मुख्य मजकुरावर जा

Ezekiel 4:1

“The Symbolic Siege of Jerusalem”· Ezekiel 4:1–3Read in context
King James Version
¶ Thou also, son of man, take thee a tile, and lay it before thee, and pourtray upon it the city, even Jerusalem:
KJV (with Strong's)
Thou also, son H1121 of man H120, take H3947 thee a tile H3843, and lay H5414 it before H6440 thee, and pourtray H2710 upon it the city H5892, even Jerusalem H3389:
Complete Jewish Bible
"As for you, human being, take a clay slab, lay it down in front of you, and draw on it the city of Yerushalayim.
Berean Standard Bible
“Now you, son of man, take a brick, place it before you, and draw on it the city of Jerusalem.
American Standard Version
Thou also, son of man, take thee a tile, and lay it before thee, and portray upon it a city, even Jerusalem:
World English Bible Messianic
You also, son of man, take a tile, and lay it before yourself, and portray on it a city, even Jerusalem:
Geneva Bible (1599)
Thou also sonne of man, take thee a bricke, and lay it before thee, and pourtray vpon it the citie, euen Ierusalem,
Young's Literal Translation
`And thou, son of man, take to thee a brick, and thou hast put it before thee, and hast graven on it a city--Jerusalem,
मराठी · MRCV
“आता हे मानवपुत्रा, ओल्या मातीची एक वीट घे आणि ती तुझ्यापुढे ठेव व तिच्यावर यरुशलेम शहराचे चित्र काढ.
Translation

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Summary

Ezekiel 4:1 inaugurates a series of profound symbolic actions commanded by God to the prophet Ezekiel, designed to vividly portray the impending siege and catastrophic destruction of Jerusalem. This verse initiates a foundational visual prophecy, where Ezekiel is instructed to take a common clay tile and meticulously engrave upon it a detailed depiction of the beloved but rebellious city. This act sets the stage for a sequence of divinely ordained performances that communicate with undeniable certainty and severity the divine judgment awaiting Jerusalem, serving as a stark warning to both the exiles clinging to false hopes and those still defiantly residing within the city walls.

Context

Literary Context

Ezekiel 4:1 marks a crucial transition in the book, moving from Ezekiel's initial call and awe-inspiring visions of God's glory and sovereignty (chapters 1-3) to a period dominated by enacted prophecies (chapters 4-5). Having been commissioned as a "watchman" for Israel, this verse immediately plunges the prophet into his first significant public and personal demonstration of God's message. The command to "pourtray" Jerusalem on a tile is not an isolated event but the foundational element of a prolonged symbolic siege, which is elaborated upon with further actions like building siege works and battering rams in Ezekiel 4:2-3. This initial act is then followed by a period where Ezekiel must lie on his side for extended durations, symbolizing the years of Israel's and Judah's iniquity, as detailed in Ezekiel 4:4-8. These interconnected symbolic actions collectively serve as a powerful visual indictment and an undeniable warning of Jerusalem's inevitable fate, preparing the audience for the detailed prophecies of judgment that unfold in the subsequent chapters of the book.

Historical & Cultural Context

The prophet Ezekiel was ministering among the Jewish exiles by the Chebar Canal in Babylon, having been deported during the second wave of Babylonian captivity in 597 BC. At the time of this particular prophecy, likely around 593/592 BC, Jerusalem had not yet fallen, but it was under immense political and military pressure from the Neo-Babylonian Empire. Many exiles harbored persistent, often deluded, hopes of a swift return to Jerusalem, while those still within the city remained in defiant rebellion against both God and His prophetic warnings. The act of drawing or engraving on a clay tile was a common and recognizable practice in the ancient Near East, used for recording plans, maps, legal documents, or even for educational purposes. By employing such a familiar medium, Ezekiel's performance would have been immediately understandable and impactful to his audience. This choice of a tangible, common object amplified the gravity of the divine message, underscoring the reality, precision, and divine orchestration of the impending judgment by Nebuchadnezzar's forces, which would culminate in Jerusalem's devastating destruction in 586 BC, as vividly recounted in 2 Kings 25.

Key Themes

This verse powerfully contributes to several overarching themes within the book of Ezekiel. First, it underscores Divine Communication Through Action, demonstrating God's unique method of using His prophet's physical body and actions as a powerful, undeniable, and unforgettable message. Ezekiel becomes a living parable, embodying the very message he proclaims, a thematic thread echoed in other prophetic books where prophets perform symbolic acts, such as Isaiah's symbolic nakedness or Jeremiah's dramatic breaking of a pottery jar. Second, the verse highlights Jerusalem's Impending Doom, a central and pervasive theme in Ezekiel's early prophecies. The detailed portrayal of the city on the tile signifies the precision, certainty, and divine orchestration of the coming siege, famine, and eventual destruction, leaving no room for doubt about the city's dire fate. Third, it powerfully emphasizes God's Sovereignty and Justice, as the meticulous nature of the command reveals that the impending disaster is not merely a political or military outcome but a direct, righteous judgment from God upon His perpetually rebellious people, fulfilling the warnings given throughout the covenant history, particularly those outlined in Deuteronomy 28.

Exposition and Analysis

Key Word Analysis

son of man bên 'âdâm' H1121

This recurring address (H1121, H120) is used over ninety times in the book of Ezekiel, uniquely identifying the prophet. The term "ben" (H1121) broadly signifies "son," indicating relationship, quality, or condition, while "'adam" (H120) refers to a human being, mankind, or a person. Together, "son of man" emphasizes Ezekiel's profound humanity and mortality, sharply contrasting with the divine majesty and power of the one speaking to him. It underscores his role as a representative of fallen humanity, a mortal messenger receiving and conveying a divine, often overwhelming, word to his fellow mortals, thereby highlighting the vast chasm between God and humanity.

pourtray châqaq' H2710

This verb (H2710) means "to hack," "engrave," "carve," or "delineate precisely." It implies a deliberate, careful, and permanent depiction, far more than a casual sketch. The act of "pourtraying" suggests that the coming judgment on Jerusalem is not a vague threat or a potential outcome, but a meticulously planned and certain event, etched into the divine decree as firmly as an image carved into stone or clay. This precision underscores the gravity, inevitability, and divine authorship of the prophecy, indicating that God's judgment is not arbitrary but a measured and unchangeable consequence of sin.

tile lᵉbênâh' H3843

Derived from a root meaning "to be white," this term (H3843) refers to a brick or a baked clay tablet. In the ancient world, such tiles were commonly used for writing, drawing, or even as building materials. The choice of a "tile" as the medium for Ezekiel's prophecy lends a tangible, official, and permanent quality to the symbolic act. It implies a sense of public record and undeniable truth, much like a blueprint or a legal document, making the prophetic message concrete, accessible, and undeniable to the onlookers. It transforms a mundane object into a powerful instrument of divine communication.

Verse Breakdown

"Thou also, son of man"

This opening phrase immediately reiterates God's direct and personal address to Ezekiel, emphasizing his unique prophetic calling and his human identity. It serves to set the stage for a specific, personal command directed to him as God's chosen instrument, highlighting the intimate relationship between the divine speaker and the human recipient of the message.

"take thee a tile, and lay it before thee"

This is the first specific instruction, demanding a physical action from the prophet. The "tile" serves as the literal canvas for the prophetic message, transforming an ordinary object into a sacred instrument. Laying it "before thee" suggests a public display, an act intended to be observed and understood by others, indicating that this is not a private meditation but a public performance for the benefit of the exiles.

"and pourtray upon it the city, even Jerusalem"

This is the core command of the verse, specifying the content of the prophetic act. Ezekiel is to engrave or draw a detailed image of Jerusalem on the tile. The specificity of "the city, even Jerusalem" leaves no doubt about the subject of the prophecy, immediately focusing the audience's attention on their beloved but rebellious capital. This act visually prefigures the siege and destruction that God is about to bring upon the city, making the abstract concept of judgment tangibly real.

Literary Devices

Ezekiel 4:1 is profoundly rich in Symbolism, where the physical objects and actions of the prophet represent deeper spiritual and theological realities. The tile itself symbolizes the land or the city of Jerusalem, becoming a miniature, tangible representation of the actual place. The act of pourtraying or engraving Jerusalem on the tile is a powerful symbolic representation of the divine decree concerning the city's fate—it is already "etched in stone," or more accurately, in clay, signifying its certainty and irreversibility. This act functions as a Prophetic Act, a form of enacted prophecy where the prophet's physical performance embodies the divine message, making it tangible, memorable, and impactful for the audience in a way that mere words might not. Ezekiel himself becomes a Living Parable, his body and actions serving as an object lesson for the people. The entire scene functions as a powerful Metaphor for God's precise and unyielding judgment, where the miniature siege depicted on the tile vividly foreshadows the real, devastating siege to come upon Jerusalem.

Theological and Thematic Connections

Ezekiel 4:1 powerfully illustrates God's unwavering commitment to communicating His will and warnings, even through unconventional and dramatic means, particularly when His people have become spiritually deaf and resistant to traditional prophetic pronouncements. This prophetic act underscores the absolute certainty of divine judgment when covenant unfaithfulness persists, revealing that God's patience has limits and His perfect justice will ultimately prevail. It connects to the broader biblical theme of God's consistent use of prophets as His mouthpieces and visual aids, ensuring that His message is delivered with clarity, impact, and undeniable authority, leaving humanity without excuse for their rebellion. Furthermore, the meticulous detail of the command speaks profoundly to God's precise knowledge and sovereign control over all historical events, even those as catastrophic as the fall of His chosen city, demonstrating that nothing occurs outside of His divine plan and purpose.

Reflection and Application

Ezekiel 4:1 serves as a stark and challenging reminder that God communicates His truth in diverse, often unexpected, and sometimes even uncomfortable ways, demanding our profound attention and sincere response. The prophet's willingness to engage in such a public, physically demanding, and potentially humiliating act highlights the depth of his obedience and the urgent gravity of the divine message. For us today, this passage calls us to soberly consider the seriousness of unaddressed sin and persistent rebellion, recognizing that divine judgment, though often delayed by God's patience, is ultimately certain and inevitable. It challenges us to critically examine our own lives and the communities we inhabit, prompting us to ask if we are truly heeding God's warnings and aligning ourselves with His righteous will, or if we are, like ancient Jerusalem, clinging to false hopes and spiritual complacency. Furthermore, this passage prompts us to reflect deeply on our own roles as messengers of God's truth in a world that frequently ignores conventional spiritual communication. Are we willing to be unconventional, to embody the message, and to allow God to use us in ways that might seem strange, inconvenient, or even uncomfortable, for the sake of His kingdom and the eternal salvation of others?

Questions for Reflection

  1. How does God use "unconventional" or symbolic methods to communicate His truth in our world today, and are we attentive to them?
  2. What "tiles" or everyday objects might God call us to use symbolically to convey profound spiritual truth to those around us, and are we willing to obey?
  3. In what specific areas of my life or my community might I be ignoring or dismissing God's warnings, similar to the inhabitants of ancient Jerusalem?
  4. How can I cultivate a greater sensitivity and responsiveness to God's voice, whether it comes through direct revelation, the inspired Scriptures, or the "prophetic acts" and faithful witness of others?

FAQ

Why did God command Ezekiel to perform such a strange, symbolic act instead of just speaking the message?

God commanded Ezekiel to perform symbolic acts like drawing Jerusalem on a tile because the people, both in exile and those still clinging to hope in Jerusalem, had become spiritually deaf, hardened, and resistant to traditional prophetic warnings. Generations of rebellion, coupled with the influence of false prophets, had rendered mere words largely ineffective. By commanding Ezekiel to engage in these dramatic, public, and often physically demanding performances, God ensured His message was not only heard but powerfully seen, felt, and indelibly imprinted upon the minds of the audience. These acts served as powerful visual aids and living parables, designed to shock the audience out of their spiritual apathy and denial. They made the abstract concept of siege and destruction concrete, undeniable, and immediate, highlighting the certainty, severity, and divine origin of the impending judgment. It was a divine pedagogical strategy, a profound form of communication designed to break through deep-seated spiritual resistance, as further detailed in the subsequent instructions for the symbolic siege in Ezekiel 4:2-3.

Christ-Centered Fulfillment

Ezekiel's prophetic act of portraying Jerusalem's siege on a tile, a vivid and grim declaration of impending judgment, finds its ultimate fulfillment and profound transformation in the person and work of Jesus Christ. While Ezekiel's ministry pronounced judgment upon a rebellious earthly city, Jesus, the true "Son of Man" (a title He frequently used for Himself, emphasizing both His humanity and His divine authority, as seen in Matthew 8:20), also lamented over Jerusalem, knowing its ultimate fate due to its rejection of Him and His redemptive mission (Luke 19:41-44). Yet, unlike Ezekiel's message of unmitigated destruction for the city, Christ's coming brought the possibility of a new and eternal Jerusalem, a heavenly city founded not on human rebellion but on divine grace and perfect righteousness (Revelation 21:2). The judgment depicted on Ezekiel's tile powerfully foreshadows the far greater and more comprehensive judgment that fell upon sin at the cross, where Christ, the Lamb of God, bore the full weight of humanity's rebellion and cosmic injustice, taking away the sin of the world once and for all (John 1:29). Through His sacrificial death, the ultimate "pouring out" of divine justice was accomplished, not upon a city made of clay, but upon His own sinless body, thereby offering redemption and a secure path to the true, eternal city for all who believe and trust in Him (Hebrews 12:22-24). Thus, Ezekiel's grim prophetic act, while a testament to God's justice against sin, ultimately points forward to the One who would perfectly fulfill God's righteous demands and establish an everlasting kingdom of peace that will never be overthrown.

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Public-domain commentary

Matthew Henry

From his Commentary on the Whole Bible. Henry comments on passages, not single verses — this entry covers Ezekiel 4:1–8. His three-level outline is real structure in the source text, so it is rendered as structure.

1662–1714 · 8 verses
Passage under commentEzekiel 4:1–8
I. II. Main points1. 2. Sub-points(1.) (2.) Details

The prophet is here ordered to represent to himself and others by signs which would be proper and powerful to strike the fancy and to affect the mind, the siege of Jerusalem; and this amounted to a prediction.

I.He was ordered to engrave a draught of Jerusalem upon a tile, Eze 4:1.

It was Jerusalem's honour that while she kept her integrity God had graven her upon the palms of his hands (Isa 49:16), and the names of the tribes were engraven in precious stones on the breast-plate of the high priest; but, now that the faithful city has become a harlot, a worthless brittle tile or brick is thought good enough to portray it upon. This the prophet must lay before him, that the eye may affect the heart.

II.He was ordered to build little forts against this portraiture of the city, resembling the batteries raised by the besiegers, Eze 4:2.

Between the city that was besieged and himself that was the besieger he was to set up an iron pan, as an iron wall, Eze 4:3. This represented the inflexible resolution of both sides; the Chaldeans resolved, whatever it cost them, that they would make themselves masters of the city and would never quit it till they had conquered it; on the other side, the Jews resolved never to capitulate, but to hold out to the last extremity.

III.He was ordered to lie upon his side before it, as it were to surround it, representing the Chaldean army lying before it to block it up, to keep the meat from going in and the mouths from going out. He was to lie on his left side 390 days (Eze 4:5), about thirteen months; the siege of Jerusalem is computed to last eighteen months (Jer 52:4-6), but if we deduct from that five months' interval, when the besiegers withdrew upon the approach of Pharaoh's army (Jer 37:5-8), the number of the days of the close siege will be 390. Yet that also had another signification. The 390 days, according to the prophetic dialect, signified 390 years; and, when the prophet lies so many days on his side, he bears the guilt of that iniquity which the house of Israel, the ten tribes, had borne 390 years, reckoning from their first apostasy under Jeroboam to the destruction of Jerusalem, which completed the ruin of those small remains of them that had incorporated with Judah. He is then to lie forty days upon his right side, and so long to bear the iniquity of the house of Judah, the kingdom of the two tribes, because the measure-filling sins of that people were those which they were guilty of during the last forty years before their captivity, since the thirteenth year of Josiah, when Jeremiah began to prophesy (Jer 1:1, Jer 1:2), or, as some reckon it, since the eighteenth, when the book of the law was found and the people renewed their covenant with God. When they persisted in their impieties and idolatries, notwithstanding they had such a prophet and such a prince, and were brought into the bond of such a covenant, what could be expected but ruin without remedy? Judah, that had such helps and advantages for reformation, fills the measure of its iniquity in less time than Israel does. Now we are not to think that the prophet lay constantly night and day upon his side, but every day, for so many days together, at a certain time of the day, when he received visits, and company came in, he was found lying 390 days on his left side and forty days on his right side before his portraiture of Jerusalem, which all that saw might easily understand to mean the close besieging of that city, and people would be flocking in daily, some for curiosity and some for conscience, at the hour appointed, to see it and to take their different remarks upon it. His being found constantly on the same side, as if bands were laid upon him (as indeed they were by the divine command), so that he could not turn himself from one side to another till he had ended the days of the siege, did plainly represent the close and constant continuance of the besiegers about the city during that number of days, till they had gained their point.

IV.He was ordered to prosecute the siege with vigour (Eze 4:7):

Thou shalt set thy face towards the siege of Jerusalem, as wholly intent upon it and resolved to carry it; so the Chaldeans would be, and neither bribed nor forced to withdraw from it. Nebuchadnezzar's indignation at Zedekiah's treachery in breaking his league with him made him very furious in pushing on this siege, that he might chastise the insolence of that faithless prince and people; and his army promised themselves a rich booty of that pompous city; so that both set their faces against it, for they were very resolute. Nor were they less active and industrious, exerting themselves to the utmost in all the operations of the siege, which the prophet was to represent by the uncovering of his arm, or, as some read it, the stretching out of his arm, as it were to deal blows about without mercy. When God is about to do some great work he is said to make bare his arm, Isa 52:10. In short, The Chaldeans will go about their business, and go on in it, as men in earnest, who resolve to go through with it. Now,

1.This is intended to be a sign to the house of Israel (Eze 4:3), both to those in Babylon, who were eye-witnesses of what the prophet did, and to those also who remained in their own land, who would hear the report of it. The prophet was dumb and could not speak (Eze 3:26); but as his silence had a voice, and upbraided the people with their deafness, so even then God left not himself without witness, but ordered him to make signs, as dumb men are accustomed to do, and as Zacharias did when he was dumb, and by them to make known his mind (that is, the mind of God) to the people. And thus likewise the people were upbraided with their stupidity and dulness, that they were not capable of being taught as men of sense are, by words, but must be taught as children are, by pictures, or as deaf men are, by signs. Or, perhaps, they are hereby upbraided with their malice against the prophet. Had he spoken in words at length what was signified by these figures, they would have entangled him in his talk, would have indicted him for treasonable expressions, for they knew how to make a man an offender for a word (Isa 29:21), to avoid which he is ordered to make use of signs. Or the prophet made use of signs for the same reason that Christ made use of parables, that hearing they might hear and not understand, and seeing they might see and not perceive, Mat 13:14, Mat 13:15. They would not understand what was plain, and therefore shall be taught by that which is difficult; and herein the Lord was righteous.

2.Thus the prophet prophesies against Jerusalem (Eze 4:7); and there were those who not only understood it so, but were the more affected with it by its being so represented, for images to the eye commonly make deeper impressions upon the mind than words can, and for this reason sacraments are instituted to represent divine things, that we might see and believe, might see and be affected with those things; and we may expect this benefit by them, and a blessing to go along with them, while (as the prophet here) we make use only of such signs as God himself has expressly appointed, which, we must conclude, are the fittest. Note, The power of imagination, if it be rightly used, and kept under the direction and correction of reason and faith, may be of good use to kindle and excite pious and devout affections, as it was here to Ezekiel and his attendants. "Methinks I see so and so, myself dying, time expiring, the world on fire, the dead rising, the great tribunal set, and the like, may have an exceedingly good influence upon us: for fancy is like fire, a good servant, but a bad master." 3. This whole transaction has that in it which the prophet might, with a good colour of reason, have hesitated at and excepted against, and yet, in obedience to God's command, and in execution of his office, he did it according to order.

(1.)It seemed childish and ludicrous, and beneath his gravity, and there were those that would ridicule him for it; but he knew the divine appointment put honour enough upon that which otherwise seemed mean to save his reputation in the doing of it.

(2.)It was toilsome and tiresome to do as he did; but our ease as well as our credit must be sacrificed to our duty, and we must never call God's service in any instance of it a hard service.

(3.)It could not but be very much against the grain with him to appear thus against Jerusalem, the city of God, the holy city, to act as an enemy against a place to which he was so good a friend; but he is a prophet, and must follow his instructions, not his affections, and must plainly preach the ruin of a sinful place, though its welfare is what he passionately desires and earnestly prays for. 4. All this that the prophet sets before the children of his people concerning the destruction of Jerusalem is designed to bring them to repentance, by showing them sin, the provoking cause of this destruction, sin the ruin of that once flourishing city, than which surely nothing could be more effectual to make them hate sin and turn from it; while he thus in lively colours describes the calamity with a great deal of pain and uneasiness to himself, he is bearing the iniquity of Israel and Judah. "Look here" (says he) "and see what work sin makes, what an evil and bitter thing it is to depart form God; this comes of sin, your sins and the sin of your fathers; let that therefore be the daily matter of your sorrow and shame now in your captivity, that you may make your peace with God and he may return in mercy to you." But observe, It is a day of punishment for a year of sin: I have appointed thee each day for a year. The siege is a calamity of 390 days, in which God reckons for the iniquity of 390 years; justly therefore d they acknowledge that God had punished them less than their iniquity deserved, Ezr 9:13. But let impenitent sinners know that, though now God is long-suffering towards them, in the other world there is an everlasting punishment. When God laid bands upon the prophet, it was to show them how they were bound with the cords of their own transgression (Lam 1:14), and therefore they were now holden in the cords of affliction. But we may well think of the prophet's case with compassion, when God laid upon him the bands of duty, as he does on all his ministers (Co1 9:16, Necessity is laid upon me, and woe unto me if I preach not the gospel); and yet men laid upon him bonds of restraint (Eze 3:25); but under both it is satisfaction enough that they are serving the interests of God's kingdom among men.

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Historical interpretation

Two Centuries of Reception

4 surviving comments on this verse. Each one is dated, so this reads as a timeline rather than a list.

4 quotes · AD 420–604
Post-NiceneEarly Medieval
400500600

Select a marker to jump to its quote. Markers stagger vertically where authors wrote within a few decades of each other.

AD 420JeromePost-NiceneSourceCOMMENTARY ON EZEKIEL 1:4.1-2
Jerusalem is to be represented on a brick, and the brick itself is to be placed before the prophet, so that when it looks like Jerusalem in the dust, it can portray the whole blockade against it.
AD 420JeromePost-NiceneSourceCommentary on Ezekiel
(Chapter 4, Verses 1-2.) And you, son of man, take a brick for yourself and set it before you, and portray on it the city of Jerusalem. Build siege works against it, build a siege mound against it, raise a ramp against it, set up camps against it, and place battering rams against it all around. As we have said before, go inside and enclose it in the midst of your house; and behold, ropes will be put on you, and you will be bound, and you shall not go out. This is a symbolic representation of the prophet's future siege of the city of Jerusalem. Now he is commanded to use geometric art to depict it on a brick, and to place that brick in front of the prophet. After he has portrayed Jerusalem with dust, he is to depict the entire siege against it, representing the fortifications, the raised mound, the encircling army, and the battering rams, all of which are typical in capturing cities. Fortifications are called the things by which a city is enclosed, so that none of the besieged can escape: mounds are brought together by which ramparts and ditches are filled; camps are the guards of soldiers in a circuit; battering rams are those by which the foundations of walls are shaken, and the joining of stones is dissolved. However, this is said in order to signify the neighboring captivity of the city of Jerusalem under Zedekiah: in the eleventh year of which both the king and the city were captured. On the side, which is called in Greek the feminine gender ἡ πλίνθος, Symmachus has more clearly interpreted it as πλίνθιον, which we can call a brick and a tile. In whose dust geometers are accustomed to draw lines, that is, lines and rays. From which some wish, not unreasonably, also to have knowledge of this doctrine (replicating those examples, that Joshua son of Nun sent explorers, who described the land (Joshua 2), which is properly called Geometry: and the Angel in Zechariah had a Geometric cord to measure Jerusalem (Zechariah 2). And what the Prophet now commands to describe in the dust (which is properly called scenography) we can take as a brick and as a stroke of the Israelites, which served Pharaoh in mud and clay (Exodus 1). Or suppose that the city, which they thought was strong and impregnable, is compared to a very fragile wall, which immediately dissolves upon contact with water, as was previously stated: is the hardest rock or a deserted mountain turned into a brick, which is corrupted by the Babylonian flood; according to what is written: Therefore, the Lord will bring upon you many and strong waters, the king of Assyria.
"And you, son of man, take a brick for yourself, and place it before you, and draw upon it the city of Jerusalem."

In these words, indeed, what else is designated according to history but the siege and destruction of the city of Jerusalem, and what else is expressed but the affliction of a sinful people? It is called a provoking house.

From this we are instructed that when we know one thing is fulfilled according to history, and we recognize another thing according to history to be empty of reason, we should hold to both in the sacred word, so that we may believe the siege of Jerusalem, which was later accomplished according to the letter, to be prefigured in the words and deeds of the prophet, and yet through that same siege another siege, that is, an interior one, may be designated.

But first we must inquire why the prophet Ezekiel, whenever he beholds sublime things or whenever he is commanded to perform something mystical, is first called "son of man." For often he is lifted up to heavenly things, and his mind is fed on hidden and invisible realities. It is therefore necessary that among the hidden things which he penetrates, he be called "son of man," so that he may always recognize what he is and never be exalted because of those things to which he is led. For what does it mean to always say "son of man" to a prophet lifted up to spiritual things, except to make him mindful of his own weakness? So that, conscious of his frail condition, he ought not to be elevated in thought because of the greatness of his contemplation.

Because this same prophet, as we have already said above, holds the type of preachers or teachers, it is rightly said to him now: "Take for yourself a brick, and you shall place it before you." For every teacher, when he receives some earthly hearer for instruction in the heavenly word, takes up a brick. When he begins to speak to him about what the reward of the heavenly homeland is, what the vision of supernal peace is, he describes the city of Jerusalem on the brick. He places it before himself, because with attentive mind he considers the quality of the hearer, that is, he observes his progress or deficiency, and according to that person's understanding he moderates the words of his preaching, so that the city of Jerusalem, that is, the vision of peace, may be described in the hearer's mind. Let it therefore be said: "Take for yourself a brick," namely the earthly heart of your neighbor. "And you shall place it before you," that is, so that you may guard his life and understanding with attentive mind. "And you shall describe upon it the city of Jerusalem," so that you may make known to him what the supernal joys are concerning the vision of peace. For it is as if Jerusalem has already been described on the brick when an earthly mind has begun to recognize what are the true joys of that inner peace, and to long to behold the glory of the heavenly homeland. It is as if the vision of peace is being described on earth when the mind, which had previously savored earthly things, is now raised up through love to contemplate the glory of the heavenly kingdom.

But as soon as the soul begins to love heavenly things, as soon as it gathers itself with complete attention toward the vision of inner peace, that ancient adversary who fell from heaven grows envious, and begins to lay more snares, and brings on sharper temptations than he was accustomed to, so that often he tempts the resisting soul as he had never tempted it before when he possessed it. Hence it is written: "Son, when you come to the service of God, stand in justice and fear, and prepare your soul for temptation." Hence also the demoniac who is healed by the Lord is torn apart by the departing demon, as it is written: "And crying out and greatly tearing him, it went out from him." For what does it mean that the ancient enemy, who had not torn apart the possessed man while he held him, tore him apart as he was leaving, except that often when he is expelled from the heart, he generates sharper temptations in it than he had previously stirred up when he possessed it in peace? Hence also the Israelites say to Moses and Aaron: "May the Lord see and judge, because you have made our odor stink before Pharaoh and his servants, and you have given him a sword to kill us." For in Moses and Aaron the law and the prophets are prefigured. And often the weak soul murmurs within itself as if against the sacred utterances, because after it has begun to hear and follow heavenly words, the adversity of the Egyptian king, that is, the temptation of the evil spirit, increases.
AD 604Gregory the DialogistEarly MedievalSourcePASTORAL RULE 2:10
Some things, however, ought to be reproved strongly, so that when a fault is not recognized by the one who has committed it, he may be made aware of its gravity by verbal reproof, or when anyone glosses over an evil that he has perpetrated, he may be led by the harshness of his censure to entertain grave fears of its effects on him. For indeed it is the duty of a ruler to show by the voice of preaching the glory of our heavenly country, to disclose what great temptations of the old enemy are lurking in this life’s journey, and to correct with zealous harshness such evils among those who are under his sway that should not be gently borne with, lest, in being too little incensed against such faults, he himself be held guilty of all faults.
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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