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ὀρχέομαι

orchéomai /or-kheh'-om-ahee/ Ask about this word
middle voice from (a row or ring); to dance (from the ranklike or regular motion)
dance.
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Core Meaning & Semantic Range

The Greek word orchéomai, represented by G3738, means to dance. According to its base definition, it describes a ranklike or regular motion. This specific term appears 6 times across 4 unique verses in the Bible, making its appearances notable and contextually significant.

Biblical Occurrences & Contextual Analysis

In the biblical narrative, G3738 is used in two primary contexts. First, it describes a performance at a royal birthday feast, where the daughter of Herodias danced and pleased G700 Herod (Matthew 14:6, Mark 6:22). This act of dancing was so effective that it moved the king to make a great promise to her. Second, it appears in a parable-like saying about children in the marketplace who complain, "We have piped unto you, and ye have not danced; we have mourned to you, and ye have not wept" (Luke 7:32, Matthew 11:17). In this context, dancing is the expected joyful response that was inappropriately withheld.

Related Words & Concepts

Several related words help frame the meaning of G3738 by providing context for either its cause or its opposite:

  • G832 auléō (to play the flute): This word describes the action, "piping," which is presented as the direct call for the response of dancing Matthew 11:17.
  • G700 aréskō (to be agreeable... to seek to be so): This term is explicitly linked to the outcome of dancing in the court of Herod, where the performance successfully pleased the king Mark 6:22.
  • G2354 thrēnéō (to bewail): This action is set up as the direct contrast to the celebratory context of dancing. The children's saying contrasts piping and dancing with mourning and lamenting Luke 7:32.

Theological Significance

The narrative weight of G3738 is found in its specific, illustrative uses.

  • Expected Response: Dancing is framed as the proper response to a joyful stimulus (piping). The failure to dance in the marketplace parable illustrates a generation's refusal to respond appropriately to the calls they were given Matthew 11:17.
  • Performance and Influence: The term is used to describe a performance with a clear purpose. In the story of Herodias's daughter, the dance is a tool used to gain favor and influence, successfully pleasing Herod and his guests Matthew 14:6.
  • Contrast between Joy and Grief: The word is always placed in opposition to sorrow. The parallel structure "piped/danced" versus "mourned/lamented" Matthew 11:17 establishes dancing as a key expression of celebration, distinct from acts of grief like bewailing G2354 and weeping G2799.

Summary

In summary, G3738 is more than a general term for movement; it is a specific word for dance used to make sharp narrative and theological points. It appears in contexts of both royal performance and parabolic teaching. Through its usage, it defines a proper response to joy, stands as a stark counterpart to mourning, and demonstrates how a physical act can be used as a powerful tool of influence.

Grammatical Forms

In the Greek New Testament, this word appears as a verb across 4 occurrences, inflected in 3 grammatical forms.

  • Aorist Middle Deponent Indicative 2nd Plural
  • Aorist Middle Deponent Indicative 3rd Singular
  • Aorist Middle Deponent Participle Genitive Singular Feminine
Genitive
Possession or source — often "of".
Singular
One.
Plural
More than one.
Feminine
Feminine grammatical gender.
2nd
Second person — the one addressed ("you").
3rd
Third person — the one spoken about ("he"/"they").
Aorist
Action viewed as a single whole — usually a simple past event.
Middle
The subject acts on or for itself.
Middle Deponent
Middle in form but active in meaning.
Indicative
A plain statement of fact.
Participle
A verbal adjective — describes while carrying the verb's action.

Theographic Context

Biblical Distribution

Appears in 4 verses across 3 books. Most frequent in Matthew (2 verses).

2
Matthew
1
Mark
1
Luke

Verse Explorer

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