### Core Meaning & Semantic Range
The Hebrew word **miqlaʻath**, represented by `{{H4734}}`, refers to a **sculpture** or **carving**, likely in bas-relief. Derived from the root `{{H7049}}` **qâlaʻ**, meaning "to carve," this noun appears **4 times** across **4 unique verses** in the Bible. Its usage is exclusively architectural, describing the intricate decorative work within Solomon's Temple.
### Biblical Occurrences & Contextual Analysis
In the biblical narrative, `{{H4734}}` is used solely within the description of the temple's construction. The interior cedar panels of the house were adorned with **carved** figures of knops and open flowers, such that no stone was visible [[1 Kings 6:18]]. The carvings extended to all the walls, which were covered with figures of cherubims, palm trees, and open flowers [[1 Kings 6:29]]. The two olive wood doors were also decorated with these same **carvings** [[1 Kings 6:32]], and even the bases for the lavers featured **gravings** on their foursquare borders [[1 Kings 7:31]].
### Related Words & Concepts
Several related words provide context for the artistry and subjects of these carvings:
* `{{H7049}}` **qâlaʻ** (to carve): The primitive root from which miqlaʻath is derived. It signifies the action of carving, used repeatedly in the temple account to describe the creation of the decorative figures ([[1 Kings 6:29]], [[1 Kings 6:32]]).
* `{{H6603}}` **pittûwach** (carved work): A term for sculpture or engraving used in parallel with miqlaʻath to describe the "carved figures" that adorned the temple walls, emphasizing the detailed nature of the artistry [[1 Kings 6:29]].
* `{{H3742}}` **kᵉrûwb** (cherub): One of the primary subjects of the carvings. These imaginary figures were a central motif in the temple's holy art, symbolizing the divine presence [[1 Kings 6:29]], as God is described as dwelling between the cherubims [[Psalms 99:1]].
* `{{H8561}}` **timmôr** (palm tree): An architectural, palm-like pilaster that was another key element in the carved designs, often depicted alongside the cherubim ([[1 Kings 6:29]], [[1 Kings 6:32]]).
### Theological Significance
The specific application of `{{H4734}}` carries significant thematic weight, particularly in relation to the nature of sacred space.
* **Symbolic Environment:** The subjects of the carvings—cherubims, palm trees, and flowers—transform the temple's interior into a symbolic garden reminiscent of a holy, life-filled sanctuary. The cherubim are biblically associated with God's presence and dwelling place [[Exodus 25:22]].
* **Artistic Devotion:** The immense detail, covering all the walls, doors, and other elements, underscores a theology of beauty in worship. The fact that the entire interior was cedar carved with these figures, with "no stone seen," highlights the desire to create an immersive and wholly sanctified space [[1 Kings 6:18]].
* **Architectural Holiness:** The use of `{{H4734}}` on the doors and walls suggests that every part of the structure, from the grandest walls to the entryways, was consecrated through this art. The designs were not random but were specific motifs integral to the temple's function as the house of God [[1 Kings 6:29]].
### Summary
In summary, `{{H4734}}` is more than a simple term for an architectural feature. It represents the intricate and meaningful artistry that defined Solomon's Temple. Though its occurrences are few, they are concentrated in a pivotal biblical construction account, illustrating how raw materials were purposefully transformed into a sacred space filled with symbolic carvings that pointed to the presence and majesty of God.
TRV