1 Kings 7:19

And the chapiters that [were] upon the top of the pillars [were] of lily work in the porch, four cubits.

And the chapiters {H3805} that were upon the top {H7218} of the pillars {H5982} were of lily {H7799} work {H4639} in the porch {H197}, four {H702} cubits {H520}.

The capitals on the columns in the hall had shapes like lilies and were seven feet high.

And the capitals atop the pillars in the portico were shaped like lilies, four cubits high.

And the capitals that were upon the top of the pillars in the porch were of lily-work, four cubits.

Commentary

1 Kings 7:19 offers a glimpse into the exquisite detail and artistry that went into the construction of King Solomon’s magnificent Temple in Jerusalem. This specific verse describes the decorative elements on the very top of the grand pillars that stood at the Temple’s entrance, highlighting the meticulous craftsmanship and beauty incorporated into God's dwelling place.

Context

This verse is found within 1 Kings chapter 7, which provides a detailed account of the construction of Solomon's house and, more significantly, the Temple of the Lord. After outlining the Temple’s overall dimensions and materials in 1 Kings chapter 6, chapter 7 focuses on specific, intricate features, including the two towering bronze pillars, Jachin and Boaz, that graced the Temple’s porch. The "chapiters" were the ornate capitals, or top parts, of these pillars, and their design, as described here, was crucial to the Temple's overall splendor, showcasing the pinnacle of ancient Israelite craftsmanship and adherence to divine architectural instructions.

Key Themes

  • Divine Attention to Detail: The precise description of even the decorative elements, such as the "lily work" on the chapiters, emphasizes God's desire for excellence and beauty in all that is dedicated to Him. It illustrates that no detail was considered too small in the construction of His sacred space.
  • Beauty and Artistry in Worship: The inclusion of intricate "lily work" (a common motif in ancient Near Eastern art, symbolizing purity, beauty, and life) demonstrates that aesthetic beauty was considered an integral part of the sacred structure and worship. It highlights that God values and appreciates artistry and skill employed for His glory.
  • Symbolism of Nature: The use of natural forms like lilies connects the man-made structure with the natural world, subtly pointing to God as the ultimate Creator of all beauty, both in nature and in human design.

Linguistic Insights

The term "chapiters" refers to the capital, or uppermost part, of a column or pillar. In this context, it specifically denotes the elaborate crowns of the two monumental pillars, Boaz and Jachin, that stood at the Temple's entrance. The phrase "lily work" translates from the Hebrew shushan, indicating a decorative motif resembling lilies or lotus blossoms. These floral designs were prevalent in ancient Near Eastern architecture and art, often carrying symbolic meanings such as purity, fertility, or divine favor. The measurement "four cubits" specifies the height of this decorative section, underscoring the substantial size and prominence of these artistic elements atop the pillars, as further described in 1 Kings 7:15-22.

Practical Application

While the physical Temple no longer stands, the principles revealed in its construction remain relevant. This verse reminds us that God values not only grand acts of faith but also the intricate details of our lives and service. It encourages us to pursue excellence, beauty, and intentionality in all we do for God's glory, whether it's in our worship, our daily work, or our relationships. Just as the Temple's beauty pointed to God's majesty, our lives, as temples of the Holy Spirit, should reflect His character and draw others to Him through their integrity and beauty.

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Cross-References

  • 1 Kings 7:22 (2 votes)

    And upon the top of the pillars [was] lily work: so was the work of the pillars finished.

  • 1 Kings 6:32 (2 votes)

    The two doors also [were of] olive tree; and he carved upon them carvings of cherubims and palm trees and open flowers, and overlaid [them] with gold, and spread gold upon the cherubims, and upon the palm trees.

  • 1 Kings 6:35 (2 votes)

    And he carved [thereon] cherubims and palm trees and open flowers: and covered [them] with gold fitted upon the carved work.

  • 1 Kings 6:18 (2 votes)

    And the cedar of the house within [was] carved with knops and open flowers: all [was] cedar; there was no stone seen.