the newly built sanctuary.
  • Hosea 5:6 - Reflects a similar theme of God's judicial withdrawal due to unfaithfulness, where the people seek the Lord but "He has withdrawn Himself from them."

REFLECTION AND APPLICATION

Ezekiel 9:3 presents a challenging yet vital truth for believers today: God's presence is not to be taken for granted, nor is His holiness to be trifled with. While the New Covenant establishes a new dwelling for God's Spirit within believers individually and corporately (as the church), the profound principle remains that unrepentant sin, spiritual apathy, and compromise with the world can grieve the Holy Spirit and diminish the manifest presence and power of God within our lives and communities. This verse calls us to a profound self-examination, urging us to consider what "abominations" might exist in our own hearts, homes, or within our churches that could hinder God's active presence and blessing. It emphasizes the critical importance of maintaining personal and corporate holiness, cultivating a deep reverence for God's character, and actively lamenting the sins of our culture, rather than passively conforming to them. Just as God preserved a faithful remnant in Ezekiel's day, He continues to call His people to faithfulness and purity, promising His enduring presence and protection to those who walk in His ways and grieve over the world's rebellion.

Questions for Reflection

  • In what ways might I, or my Christian community, be taking God's presence for granted in our daily lives and worship?
  • What "abominations" (sins, compromises, or spiritual apathy) in my life or in the church might be grieving the Holy Spirit and hindering God's manifest presence and power?
  • How can I cultivate a deeper reverence for God's holiness and respond with genuine, ongoing repentance to sin, both personal and corporate?
  • What does it mean to "sigh and groan over all the abominations" in our contemporary society, and how can I embody that lament and compassion in practical ways?

FAQ

What does "the glory of the God of Israel" refer to?

Answer: The "glory of the God of Israel" (Hebrew: kavod) refers to the visible, tangible manifestation of God's presence, splendor, weighty majesty, and inherent honor. It was the unmistakable sign of His active dwelling among His people, particularly within the Tabernacle in the wilderness and later the Temple in Jerusalem. Its movement in Ezekiel 9:3 signifies God's deliberate and progressive withdrawal from a sanctuary that had been defiled by the rampant idolatry, spiritual corruption, and moral decay of His people, ultimately leading to its destruction.

Who is the "man clothed with linen" and what is the significance of his "writer's inkhorn"?

Answer: The "man clothed with linen" is widely interpreted as a divine or angelic messenger, a figure of purity and authority, often associated with priestly or heavenly roles in prophetic literature (e.g., Daniel 10:5). He is commissioned directly by God. His "writer's inkhorn" is a common scribal tool, indicating his specific task to mark or inscribe. In the very next verse, Ezekiel 9:4, he is commanded to "put a mark upon the foreheads of the men that sigh and that cry for all the abominations that be done in the midst thereof," signifying God's meticulous discernment and preservation of the righteous amidst impending judgment upon the wicked.

CHRIST-CENTERED FULFILLMENT

Ezekiel 9:3, with its poignant depiction of God's glory progressively departing a defiled temple, finds profound Christ-centered fulfillment in the New Testament. While the glory departed the physical temple due to human sin and defilement, Jesus Christ is revealed as the ultimate embodiment of God's glory, the very "radiance of God's glory and the exact representation of his being" (Hebrews 1:3). In Him, God's glory did not depart but rather "tabernacled among us," full of grace and truth (John 1:14). The destruction of the Jerusalem temple, foreshadowed by Ezekiel's vision, was ultimately superseded by Christ's body as the new and perfect temple (John 2:19-21), a temple that cannot be defiled in the same way, for it is built on His perfect sacrifice and resurrection. Furthermore, the "man clothed with linen" who marks the righteous for preservation foreshadows Christ's role as the discerning Judge who separates the sheep from the goats (Matthew 25:31-33) and the Lamb who seals His chosen ones for salvation and protection from divine wrath (Revelation 7:3). Thus, what Ezekiel saw as a judgment and a temporary preservation is ultimately fulfilled in Christ's redemptive work, where His glory is eternally present with His people, forming them into a spiritual temple where God truly dwells by His Spirit (Ephesians 2:21-22).

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Commentary on Ezekiel 9 verses 1–4

In these verses we have,

I. The summons given to Jerusalem's destroyers to come forth and give their attendance. He that appeared to the prophet (Eze 8:2), that had brought him to Jerusalem and had shown the wickedness that was done there, he cried, Cause those that have charge over the city to draw near (Eze 9:1), or, as it might better be read, and nearer the original, Those that have charge over the city are drawing near. He had said (Eze 8:18), I will deal in fury; now, says he to the prophet, thou shalt see who are to be employed as the instruments of my wrath. Appropinquaverunt visitationes civitatis - The visitations (or visitors) of the city are at hand. They would not know the day of their visitations in mercy, and now they are to be visited in wrath. Observe, 1. how the notice of this is given to the prophet: He cried it in my ears with a loud voice, which intimates the vehemency of him that spoke; when men are highly provoked, and threaten in anger, they speak aloud. Those that regard not the counsels God gives them in a still small voice shall be made to hear the threatenings, to hear and tremble. It denotes also the prophet's unwillingness to be told this: he was deaf on that ear, but there is no remedy, their sin will not admit an excuse and therefore their judgment will not admit a delay: "He cried it in my ears with a loud voice; he made me hear it, and I heard it with a sad heart." 2. What this notice is. There are those that have charge over the city to destroy it, not the Chaldean armies, they are to be indeed employed in this work, but they are not the visitors, they are only the servants, or tools rather. God's angels have received a charge now to lay that city waste, which they had long had a charge to protect and watch over. They are at hand, as destroying angels, as ministers of wrath, for every man has his destroying weapon in his hand, as the angel that kept the way of the tree of life with a flaming sword. Note, Those that have by sin made God their enemy have made the good angels their enemies too. These visitors are called and caused to draw near. Note, God has ministers of wrath always within call, always at command, invisible powers, by whom he accomplishes is purposes. The prophet is made to see this in vision, that he might with the greater assurance in his preaching denounce these judgments. God told it him with a loud voice, taught it him with a strong hand (Isa 8:11), that it might make the deeper impression upon him and that he might thus proclaim it in the people's ears.

II. Their appearance, upon this summons, is recorded. Immediately six men came (Eze 9:2), one for each of the principal gates of Jerusalem. Two destroying angels were sent against Sodom, but six against Jerusalem; for Jerusalem's doom in the judgment will be thrice as heavy as that of Sodom. There is an angel watching at every gate to destroy, to bring in judgments from every quarter, and to take heed that none escape. One angel served to destroy the first-born of Egypt, and the camp of the Assyrians, but here are six. In the Revelation we find seven that were to pour out the vials of God's wrath, Rev 16:1. They came with every one a slaughter-weapon in his hand, prepared for the work to which they were called. The nations of which the king of Babylon's army was composed, which some reckon to be six, and the commanders of his army (of whom six are named as principal, Jer 39:3), may be called the slaughter-weapons in the hands of the angels. The angels are thoroughly furnished for every service. 1. Observe whence they came - from the way of the higher gate, which lies towards the north (Eze 9:2), either because the Chaldeans came from the north (Jer 1:14, Out of the north an evil shall break forth) or because the image of jealousy was set up at the door of the inner gate that looks towards the north, Eze 8:3, Eze 8:5. At that gate of the temple the destroying angels entered, to show what it was that opened the door to them. Note, That way that sin lies judgments may be expected to come. 2. Observe where they placed themselves: They went in and stood beside the brazen altar, on which sacrifices were wont to be offered and atonement made. When they acted as destroyers they acted as sacrificers, not from any personal revenge or ill-will, but with a pure and sincere regard to the glory of God; for to his justice all they slew were offered up as victims. They stood by the altar, as it were to protect and vindicate that, and plead its righteous cause, and avenge the horrid profanation of it. At the altar they were to receive their commission to destroy, to intimate that the iniquity of Jerusalem, like that of Eli's house, was not to be purged by sacrifice.

III. The notice taken of one among the destroying angels distinguished in his habit from the rest, from whom some favour might be expected; it should seem he was not one of the six, but among them, to see that mercy was mixed with judgment, Eze 9:2. This man was clothed with linen, as the priests were, and he had a writer's inkhorn hanging at his side, as anciently attorneys and lawyers' clerks had, which he was to make use of, as the other six were to make use of their destroying weapons. Here the honours of the pen exceeded those of the sword, but he was the Lord of angels that made use of the writer's inkhorn; for it is generally agreed, among the best interpreters, that this man represented Christ as Mediator saving those that are his from the flaming sword of divine justice. He is our high priest, clothed with holiness, for that was signified by the fine linen, Rev 19:8. As prophet he wears the writer's inkhorn. The book of life is the Lamb's book. The great things of the law and gospel which God has written to us are of his writing; for it is the Spirit of Christ, in the writers of the scripture, that testifies to us, and the Bible is the revelation of Jesus Christ. Note, It is a matter of great comfort to all good Christians that, in the midst of the destroyers and the destructions that are abroad, there is a Mediator, a great high priest, who has an interest in heaven, and whom saints on earth have an interest in.

IV. The removal of the appearance of the divine glory from over the cherubim. Some think this was that usual display of the divine glory which was between the cherubim over the mercy seat, in the most holy place, that took leave of them now, and never returned; for it is supposed that it was not in the second temple. Others think it was that display of the divine glory which the prophet now saw over the cherubim in vision; and this is more probable, because this is called the glory of the God of Israel (Rev 8:4), and this is it which he had now his eye upon; this was gone to the threshold of the house, as it were to call to the servants that attended without the door, to send them on their errand and give them their instructions. And the removal of this, as well as the former, might be significant of God's departure from them, and leaving them their house desolate; and when God goes all good goes, but he goes from none till they first drive him from them. He went at first no further than the threshold, that he might show how loth he was to depart, and might give them both time and encouragement to invite his return to them and his stay with them. Note, God's departures from a people are gradual, but gracious souls are soon award of the first step he takes towards a remove. Ezekiel immediately observed that the glory of the god of Israel had gone up from the cherub: and what is a vision of angels if God be gone?

V. The charge given to the man clothed in linen to secure the pious remnant from the general desolation. We do not read that this Saviour was summoned and sent for, as the destroyers were; for he is always ready, appearing in the presence of God for us; and to him, as the most proper person, the care of those that are marked for salvation is committed, Eze 9:4. Now observe, 1. The distinguishing character of this remnant that is to be saved. They are such as sigh and cry, sigh in themselves, as men in pain and distress, cry to God in prayer, as men in earnest, because of all the abominations that are committed in Jerusalem. It was not only the idolatries they were guilty of, but all their other enormities, that were abominations to God. These pious few had witnessed against those abominations and had done what they could in their places to suppress them; but, finding all their attempts for the reformation of manners fruitless, they sat down, and sighted, and cried, wept in secret, and complained to God, because of the dishonour done to his name by their wickedness and the ruin it was bringing upon their church and nation. Note, It is not enough that we do not delight in the sins of others, and that we have not fellowship with them, but we must mourn for them, and lay them to heart; we must grieve for that which we cannot help, as those that hate sin for its own sake, and have a tender concern for the souls of others, as David (Psa 119:136), and Lot, who vexed his righteous soul with the wicked conversation of his neighbours. The abominations committed in Jerusalem are to be in a special manner lamented, because they are in a particular manner offensive to God. 2. The distinguishing care taken of them. Orders are given to find those all out that are of such a pious public spirit: "Go through the midst of the city in quest of them, and though they are ever so much dispersed, and ever so closely hid from the fury of their persecutors, yet see that you discover them, and set a mark upon their foreheads," (1.) To signify that God owns them for his, and he will confess them another day. A work of grace in the soul is to God a mark upon the forehead, which he will acknowledge as his mark, and by which he knows those that are his. (2.) To give to them who are thus marked an assurance of God's favour, that they may know it themselves; and the comfort of knowing it will be the most powerful support and cordial in calamitous times. Why should we perplex ourselves about this temporal life if we know by the mark that we have eternal life? (3.) To be a direction to the destroyers whom to pass by, as the blood upon the door-posts was an indication that that was an Israelite's house, and the first-born there must not be slain. Note, Those who keep themselves pure in times of common iniquity God will keep safe in times of common calamity. Those that distinguish themselves shall be distinguished; those that cry for other men's sins shall not need to cry for their own afflictions, for they shall be either delivered from them or comforted under them. God will set a mark upon his mourners, will book their sighs and bottle their tears. The sealing of the servants of God in their foreheads mentioned in Rev 7:3 was the same token of the care God has of his own people with this related here; only this was to secure them from being destroyed, that from being seduced, which is equivalent.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 1–4. Public domain.
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JeromeAD 420
Commentary on Ezekiel
(Verses 2, 3) And behold, six men were coming from the way of the upper gate, which faces north, each with his weapon of destruction in his hand. And there was one man among them clothed in linen, with a scribe's inkhorn at his side. They went in and stood beside the bronze altar. And the glory of the God (Vulgate: Lord) of Israel went up from the cherub on which it rested to the threshold of the house. And he called to the man clothed in linen, who had the scribe's inkhorn at his side. According to the lines, which we have interpreted alongside Symmachus, LXX, ποδήρη; Theodotius translated the Hebrew word Baddim (); Aquila, the chief, interpreted. Again, when we said, and the writer's inkwell at his kidneys, they put LXX: And a sapphire belt on his kidneys; Theodotius, the scribal pen in his hand; Aquila, μελανοδοχεῖον, that is, the writer's inkwell at his loins; Symmachus had writing tablets at his kidneys. And when we moved, the threshold of the house, the Seventy and Theodotion, the open area, that is, placed the entrance under the sky. As for the vase, which each man held in his hands, only the Seventy interpreted it as an axe. Therefore, in order to atone for the sins of man, who were made on the sixth day of the creation of the world, six men come and descend from the upper gate, or as the Seventy translated, the heights to the North. And each person had an ax in their hands, about which John speaks: For now the ax is laid to the root of the trees. Every tree that does not bear good fruit will be cut down and thrown into the fire (Matt. III, Luke III, 9). And in the middle of the six men there was one, that is, the seventh, dressed in the garments of a high priest, made of linen, and he had a scribe's inkwell at his kidneys, with which he would record the sins of all and separate the number of holy individuals from the sinners: or a sapphire belt of the color of a sapphire stone, which is in the ornaments of the high priest. Six men went out and stood next to the brazen altar. There were two altars: one for burning incense, golden inside; and the other in front of the temple, bronze for burnt offerings. They are said to stand ready by the altar to carry out the commands of the one who commands, so that if they see any sins not forgiven there, they may know the judgment of the Lord and subject themselves to his punishment. The glory of the God of Israel also ascended, or was taken up, from one Cherub and went to the threshold, or to the inner court of the house and vestibule, which is not covered but enjoys the freedom of the air. The glory of the Lord Himself called the man, who was in the attire of a high priest and had an inkwell in his loins, and said what the Scripture testifies. Some interpret the six men as six Angels who obey the will of God, and they understand the one who had the attire of a high priest as the Savior; in accordance with that, the Priest is both the Angel of great counsel and that which is said: You are a priest forever according to the order of Melchizedek (Psalm 110:4). However, what the Seventy translated as 'podērē' is one of the eight vestments of the high priest, which is called 'talaris' in Latin; and it receives this name because it reaches down to the feet. I know that I published a book about the vestments of the high priest many years ago, and I am sending the reader the explanation of it. For I cannot say everything in every place, and when I asked Aquila and Theodotion what the Hebrew word 'כַּ֫סְתָּ֥ח' meant, they replied to me in Greek that it is called 'καλαμάριον', because it is adorned with reeds. We call ink 'atramentarium' because it contains ink. Many people call it a more significant name, 'thecas', because they are the cases of writing quills. Of the four Cherubim, one Cherub is sent from the glory of the Lord's majesty to speak to the one who was clothed in the garments of the pontiff. And although many think that 'τὰ χερουβεὶμ' should be said in the neutral gender and plural number, we must know that 'Cherub' is singular in number, masculine in gender, and its plural is 'Cherubim' of the same gender: not because there is gender among the ministers of God, but because each thing is called by different genders according to the properties of their language. Angels are called by the plural number Malachim, and Cherubim, and Seraphim of the same kind and number. Furthermore, Sabaoth, which is interpreted as hosts or armies and virtues, are called by the feminine gender, plural number, and end in the final syllable Oth (). However, those who want the Savior to be understood under the figure of a pontiff use the example from the Book of Revelation of John, in which it is written: And I turned and saw a voice that spoke with me. And when I turned, I saw seven golden candlesticks; and in the midst of the candlesticks one like unto the Son of man, and so on.
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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