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Translation
King James Version
And the altar shall be twelve cubits long, twelve broad, square in the four squares thereof.
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KJV (with Strong's)
And the altar H741 shall be twelve H8147 H6240 cubits long H753, twelve H8147 H6240 broad H7341, square H7251 in the four H702 squares H7253 thereof.
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Complete Jewish Bible
The hearth is a square twenty-one feet on each of its four sides.
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Berean Standard Bible
The altar hearth shall be square at its four corners, twelve cubits long and twelve cubits wide.
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American Standard Version
And the altar hearth shall be twelve cubits long by twelve broad, square in the four sides thereof.
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World English Bible Messianic
The altar hearth shall be twelve cubits long by twelve broad, square in the four sides of it.
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Geneva Bible (1599)
And the altar shalbe twelue cubites long, and twelue broade, and fouresquare in the foure corners thereof.
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Young's Literal Translation
And the altar is twelve long by twelve broad, square in its four squares.
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In the KJVVerse 21,589 of 31,102

Study This Verse

SUMMARY

Ezekiel 43:16 provides a precise architectural detail of the great altar of burnt offering within the prophet's visionary temple, specifying its dimensions as "twelve cubits long, twelve broad, square in the four squares thereof." Revealed to Ezekiel during the Babylonian exile, this meticulous blueprint served as a profound message of hope and restoration, signifying God's unwavering commitment to re-establish His dwelling among His people and to restore pure, ordered worship in a future, perfected sanctuary. The verse powerfully underscores the divine precision inherent in God's redemptive plans and the absolute holiness required for approaching His sacred presence.

CONTEXT

  • Literary Context: Ezekiel 43:16 is intricately woven into a lengthy and highly detailed vision of a new temple, which spans Ezekiel chapters 40-48. This particular verse is part of a specific segment (Ezekiel 43:13-17) that meticulously describes the dimensions and structure of the altar of burnt offering, the central feature of the temple courtyard. The preceding verses in chapter 43 describe the glorious return of the Lord's presence to the temple, a powerful and redemptive reversal of the departure of God's glory witnessed earlier in Ezekiel 10. The pervasive emphasis on precise measurements throughout these chapters underscores divine exactitude and the profound sanctity of every element within God's dwelling place, setting the stage for the detailed ordinances and priestly duties that are outlined in subsequent chapters. The altar, as the primary locus of atonement and reconciliation, is given significant attention, highlighting its foundational and indispensable role in the restored system of worship.
  • Historical & Cultural Context: The comprehensive vision of the new temple was granted to Ezekiel during the profound despair of the Babylonian exile, roughly between 593 and 571 BC. This period was characterized by national devastation, with Jerusalem and its first temple lying in ruins, and the Israelite people feeling utterly abandoned by their God. Within this context of profound spiritual and national desolation, Ezekiel's vision emerged as a radical and transformative message of hope: God had not forsaken His covenant people. The meticulous architectural details, including the altar's precise dimensions, served as a tangible and concrete promise of future restoration, a renewed covenant relationship, and the re-establishment of a purified and divinely sanctioned system of worship. Culturally, altars were central to ancient Near Eastern worship practices, but the extraordinary specificity and divine origin of the blueprint in Ezekiel's vision distinctly set Yahweh's worship apart, emphasizing unparalleled order, absolute holiness, and a divine standard that starkly contrasted with the chaotic and often immoral practices of pagan religions. The "cubit" was a standard unit of measurement, but its consistent and detailed application across the entire vision underscored the divine, rather than human, origin of the entire architectural plan.
  • Key Themes: This verse contributes significantly to several overarching theological themes prevalent in the book of Ezekiel and the broader biblical narrative. Firstly, it powerfully conveys the theme of Divine Precision and Order. The exact measurements—"twelve cubits long, twelve broad, square in the four squares thereof"—are far from arbitrary; they reflect God's perfect, unchangeable nature and the absolute order required in His worship and dwelling. This meticulousness underscores the sanctity of the divine presence and the critical importance of adherence to God's revealed will, a theme profoundly echoed in the detailed instructions for the Tabernacle found in Exodus 25-30. Secondly, the verse highlights the Holiness of Worship and Atonement. The altar was the indispensable focal point for sacrifices, profoundly symbolizing purification, atonement for sin, and the possibility of communion with a holy God. Its perfect squareness and precise dimensions underscore the absolute purity and unblemished nature required for approaching the Lord, a concept central to the Levitical law, as seen in Leviticus 17:11. Finally, the entire vision, including this verse, embodies Future Hope and Restoration. For the exiled Israelites, this detailed blueprint of a perfectly designed temple and altar was an immensely profound symbol of future divine favor, signaling a renewed covenant relationship with God and the re-establishment of true, undefiled worship, promising an end to their suffering and a glorious return to their land under God's sovereign and benevolent hand.

EXPOSITION AND ANALYSIS

Key Word Analysis

  • Altar (Hebrew, ʼăriʼêyl', H741): This term (H741) refers to the altar of the temple, likely by transposition for ʼăriʼêl or an orthographical variation of harʼel. It specifically denotes the place of sacrifice, a central and indispensable feature of Israelite worship where offerings were made to God for atonement and communion. In Ezekiel's vision, its precise description emphasizes its foundational role in the restored system of worship and the profound sacredness of the sacrificial system as the means of approaching a holy God.
  • Twelve (Hebrew, shᵉnayim' / ʻâsâr', H8147): The numbers "twelve" are formed by combining H8147 (shᵉnayim, dual of shênî meaning "two") and H6240 (ʻâsâr, for ʻeśer meaning "ten"). The number twelve frequently holds profound symbolic significance in biblical contexts, often representing completeness, governmental perfection, or the twelve tribes of Israel. Its repeated and emphatic use for both the altar's length and breadth underscores its perfect, divinely ordained dimensions, signifying a complete, stable, and ordered system of worship that encompasses all of God's people.
  • Square (Hebrew, râbaʻ' / rebaʻ', H7251): The root râbaʻ (H7251) is a primitive root implying "to be four-sided" or "quadrate," while rebaʻ (H7253) refers to a "fourth part" or "side," hence "square." The description "square in the four squares thereof" powerfully emphasizes the altar's perfect symmetry, stability, and unwavering form from every angle. This geometric perfection signifies not only physical steadfastness but also theological completeness, divine order, and a steadfast purpose, reflecting the unchangeable nature of God and the enduring validity and perfection of His worship.

Verse Breakdown

  • "And the altar shall be twelve cubits long": This initial clause introduces the central object of the description—the altar of burnt offering—and immediately establishes its primary dimension: a length of twelve cubits. This specific measurement, which is subsequently mirrored for its breadth, highlights the divine precision inherent in the temple blueprint and the profound symbolic significance of the number twelve, which is often associated with completeness, governmental perfection, and the twelve tribes of Israel, indicating a perfect and divinely ordained structure for worship.
  • "twelve broad": Following the specification of its length, this phrase meticulously details the altar's breadth as also twelve cubits. The identical measurements for both length and breadth unequivocally confirm the altar's perfectly square base. This symmetrical design is of paramount importance, emphasizing balance, stability, and the comprehensive and all-encompassing nature of the worship and atonement that would take place upon this sacred structure.
  • "square in the four squares thereof": This concluding phrase powerfully reinforces the altar's perfect squareness and its inherent structural integrity from every perspective. The repetition of the concept of "square" (using the Hebrew terms râbaʻ and rebaʻ) emphatically underscores its exact, unwavering form from all directions. This meticulous detail signifies not only physical stability and perfect construction but also profound theological perfection and completeness, suggesting that the worship offered on this altar would be wholly acceptable, perfectly aligned with God's divine standards, and eternally steadfast.

Literary Devices

Ezekiel 43:16 masterfully employs several literary devices to convey its profound theological message. The most prominent is Precision and Repetition, evident in the meticulous detailing of the altar's dimensions ("twelve cubits long, twelve broad, square in the four squares thereof"). This extreme exactitude is not merely architectural; it serves a deeper theological purpose, emphasizing the divine origin and perfect order of God's plans for restoration and worship. The repetition of "twelve" and "square" powerfully reinforces the ideas of completeness, stability, and divine perfection, suggesting an unblemished and unchangeable design. Furthermore, the altar itself functions as potent Symbolism. Beyond its literal purpose as a physical place of sacrifice, it symbolizes atonement, purification, and the sacred space where humanity can commune with a holy God. Its perfect squareness can be seen as a symbol of divine completeness, the unwavering nature of God's covenant, and the steadfastness of His presence. The extensive Architectural Detail found throughout Ezekiel's vision, of which this verse is a crucial part, serves to make the abstract hope of restoration tangible and concrete for the exiled people, providing them with a vivid, divinely inspired picture of God's future dwelling among them.

THEOLOGICAL AND THEMATIC CONNECTIONS

Ezekiel 43:16, with its meticulous description of the altar, profoundly underscores the biblical themes of divine holiness, the indispensable necessity of atonement, and God's fervent desire for ordered, pure worship. The altar, as the central locus of sacrifice, points unequivocally to the indispensable requirement for blood to cover sin, thereby establishing a divinely ordained pathway for a holy God to dwell among an unholy people. Its perfect dimensions symbolize the complete, unblemished, and perfectly acceptable nature of the sacrifice required to bridge the immense chasm between God and humanity. This visionary blueprint, granted in a time of profound desolation, served as a powerful and enduring reminder that God's covenant promises are immutable and that His ultimate redemptive plan involves a glorious, restored relationship with His people, facilitated by a divinely ordained and perfectly executed means of reconciliation. The emphatic emphasis on precise measurements also highlights God's absolute sovereignty and His meticulous attention to every minute detail of His redemptive plan, ensuring that all worship is conducted according to His perfect and unchangeable standards.

REFLECTION AND APPLICATION

Ezekiel 43:16, though describing a physical structure within a prophetic vision, offers profound and enduring spiritual principles that are deeply applicable to believers today. The divine precision and absolute order evident in the altar's design challenge us to consider the intentionality, reverence, and meticulousness with which we approach God in our own lives. While we no longer offer animal sacrifices on a physical altar, the call to holiness and pure worship remains as vital as ever. Our lives are now the "spiritual sacrifices" we are called to offer to God, as articulated in 1 Peter 2:5, and this verse powerfully encourages us to present ourselves with the same diligence, devotion, and unwavering attention to God's revealed will that characterized the ancient sacrificial system. It serves as a potent reminder that true worship is not haphazard or casual but is ordered, intentional, and profoundly centered on the absolute holiness of God. We are called to live lives that meticulously reflect the order and purity of God's character, understanding that our every action, thought, and word can be an act of worship, offered with precision, reverence, and wholehearted devotion to the One who is perfectly holy.

Questions for Reflection

  • How does the emphasis on divine precision and order in Ezekiel's vision challenge my current understanding of God's character and His expectations for my life and worship?
  • In what specific ways can I offer "spiritual sacrifices" with greater intentionality, purity, and reverence, thereby more accurately reflecting the holiness of God in my daily life and interactions?
  • Considering the altar's foundational role in atonement, how does this verse deepen my appreciation for the ultimate, perfect sacrifice of Christ and its profound implications for the nature of my worship today?
  • What specific areas of my life or aspects of my spiritual walk might currently be out of "square" with God's divine order, and how can I actively invite His Holy Spirit to bring them into perfect alignment with His will?

FAQ

Why are the dimensions of the altar so specific in Ezekiel's vision?

Answer: The highly specific dimensions of the altar in Ezekiel 43:16, such as "twelve cubits long, twelve broad, square in the four squares thereof," serve multiple crucial and interconnected purposes. Firstly, they powerfully underscore God's absolute precision and sovereignty. Every minute detail of the visionary temple is divinely ordained, emphasizing that God's plans are meticulously conceived, perfectly executed, and eternally unchanging. This divine exactitude stands in stark contrast to human imperfection and profoundly highlights the sacredness of the space where God's glory would ultimately dwell. Secondly, the precision emphatically highlights the holiness and purity required for approaching God. The altar was the central and indispensable place of atonement, and its exact measurements signify that all worship and reconciliation must adhere to God's unblemished and perfect standards. Finally, for the exiled Israelites, these concrete and specific details provided a tangible and unwavering hope for restoration. The specificity made the future temple a real, achievable promise, not merely a vague idea, thereby reinforcing God's faithfulness to His covenant promises even in their profound desolation. The number twelve itself often symbolizes completeness and the twelve tribes of Israel, further reinforcing the idea of a perfect, restored community in worship.

Is Ezekiel's temple vision, including this altar, meant to be a literal blueprint for a future physical temple?

Answer: The interpretation of Ezekiel's temple vision, including the altar described in this verse, is a subject of ongoing and nuanced theological discussion among scholars. Many interpret it primarily as a symbolic and eschatological vision that speaks to the ultimate and perfect restoration of God's presence among His people, the absolute purity of worship, and the perfection of His eternal kingdom, which finds its ultimate and glorious fulfillment in Christ and the New Creation. Others interpret it more literally, believing it describes a future physical temple that will be built during a millennial reign on earth. However, even among those who hold a literal interpretation, the profound spiritual principles of holiness, divine order, and the centrality of atonement remain paramount. Regardless of whether one leans towards a literal or symbolic interpretation, the vision powerfully conveys God's unwavering commitment to dwell intimately with His people, to purify them, and to establish a perfect and enduring system of worship, which is ultimately and perfectly realized in the person and redemptive work of Jesus Christ and the spiritual temple of believers, as described in 1 Corinthians 3:16.

How does the concept of this altar relate to Christian worship today, given that animal sacrifices are no longer practiced?

Answer: While the physical altar and its animal sacrifices have been completely fulfilled and superseded by the ultimate and perfect sacrifice of Jesus Christ, the profound principles conveyed by Ezekiel 43:16 remain immensely relevant and foundational for Christian worship today. The altar's precise dimensions and sacred purpose powerfully underscore the absolute holiness of God and the indispensable necessity of atonement. For Christians, Christ's single, perfect, and once-for-all sacrifice on the cross is the ultimate and complete atonement for all sin, as affirmed in Hebrews 10:10-14. Therefore, our worship today is not about bringing animal offerings but about approaching God through Christ, with profound reverence, deep gratitude, and a full recognition of His holiness and the perfection of His atoning work. We are now called to offer "spiritual sacrifices" (1 Peter 2:5)—our lives, praise, thanksgiving, and devoted service—as living sacrifices, holy and pleasing to God (Romans 12:1). The precision of the altar's design encourages us to offer our worship, both individually and corporately, with intentionality, purity of heart, and in perfect alignment with God's revealed will, thereby reflecting the perfect order and holiness of His divine character.

CHRIST-CENTERED FULFILLMENT

Ezekiel 43:16, with its meticulous description of the altar of burnt offering, finds its profound and glorious Christ-centered fulfillment in the person and redemptive work of Jesus Christ. The altar, as the central and indispensable place of sacrifice and atonement, powerfully prefigures the ultimate and perfect sacrifice of the Lamb of God, who takes away the sin of the world!. The entire Old Testament sacrificial system, including the altar's function and purpose, served as a mere shadow pointing to the substantive and eternal reality found in Christ (Hebrews 10:1). The "twelve cubits long, twelve broad, square in the four squares thereof" altar, symbolizing perfect completeness, divine order, and unwavering stability, finds its ultimate and perfect expression in Christ, whose sacrifice was perfectly complete, perfectly acceptable to God, and eternally sufficient, requiring no further offering (Hebrews 9:26). He entered the true, heavenly tabernacle, not with the perishable blood of goats and calves, but with His own precious blood, thus securing an eternal redemption for all who believe. Therefore, the altar's profound purpose of enabling a holy God to dwell among His people is perfectly fulfilled in Christ, who, as our great High Priest, continually intercedes for us and graciously allows us to draw near to God with full confidence and assurance (Hebrews 4:14-16). The vision of the altar in Ezekiel points forward to the perfection, finality, and eternal efficacy of Christ's atoning work, establishing a new covenant where believers become living stones in a spiritual house, offering spiritual sacrifices acceptable to God through Him (1 Peter 2:5).

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Commentary on Ezekiel 43 verses 13–27

This relates to the altar in this mystical temple, and that is mystical too; for Christ is our altar. The Jews, after their return out of captivity, had an altar long before they had a temple, Ezr 3:3. But this was an altar in the temple. Now here we have,

I. The measures of the altar, Eze 43:13. It was six yards square at the top and seven yards square at the bottom; it was four yards and a half high; it had a lower bench or shelf, here called a settle, a yard from the ground, on which some of the priests stood to minister, and another two yards above that, on which others of them stood, and these were each of them half a yard broad, and had ledges on either side, that they might stand firmly upon them. The sacrifices were killed at the table spoken of before, Eze 40:39. What was to be burnt on the altar was given up to those on the lower bench, and handed by them to those on the higher, and they laid it on the altar. Thus in the service of God we must be assistant to one another.

II. The ordinances of the altar. Directions are here given, 1. Concerning the dedication of the altar at first. Seven days were to be spent in the dedication of it, and every day sacrifices were to be offered upon it, and particularly a goat for a sin-offering (Eze 43:25), besides a young bullock for a sin-offering on the first day (Eze 43:19), which teaches us in all our religious services to have an eye to Christ the great sin-offering. Neither our persons nor our performances can be acceptable to God unless sin be taken away, and that cannot be taken away but by the blood of Christ, which both sanctifies the altar (for Christ entered by his own blood, Heb 9:12) and the gift upon the altar. There were also to be a bullock and a ram offered for a burnt-offering (Eze 43:24), which was intended purely for the glory of God, to teach us to have an eye to that in all our services; we present ourselves as living sacrifices, and our devotions as spiritual sacrifices, that we and they may be to him for a name, and for a praise, and for a glory. The dedication of the altar is here called the cleansing and purging of it, Eze 43:20, Eze 43:26. Christ, our altar, though he had no pollution to be cleansed from, yet sanctified himself (Joh 17:19); and when we consecrate the altars of our hearts to God, to have the fire of holy love always burning upon them, we must see that they be purified and cleansed from the love of the world and the lusts of the flesh. It is observable that there are several differences between the rites of dedication here and those which were appointed Ex. 29, to intimate that the ceremonial institutions were mutable things, and the changes in them were earnests of their period in Christ. Only here, according to the general law, that all the sacrifices must be seasoned with salt (Lev 2:13), particular orders are given (Eze 43:24) that the priests shall cast salt upon the sacrifices. Grace is the salt with which all our religious performances must be seasoned, Col 4:6. An everlasting covenant is called a covenant of salt, because it is incorruptible. The glory reserved for us is incorruptible and undefiled; and the grace wrought in us is the hidden man of the heart in that which is not corruptible. 2. Concerning the constant use that should be made of it, when it was dedicated: Henceforward the priests shall make their burnt-offerings and peace-offerings upon this altar (Eze 43:27), for therefore it was sanctified, that it might sanctify the gift that was offered upon it. Observe further, (1.) Who were to serve at the altar: The priests of the seed of Zadok, Eze 43:19. That family was substituted in the room of Abiathar by Solomon, and God confirms it. His name signifies righteous, for they are the righteous seed that are priests to God, through Christ the Lord our righteousness. (2.) How they should prepare for this service (Eze 43:26): They shall consecrate themselves, shall fill their hand with the offerings, in token of the giving up of themselves with their offerings to God and to his service. Note, Before we minister to the Lord in holy things we must consecrate ourselves by getting our hands and hearts filled with those things. (3.) How they should speed in it (Eze 43:27): I will accept you. And if God now accept our works, if our services be pleasing to him, it is enough, we need no more. Those that give themselves to God shall be accepted of God, their persons first and then their performances, through the Mediator.

Matthew Henry (1662–1714) — Commentary on the Whole Bible. This section covers verses 13–27. Public domain.
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JeromeAD 420
Commentary on Ezekiel
(Vers. 13 seqq.) These are the measurements of the altar: in the true cubit, which is a cubit and a handbreadth (or παλαιστὴν) in his bosom, the cubit was in length, and its width was measured from its lip to the surrounding palm of one hand. This was also the trench of the altar. From the bosom of the earth to the outermost base, it was two cubits in height, and the width of one cubit. And from the smaller base to the larger base, it was four cubits, and the width of one cubit. But the altar itself was four cubits high, and from the altar up to the horns there were four horns. And the altar was twelve cubits long, twelve cubits wide, a square with equal sides. And there was a ledge fourteen cubits long, fourteen cubits wide on its four corners, and a crown around it half a cubit high, and a rim one cubit wide around it. Its steps were turned towards the East. LXX: And this is the measure of the altar in perfect cubits and παλαιστῆς, the height of which is a cubit all around and the width of a cubit, and the lip of it around the edge is one palm. And this is the height of the altar from the bottom of the base to its great propitiatory, which was beneath two cubits, and the width of a cubit. And from the smaller propitiatory to the larger propitiatory are four cubits: and the width of a cubit and the ariel are four cubits: and from the ariel to the upper horns are cubits. But the altar had twelve cubits in length, and twelve cubits in width, with four corners. And the mercy seat had fourteen cubits in width, with four parts. And its ledge went around it by the measure of a half cubit, and its circuit by a cubit. And its steps faced toward the east. It is written: Who can discover the depths and wisdom? (Ecclesiastes 1:2). And: O depth of wisdom and knowledge of God (Rom. XI, 33): 'Whose deep depth, and who shall find it?' It is much if we desire to compare the temple of Solomon to this temple, and all its parts and tabernacles. But because this is very difficult, for the time being let us compare the altar that was shown to Ezekiel, the altar that we read about in Exodus, in a small part (Exod. XXXVIII). There an altar is described, five cubits in length and five cubits in width, that is, square, and three cubits in height: but here, departing from the senses by five, it tends towards union, in which the perfect cubit, or truest, is placed, to which is joined a palm, that is, π α λ α ι σ τ ὴ, the sixth, as we said above, having a part of a cubit. But in its bosom, that is, the altar, there was an elbow, which indeed received those things that were consumed by fire, and another elbow in its width: so that the interior, that is, the secrets, and the spaces of the altar that are shown in its width, would be terminated by one elbow. But what follows: And the measurement up to its edge, for which Aquila, Symmachus, and Theodotion placed a boundary, the Seventy interpreted as a cubit again. Of which word, as I have already said, I cannot know the reason; nor can I confidently say in what language it is spoken, unless I remind the reader that I have now transferred the definition above the crown. And this is briefly demonstrated, that around the altar itself, that is, on the edge and in a circular manner, there was a lip and, as it were, a crown resembling a lily, having in appearance great beauty. This definition, or rather invention, extended in circumference by the span of one palm, or in width by the παλαιστῆς. The bottom and depths of the Altar, or its profundity and height, for which it is called in Hebrew Gab, from the bosom of the earth to the highest foot, or to the maximum propitiatory, were two cubits, and its width was one cubit. For the lower and deep parts, cohesive with the earth, are contained in the dual number, which is also used for unclean animals (Genesis 7); but the upper parts, reaching to the foot or propitiatory, which Theodotus himself calls by the Hebrew name Azara, have a width of one cubit, so that the dual number passes into the solitary; and the good of marriage, which is lower, may attain to the blessedness of union. And what follows: And from the smaller threshold to the larger threshold, four cubits, and the width of one cubit, for which it is written in the Septuagint: And from the smaller mercy seat to the larger mercy seat; and Theodotus translated in both Azara, it is to be understood that the smaller mercy seat is a stone cut from the mountain without hands, and the larger mercy seat is the stone itself that grew into a great mountain and filled the whole earth (Dan. II). Or, in another sense, the propitiatory is less when he took on the form of a servant (Philippians 2) and the propitiatory is greater when he received the glory that he had with the Father before the world was made (John 17). For we first come to know the humbler aspects of Christ and thus reach the height of his divinity. And yet the propitiatory of both natures, that is, of the lower and the greater, belongs to the sacrament of one altar. But between the two propitiatory [covers], the smaller and the larger, there were four cubits, signifying the four elements of the world, which themselves also come to a height of one cubit. And this should be noted, that in the measurement of the altar, the first cubit in width is not joined to anything, but is perfect in its own unit: but the second cubit of the width, after two cubits, increases to the top, and the third cubit, after the smaller and larger propitiatory [covers], tends to the mystery of one cubit through the four elements; and one and another, and a third cubit in the altar of the Lord, are by no means first, second, and third; but let it be said to be one and one, and one. But Ariel was four cubits long, and from Ariel upwards there were four horns: or, as it is said in the Septuagint, from Ariel to the top of the horn there was one cubit. Ariel, as most people understand, is interpreted as 'my light is God.' Regarding this, in the prophet Isaiah, where it is written: 'Woe to you, Ariel, the city David besieged, or surrounded,' we have spoken more fully. But as I think, it means 'lion' or 'mighty one of God,' a name that properly refers to the altar, in which there is either the illumination of God or the lion and his strength, as Jacob said to Judah: 'Judah, you are like a lion's cub. You have climbed up to the prey, my son. You have crouched down and stretched out like a lion or a lioness. Who will dare to awaken you?' But there are four sides, and it has four horns; whether the upper parts of the four horns are finished with one cubit, so that the measure of the Gospels and the strength running throughout the whole world may be demonstrated under the illumination of God and the strength of the lion, and may reach the divine confession in one cubit. And so that gradually the darkness of the present place may become more manifest, it follows: And Ariel is twelve cubits in length, with twelve cubits in width, a quadrangle with equal sides. What no one doubts pertains to the twelve tribes, which are written in the Book of Revelation, and to the number of the Apostles, concerning whose sacrament I remember having spoken above (Rev. 7). Moreover, through the four sides of the world, the twelve cubits together make forty-eight cubits of the priestly cities, so that with these, as if foundations divided throughout the whole world, the strength of the Church may be solidified. Furthermore, the step, for which the Septuagint rendered it 'propitiatory' and Theodotion as 'azara' above; Symmachus 'peridromēn', that is, 'circuit', fourteen cubits in length and fourteen in width, has at its four corners a crown half a cubit in circumference; for which, once again, the Septuagint rendered it 'gisum', and [meaning] 'bosom', or, according to Symmachus, its completion and perfection, one cubit in circumference, secretly suggests that our Lord, who is truly called the propitiatory not only for our sins, but for the whole world, came through fourteen generations from Abraham to David; and again, through another fourteen until the captivity of Jeconiah, and by the sacrament of the same number descended to earthly things: so that in the fourteenth triad and the sacrament of the divine gift, he would save the four corners of the world, of which it is written: 'Many will come from the east and the west, and from the north and the south, and will recline at table with Abraham, and Isaac, and Jacob, in the kingdom of heaven' (Matthew 8:11). And what follows, the crown, or gisus around it, signifies the propitiatory, which had a half cubit, and the bosom of the propitiatory, or the completion and perfection, which Symmachus interpreted as περιδρομὴν, had one cubit; this signifies that both sinners and the righteous are saved by the propitiation of the Lord, as the apostle Paul says: 'We have been reconciled to God through the blood of His Son' (Rom. 5:10). And it is said of sinners that they have a measure of half a cubit in circumference; yet they are saved by the mercy of the Creator, as it is written in the Psalm: You will save them as if they were nothing (Ps. 55:8). Regarding the righteous, it is said that they are saved in a singular and perfect number, and they imitate one divinity, as the same Apostle says: God was in Christ, reconciling the world to himself (2 Cor. 5:19). And what is mentioned at the end of this testimony, and its steps turned towards the East, these steps should be understood as the twenty-four books of the Old Testament, which had harps in the Apocalypse of John (Rev. 5), and crowns on their heads: or the sacrament of the Father and the Son and the Holy Spirit, in which true propitiation is given to us. And to speak more clearly, therefore the number of steps is left uncertain, so that no matter how diligently we may be able to ascend to higher things, we may consider ourselves placed in lower things, and think of that of the Psalmist: They go from strength to strength (Ps. LXXXIII, 8).
Source: Quotations drawn from early Church Fathers and historical Christian theologians (AD 100–1500). Some quotes address the surrounding passage context rather than this verse alone.
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