apparently a form of πλάξ; a plate:--charger, platter.
Transliteration:pínax
Pronunciation:pin'-ax
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### Core Meaning & Semantic Range
The Greek noun G4094 (πίναξ, *pínax*) denotes a flat, rigid surface, specifically a "plate," "charger," or "platter." Its etymological root is apparently πλάξ (*plax*), which refers to anything flat and broad, such as a tablet, board, or flat stone. This derivation underscores the core semantic range of G4094 as an object designed for presenting or carrying items on a flat surface. While it can broadly refer to a tablet for writing or a board, its New Testament usage exclusively narrows its meaning to a serving dish, particularly one of substantial size, capable of holding a significant object. The emphasis is on its function as a vessel for display or delivery in a culinary or ceremonial context.
### Biblical Occurrences & Contextual Analysis
The term G4094 appears exclusively in the Synoptic Gospels, specifically within the grim narrative concerning the execution of John the Baptist. Its four occurrences are:
* [[Matthew 14:8]]: Salome, prompted by her mother Herodias, demands of Herod Antipas, "Give me here on a platter the head of John the Baptist." Here, πίναξ functions as the requested vehicle for the gruesome trophy, highlighting the macabre nature of the demand.
* [[Matthew 14:11]]: Following the execution, "And his head was brought on a platter and given to the girl, and she brought it to her mother." This verse describes the fulfillment of the request, emphasizing the platter's role in the literal presentation of the prophet's severed head.
* [[Mark 6:25]]: Mark's account mirrors Matthew's, with Salome stating, "I want you to give me at once the head of John the Baptist on a platter." The immediacy (ἐξαυτῆς) underscores the urgency and ruthlessness of the demand.
* [[Mark 6:28]]: Similarly, Mark recounts, "And he brought his head on a platter and gave it to the girl, and the girl gave it to her mother." The repetition in both Gospels emphasizes the centrality of the πίναξ in this shocking act of violence and display.
In all contexts, the πίναξ is not merely a common household item but becomes an instrument of a horrific act, transforming a mundane serving dish into a symbol of human depravity and the tragic end of a prophet. Its usage underscores the public, undeniable nature of John's execution and the subsequent display of his head.
### Related Words & Concepts
The primary related word is πλάξ (*plax*), `{{G4109}}`, from which πίναξ is apparently derived. πλάξ generally denotes a flat surface, such as a tablet for writing (e.g., [[2 Corinthians 3:3]], referring to "tablets of stone" or "tablets of human hearts"). This connection reinforces the "flatness" aspect inherent in πίναξ.
While other Greek words exist for various types of vessels or dishes (e.g., ἀγγεῖον *aggeion*, `{{G30}}`, for a general vessel; σκεῦος *skeuos*, `{{G4632}}`, for an article or vessel), πίναξ is uniquely employed for a flat serving dish, particularly in this specific, dramatic context. Its distinctiveness lies in its capacity for presenting something openly and prominently. The concept of a "charger" or "platter" implies a certain size and formality, suitable for a banquet setting, which further darkens the irony of its use for such a gruesome purpose. The act of presenting the head on a πίναξ also contrasts sharply with the prophetic messages John delivered, which called for repentance and the coming of the Kingdom, highlighting the world's rejection of divine truth.
### Theological Significance
The πίναξ, though a simple object, assumes profound theological significance within the narrative of John the Baptist's martyrdom. It serves as the tangible instrument upon which the world's rejection of God's prophetic voice is starkly displayed.
1. **Symbol of Rejection and Martyrdom:** The platter carrying John's head symbolizes the ultimate cost of prophetic witness and the world's resistance to divine truth. John, the last and greatest of the Old Testament prophets, is silenced and publicly humiliated, his head presented as a trophy of worldly power and malice. This act foreshadows the rejection and crucifixion of Jesus Himself, who also faced the wrath of corrupt religious and political authorities.
2. **Exposing Human Depravity:** The πίναξ highlights the depths of human sin—Herod's weakness and rash oath, Herodias's vindictive hatred, and Salome's tragic complicity. The object, meant for sustenance or celebration, is desecrated by its use for a morbid display, underscoring the perversion of human desires and the consequences of unbridled passion and pride.
3. **Contrast with Divine Order:** In a world designed by God for life and flourishing, the πίναξ becomes an altar of death, a stark reminder of the fallen state of humanity and the clash between the Kingdom of God and the kingdoms of this world. John's head on the platter represents the world's attempt to extinguish the light of truth, yet ultimately, his witness endures.
4. **Foreshadowing of Christ's Suffering:** The grotesque presentation of John's head on a platter serves as a chilling prelude to the suffering and ignominious death of Jesus. Both prophets of God are subjected to the whims of earthly rulers and the malice of those who reject their message, culminating in public spectacles of their demise.
### Summary
The Greek word G4094 (πίναξ, *pínax*), meaning "plate," "charger," or "platter," appears exclusively in the New Testament accounts of John the Baptist's execution. Derived from a root meaning "flat surface," its literal sense is a serving dish. However, its four occurrences in [[Matthew 14:8]], [[Matthew 14:11]], [[Mark 6:25]], and [[Mark 6:28]] imbue it with profound symbolic weight. In these contexts, the πίναξ is transformed from a mundane object into a chilling symbol of the world's rejection and violent suppression of divine prophecy. It serves as the instrument upon which the severed head of John the Baptist is presented, vividly illustrating the depths of human depravity, the cost of prophetic witness, and foreshadowing the ultimate suffering of Christ. Thus, the πίναξ stands as a stark reminder of martyrdom and the tragic clash between the light of truth and the darkness of worldly power.
TRV