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Public-domain commentary
Matthew Henry
From his Commentary on the Whole Bible. Henry comments on passages, not single verses — this entry covers Ezekiel 40:5–26. His three-level outline is real structure in the source text, so it is rendered as structure.
The measuring-reed which was in the hand of the surveyor-general was mentioned before, Eze 40:3. Here we are told (Eze 40:5) what was the exact length of it, which must be observed, because the house was measured by it. It was six cubits long, reckoning, not by the common cubit, but the cubit of the sanctuary, the sacred cubit, by which it was fit that this holy house should be measured, and that was a hand-breadth (that it, four inches) longer than the common cubit: the common cubit was eighteen inches, this twenty-two, see Eze 43:13. Yet some of the critics contend that this measuring-reed was but six common cubits in length, and one handbreadth added to the whole. The former seems more probable. Here is an account,
I.Of the outer wall of the house, which encompassed it round, which was three yards thick and three yards high, which denotes the separation between the church and the world on every side and the divine protection which the church is under. If a wall of this vast thickness will not secure it, God himself will be a wall of fire round about it; whoever attack it will do so at their peril.
II.Of the several gates with the chambers adjoining to them.
Here is no mention of the outer court of all, which was called the court of the Gentiles, some think because in gospel-times there should be such a vast confluence of Gentiles to the church that their court should be left unmeasured, to signify that the worshippers in that court should be unnumbered, Rev 7:9, Rev 7:11, Rev 7:12.
1.He begins with the east gate, because that was the usual way of entering into the lower end of the temple, the holy of holies being at the west end, in opposition to the idolatrous heathen that worshipped towards the east. Now, in the account of this gate, observe,
(1.)That he went up to it by stairs (Eze 40:6), for the gospel-church was exalted above that of the Old Testament, and when we go to worship God we must ascend; so is the call, Rev 4:1. Come up hither. Sursum corda - Up with your hearts.
(2.)That the chambers adjoining to the gates were but little chambers, about ten feet square, Eze 40:7. These were for those to lodge in who attended the service of the house. And it becomes such as are made spiritual priests to God to content themselves with little chambers and not to seek great things to themselves; so that we may but have a place within the verge of God's court we have reason to be thankful though it be in a little chamber, a mean apartment, though we be but door-keepers there.
(3.)The chambers, as they were each of them four-square, denoting their stability and due proportion and their exact agreement with the rule (for they were each of them one reed long and one reed broad), so they were all of one measure, that there might be an equality among the attendants on the service of the house.
(4.)The chambers were very many; for in our Father's house there are many mansions (Joh 14:2), in his house above, and in that here on earth. In the secret of his tabernacle shall those be hid, and in a safe pavilion, whose desire is to dwell in the house of the Lord all the days of their life, Psa 27:4, Psa 27:5. Some make these chambers to represent the particular congregations of believers, which are parts of the great temple, the universal church, which are, and must be, framed by the scripture-line and rule, and which Jesus Christ takes the measure of, that is, takes cognizance of, for he walks in the midst of the seven golden candle-sticks.
(5.)It is said (Eze 40:14), He made also the posts. He that now measured them was the same that made them; for Christ is the builder of his church and therefore is best able to give us the knowledge of it. And his reducing them to the rule and standard is called his making them, for no account is made of them further than they agree with that. To the law and to the testimony.
(6.)Here are posts of sixty cubits, which, some think, was literally fulfilled when Cyrus, in his edict for rebuilding the temple at Jerusalem, ordered that the height thereof should be sixty cubits, that is, thirty yards and more, Ezr 6:3.
(7.)Here were windows to the little chambers, and windows to the posts and arches (that is, to the cloisters below), and windows round about (Eze 40:16), to signify the light from heaven with which the church is illuminated; divine revelation is let into it for instruction, direction, and comfort, to those that dwell in God's house, light to work by, light to walk by, light to see themselves and one another by. There were lights to the little chambers; even the least, and least considerable, parts and members of the church, shall have light afforded them. All thy children shall be taught of the Lord. But they are narrow windows, as those in the temple, Kg1 6:4. The discoveries made to the church on earth are but narrow and scanty compared with what shall be in the future state, when we shall no longer see through a glass darkly.
(8.)Divers courts are here spoken of, an outermost of all, then an outer court, then an inner, and then the innermost of all, into which the priests only entered, which (some think) may put us in mind "of the diversities of gifts, and graces, and offices, in the several members of Christ's mystical body here, as also of the several degrees of glory in the courts and mansions of heaven, as there are stars in several spheres and stars of several magnitudes in the fixed firmament." English Annotations. Some draw nearer to God than others and have a more intimate acquaintance with divine things; but to a child of God a day in any of his courts is better than a thousand elsewhere. These courts had porches, or piazzas, round them, for the shelter of those that attended in them from wind and weather; for when we are in the way of our duty to God we may believe ourselves to be under his special protection, that he will graciously provide for us, nay, that he will himself be to us a covert from the storm and tempest, Isa 4:5, Isa 4:6.
(9.)On the posts were palm-trees engraven (Eze 40:16), to signify that the righteous shall flourish like the palm-tree in the courts of God's house, Psa 92:12. The more they are depressed with the burden of affliction the more strongly do they grow, as they say of the palm-trees. It likewise intimates the saints' victory and triumph over their spiritual enemies; they have palms in their hands (Rev 7:9); but lest they should drop these, or have them snatched out of their hands, they are here engraven upon the posts of the temple as perpetual monuments of their honour. Thanks be to God, who always causes us to triumph. Nay, believers shall themselves be made pillars in the temple of our God, and shall go no more out, and shall have his name engraven on them, which will be their brightest ornament and honour, Rev 3:12.
(10.)Notice is here taken of the pavement of the court, Eze 40:17, Eze 40:18. The word intimates that the pavement was made of porphyry-stone, which was of the colour of burning coals; for the brightest and most sparkling glories of this world should be put and kept under our feet when we draw near to God and are attending upon him. The stars are, as it were, the burning coals, or stones of a fiery colour, with which the pavement of God's celestial temple is laid; and, if the pavement of the court be so bright and glittering, how glorious must we conclude the mansions of that house to be!
2.The gates that looked towards the north (Eze 40:20) and towards the south (Eze 40:24), with their appurtenances, are much the same with that towards the east, after the measure of the first gate, Eze 40:21. But the description is repeated very particularly. And thus largely was the structure of the tabernacle related in Exodus, and of the temple in the books of Kings and Chronicles, to signify the special notice God does take, and his ministers should take, of all that belong to his church. His delight is in them; his eye is upon them. He knows all that are his, all his living temples and all that belongs to them. Observe,
(1.)This temple had not only a gate towards the east, to let into it the children of the east, that were famous for their wealth and wisdom, but it had a gate to the north, and another to the south, for the admission of the poorer and less civilized nations. The new Jerusalem has twelve gates, three towards each quarter of the world (Rev 21:13); for many shall come from all parts to sit down there, Mat 8:11.
(2.)To those gates they went up by steps, seven steps (Eze 40:22-26), which, as some observe, may remind us of the necessity of advancing in grace and holiness, adding one grace to another, going from step to step, from strength to strength, still pressing forward towards perfection - upward, upward, towards heaven, the temple above.
Historical interpretation
Two Centuries of Reception
3 surviving comments on this verse. Each one is dated, so this reads as a timeline rather than a list.
Select a marker to jump to its quote. Markers stagger vertically where authors wrote within a few decades of each other.
(Verse 5 and following) And behold, there was a wall surrounding the house on all sides, and in the hand of the man was a measuring reed of six cubits and a handbreadth, and he measured the width of the building with the reed, one reed wide, and the height with the reed, one reed high. And he came to the gate that faced the eastern road, and he went up its steps, and he measured the threshold of the gate with the reed, one reed wide, that is, one reed wide, and the vestibule one reed long, and one reed wide, and between the vestibules five cubits, and the threshold of the gate next to the entrance of the gate inside, one reed wide. And the vestibule of the gate was eight cubits, and the front of it two cubits: but the gate itself was inward. And the chambers of the gate towards the east, three on this side, and three on that side; they measured one against another: and the fronts of the gate on both sides were of one measure. And he measured the length of the porch of the gate, ten cubits: and the breadth of the gate, thirteen cubits. And there was also a space before the chambers, one cubit on this side, and one cubit on that side: and the chambers six cubits on this side, and six cubits on that side. And he measured the gate from the roof of the chamber to its roof, a width of twenty-five cubits, door against door. Seventy: And behold, a wall on the outside of the house all around, and in the man's hand a measuring reed of six cubits and a handbreadth. So he measured the thickness of the wall, one reed; and the height, one reed. Then he went inside the gateway which faced toward the east, went up its stairs and measured the threshold of the gateway, which was one reed wide, and the other threshold was one reed wide. Each gate chamber was one reed long and one reed wide; between the gate chambers were five cubits. The threshold of the gateway by the vestibule of the inside gate was one reed. And three equal in width for the stem, and equal in length for the stem, and one gate next to the gate of eight cubits, and one of two cubits, and one gate on the inside, and three gates on each side, and one measurement: one measurement for the gate on both sides. The width of the entrance of the gate was ten cubits, and the width of the gate was thirteen cubits, and one cubit was equivalent to the sight of one finger, and the end of one cubit on both sides, and three cubits here, and three cubits there. And the gate was measured from wall to wall, a width of twenty-five cubits. This gate is opposite the gate.» When I was a boy in Rome, and was being educated in the liberal arts, I used to go with others of the same age and purpose, on Sundays, to visit the tombs of the apostles and martyrs; and I would often enter the crypts, which are dug deep in the earth, and on both sides of those who enter, the bodies of the buried are held in the walls, and everything is so dark that almost the prophetic saying is fulfilled: 'Let the living descend into hell' (Psalm 55:16): and rarely is light admitted from above to temper the horror of the darkness, so that you would think it is not a window, but a hole of light descending: and again, one approaches slowly, and in the blind night that Virgilian phrase is set forth (Aeneid, Book II):
Everywhere horror seizes the souls, and the very silence terrifies. Let this statement be for me, so that the wise reader may understand the sentiment I have concerning the explanation of the temple of God in Ezekiel, about which it is written: Clouds and darkness are under His feet (Ps. 96:2). And again: Darkness is His hiding place (Ps. 18:12): Hence Moses also entered into a cloud and darkness, so that he could contemplate the mysteries of the Lord, which the people, being far away and remaining below, could not see (Exod. 24 and 34). After forty days, the common people were unable to see the face of Moses because it was glorified, or as it is written in Hebrew, Moses had horns on his face. Similarly, while reading the description of the mystical temple (which the Jews believe should be built literally upon the coming of their own Christ, whom we believe to be the Antichrist, but we refer to the Church of Christ, which we see being built daily in his saints), whenever the eye of the heart opens, it happens to me that I think I see and possess the bridegroom and joyfully say: 'I have found him whom my soul loves; I will hold him, and not let him go.' (Song of Solomon 3:4). Then again, the divine word deserts me, the bridegroom flees from my hands, and my eyes are blinded by darkness, so that I am compelled to say: 'O the depth of the riches and wisdom and knowledge of God!' How inscrutable are His judgments, and His ways past finding out! (Rom. 11:33) And what is written elsewhere: The judgments of the Lord are a great abyss. (Ps. 36:7) And: Out of the depths I have cried to You, O Lord; Lord, hear my voice. (Ps. 129:1) And that of Elisha, who followed with his eyes his master being taken up, saying: My father, my father, the chariot of Israel and its horsemen! (2 Kings 2:12) Therefore, it must be simply confessed that the temple of the blessed Ezekiel, which all ages have been silent about, I do not wish to discuss rashly, but to demonstrate the conjecture of my mind to the readers with faith and fear of God; so that if I should offer in the tabernacle of God the skins of goats and hairs, by which the thorns and thistles of sins may be protected, and rains and storms may be kept out: let another, who is rich, according to the quality of his merits, offer iron, or bronze, or silver, and gold and precious stones, and not despise our offerings, because they are lesser, but rejoice in his own wealth. For if the lower parts are not present, the upper parts cannot exist. And in order for the greater things to be praised, they increase in comparison to the smaller things. Let us therefore see what Ezekiel, upon entering the building of the city facing south, first saw and then heard: 'And behold,' he says, 'there was a wall on the outside surrounding the house on all sides.' Regarding the wall, which Aquila and Theodotion interpreted as 'περίβολον', Symmachus and the Seventy translated it as 'περίβολος'. Therefore, the wall, or 'περίβολος', surrounded the house, that is, the temple of the Lord on all sides, and it had a man whose appearance was like the appearance of bronze, who not only held a geometric string and a mason's trowel, but also held a measuring rod in his hand, the measurement of which is not explicitly stated, but is now given as six cubits and a palm, which is more accurately called 'παλαιστή' in Greek and is the sixth part of a cubit. Moreover, the word 'spithamen' is used to mean 'palm,' as some use 'palm' to distinguish it. Furthermore, they are accustomed to call a wrestler a 'palm'. Therefore, with a measuring rod, he measured the width and height of the wall, and both, that is, the width and height, were six cubits and one palm. And since there were many gates, he did not want to enter through the other gates, but through the one that faced the eastern region. And because the place was not level, and the wall went around, and the house of God itself was built on higher ground, therefore he entered, or rather, ascended through steps. These are referred to as 'LXX seven' alone, when in Hebrew and in other translations we read only the word 'steps' without a number. Having entered the gate, he immediately measured the threshold of the gate, which the Greeks call LXX θεὸς: for which it is written in Hebrew Seph. And I think the diligent and studious reader should be reminded: if, however, he is led by the knowledge of the Scriptures and not by the empty declamations of orators, so that he knows nearly all the Hebrew words and names, which have been greatly corrupted by age in the Greek and Latin translations, distorted by the fault of the scribes, and while they are written about in their uncorrected form, made even more uncorrected, having turned into Sarmatian instead of Hebrew, nay of no nation at all, since they have ceased to be Hebrew and have not yet begun to be foreign. The LXX also translated the word aelam (αἰλὰμ) as itself, which Symmachus interpreted as anteliminare in the following passages. There were two bedchambers, or cubicles, and παραστάδαs which were five cubits long, and another threshold of the gate next to the vestibule on the inside with a single reed. The third vestibule of the gate also had eight cubits, and in front of it, or on its borders, two cubits. In order to prevent anyone from confusing this vestibule with the previous one, he added: This vestibule is the inner vestibule of the gate, for which the LXX translated first, second, and third vestibule. But the chambers, that is, the bedrooms, which were built after the Eastern gate in the vestibules, faced the Eastern road. And so that we may know how many chambers there were, it is joined, three on this side and three on that: namely, facing North and South, and facing the Eastern road: and the measurements of the fronts were the same on both sides. Also, the measurement of the width of the gate threshold was taken, and it was found to be ten cubits, and in length thirteen cubits, and the ends of the chambers were narrowed down to one cubit, or as Symmachus translated, "παραστάδων", and each front had one cubit. But the chambers, or παραστάδες, and as the LXX have rendered it θεηλὰθ, had on each side six cubits. And he measured the door of the chamber, or παραστάδος, from the roof of the one chamber to the roof of the other, and it was twenty-five cubits wide. So there was only space from the door to the door, or from the gate to the gate. This we have briefly spoken to suggest more the divine presence than to explain, desiring to outline the picture according to the obscure and almost unseen letter. Furthermore, we will set down a few things that we can suspect narrowly and with doubts. The Apostle Paul, desiring the Ephesians to understand more sacred things, prays that they may be filled with the wisdom and love of the Lord, so that rooted and founded, they may be able to know and comprehend the breadth, and length, and depth, and height, and the profound riches of Him. And he speaks to them: Therefore, you are by no means strangers but fellow citizens of the saints and domestics of God, built upon the foundation of the apostles and prophets, with Jesus Christ Himself as the cornerstone, in whom the whole structure grows together to form a holy temple in the Lord. In Him, you also are built together to be a dwelling place of God in the Holy Spirit. Peter the Apostle also speaks in almost the same words, because of the same spirit, in his Epistle: For if you have believed that the Lord is good, approaching him as to a living stone, rejected indeed by men but chosen, and honorable before God, and be yourselves built up as living stones into a spiritual house, a holy priesthood, offering up spiritual sacrifices acceptable to God through Jesus Christ (1 Peter 2, 3-5). From this it is clear that the Lord and Savior, who is the true architect, tests the stones that can be placed in the foundations of the temple, both in the middle and in the higher places, and whether they are of a less solid strength in the wall and whether they can be placed outside the temple in the circuit of the enclosure. For it is not of little strength or of minimal firmness to support the stones placed on top. Hence the Apostle writes to the believers: Bear one another's burdens (Galatians 6:2). And in another place it is written: we should not take on a burden that we cannot bear. But the reed of measurement, which had six cubits and one palm, signifies our conversation with God, which is contained in the six days in which the world was made, and signifies the reason for each work, so that one thing belongs to the work, another to the mind. Hence, the width is equal to the height: the width refers to the works, as we said; the height refers to the soul, which hastens to lofty things. But let it suffice to have warned once: to know me by name, and to be called by a neutral gender, but for the sake of simplicity and ease of understanding, and the common usage, to use the masculine gender. For our concern is not to avoid grammatical errors, but to explain the obscurity of the Holy Scripture with whatever words. Therefore, a man enters, whose name is East, through the Eastern gate, to enlighten those whom he finds in the first part of the entrance hall, whether in the entrance itself: not through one, but through several steps, whose number is kept silent, so that the difficulty of ascent may be apparent, and for whatever number of steps you propose, you may know that it is less than the doubt that is left behind. I consider this to be the gate, of which it is sung in the Psalms: This is the gate of the Lord, the righteous shall enter through it (Ps. 118:20). And the threshold of the gate is measured, so that we may know that all the knowledge of God is open. This threshold is said to be one reed in width, and it is silent about height and length. For it is both the way and the entrance, and through it one must proceed to the inner parts (although in this place the Septuagint unnecessarily speaks of length, or, as is contained in most manuscripts, height); but the chambers, that is, the bedrooms and alcoves, have individual reeds in both length and width, but there are five cubits between each chamber, so that the inner chambers have the full measure of a reed, that is, six cubits and one palm, as the works and calculations agree. Those things which are external, that is, between chamber and chamber, are five cubits; for the secrets of Christ have not yet been penetrated, and they cannot say: The king has brought me into his chamber (Song of Songs 1:3). And elsewhere: All the glory of the king's daughter is within (Psalm 44:14). But while the disciples were staying at home with Christ, they could not hear his mysteries, and they desired to go outside to hear the word of God; and therefore a measurement of five cubits is placed in them, so that they may be taught to refer everything to the five senses. The threshold of the other gate, as it is contained in the Septuagint, of the second vestibule and third, is of the same size as one reed. After this vestibule, that is, the threshold of the gate, eight cubits are placed at the entrance, so that the inner parts of the vestibule do not hold a number of seven, but of eight, which pertain to the sacrament of the resurrection and the Lord's Day. And in front, he says, of the same vestibule, there were two cubits, which pertain either to both Testaments, or to the letter and the spirit, or to the mystery of the pair of tongs, which is included in Isaiah about the altar of coal, and is brought to cleanse the lips of the prophet. And so that we may know what this vestibule is, which is terminated by eight and two cubits, he explains it more clearly: The vestibule of the gate was inside, through which we came to the temple of God. There were also chambers and rooms which were on the way to the eastern gate, for which the Septuagint write 'Elau', there were three on one side and three on the other, each measuring one, that is, a reed which had six cubits and one palm, as mentioned above: And one reed for length, and one reed for width, and between the chambers five cubits. Therefore, we should not think that there are only two bedchambers, but rather six on each side, to indicate the number six, which is also shown in the water pots of the Gospel (John 2), in which water was turned into wine, and the Jewish water is daily turned into wine, which gladdens the heart of man, and becomes sweeter with the blood of Christ. He also measured the width of the threshold of the ten-cubit gate, which is a perfect number and is contained either in the Decalogue or in the sacraments of the four Gospels. Whoever begins with one, reaches four in such a way as to fill the number ten. Its length was thirteen cubits: for which the width is again placed at seventy, which seems to me to have been corrupted by the carelessness of scribes. For the Scripture would not have said the width in one place and again the width of ten or thirteen cubits. However, it can be understood as the gate of the threshold, in which the number of the Old and New Testament is consecrated, or the Lord himself, who says: I am the gate (John 10:9); or certainly all the saints through whom we enter into the knowledge of God, to whom the Apostle Paul spoke: My mouth is open to you, Corinthians; and: Enlarge yourselves also (2 Corinthians 6:11). But thirteen cubits after the number eighteen, they contain the sacrament of the books of Moses, which are also shown in the five loaves (Matthew 14), and in the Samaritan woman of the Gospel (John 4), who is accused of having had five husbands, and the sixth one she thought she had, she did not have: and yet the number eight, and the number five, is completed by one cubit, that is, the fourteenth ((or thirteenth)): because in Christ all things are recapitulated. It is said: 'And one cubit at each end: for the old and new Testaments together make up one measurement of Christ, and one cubit contains the height of the ark of Noah, which is thirty cubits. However, the rooms, as the Septuagint has it, either as 'thau' or 'thee', changing and altering the names in each place as they wished, were six cubits on either side, which is called 'here and there', and they did not have a span or additional measure placed on top, which would have signified the present life leading to future blessedness, but only six cubits.' And it is measured from the roof of the chamber to the roof or wall of it, and it is found to be twenty-five cubits in width; which number, though multiplied four times, still relates to sense. For if you arrange five cubits against it five times, you will produce the number twenty-five, which is between the roof of the chambers and the roof; and yet both, when placed opposite each other, have a doorway facing the doorway. Let these things not seem frivolous to the reader, although they may displease even myself who speak, feeling like I am knocking on a closed door; but they are to be read with permission: otherwise, I could simply confess my ignorance and remove every desire of the students. For just as we are far from perfect knowledge, we consider a minor fault at least somewhat lighter than saying absolutely nothing.
Ten is a perfect number and comprises the Decalogue.
The man, whose appearance was like the appearance of bronze, measured the vestibule of the gate at eight cubits, and its front at two cubits. And lest we should believe the vestibule to be outside the gate, it is added: But the vestibule of the gate was on the inside. What is signified by the inner vestibule, if not the breadth of eternal life, which is now conceived in the mind through hope amid the narrow constraints of the present life? Of which it is said through the Psalmist: Enter his gates with confession, his courts with hymns of confessions. For when we confess our sins through tears, we enter the gate of the narrow life. But when after these things we are led to eternal life, we enter the courts of our gate with praises of confessions, because there will no longer be any narrowness there, when the joy of perpetual festivity has received us. On account of the narrowness of our confession, the Truth says: Enter through the narrow gate. And when the Psalmist presumed that he would be received into the breadth of eternal joy, he said: You have set my feet in a spacious place. Therefore one proceeds through the gate to the court, because one arrives at the breadth of solemnity from the narrowness of confession. Those joys, therefore, which are called courts in David, are called the inner vestibule in Ezekiel. Hence this same vestibule is said to have been measured at eight cubits. For there all are to be received who now both labor in the exercise of work and sigh for eternal joys through the grace of contemplation.
Nor is it unfitting that the measure of the vestibule is set at eight cubits, because all time unfolds in seven days. For the eternal day, which follows after the completion of the sevenfold succession of days, is indeed the eighth. Hence also the Psalmist, considering the day of resurrection, because he was about to speak of the severity of the final judgment, prefixed the title, saying: "Unto the end, a Psalm of David for the eighth." For to show which eighth day he meant—that day of tremendous terror—he continued at the beginning of the Psalm, saying: "O Lord, rebuke me not in your anger, nor chastise me in your fury." For now whoever is chastised through scourges and amended by corrections is chastised in gentleness, not in anger. But in that severe examination, all reproof and correction is fury and anger, because there is no pardon after correction. The reason for this number eight is that the Lord willed to rise from death after the Sabbath. For the Lord's Day, which is the third from the Lord's death, is numbered as the eighth from the creation of days, because it follows the seventh. Hence also the true passion of our Redeemer and his true resurrection prefigured something concerning his body in the days of his passion. For he suffered on the sixth day, rested in the tomb on the Sabbath, and rose from death on the Lord's Day. For the present life is still for us the sixth day, because it is spent in sorrows and tormented by afflictions. But on the Sabbath we rest as if in the tomb, because we find rest of soul after the body. But on the Lord's Day—that is, the third from the passion, the eighth from creation as we said—we rise in body from death, and we shall rejoice in the glory of the soul together with the flesh. Therefore what our Savior wondrously accomplished in himself, he truly signified in us, so that sorrow may receive us on the sixth day, rest on the seventh, and glory on the eighth. Hence it is said through Solomon: "Give a portion to seven, and also to eight, for you know not what evil shall be upon the earth." For we give a portion to seven and also to eight when we so arrange those things which unfold in seven days that through them we may come to eternal goods; so that while we act cautiously now, the wrath of the coming dreadful judgment may afterward be avoided. Therefore the vestibule is measured at eight cubits within, because through the light which follows after seven days, the breadth of eternity is opened to us.
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Summary
Ezekiel 40:8 provides a precise architectural detail from the prophet's visionary temple, specifically noting the measurement of the porch within one of the gates. This verse is part of a larger, meticulous blueprint revealed to Ezekiel during the Babylonian exile, emphasizing God's divine order, the sanctity of His presence, and the promise of future restoration for Israel through a perfectly designed sanctuary. The exact dimensions, even of seemingly minor components like a porch, underscore the divine origin and the profound significance of this eschatological temple.
Context
Literary Context
Ezekiel 40 initiates a new, extensive section of the book (chapters 40-48) that dramatically shifts from prophecies of judgment and exile to a detailed vision of restoration and future glory. Following the account of Jerusalem's destruction and the Lord's departure from the temple in earlier chapters, this vision, received in the 25th year of the exile (Ezekiel 40:1), serves as a powerful counter-narrative of hope. The angelic guide systematically leads Ezekiel through the vast temple complex, beginning with the outer court and its gates. Ezekiel 40:6-16 describes the intricate design of the east gate, detailing its guardrooms, posts, and thresholds. Verse 8 specifically focuses on a measurement within this gate structure, highlighting the meticulous precision that characterizes the entire vision. This level of detail underscores the divine origin and the absolute perfection of God's design for His future dwelling place.
Historical & Cultural Context
The vision in Ezekiel 40-48 was given to Ezekiel while he was among the exiles in Babylon, a people who had witnessed the destruction of their beloved temple and city. This historical backdrop is crucial; the exiles were in despair, believing God had abandoned them and that their covenant relationship was irrevocably broken. In this context, the detailed vision of a new, glorious temple served as an extraordinary message of hope and assurance. It promised not just a physical return to the land but a spiritual restoration, with God's presence dwelling once again among His people in a purified sanctuary. The use of specific measurements and architectural terms would have resonated with ancient Near Eastern cultures, where temples were central to religious life and their design often conveyed theological meaning. The "reed" as a measuring instrument was common, but its specific length (six long cubits, as noted in Ezekiel 40:5) indicates a grand scale, far surpassing Solomon's Temple, emphasizing the unprecedented nature of this divine blueprint.
Key Themes
The meticulous measurements in Ezekiel 40, including verse 8, contribute to several overarching themes. Firstly, they emphasize Divine Precision and Order. Every dimension is exact, reflecting God's perfect design and His sovereign control, contrasting sharply with the chaos and destruction the exiles had experienced. Secondly, the entire vision points to Restoration and Future Glory. This temple is a promise of God's faithfulness to His covenant, indicating a future era when His presence will return to a purified people and land, as foreshadowed in Ezekiel 43:4. Thirdly, the detailed architecture prepares for and emphasizes the Holiness and Grandeur of God's Dwelling Place. The intricate design of gates and porches, even transitional spaces, underscores the sanctity required for God's presence, ensuring proper access and reverence for the Lord who will once again dwell among His people.
Exposition and Analysis
Key Word Analysis
A primitive root meaning "to stretch," and by implication, "to measure (as if by stretching a line)." This word emphasizes the precise, deliberate act of determining dimensions. In the context of Ezekiel's vision, it highlights the divine authority behind every specification, indicating that these are not arbitrary numbers but exact, God-given instructions for a sacred structure. The act of measuring signifies order, planning, and the establishment of boundaries.
Meaning "a vestibule (as bound to the building)." This refers to the entrance hall or portico of a building, a transitional space between the outside and the interior. In a temple context, the porch served as a significant architectural feature, often adorned and leading into the main sanctuary. Its measurement, even as a transitional space, underscores the holistic and detailed nature of the divine blueprint, where every part, no matter how seemingly minor, is accounted for and holds significance in the overall design.
Meaning "a reed (as erect); by resemblance a rod (especially for measuring)." This is the specific measuring instrument used by the angelic guide. As specified in Ezekiel 40:5, one reed was equivalent to six long cubits (each being a cubit and a handbreadth). This detail is crucial for understanding the scale of the visionary temple, indicating its immense size and grandeur compared to previous temples. The use of a standard, yet specifically defined, measuring tool reinforces the tangibility and precision of the divine revelation.
Verse Breakdown
"He measured also the porch of the gate within"
This clause introduces the subject of the measurement – the "porch" (vestibule or portico) of one of the temple gates. The "He" refers to the angelic guide who is showing Ezekiel the temple complex. The phrase "within" specifies that this measurement pertains to the inner dimension or aspect of the porch, likely distinguishing it from an outer measurement or emphasizing its interior space as part of the gate structure. This level of detail signifies the thoroughness and precision of the divine blueprint being revealed.
"one reed"
This specifies the exact dimension of the porch's depth or width, using the "reed" as the unit of measurement. As established earlier in the chapter, one reed is a substantial length (approximately 10.5 feet or 3.2 meters). This precise numerical value, given for a specific architectural component, reinforces the theme of divine order and the exactitude of God's design for His future dwelling place. It leaves no room for ambiguity, emphasizing the perfect and preordained nature of the vision.
Literary Devices
Ezekiel 40:8, like the rest of the temple vision, primarily employs Detailed Description and Precision. The meticulous enumeration of measurements, down to the "one reed" for the porch, functions as a literary device to convey the absolute divine authority and perfect order of the visionary temple. This extreme precision serves to impress upon the reader the reality and immutability of God's future plans for restoration. Furthermore, the entire vision is a form of Symbolism, where the physical dimensions and components of the temple represent deeper theological truths about God's presence, holiness, and the future state of His people. The gate's porch, as a transitional space, can symbolize the necessary preparation and access required to enter God's holy presence, emphasizing the order and reverence demanded by His dwelling.
Theological and Thematic Connections
Ezekiel 40:8, though seemingly a minor detail, contributes significantly to the overarching theological message of God's meticulous care, perfect order, and commitment to His covenant promises. The precision of the measurements, even for a "porch," underscores that God's plans for restoration are not vague hopes but concrete, divinely ordained realities. This vision served to instill hope in a disheartened people, assuring them that God's presence would return in a purified and perfectly ordered sanctuary, signifying a new era of holiness and communion. The detailed blueprint speaks to God's nature as a God of design, who orchestrates every detail for His glory and the good of His people.
Reflection and Application
The seemingly dry architectural specifications of Ezekiel 40:8 hold profound spiritual lessons for believers today. They remind us that God is a God of infinite precision and intentional design. Just as He had a perfect blueprint for His temple, He has a perfect plan for our lives, for His church, and for the unfolding of history. This calls us to trust in His sovereign wisdom, even when circumstances seem chaotic or unclear. The emphasis on the "porch" – a transitional space – also highlights the importance of our "entryways" into spiritual life and community. Are our foundational beliefs sound? Are the pathways we take into God's presence marked by reverence and purity? This verse encourages us to consider the meticulousness with which we approach our spiritual walk, ensuring that every "measurement" of our faith and conduct aligns with God's divine standard. It invites us to live with intentionality, recognizing that even the seemingly small details of our lives contribute to the larger temple of God's dwelling, whether individually as temples of the Holy Spirit or corporately as the body of Christ.
Questions for Reflection
FAQ
What is the significance of the "reed" as a measuring instrument in Ezekiel's vision?
The "reed" (Hebrew: qâneh, H7070) is the primary measuring instrument used by the angelic guide throughout Ezekiel's temple vision. Its significance lies in its specific length, which is defined in Ezekiel 40:5 as six long cubits. A "long cubit" was a cubit plus a handbreadth, making it larger than a standard cubit (approximately 20.6 inches or 52.3 cm). Therefore, one reed was about 10.5 feet (3.2 meters). This substantial unit of measurement indicates the grand and immense scale of the visionary temple, far surpassing any previous earthly sanctuary. Its use emphasizes the divine origin and the unprecedented nature of this future dwelling place for God's glory, signifying that God's restoration would be on a scale far beyond human expectation or capability.
Christ-Centered Fulfillment
While Ezekiel 40:8 describes a physical measurement of a visionary temple, its ultimate fulfillment and spiritual significance are found in Christ. The meticulously measured temple, with its precise dimensions, points to the perfect order and holiness required for God's presence, a standard that no human temple or individual could fully meet. Jesus Christ, however, is the ultimate and perfect temple, the dwelling place of God among humanity (John 1:14 and Colossians 2:9). He perfectly embodies the divine order and holiness foreshadowed in Ezekiel's vision. Furthermore, Christ's sacrifice on the cross opened the way for all believers to become spiritual temples of the Holy Spirit (1 Corinthians 6:19), and collectively, the Church is built up as a spiritual house where God dwells by His Spirit (Ephesians 2:20-22). The "porch" of the gate, a transitional space, can be seen as foreshadowing Christ Himself, who is the "door" (John 10:9) and the only way to the Father (John 14:6), providing perfect access to God's holy presence, a reality far grander than any physical measurement could contain.